Baker searches for answers within Floydada, perhaps in vain or at least Washington, D.C.
10:51pm update:
I now think that the position of the 3 yellow submarines in Greenup 16 (and the parallel 3 burning cars of Greenup 15) might be related to the several successive master number locations on Tiretta’s Bank of Despair, as Hucka Doobie has dubbed it, perhaps specifically to Baker’s 3 expanded master number series there of 35, 36, and 37 all. See here for an illustration.
Filed under **VIRTUAL SL, collages 2d, Heterocera
Some thoughts while I have them in my head upon rereading old blog entries about this most central of all Frank Park locations, it seems.
Hucka D.:
I am here to help. You have Grey Rock, you have Seal Stone. You have No Title Spring. You have the yellow brick road leading to the 50 bottles region no more [“Goodbye”]. You have The Rocky Trail, which goes into and beyond Grey Rock. You have Rock the Rocket Man, who crash landed next to Green Stream and took The Rocky Trail to Green Turtle. Green Turtle was also known as Green Parrot. On this same finger of land is found Edward Stone, a bleedthrough of Edwardston, which also happens to be near a Green Turtle[ in Mythos].
bb:
Which of the stones is Seal Stone, Hucka D.?
Hucka D.:
A choice. Some people go both ways — and so forth.
bb:
I think I see. ‘Course the names could have shifted around. What about the Orange Hill?
Hucka D.:
Castle Dundee. Home of Mr. and Mrs. Dundee. Who owned the dingo.
bb:
Is there, then, a Line of Dundee?
Hucka D.:
Might be.
bb:
High Octave Castle, then.
—–
dingo rise/fox fall
—–
bb:
And then just a little more — I think Rock would have found The Grave and thought it to be Whitehead’s, the originator.
Hucka D.:
Marble City. Marble Falls.
bb:
Whitehead X-ing is such a complex area!
Hucka D.:
You build on Fantasia Brick Road and take it to the next level. Also: Fairy House. Like Elton John is a famous fairy, in a positive way.
bb:
The [diamond patched] tail wags the dog.
Hucka D. (correcting back):
God.
http://davewainscott.blogspot.com/2011/01/peter-gabriels-mercurial-disruptive.html
—–
4/23/13:
“The evergreen grass atop the finger of land between Little Whitehead and Whitehead Brook, Hucka…”
The same post talks about Rock’s grave, which is not his grave in the production shots of “Fade to Moss”. Wonder where Gene Fade is on that?
Rock’s grave, however, obviously strongly resonates with the tiny Dogpatch Cemetery only found very recently. Rock, I believe, would have stumbled upon it — could have stumbled upon it — in his explorations of the area.
When does Rock created his twisty turny tale, where he’s a bad guy instead of a good one? It’s to disguise his whereabouts and doings. He thinks like a syncher.
Do the yellow bricks hidden at Tinsity come originally from Whitehead X-ing?
I believe that Herman Park’s Billfork originates in Whitehead. Mossmen used the Spoon Fork portal system to reach Green Stream and the Korean Channel. At the upper end of the Korean Channel is Whitehead X-ing; Jeogeorock, which is Grey Rock. Had the Mossmen already found other jeogeorocks? Possibility. They traditionally come from Moss Most, an original settlement far up Spoon Fork from Frank Park, just at the edge of where it knives toward Frank Park and the portal system. Then they reached another historical node at Mocksity, downstream, then also Notherton across The Way. This is where knife truly acts as a medium between formerly cross Spoon and Fork. Perhaps The Way had not even been created (until then?) — makes sense. Gene Fade, eventual actor in all those Salad Bar Jack adventure movies, born at Jupiter Rock above Nothernton, on what is called simply Gene Fade’s Mountain in this here blog. Some say the red spot on the rock is a jewel, perhaps a ruby. But related to this one found in Second Life on the yin-yang style Bracket Islands of the Corsica continent [LINK]. Gene Fade used [My Second Lyfe] avatar Karoz Blogger to create the ruby or jewel (or a virtual rendition of such?), with, again traditionally, 32 prims or 32 facets. This is the Korean Channel. Gene Fade must have learned about the fabled Korean Channel while growing up in this Jupiter Rock/Notherton area. It was an ultimate destination, like Utah or Deseret was for the Mormons. Gene Fade desired greatly to go to this Korean Channel with its Green Stream (full of emeralds and rubies and diamonds?).
