“I’m worried Hucka Doobie,” spoke Baker Bloch to what was obviously his closest confidant these days, with Baker Blinker over the hill and far far away back in Chilbo with Karoz. He points to the newspaper with the missing piece.
“This plot is more full of holes than a Swiss Cheese Mountain in Ant Town.”
Hucka Doobie looks over at him with, love? She is more aware every day that he is the one. The chiseled face, the sloping debonair hat that originally came from a Rhinestone Cowboy. The leftover traits from his father Spaced Ghost, including the power bands and the, well, she’s heard rumors anyway.
“Listen to that music from the gramophone,” she said, trying to distract. “It’s called — ‘Melancholy’. Originally etched on a 4×4 magic square but in 1961 committed to a round piece of wax and released to the world. 365 singers for 365 days. And those *bells*…” She listens again, lost in a trance. Nap time, like when you meditate but can’t shut off your thoughts.
“It’s very nice, Hucka Doobie,” Baker spoke plainly in his announcer-like voice, just made for a tv or radio show. Just like his dad. “But we have *problems*.”
Hucka Doobie looked at him again. No love in his eyes for her. She knew the rumors to be false, perhaps started by Wheeler herself, the *bitch*. No, she must think peace and love and happiness thoughts. Like the Tibetans she’s been so engrossed in lately. That music — so soothing. She’s almost cutting the z’s again — but, *no*, she must stay alert. She stares at Baker Bloch once more. No reciprocation — yes, that’s what she was thinking about. Then the bells start…
15 minutes later, Baker Bloch was staring at her through the hole in the paper when she awoke. “*Now*?” he queried.