Category Archives: collages 2d

Collage 09 Interpretation 02

(continued from)

We’ve already mentioned recently that Sam Parr Model in Sam Parr collage 07 has the head of a fox: Redd Foxx once more. This would be the collage just after his first appearance in my work in the Collage 06/07 diptych of that earlier series. And this same Sam Parr Model image now appears in both parts of “Darth Redder”, and, in its second part, with the superimposed head of Redd Foxx once more (2x larger than before in respect to the body). Is this a representation of the akh or haunting spirit?

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So his head is covered with the Darth Vader helmet, but simultaneously appears on Sam Parr Model in the background to the right. The group of people in front of her from the first part of the animation have meanwhile disappeared. They seem to be the same as the floating body in front of them. We know this from a prior interpretation of Collage 07 in the new series, which contain these same images. Instead of reproducing the collages, I’ll just give links to the 2 part interpretation:

https://bakerbloch.wordpress.com/2015/05/21/collage-07-analysis-01/

https://bakerbloch.wordpress.com/2015/05/21/collage-07-analysis-02/

—–

Hucka D.:

What’s Darth Redder reaching for on the right side?

bb:

Good morning, Hucka D. I was hoping you’d show up. The tetraptych is a difficult one to interpret because of the overall complexity. I had the same problem with the Falmouth tetraptych, the first one I did. The analysis of Gilatona-Lis, going pretty smoothly up to that point, got a bit mired there. And it’s Darth Vader on the right side. Darth Redder is just a name I invented to fuse Redd Foxx and Darth Vader together. He’s reaching for… well, he had [a dancing] *Brak* in his hand. Here’s the source image. We can go from there.

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It’s the logo of sorts for the carrcass I’ve numbered “Carrcass-0”. Can I give the actual name out here?

Hucka D.:

Might as well. It’s Aunt Frylock. (pause) Isn’t it?

bb:

No. It’s [delete name]. Well, I don’t seem to be able to give the name out. Wait… silly me, that’s not the name anyway. Okay, I’ll say it. It’s [delete name].

Hucka D.:

Let me try. “Empire Strikes Brak”. How’s that? Did you hear that well enough?

bb:

Let me check the blog post (checks). Yes (!). It showed up for you. Hmmm.

Hucka D.:

It’s because I’m a Greenheader next to Red Head.

bb:

Anyway, so we have a mashup of named “Empire Strikes Back” with “The Brak Show”, like in the carrcass. The scene is Darth Vader “reaching” out to his son Luke Skywalker, asking him to join him, or to join the Dark Side.

Hucka D.:

That’s correct. Like he did.

bb:

No, Hucka D., he didn’t join his father. He stayed on the Light Side of The Force.

Hucka D.:

Well, how did he do that without getting killed? There was no way off that pole but down, and that was a mile long fall at least. He couldn’t have made it. Movie sequel over after [roughly] 1 hour. Partial price of tickets had to be refunded. You tell me how he did it?

bb (smiling):

Yes, Hucka D., you’re setting me up. We know now how Luke Skywalker escaped the clutches of Darth Vader and didn’t fall to his death. It is because he had a magic toenail and simply wished himself into at least a slightly better place. This is a gift from *Brak*.

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But where Collage 09 joins with Collage 10 we have overlapping animations, an interesting effect for certain. Darth Vader reaches out to *12 Oz Mouse* here, and there’s also another animated Brak nearby — in the same driveway that Vader’s arm extends over a bit. Is this a perfect place to segue to an interpretation of Collage 10, Hucka D.?

Hucka D.:

As good as any. We can return to Collage 09 if needed. Who lives in the white house that dominates 10?

(continued in)

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Collage 09 Interpretation 01

(continued from)

So here we go. I’m as ready as I’ll probably ever be. And Hucka D., I’m assuming, is going to help. It’s in his job description[ after all]. I call this one “Darth Redder”. It’s a two part animation, like all 4 collages making up the Collage 8, 9, 10, 11 tetraptych. Should it have an overall name? Anyway, I’ve already given an interpretation of Collage 08 (“Animation Station”) here and also here.