News came from afar that the Korean Channel had been sealed up for the spring/summer months. Mossmen settled in Red Head beyond the upper end of the channel, but still on Green Stream. They hid… their avatar bodies able to move through the thick rhododendron, but allowing no human humans access (like me!). Mossmen first made friends with The Bees (like Hucka Doobee) at neighboring Greenhead, strongly resonating with the honeybee name origin of Deseret in fact. There was a confusion about colors… with Red Head at the head of Green Stream and Greenhead at the head of Red(stream) [LINK: MISSISSIPPI]. Another essential energy was added to the mix with the crash landing of Rock’s Rocket at the upper end of the Korean Channel, or at the lower end of Whitehead X-ing — what would become this city. He used The Rocky Trail to move into Whitehead Crossing proper (all the imp. rocks along this path have become legendary) and settle not in the modern version of the city but at the old Green Turtle/Edward Stone region between Whitehead and Little Whitehead. The crash would open up a portal to Maine as well, allowing a single fairy to escape from Monhegan Island there (through the overlapping Little Whiteheads). This fairy, larger than any of the rest on that island, was a psychic double to Rock, and created his home in the fairy meadow on the east side of Green Stream from the crash site. Rock’s crash also highlighted the importance of Grey Rock and its accompanying Seal Stone.
But since Rock created a twisty-turny tale, disguising his actual story, the fairy could have also been Rock himself instead of his double.
Continuing this Maine-Whitehead X-ing parallel, we have the Maine Trail, a play on words of Main Trail, which would be the main trail of the area, to the west of Whitehead X-ing and connecting Jacob I. Road with the now paved or asphalted Twisty-Turny Road (just coined!).
Before I forget, there’s also probably a Crocodile Rock in Whitehead X-ing — maybe it is the same as the Green Turtle/Green Parrot, or yet another variant name of this formation.
The could have even been a battle or a war over what the name was for this particular formation (Green Turtle vs. Green Parrot).
Back to Rock… he would have passed Grey Rock with its Seal Stone on the way to Little Whitehead. He would have crossed Little Whitehead and entered Edward Stone proper (or whatever the town was named then — perhaps Green Turtle?) on the old fairy bridge (made by fairies but apparently the smaller or more traditional type). The fairies were hired from Monhegan Island (by whom?) So this “fairy bridge” becomes legendary and attached to Rock’s legacy as well. Another tradition says that he crossed into Edward Stone from the larger bridge at the present source of Little Whitehead, and over which you can clearly see the green turtle formation.
Revision: If the village is named Edwards Stone, then I think this means the Green Turtle oriented people won the war over the Green Parrot favoring tribe, who instead maybe moved upstream on Whitehead Brook to Rock’s Meadows and Rock’s Rocks, the upper limit of Whitehead X-ing. Rock would eventually make this his people instead of those at Edward Stone favoring the Green Turtle treatment of the formation. This is also like the Green Parrot province of Mythos upsteam on Edward Creek from Green Turtle and Edwardston. Green parrot would have been the shape of the formation for, say, a *normal sized human like Whitehead.*
Some variations of the story have The Rocky Trail paved with yellow or gold bricks, but this is false most likely — road too small or narrow? Instead the gold brick road was the old entrance into Whitehead X-ing, when Old Whitehead actually lived there. *Is* Old Whitehead buried at tiny Dogpatch Cemetery? But the story is certainly similar to Dorothy’s entrance into Oz — the crashed farmhouse is Rock’s crashed spaceship; the Rocky Trail is at least symbolically the Yellow Brick Road, and Seal Stone is the Scarecrow, who doesn’t know which rock is named such (some people go both ways, etc.). If there are parallels to Munchkins, they would be the meadow fairies. Back to Grey Rock and Seal Stone: the phrase “rocks for brains” also could be pertinent. Then Edward Stone is the Emerald City, complete with skyscrapers at the time. In fact, it had an unusually *high* proportion of skyscrapers to regular buildings. The population was about 20. The population use to be 40, but was cut in half during the Green Turtle-Green Parrot battle/war, which ended in a draw. Therefore the population simply refers to it as part of the larger Edward Stone, and the city changed its name accordingly. Another mysterious part is the Orange Hill or Orange Cliffs, on which the Dundee Castle is perched, where Mr. and Mrs. Dundee lived. Their dingo use to be sighted as descending the cliffs, only to come back up as a fox. Or visa versa. The legend is in many art pictures of the period.
