Category Archives: collages 2d

“Give it a shot this morning to complete. So Hucka D.?”

Hucka D.:

Present. Gabriel as “Lamb” character Rael looks on at Sam Parr collage #11, which is included in Sam Parr collage #10 (as is Gabriel/Rael).

bb:

Interesting that Rael is also a religious leader, Hucka D., as I’m recalling. And, as I’m checking, founded in 1974, the same year that Lamb Lies Down on Broadway was released.

Hucka D.:

Gabriel liked that [synchronicity] as well. You will live in a box in Box and he will find you there. The snake eating its tail. Then he will know. He will have a way out.

bb:

Quote:

The beginnings of Raëlism are rooted in the claims of a French former automobile journalist and race car driver Claude Vorilhon. In his books The Book Which Tells the Truth (1974) and Extraterrestrials Took Me to their Planet (1975), Vorilhon alleges that he had alien encounters with beings who gave him knowledge of the origins of all major religions.

The movement traces its beginnings to a conference in Paris, France of two thousand people in 1974.[10] From there, the MADECH organization was born.

More:

Raël has instructed some women members to play a pro-sex feminist role in the Raëlian Church. “Rael’s Girls” is another group of women in the movement which are against the suppression of feminine acts of pleasure, including sexual intercourse with men or women. Rael’s Girls solely consists of women who work in the sex industry.[65] In contrast to the teachings of the world’s major religions, the women of Rael’s Girls say there is no reason to repent for performing striptease or being a prostitute.

Hucka D.:

You are recalling, then, how Carrcassonnee declared herself a hooker.

bb:

Yes.

Hucka D.:

The truth is many religions converge on that stage in Sam Parr[ collages] 08, 10, and 11. What will manifest there? Gabriel is studying that too in past/present/future. He is also aware of the Cross of the Lamb, and the position of [album] “Lamb” upon it. He is aware of the future Tronesis blue robot. He cannot make an animation because the red opposes him. The red may be Dark Side of the Rainbow? Anyway…

bb:

Back to Sam Parr 10.

—–

Hucka D.:

Ready to continue? We should finish this today.

bb:

Sure.

Hucka D.:

Gabriel/Rael looks on, absorbing the end of the Sam Parr series correctly. He has jumped out of the collage (fox headed woman) and becomes an observer (Rael — Gabriel sans shirt). He witnesses the seed of a new religion. Raelism. But not necessarily the one you link to above. It’s based on the Cross of the Lamb. Gabriel correctly sees that Tronesis is the movie that should have been made with Lamb. It’s a combo or mesh of Tron and Lamb, of course. Later a Tronesis robot is even formed to study the synchronicity and create New Life. This should be understood now.

bb:

Strangely, we’ll get to that, I believe, when I finish writing out Paradox II: The Chancelling for the Sunklands site.

Hucka D.:

What else is in the animation Sam Parr 10? Ray Davies re-appears in part 2 of 2 of this animation, as he appeared in Sam Parr 01. This is completion, then. He stands side-by-side and toe-to-toe with Gabriel. He is absorbing the collages as well. He is perhaps even explaining what he knows about them to Peter. Peter understands that he is SoSo. Ray understands because he is a solo act like Peter, but is better known as the front person for a famous band. The Kinks in Ray’s case, obviously, and Genesis for Peter. They are both variants — they had this option to become Sunklands variant rock stars and decided to take the plunge. So this is not actually Ray Davies but a variant that fronted the Kniks instead. And Peter is Peter SoSo.

bb:

Cool. Not fully processing that but let’s move on. We have the return, as well, of Edward Swift (sitting figure) from the Falmouth collages, Hucka D. He is with Ray at the Stonethwaite End and Restaurant [ in that series], and is with Ray again. And the big blue “E” representing the Korean Channel also returns from that same collage. And this is another animation, like that scene in the End and Restaurant. I can’t recall the number of the collage, though.

Hucka D.:

Not important. This, just to note, has been doubled with the Collagesity diner through ghosts Space, Zorak, and Moltar. They punched a hole across collage series. Now Karoz is able to go there [to Stonethwaite] and speak to Story Room directly, who run or use to run the inns there. I suppose they still do. They are just guest lecturing in Collagesity, upon Karoz’s invitation. Have you signed up for their course yet?

bb (laughs):

Not yet.

Hucka D.:

Edward Swift, who might represent Rubi or the alternate path of Collagesity had it stayed in Rubi instead of manifesting in Noru…

bb:

Yes.

Hucka D.:

He drinks a single beer. And then when Ray and Rael appear in part 2 of 2 someone has obviously drunk a lot more beer (Hucka is referring to the now numerous bottles on the same table). Edward has disappeared. I believe Edward and Ray are [a 2 part animation] of one figure, as Peter Gabriel is both woman with fox head and Rael in parts 1 and 2. The many bottles appearing now represent the passing of time — something to mark it clearly in the collage. Just as Foxtrot (album with fox headed woman) is a bit before Lamb (album with Rael character). Can you see?

bb:

Sure.

Hucka D.:

And now… a most controversial part. What are they seeing?

bb:

You mean what are they seeing appearing on that stage. Well, it’s a tiny artist studio owned by Sam Parr, artist, one of the 5 Sam Parrs who own the college through sueing rights.

Hucka D.:

That is correct. There’s Sam Parr, model, Sam Parr, artist, Sam Parr, entrepeneur, Sam Parr, park warden and hatchery administrator, and then Sam Parr… not sure of the 5th.

bb:

Well return to that. The artist’s studio is owned by the artist, however, and is flawed. It is something of a lemon. It functions as a *studio* okay, but, say, if it were a *space capsule*… (*footnote)

Hucka D.:

… then you’d have problems. Yes, it is a lemon.

—–

“We have an astronaut coming into focus in the picture as Gabriel stands back and looks at Sam Parr 11 within Sam Parr 10. The astronaut becomes “focused in” as the artist studio in Sam Parr 11 becomes out-of-focus. The same picture statuses are reversed in the first part of the Sam Parr 10 animation, with the studio being focused and the astronaut not.”

Hucka D.:

This is important. Why is this so?

bb:

It’s dangerous for both to be in focus [at once].

Hucka D.:

Yes, that is correct. What else?

bb:

The picture predicts that the events symbolized in the second animation will become understood in the near future. This is what Ray and Peter see as well.

Hucka D.:

Correct again. What else?

bb:

Kubrick *saw* this too.

Hucka D.:

Correct. What else?

bb:

He saw murder. [Delete name] was right. The VW car [at the beginning of The Shining] was a lemon, per Andy Warhol’s famous print.

Hucka D.:

Redrum was just the opposite side of the door. Backwards, from the bathroom, it spelled the name forward and correctly. Correct.

bb (studying):

That might be the message of the “E” in the collage as well, which has a front and back, depending on what side of the Korean Channel you want to look at. And that “E” is probably the seed for the TILE religion as well. It contains all letters except 4. But those 4 are explained for by other means.

Hucka D.:

Fred knows. Watts. Watts.

—–

(*footnote): see here:

http://samparrart.blogspot.com/2010/11/studio-progresses-albeit-slowly-and.html

I realise now I should have paid more for the summerhouse in the first place! If you are thinking of getting one, I do not recommend purchasing one online from Homebase for around £500. It was rubbish, did not slot together correctly and has cost almost as much again in making good. The roofing felt was rubbish and needed to be replaced, the walls did not fit, etc etc, I could go on.