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“Darth Redder, Part 1”

What are we looking at here? We’re seeing the image of Redd Foxx playing Fred Sanford doing his famous heart attack routine already mentioned a couple of times recently in this blog. To remind everyone of the story — and the cruel, ironic twist about it — check here:

http://www.wikilou.com/1.20.0/index.php?title=Redd_Foxx

Foxx appeared to be making a comeback with the 1991 series The Royal Family, in which he co-starred with his long-time friend Della Reese. During a break from rehearsals on October 11, 1991, a fatal heart attack felled him on the set. Reportedly, Reese and the rest of the cast and crew thought he was doing his classic (and in this case, ironic) “I’m coming, Elizabeth” fake heart attack routine he made famous on Sanford And Son, even going as far as collapsing to the floor, although that was not part of the usual schtick. However, this heart attack was real, and Foxx never regained consciousness.

The central picture of Mr. Foxx from “Darth Redder” of course is not the picture of his actual death but the fake one from his famous Sanford and Son series. Superimposed on his torso is an actual red fox, harking back to this older post. I’ll quote some again…

https://bakerbloch.wordpress.com/2014/08/04/oracle-time/

carr01

bb (“reading” map):

A little carr. Spider. To navigate the narrow streets of Bath. Drive/Steer a Littcarr. Then something about Reddfoxx and racial issues. White… black. Take a Gander, I suppose.

And I believe that’s the first mention of Redd Foxx in this Frank and Herman Einstein! Blog. Slightly later we find that he could be one of the 6 or 7 enrollees at the short lived Sam Parr State College in Collagesity, Noru, and seemingly the only African-American of the bunch. We also find out that although he is only a straight “C” student, he still may have better entrance grades than anyone else.

Foxx appropriately then appears in several Sam Parr series collages, namely Collage 07 (a diptych with Collage 06), and then also in Collage 08. In Collage 07, he rises from the far edge of Sam Parr Lake, below a giant arching, frog tossing figure of Sam Parr Model, who seems to be a stand-in here for the primary Collagesity deity we call Carrcassonnee. He flashes an okay sign with his hand to the picture viewer. Although we have red foxes in a number of collages prior to this, we don’t have Redd Foxx himself appearing until now. He has manifested.

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In the first part of the same of the dipytch (left hand side) we have a red fox, the same image used in “Darth Redder”. This is also a new collage image (not the same as the old foxes), and is drawn by another Sam Parr who I call Sam Parr Artist (or SPA) to differentiate from Sam Parr Model (SPaM) and the rest.

samparr10real12

I consciously doubled these images in that diptych, but on opposite sides. In “Darth Redder”, the images are combined or fused in the middle. I had the feeling that the red fox in Redd’s arms is his soul or ka, perhaps to become an ahk. When it departs from his arms, he is dead, attack completed. Some ancient Egyptians believed that under favorable circumstances the ahk is created that could present itself as a ghost of the deceased. Redd Foxx himself is said to have haunted his old Las Vegas house, seized by the IRA for back taxes in 1989.

In part 2 of the animation…

collage09test96a
“Darth Redder, Part 2”

… the fox is gone, and instead we have a floating body appearing from behind a rock wall to the right. It has seemingly replaced the Darth Vader “reaching” image from part 1, and instead we find the dark Vader mask covering the face of the “dead” Redd Foxx. This is the departure of the ka from the body in my opinion at the moment of death.

Redd Foxx represents The Father, as he played in Sanford *and Son*. There he faked heart attacks. This one depicted here is the real deal. An sad faced orange m&m pendant hanging in the same tree looks on.

(continued in)

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Collage 10 (to finish!)

This is part 3 of 4 of the newest Stonethwaite tetraptych (yes, there are 2 of ’em now). I call this section of the overall work “Holey”, another 2 part animation like all the rest:

collage10test20d

collage10test21d

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Top Floor, Red Umbrella, Minoa

Animated tetraptych coming along(!).

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Snapshot2025_005

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Collage 11

I skipped Collage 10 for now and moved on to part 4 of 4 of the overall tetraptych. This collage is once again a 2 part animation, and I call it “Rainbow Men”. All grafted images originally lay solely on the right side of picture. But that changed with the addition of the rainbow m&m’s. Written interpretations soon…

collage11test95a

collage11test96a

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Collage 08 analysis 01

(continued from)

“Apparently I’m going to create a tetraptych composed of what I’m numbering as Collage 08, 09, 10, and 11 of the new series. This series is still without a name. Is it “merely” a continuation of the Embarras series on the floor below, cobbled together earlier this year? Sam Parr (the series before the last one) might represent the final “traditional” collage series based around images gathered from a particular Jasper County geographic name. I’m confused.”