Dingos descending represents the passage of life into death. Foxes ascending (to the Plane of Dundee) is death into life. They are Newborn on the Plane. They die at the bottom of the cliff where it meets Whitehead Brook. All this could be seen from Knobby Log, which was also inhabited. Knobs were homes — wood fairies once more?
Then it would be sacrilege to give No Title Spring a name, according to the fairies (?).
What did Rock find in Edward Stone? He found a population struggling to recover from the Green Turtle/Green Parrot wars. He made his home high above the town, but was able to see its skyscrapers still, so high they were. One skyscraper held the Art 10×10 (Wheeler-Jasper series). More fox-dingo images were within.
“Cliffs of Dundee” (Waverly Knapp, c1812)
actual cliffs — not so high
Hucka D.:
There was an alignment of art galleries. And perhaps labyrinths at the same time. The Line of Art it was called. 39 people use to live in Edward Stone, and also 0.1 of a person known as [delete name].
“The Fairy?” I proffered.
Hucka D. (continuing):
The range was 38.9 to 39.3.
bb:
39 point 3 point what?
Hucka D. (ignoring the silly baker):
The line ran across the Castle Dundee to Edward Stone, atop the Knobby Log. Because it was on the line, Castle Dundee was required to become an art gallery in due time. It resisted.
bb:
Why?
Hucka D.:
There was a famous painting of the Panama Canal by Waverly Knapp (c1812), but was defaced by Rocket Man and his Rocket with “Sirius or Bust” scrawled upon its side. Mr. Dundee did not understand that this was part of the art, and painted over it.
bb:
Crocodile Dundee!
Hucka D.:
Correct. Of “Crocodile Rock” fame. Dundee and Alligator on opposite sides of a county.
Ocahoma: 61×49!
—–
One important collage of the Art 10×10 was stolen from baker b., in turn, by a former art school acquaintance named Waverly Knapp (c1812). baker b. himself stole part of this painting-disguised-as-a-collage for his Gilatona-Lis series (c1812). Mouse Island was seen as the destination of death, where the fox descended down to from the Plane of Dundee and its Dundee Castle. This is also the Promised Land (of Gill’s Pier). To keep from entering the promised land too soon, baker b. avatar must move the Pier’s Gill wagon atop the Cliffs of Dundee, a difficult task in the painting but easier in actual life (cliffs not nearly as high as in the painting). Important also is the triangle of elements in the painting “Cliffs of Dundee”. Critics knew that the green mouse of the painting was R. Booger Hayes’ Mouse Island, and the Promised Land where the true nature of the island is allowed to “play out” (like the green mouse plays the guitar in the painting). The children around him are [white-ish] rocks — Rocks Von Trapp. The Green Mouse is also known as Captain or Capitan. He earns this title in the Promised Land.
Hucka D.:
Also obviously important are the images of Green Turtle in painting. Oil painting was seen as highest art, like the high castle of Dundee atop the cliffs. Mr. Dundee, the person of High Octave (Art), made sure this was understood. So the collage formerly known as Jasper 04 became the oil painting known as the “Cliffs of Dundee”. In this way it is much like Max Ernst’s Elephant of Celebes, an oil painting also based on collage principles, and perhaps also indistinguishable from a collage from afar.
bb:
Check this out, Hucka D.:
Filed under **VIRTUAL SL, collages 2d, Frank Park, MAPS, Mississippi, Whitehead Crossing
Along with images taken directly from GoogleEarth Streetview, Brian Robert Marshall’s UK geograph photos make up the bulk of primary or base location shots I’ve employed for reuse in the Gilatona-Lis collages. I’ve talked a bit about the history of this borrowing here, an extension of my “Baker Bloch in England” 2010 project. More Gilatona-Lis sources coming from UK geograph include pictures from Des Blenkinsopp and Andrew Smith.
