Daily Archives: October 20, 2023

another try/revisions

“Senseless war, Speck. Redshirts a plenty.”

“Our past, Cpt.” He arches one of his non-spiraling eyebrows ever higher while checking the tricorder he holds in his hand. “Aand. Our future I’m detecting.”

“How– can… that be, Speck. I… mean…”

“I know what you mean, Cpt.” says Speck, the person playing him thinking that Don is overdoing it again. Shakespearian actors, pheh. He: a Marlowe fan. “Time… doesn’t seem to factor into the equation. Nor space.”

“Space and time, Speck,” gruffly cussed Doc just offcamera here. “Is that all your Vulcan mind can comprehend? There’s such things as *feelings*.”

He turns toward Doc and thus offcamera as well. “I understand feelings too, Doctor. I’m half–”

“Just… stop it– guys.” Cpt. again of course. “This is just– what the Daruvians want us to do. Bicker… amongst ourselves.” He turns halfway toward the camera, rubbing his chin thoughtfully. He’s hatching a plot in his mind, a play within a play. “What if… *we* become the actors they *want* us… to be.”

“Or not to be,” Speck chipped in with a rare kind of joke.

Doc — offcamera still — huffed. “You *act*, Cpt. — like the Daruvians are also anything but barbarians. They’re not, dammit. I’ve seen what they did to Jed. Right in the head in bed until he was dead.” He stares intensely at the Cpt. and then Speck. Or so I’ve been told.

“Jed was… an anomaly, Doc.”

“He was a *person*,” counters still fuming Doc. Always angry. Grumpy. “Just because he had 8 arms and a head the size of Nebraska–”

“I’m picking up on something else,” interrupts Speck, always checking for logical developments. “The situation inside the arch has slightly altered to make it a bit more interesting. The primitive weapons known as muskets… are now hoisted over their right shoulders. Not their left.”

All watched as the guns were then lowered and turned. At them.

“RUNNN!!”

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00400415

Ketchup Tom knew this day would come. End of gig; time to go. But what is time here? It was as if he’d just arrived.

He stared at what he remembered was a sim-skipper outside the window in the harbour. “Should’ve come in on that instead of Marsha’s VW,” he muttered to himself. Marsha was in the shower. *No*: Marsha insisted on renting the place next door instead of staying in the same apartment with Ketchup. She certainly hadn’t given up on Eddie, her Edward, back in Big Sandy — which we’ll be returning to soon.

Ketchup Tom knew he was The Musician. He knew he could come in but, once here, couldn’t leave, unlike so many before him. Because he was different. He and the town were like two cut out pieces of paper stuck together. Like fused leaves of an old waterlogged book found floating in the harbour. “*No*,” he insisted just as vehemently back to Marsha in the rental place next door when he came to tell her. “You have your place and I have mine. Here.”

Yellow House, he knew. He wasn’t going anywhere. Marsha would have leave Gaston by herself.

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time doesn’t exist

His attached mohawk was more pink than red before but obviously the same otherwise. Ketchup Tom = The Musician fer sure.

“I *lived* here.” Yes, Musician. You were Duncan Avocado as well, breaking the cycle of 10 to 13 to 10 to 13 over and over and over. You glimpsed sunnier 18 and you ran with it. All the way down the street to the car and outta here. But now you’re back. “But now I’m back,” the character said in the present to reinforce this idea.

Mokum, he also thinks in the present, reading the writing on the wall. He remembers that too. Red again.

“My mohawk!” he cries, also realizing the small but still significant color shift.

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