Hucka D.:

Just start — or continue — analyzing the collages and let the other pieces fall naturally into place as they may. Let’s continue then with “Animation Nation.” Sorry… this is “Animation Station”. The center is the tiny Newfoundland railroad station that Finnbar McBride inherited to begin the Station Agent film. He is a wee person, and he is seen standing next to the door of the station in the second part of the animation. In the first part he is absent. Most of this animation makes simple sense, except for the human characters, which number 4 5. The rest are animation characters. They make a direct animation with themselves. Let’s list them out. Do you want to give it a shot?

collage08atest26

bb:

Sure. There’s Shake and Boxy Brown from Aqua Teen Hunger Force in the foreground. They’re on opposite sides of that rain puddle. A man with undefined face puts his hand directly in the middle of Boxy Brown’s hair. We know that this is the opposition of black and white across the puddle. You say it…

Hucka D.:

Taijitu.

bb:

Hmmm. Anyway. Let’s see. Then just sticking with Aqua Teen Hunger Force characters, we have an animated Insanoflex from the movie “Aqua Teen Hunger Force Colon Movie Film for Theaters”. What a title! Boxy Brown also makes a cameo in that film. And both, along with Shake of course — a main Aqua Teen characters as opposed to the other 2 who are more role players — appear in carrcasses. Or one carrcass, and that would be Carrcass-0. Carrcasses, Hucka D.

Hucka D.:

Yes, this is about those pesky carrcasses in part. Hard to keep their influence out of collages for long. So go ahead…

bb:

The Insanoflex is dancing atop the truck, just to clarify. His head is in the sky — transparent. All of these cartoon characters have a common source in the “Space Ghost Coast to Coast” series, Hucka D. Space Ghost and direct cohorts are sitting in a central table of [Collage 08]. Brak dances right center. He is a role player in Space Ghost Coast to Coast, but becomes the star in the spinoff “The Brak Show”, and takes Space Ghost’s Zorak with him. Likewise, “Aqua Teen Hunger Force” has its origins in Space Ghost — another spinoff show as it were.

Hucka D.:

As it is. Had to add that.

bb:

And then that leaves only Fitz the mouse from “12 Oz Mouse”. It’s kind of the successor to Aqua Teen, in turn, but only through the carrcasses in main. That is, Carrcass-1 is centered around 12 Oz Mouse, while the former carrcass was based around the Aqua Teen movie. So that’s Aqua Teen and The Brak Show spinning off from Space Ghost Coast to Coast, and the 12 Oz Mouse kind of spinning off from Aqua Teen I suppose.

Hucka D.:

Correct. [He is the] culmination.

bb:

12 Oz Mouse is closer to my sensibilities than any of it, but the late Space Ghost episodes come somewhat close. Kind of like the late Beethoven quartets. Masterpieces.

Hucka D.:

Not quite. But: yeah.

collage08btest25

bb:

So here are all those same cartoon characters in the second part of the Collage 08 animation, Hucka D. All make simple animations with their counterparts in part 1. Shake’s mouth opens and closes. Boxy Brown nods forward and then backwards. Brak dances in place. The Insanoflex on top of the truck moves its legs back and forth in a strutting motion. Then the central table with the Space Ghost characters has a mysterious guest appear on it in part 1, actually. This is Edward Swift, the Southern writer we’ve seen in a number of other Collagesity collages. The one who spent his childhood in Camp Ruby, Texas and later treated those times as a kind of Eden. He also stands for the Second Life sim Rubi and its own paradisiacal forest. Lucky is a bridge: Camp Ruby was once called Lucky, and a Lucky’s Magic Village was found in Rubi’s VWX Town, later to become part of the town’s museum. And it’s still found in Collagesity’s museum. I didn’t make up the name, however. That was just the name of the object that I found in [insert sim location] a couple of years back, I suppose — copyable. But that’s the guy that magically appears on the table. Hmmm… Lucky’s Magic Village is now on a table in the aforementioned museum… (checks) Well, actually as I’m checking inworld through Baker Bloch now, the village sits on the ground to make room for the historic map of VWX Town above it.

Hucka D.:

You are writing swell this morning. You have covered all the cartoon characters of the Collage 08. All have source in Space Ghost. Baker Bloch’s father is actually elder Space Ghost. Baker Bloch is Space Ghost’s spinoff as well.

bb:

I suppose so, Hucka D.

Hucka D.:

Baker Blinker is also possessed by Master Shake of Aqua Teen Hunger Force pictured in the foreground. Is the curse still affected?

bb:

I don’t think so. The spell was broken with the creation of Carrcass-1 beyond Carrcass-0. 12 Oz Mouse took the upper hand over Aqua Teen Hunger Force then. 12 Oz Mouse is the chief cartoon now.