Below I’ve attempted to identify all the source links for location photos used in Gilatona-Lis collages, including the contributor’s name and whether it plays a primary or secondary role in a specific collage. Note that a number of the collages mix several different sources of this kind, Lis 01 and Lis 03 being extreme examples here. Whatever the source, almost all primary and even secondary locations are from Wiltshire County, England, an area famous for megalithic sites, white horses carved in hillsides, and crop circles. That is, if we discount virtual locations from Second Life (Gila 05, Gila 07, Latona 01).
For time’s sake, I will not attempt to track down other images used in Gilatona-Lis — like cartoon figures; too many.
So here goes!
—–
http://www.geograph.org.uk/photo/1910760 (Blenkinsopp) secondary
http://www.geograph.org.uk/photo/608208 (Marshall) primary
http://www.geograph.org.uk/photo/1848699 (Blenkinsopp) primary
http://www.geograph.org.uk/photo/1947157 (Blenkinsopp) secondary
http://www.geograph.org.uk/photo/1947135 (Blenkinsopp) secondary
http://www.geograph.org.uk/photo/1910785 (Blenkinsopp) secondary
http://www.panoramio.com/photo/23374221 (Collin West) primary
http://www.geograph.org.uk/photo/1848699 (Blenkinsopp) secondary
Gila 09 (this is a picture of the photo from Second Life)
http://www.geograph.org.uk/photo/609670 (Marshall) secondary
http://www.geograph.org.uk/photo/608208 (Marshall) primary
http://www.oldbarnyoga.co.uk/images/TheOldBarn_2.jpg secondary
NOTE: Gila 06 & 10 employ the same background image & create an animation effect when combined. Such animations are common in the collages of the Art 10×10 (2004-2009).
http://www.geograph.org.uk/photo/408862 (Smith)
http://www.panoramio.com/photo/16059362 (purplekitten) primary
http://www.geograph.org.uk/photo/834226 (Marshall) primary
http://www.panoramio.com/photo/24339635 (Steve Gayler) primary
http://www.panoramio.com/photo/16059575 (purplekitten) secondary
http://centreportal.blogspot.com/2008/10/oz-born_17.html primary
https://bakerbloch.wordpress.com/2013/01/25/misc-pics/attachment/52369665/ (Marshall? — unable to find source photo location) primary
http://www.geograph.org.uk/photo/409328 (Marshall) primary
http://www.geograph.org.uk/photo/409337 (Marshall) primary
http://www.geograph.org.uk/photo/409354 (Marshall) primary
NOTE: Latona 08 09 10 is a triptych, based on 3 Marshall photos near the same location (West Woods)
http://www.geograph.org.uk/photo/2387363 (Marshall) primary
http://www.geograph.org.uk/photo/2387298 (Marshall) secondary
http://www.geograph.org.uk/photo/2386590 (Marshall) secondary
http://www.geograph.org.uk/photo/2387342 (Marshall) secondary
http://www.geograph.org.uk/photo/2387345 (Marshall) secondary
http://www.geograph.org.uk/photo/950005 (Marshall) secondary
http://www.geograph.org.uk/photo/2387438 (Marshall) primary
http://www.geograph.org.uk/photo/2387342 (Marshall) secondary
http://www.geograph.org.uk/photo/2388037 (Marshall) primary
http://www.geograph.org.uk/photo/2387393 (Marshall) secondary
http://www.geograph.org.uk/photo/2387400 (Marshall) secondary
http://www.geograph.org.uk/photo/2387404 (Marshall) secondary
http://www.geograph.org.uk/photo/2387413 (Marshall) secondary
http://www.geograph.org.uk/photo/2388024 (Marshall) primary
NOTE: Lis 03 04 is a diptych, based on 2 Marshall photos at the same location (Devizes)
http://www.geograph.org.uk/photo/382881 (Marshall) primary
http://www.geograph.org.uk/photo/382855 (Marshall) primary
http://www.geograph.org.uk/photo/1744705 (Marshall) primary
http://www.geograph.org.uk/photo/382881 (Marshall) secondary
http://www.geograph.org.uk/photo/885306 (Marshall) primary
http://www.geograph.org.uk/photo/885302 (Marshall) primary
http://roy25booth.blogspot.com/2010/09/shining-button.html primary
—-
And I suppose this is a good enough place to give the links to all the Gilatona-Lis interpretation pages…
