In his newly rented, creepy basement apartment, Baker Bloch rezzed the entire “Wall of Ass.” created a number of years back now for the Biggie Gallery in Sunklands, only to delete most of it in favor of Salvador Dali’s last painting, “(The) Swallow’s Tail”. Seemed appropriate.
A knock at the door, then. Strange, Baker Bloch thought. No one knows I’m here yet except the landlord. Should I even answer it? It’s the dead of night. Vampires most likely. Fresh blood smelled. The knocks resumed, then a voice. “Baker, it’s me. Martin. Allen Martin. And Wheeler.”
“Nice hat, Martin,” Baker Bloch spoke.
“It’s Allen, actually. Martin is a last name.”
“Oh right. Like the bird.”
“I suppose. Have we even met? I know your sister Baker Blinker, of course. She was my landlord over in Collagesity North.”
Baker Bloch ignored the sister misnomer re Baker Blinker. “I don’t think we have. But there’s a lot of characters in the Collagesity stories now. Perhaps our paths have crossed already and we’ve forgotten. Yes — come to think of it, I believe I saw you eating alone in Perch one night.”
“I did that sometimes, yeah.”
“I understand you have a son.”
“Something has happened to him?” He looks over to Wheeler for help. “See, I was over at your apartment just last night, Martin, er, Allen. Sorry. I was called over there by Petty.”
“I see,” states Allen Martin, repositioning himself in his chair. “How’s the investigation going?”
“Queerly,” answers Baker. “Odd accusations being tossed about. Stuff that doesn’t seem possible.”
“Like what?” Wheeler remained queerly silent. Then she was gone. Baker Bloch turned to Allen Martin, who just shrugged.
“She’ll get back here,” he said. “Go ahead… continue.”
As Baker spoke, the rest of the “Wall of Ass.” disappeared behind him, leaving Dali’s paintings alone in the apartment.