Hucka D.:

Nice. What does he do in the animation.

bb:

What he always does: drink.

fitz01

(continued in)

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Collage 09

The finished, second part of the tetraptych, which I’ve named “Darth Redder”. Originally a 4 part animation, as of 5/26/15 it’s down to 2 parts now, on *par*, ahem, with the 3 other collages of the overall work.

collage09test95b

collage09test96a

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Collage 08

This one’s called “Animation Station”. Here are the 2 parts. It’s the first part of a tetraptych. See above posts for more!

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You can open each part of the animation in a separate window and then toggle back and forth to see the effect. In Second Life, the animation is built into the prim. Chalk up an advantage for SL displays.

This is the base for the second part of the diptych (tetraptych?):

collage09test01

I forgot to add that we’re back in Stonethwaite in the Lake District for this one. It’s a center, and has been featured in numerous collages before, including another tetraptych — non-animated in that earlier case, however. I plan to study up more on what went on before there. I’ll get back to ya’ll soon.

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Collage 07 Analysis 02

(continued from)

newfoundland01

“Just that close, Hucka D. The Ringling Bros. mansion and Newfoundland are only a couple of miles apart. Green Pond unites. Wee person Fin McBride was just a small 500 meter hike perhaps from the Midgetville we’ve been discussing when sitting with his friends at the house on this pond.”

And our friends are all on board
Many more of them live next door

But we must return to Collage 07. (pause) Hucka must have gone back to bed. So let me put up the first and last animation in the 4 part collage and I’ll just go from there.

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Sam Parr Model makes a return visit to the Red Umbrella collages, here in her lean-y version as seen in Sam Parr 08. There she had the head of a fox — Redd Foxx to be more precise.

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Her dark “gun”, which I assume is some sort of scarf, is there [intwined in] an outline of Sam Parr Lake in Sam Parr State Park of Jasper County, Illinois. But in the new collage she is unmasked for who she is. I am not frightened.

—–

[10 minute pause to collect wits]

In the new collage, her head lies between 2 eyes from the same person, but from different time periods. This would be Winona Ryder. The right eye is from a 1991 Rolling Stone magazine cover with red headlines. The left eye is from a 1994 Rolling Stone cover with blue headlines. We do not yet know what is behind the head of Sam Parr here. But it has already been pictured on “Fathers” from the Embarras series: it’s a joined or third eye, created by overlapping the left eye of the 1991 cover with the right eye of the 1994 cover. This is synchronicity in itself. In “Fathers,” strolling Sherwood Anderson to the left, one of the “fathers” of the collage, wears this 3rd eye as a mask or a cover. Now we can say that this foreshadows the current collage, which is just as or probably more important in ways. And the same Midgetville house appears in the new collage, transferred from “Fathers” as well. And the 7 stone rock stacking also is transferred, along with the blue and red surrounding robots… and also Baker Bloch who stands apart, taking it all in. And Peter Gabriel appearing in the left window of the animation also has a source of sorts in “Fathers” through the row of presidents extending from Lincoln’s head down to the Midgetville house there. They all wear similar suits to Gabriel’s. He is All Presidents, Hucka D. might say here.

Now part of her is still covered up in the new collage. But it’s her legs and feet instead of her head. They are obscured by a crowd of hooded people who represent Little Whitehead — the negative aspect. They seem to be staring…

Baker B. appears in front of the group, waving. This is also a transposition from “Fathers”, where we still have the body of Baker B. but the head of Abraham Lincoln. Another Father in the picture like Sherwood Anderson. Like Homer Simpson in the background leaning against a house.

Snapshot2011_001

Kink Ray Davies appears to the left, opposite Baker B. and the Little Whitehead hooded group. Above him, in the window, appears Peter Gabriel, head down.

In the second part of the animation…

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… Baker B. has move to the left side as he apparently continues to stroll across the front of the picture. He obscures Ray Davies now. Peter Gabriel, head down still, appears above. In the midst of the Little Whitehead group now extends that 7 stone stacking we mentioned before, with red and blue accompanying robots. Baker Bloch stands at the black shoed heel of Sam Parr Model. This is the Achilles heel reference again LINK. Heal and Heel should be associated.

In the 3rd part of Collage 07…

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… we have the appearance of Winnie the Pooh holding his red umbrella to the right. I assume this is Baker B. again, having walked from the left side of the picture back to the right side. An educated guess. He stares down at a red and blue body we’ve also seen before in my collages. And the Little Whitehead group has disappeared now. We can also assume this reclining red and blue figure is the same as the group, with the link being the red and blue robots and the rock stacking between them. The red and blue figure is also created by the art group Little Whitehead. The group or gang have become one. Gang of Willard?