https://bakerbloch.wordpress.com/2013/02/02/gila-interpretationassociations-01/
https://bakerbloch.wordpress.com/2013/02/03/gila-interpretationsassociations-02/
https://bakerbloch.wordpress.com/2013/02/05/gila-interpretationsassociations-01/
https://bakerbloch.wordpress.com/2013/02/06/gila-interpretationsassociations-04/
https://bakerbloch.wordpress.com/2013/02/27/latona-associationsinterpretations-01/
https://bakerbloch.wordpress.com/2013/02/28/latona-associationsinterpretations-02/
https://bakerbloch.wordpress.com/2013/03/07/latona-interpretationsassociations-03/
https://bakerbloch.wordpress.com/2013/03/07/latona-interpretationsassociations-04/
https://bakerbloch.wordpress.com/2013/03/11/latona-interpretationsassociations/
https://bakerbloch.wordpress.com/2013/03/12/lis-interpretationsassociations-01/
https://bakerbloch.wordpress.com/2013/03/13/lis-interpretationsassociations-02/
https://bakerbloch.wordpress.com/2013/03/13/lis-interpretationsassociations-03/
https://bakerbloch.wordpress.com/2013/03/13/lis-interpretationsassociations-04/
https://bakerbloch.wordpress.com/2013/03/18/lis-interpretationsassociations-05/
https://bakerbloch.wordpress.com/2013/03/25/lis-interpretationsassociations-06/
https://bakerbloch.wordpress.com/2013/03/21/falmouth-interpretationsassociations-01/
https://bakerbloch.wordpress.com/2013/03/22/falmouth-interpretationsassociations-02/
https://bakerbloch.wordpress.com/2013/03/26/falmouth-interpretationsassociations-03/
https://bakerbloch.wordpress.com/2013/03/26/falmouth-04-interpretationsassociations/
https://bakerbloch.wordpress.com/2013/03/28/falmouth-interpretationsassociations-05/
—–
PHEW!
Filed under collages 2d, Wiltshire
(continued from Falmouth Interpretations/Associations 04)
“Don’t you think the triangle Baker Bloch is staring at or has just looked away from below represents the Summer Triangle?”
bb:
Could be Hucka D. The Bee.
Hucka D.:
In Falmouth 02 which you’ve just inserted above, Baker Bloch is also on one end of a [larger] triangle himself. Again this is the central region of the Koch Star [or Silbury Star] crop circle from 1997. But this is also one of the 2nd iteration triangle of the 4 part process Glick describes therein…
bb:
That’s Glickman. Michael Glickman.
Hucka D. (continuing):
Then…
bb:
Hold on, Hucka D. I just want to point out that Glickman, in that article, also states the diameter of the circle of meditators would be 0.222 of the circle containing the entire star. I’m remembering that the clock in Falmouth 03 has a time of 2:22.
Hucka D.:
Good to point out. So continuing —
bb:
The clock on the roof in Falmouth 03 and the circle of meditators on the roof in Falmouth 01 are the same.
Hucka D.:
Right. Now I’ve lost my train of thought. But thank you… good to point out once more.
bb:
Sorry.
Hucka D.:
The circle containing the overall star crop circle would be the same as a circle around the large triangle, or iteration 01. The diameters relate in the ratio 2:9. The Rockley rock engraving in Falmouth 02 is also related to the Koch star. More triangles — the 3 triangles of the 2nd iteration from that article. The Sound of Music children look on, as they looked on before (in Latona 03 04) when The Mouse was playing guitar, perhaps a song written for him by Shark, even. They are discussing the song, perhaps, in Falmouth 03. Is it about corndogs?
bb:
Not sure Hucka D.
Hucka D.:
Then the Big Cabin with its Big Chimney across the road from this rock — still in Falmouth 02 here — is branded with the Rockley white horse, since lost as it were. We know the location, though. It too is the same as the rock it seems. Perhaps they are companion rocks, even, like the 2 Avebury stones of Falmouth 03, on its left side. And then you’ve already pointed out the shape of the right child in Falmouth 03 mirrors the taller of these 2 Avebury rocks. So the other child, covered now by the smoking President Hayes, is the squatter, fatter rock. See?
bb:
Seems to be so, Hucka D.
