“Dancccce for me Old Swwweetback!
“You can’t get away frommm me! I have the RETAR–
STOP
GO
“And so that’s how Rudy got paired with Cane, as in Cain. Graphic.”
He’d made a good point about the 4th collage exhibited in the Concrete gallery, right on the side of his detective agency. Background source image to close, he said. We build up from there… in the past.
He went back in the afternoon that one time, just to see what would change. Investigation continues…
Filed under **VIRTUAL SL, 0050, 0113, Arkansas, Critterville
“It’s not 3 X’s in a row, Hucka. It’s 3 bunnies. Happy belated Easter btw!”
“Thank you. Are we ready to talk about Concrete?”
“The gallery, you mean. And not the WA town.”
“Correct. Should you start or me?”
—–
“Father Fecked was pointing with his possessed cane to end photo-novel 49. But he wasn’t really pointing at the Anton pin stuck in the Anson sim below Nautilus Island. He was pointing to the future, to ‘The Point of It All.’ Thus the name. We can recreate the scene in the present by looking head on at the wall separating the two and seeing both sides. See?”
“Interesting, Hucka D. Strong start for you. So… you mean he was, um, pointing to the side of the VWX Detective Agency building and not necessarily at what’s inside.”
“Both in one. But: correct again. Just on the other side of the wall from him. In the future, when the Concrete gallery was actually formed in 50 and the collage was hung there on the side of Petty’s detective agency. That’s why Petty stated he knew where to place the time machine. He was standing in it (!).
“We can even pull him directly forward through the (detective agency’s) wall, see where he’s position in respect to the collage. What’s he staring at now? A crime! Vandal, just like the policeman assigned to the town is distracted from by the passing pretty lady. Pretty can solve it, I mean, Petty. Petty crime too, perhaps. And that’s just one meaning. He *knew* where to place the time machine,” Hucka D. reinforces. “And as I’m sure you’ll notice, Petty is inside the collage too, magnifying glass in hand. He studies monsters.”
https://bakerbloch.com/2017/05/12/53217/
Baker’s turn.
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Barry De Boy heard he was in the collection and decides to check it out. No luck yet, but he’s only in the 1st room. “The Point of It All,” he uncovers the title of this work mysteriously stuck onto the side of a tiny house. Graphic Artist, he reads off of it, like user Baker B. is a type of graphic novelist. But maybe that’s just me thinking through a character again. Like a spirit I am, jumping from body to body, wheee! Even Wheeler’s, even the female. Man and wo-man alike, just like in “real life”. One of the points of it all I suppose.
Ahh, way up there! But he’s too lazy use the teleporters to get to the third floor of this particular Concrete gallery room today. Maybe tomorrow.
Soon, he finds himself again, 2 of hims, in the last room. In fact, he’s in the very last collage of the 40 piece set. “Barry Presents: Departure.” He wonders why the name has been changed. Genesis (band) to begin, he realizes, Genesis to end here (altered cover of their 1972 album “Foxtrot” to reduce, among other things, 4 horsemen of the Apocalypse down to 2). The foxy lady on her newly made island floats away from dangerous mainland.
Beginning again to double-check the image on the 1st (“Celebration: End of Rain”).
The anthropomorphic fox is obviously Peter Gabriel in a way, in a manner. Dancing with himself during his solo career, more man to woman exchange.
“Pageturner” next. Peter Gabriel understanding the loom of “Lamb” and having to escape its huge shadow. Sooo, he did! TBC
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Sunklands 