We can also say that the body has been “prepared”.

We have seen both Little Whitehead creations before in a Falmouth Collage called (checks) “Rescue Ship.”

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“Rescue Ship”

We also have the same body in the more recent “Future Home” diptych, the collage created just prior to “Fathers”, actually. There the body seems to represent death itself, perhaps my own death in the future, when we move to Middletown and away from Blue Mountain. Or is it just the death of my existence in Blue Mountain? Anyway, that’s the past of the red-blue body. And Winnie the Pooh and his red umbrella actually lends itself to the name of the encompassing gallery, The Red Umbrella, that contains most of the collages we’ve been discussing minus one or two from the Falmouth collection. So let’s just move to the final part of Collage 07…

collage07test04d

Here the 3rd eye of 1991/1994 Winona Ryder is exposed, as Sam Parr Model disappears from the picture. Or does she? Could she be the same as Dorothy, in her own white dress, that now hovers above and also obscured the red-blue body? And what of Winnie the Pooh, who has also disappeared along with his red umbrella? I think he has gone into the body (?).

In short, this is probably another Hierogamy moment, like with the earlier fusion of Baker Bloch and Baker Blinker in Collage 04. Peter Gabriel’s head is now up, and he’s staring directly at us. What does he know? Is his third eye opened? Ray Davies now appears on the other side of the small house’s front, looking toward Gabriel instead of being directly under him. Is this a point of objectivity now?

We perhaps have more questions than answers concerning this one. We better move to Collage 08. Stayed tuned!

(continued in)

newfoundland02b

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Collage 07 analysis 01

(continued from)

bb:

So we’re just going to go ahead and move forward into an analysis of Collage 07, completed just yesterday and then polished up this morning. I’m trying to keep up with analysis this time, unlike with the last series from the first of this year (Embarras). And I’m doing it a bit different from the completed analysis of the Sam Parr series from last Fall, Hucka D., in that I seem to be interpreting as I go along this time, instead of waiting until the series is over.

Hucka D.:

Good to switch up. So here we’re in Midgetville. The collage, a 4 part animation it appears, is called “Midgetville” [itself]. And the base photo comes from a location called just that in New Jersey. Here’s a link LINK.

http://weirdnj.com/tag/midgetville/

bb:

And that’s the source of the photo I used in my “Midgetville”. And I’ve used another of those photos in an Embarras series collage, to go back to that [soon enough]. That one was called “Fathers”, I believe. (checks) Yes.

Snapshot2011_001

Back to the Midgetville article:

In 1913 circus mogul Alfred T. Ringling purchased nearly 1000 acres of land in this section of Jefferson Township (then known as Petersburg) on which to build an estate and winter home for his performers (many of whom were little people) and his animals. Nestled between the Green Pond and Bowling Green Mountains, the estate proper consisted of 100 acres, with a stately 26-room stone mansion overlooking the grounds, barns and cobblestone elephant houses.

Ringling-Manor

Today Ringling Manor is the St. Stanislaus Friary, a monastery for the Capuchin Fathers. When Weird NJ went in search of the Jefferson Midgetville we stopped in to ask the fathers [my eph] if they could give us any information which might shed some light on the fabled land we sought. Though the friars were gracious enough to give us a tour or the old mansion, they said they knew nothing of any midget colonies located nearby.

Is it merely a coincidence that a cluster of extremely small cottages is located so close to the estate where a circus that employed many little people performers once wintered? Or is it possible that Alfred T. Ringling had these homes custom built to make his tinier attractions more comfortable?

But now, Hucka D., we know another little person who came to this general area, this time an actor in the movie “The Station Agent”. This is Fin McBride, who inherited a tiny train station in Newfoundland, just north of Green Pond (as the Ringling Bros. mansion is to its west).

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Here are he and his *newfound* friends at the woman’s house actually on the shores of Green Pond[ while I have it located].

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They are rocking to “Yellow Submarine”, which was similarly destined to reach and then exist in the mythical Sea of Green of the song. A happy ending. The flip side, Eleanor Rigby, is the negative beginning, in contrast. Like…

Hucka D.:

… Like the 2 parts of “Beware…”, negative and then positive. Good.

—–

Hucka D.:

Aren’t we here?

Train_Station_at_Newfoundland,_New_Jersey

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(continued in)

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