Hucka D.:
If the chicken or Baker Bloch with chicken or *chichen* legs is crossing the road in Falmouth 04 to get to England from President R. Booger Hayes’ US of A, then the return trip back to Amereca is signified in the reversal of the rock crossing the road in Falmouth 02. The Rockley rock, travelling backwards now, becomes the Big Cabin, still with a Rockley horse on it to signify the association, but a US of A image still — this is suppose to be Hayes’ cabin on Mouse Island with its large chimney, which is attached to Masonic Mysteries now. You start the cycle over — you head back to the US of A and the grind dominated by the 2:22 clock with Shark present and you The Mouse again. It starts all over. But *now* you know you can escape once more. You see the other side. So you can deal with it better. And Shark understands as well. This is the main lesson of the Falmouth series, finally. And it all aligns with Deneb and Cygnus as Thom pointed out. Collins reinforces and reinvigorates. Bart with his arm — where you wear a watch after all — is telling Baker Bloch that its time to go home, back to his US of A and the daily grind. Now you must deal with the mysterious of the Big Chimney. Can you see?
bb:
Think so. Kind of.
Hucka D.:
The hand projects from the chimney( in Falmouth 03). Also in Falmouth 03 we have 2 picture elements coming from Frank/Herman Parks, specifically Methril on Thrill. More specifically The Diamond rock and then a moss formation that looks like a mouse eating some cheese (lichen). He’s liken it.
bb:
Clever.
Hucka D.:
So obviously the moss mouse is eating the cheese and is the same as The Mouse talking to Shark and attempting to interact with the corndog on the roof behind them. Has The Mouse taken The Bait?
bb:
Unsure Hucka D.
Hucka D.:
The brick wall( around the house) certainly seems to be a trap for Mouse, caught by Shark.
bb:
It’s the 8-5 grind again, Hucka D., dominated by a clock. The Clock. We’re stuck in 2:22 unable to reach 2:23 and freedom.
Hucka D.:
There is a separation of Prez and Mouse here. Shark is attempting to tell Mouse that not that he doesn’t like corndogs but he doesn’t like *county seats*, or at least 2 county seats in the same county. You know what this means.
bb:
I might Hucka D. 2 locations. The Shark doesn’t like two centers for the same department.
Hucka D.:
She/he’s going to have another go at it with New Guy. In Ozmo, New Guy shows up in episode 2 I believe. You can check that now if you wish.
bb( after checking):
He shows up at the end of episode 2, “Signals”.
Hucka D.:
A great episode. They’re all great. A fine product produced by your US of A, along with the Smipsons. And that’s about it. Zapple, Smipsons, Ozmo, Fire at the Theatre’s Side, couple grunge bands, Hooked On Phonics, and that’s about it. Oh… Igor Stravinsky.
bb:
I think he’s Russian, Hucka D. Although he lived for a long time in Los Angeles I believe. Schoenberg, his arch-enemy, resided there as well.
Hucka D.:
The Viennese Triangle, I remember. 12 atonals all. Latona — atonal. Do you think the 12 tones Schoenberg had to treat so equally to avoid key signatures has to do with the 12 hours of a clock and the 12 triangles on Shark’s roof? For this is Shark’s home in Falmouth 03.
bb:
Again: might be.
Hucka D.:
I think it is a black hole — this loss of tonality. You do not have a key signature. You have this blog, your creativity, yet you have a grind it out job. Edna is feeling it too — more than you. You must escape. You must re-center. New Guy.
bb:
Thank you.
Filed under collages 2d, Wiltshire
(continued from Falmouth Interpretations/Associations 03)
“Don’t you think this is you as a certified professional in the future.”
bb:
Yes Hucka D. Thanks for the lead-in.
Hucka D.:
You’re welcome. One of my tasks. This is future stability. On the other side, in Falmouth 03[ opposite of the Falmouth series “circle”] you have the present situation, or what happened in late November or early December. You have a breakdown of communications on both sides. You have the boss or the prez, Shark, talking to The Mouse. Prez *hates* corndogs. This is what he or she is pissed off about. The Table is not getting done. And yet very ironically *you* have your own kind of parallel table that’s not getting done. You see?
bb:
Yeah. The Table.
Hucka D.:
The Clock is the 8-5 grind you’re trapped in, like most of the rest of us working slobs. This is your job. You are the worker and shark is the boss. You are Mouse.
bb:
Yes.
