separate

Later (or was it earlier?) he was looking at a portrait in one of the city galleries and recognized what he thought were the models. “Wheeler,” he muttered aloud, seeing the Triune that would always rule him. If he didn’t have Collagesity. He *must* hold onto Collagesity. He’ll get the crime spree under control. April Mae Flowers, yes, accomplished the actual homicides, he tried to assure himself. Didn’t work. He knew there were at least 5 active criminals in town (because of the fingerprince), despite only 3 registered residents so far. Danny, who tried to kill *him*, was, true, cleaning out his trailer, getting ready for banishment to… somewhere, Jeffrie Phillips hadn’t decided. Some place that has a lot of broken bathrooms, he he he. Or maybe where they all *worked*, ha ha ha, so he won’t have anything to do. Yes, Hell can be a place of complete, utter boredom too, he realized in the moment. So can Heaven — Heaven and Hell both… which means probably neither exists.

He must think of religion more. There are currently at least 3 active churches in town, or will be — they’re *built* is what I mean. Rezzed. There’s, obviously, the Temple of TILE, and Man About Town — MAT — certainly hasn’t given up on reactivating the old Collagesity ruling deity Carrcassonnee still up on the 3rd floor there, especially since (her replacement) Wheeler seems to be out of the picture. But all he can get out of her still is, “Iiiiiiiiii,” which may mean an uncompleted sentence about herself or maybe the “eye” that dominates her appearance. The eye is broke, he remembers — MAT told him that. That’s the 7th beyond the “unconscious” 6 prims of the body. That is the paradox of the 7 and the 6, the Sepisexton Enigma he termed it at another time. Wacky ol’ MAT, Jeffrie thinks. He’ll always be between one thing or another because of his non-fixed, variable nature. And he’ll probably never get Carrcassonnee to utter anything again except that one word, that one letter perhaps.

He looks again at the picture in the gallery and out of his thoughts. He decides (this must be later, then) that he’ll talk Charlene the Punk out of coming to Collagesity, if she hasn’t already decided herself. She has her business here, and can serve omelettes and other breakfast items in an untimely fashion. No doubt the local residents are use to such lags — heck, they may not even think about them much anymore. Like a fish living in water.

What he could even do is drop mention of Bad Kitten/Zado, Elsa, Darlene, and probably another one or two or three he isn’t thinking about. That’ll keep her here, he assumes. But he can always visit. Often. As often as all the others will allow.

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