Collagesity

Later, they’re joined by New Nun and perhaps some others. “New Nun,” the male Baker declares after her arrival, “you hold the cross and the crucifix in your hand at once and thus you are valuable to this here current photo-novel, 21 in a series of 20. Wait — what number are we on now?” New Nun shrugs. Duncan Avocado answers more philosophically. “We are beyond Collagesity and the number 20. We are Sunklands through and through now, the true archive. Collagesity became too — bloated.”

“Bloated?” responds Baker, truly puzzled in the current picture.

Or was it worry.

Duncan, who cannot express facial features since he is a mesh creature, elaborates. “Your original version of a virtual village, Pietmond, was also perhaps your best, or at least best balanced. You had artists coming in from the outside and having their own galleries. Yours was only one of a number. Then the new wave of collages came for you starting in, 2013? (Baker nods). Parallel to this came the new galleries, Power Tower, Falmouth, the largest of them all, followed by the Red Umbrella followed by Boos. Before you had 100 collages in 6 series, a well rounded and contained quantity: Art 10×10 I believe you named it (Baker nods). Then another wave hit, the second — stronger and deadlier. Beware the second wave.”

Baker understood now. Before it was Kenneth Rougeau, Melodie Darwin, Mike Casey, Stegocat, Max Ernst, Baker Bloch, Julie Sadler, and others. Afterwards it was just Baker. The second wave changed it all. Forever.

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