Hucka D.:
Perhaps you cannot get on your tiny tip toes to retrieve the corndog that has a hand up on this roof, inside the triangles that represent a clock as well. The hand points to one, but the hand also points to the actual clock in the collage, the one frozen on the minute of 2:22. The clock cannot move to 2:23. You are stuck, like Groundhog Day and Phil within.
bb:
Yes. I’m better at listening now.
Hucka D. (continuing):
As you also realize now, this is your situation in your US of A, where you live, where you work. The street is the Big Pond. Crossing the street like a chicken or chichen equates with heading to England now. You must go!
bb:
Yes. Just found out there’s no backing out now. Excitement! No regret.
Hucka D.;
Good. When you get to England and center yourself over there, apart from your US of A, you will understand the future role, the certification. It’s not exactly what you think.
bb:
What I don’t want to happen is me being pushed out of my present position.
Hucka D.:
That won’t happen. Now. You and the New Guy will get along smoothly. He will see the real you… doctor. And you are clearing up your act. Balance. England plays a great part in that. No, you will not be able to leave your US of A for 8 more years. Yet you must prepare for the inevitable — retirement. Now. You will always have your Frank, your Herman Parks. That will not leave you. Then you plug in that to the whole England scene and the crop circles and the activating megaliths.
bb:
Did you say activating?
Hucka D.:
Yes. Everything is warming up. The past will be the present will be the future. (pause)
bb:
Activate, huh.
Hucka D.:
Back to the collage, this is you in the future. You are both the man and woman, like Ozmo’s Man/Woman that Roostre knows about. Okay?
bb:
Alright Hucka D.
Hucka D.:
Andrew Wyeth’s Cristinia is a direct reference to Cygnus and its x-rays through Rush, Missouri. Alright?
bb:
Yeah. So Bytor’s collages are another pointer. I must protect the history of the Golden Age of Synching, Hucka D.
Hucka D.:
Okay. Alright.
bb:
And we’ve already talked about how symbols and images from The Barge have sort of been imposed upon the Red Lion pub of Avebury, kind of like the former has taken over the latter. And the red haired being is behind all this… including the Rockley rock art in Falmouth 02. So we have the Croppie beer logo attached to the front of the Red Lion, the elements from the poster — saucer and white horse, on another Red Lion building, and then the red haired being’s hair covers the actual Red Lion logo on the side or front of the building. This *is* the Red Lion, or the true Red Lion — what it could actually be.
Hucka D.:
A center or watering hole for crop circle studies. (pause) The drunken beer in the front has a prominent black hole that peeks through into another dimension through the white foam. This is Cygnus X-1 again. Then there’s the relationship between Cygnus X-1 and Cygnus X-3: even though they’re far apart in actual space, they appear close together from our Earth angle in the constellation[ of Cygnus]. And now you know that the only carving on any of the Avebury stones is of a swan. Fantastic. Avebury itself is aligned to the brightest star of Cygnus in Deneb.
—–
http://en.wikipedia.org/wiki/Avebury#Purpose
Alexander Thom suggested that Avebury was constructed with a definitely indicated site to site alignment with Deneb.[39]
—–
(continued in Falmouth Interpretations/Associations 05)
Filed under collages 2d, Wiltshire
(continued from Falmouth Interpretations/Associations 02)
bb:
Hucka D., we’re going to inexplicably switch back to Falmouth 01 to continue our interpretations/associations here. We started with Falmouth 04. The Falmouth Interpretations/Associations 02 post was a bust.
Hucka D.:
Yes. Put up your picture and I’ll take over. No need to overexplain things, mr. b.
bb:
Thanks for saving me once more. (smile)
INSERT COLLAGE PICTURE
Hucka D.:
“We…” covers a log of ground [ for Falmouth 01]. (pause to read) Well, the collage picture has changed a little since those older interpretations, baker b. *The* b.
bb (pointing):
You’re the b.
Hucka D.:
We’re both b’s, then. (points to both b’s) Let me see… lost my place.
bb:
We’ve got to make a solid start at this interpretation today. Another solid run, I mean. April and its fool days are quickly approaching (!) But it feels like January.
Hucka D. (singing):
When it’s hot, it’s hot. When it’s not it’s not.
bb:
Fantastic. So… Falmouth 01?
Hucka D.:
(pauses to read more of “We…”) See I was singing in that old post as well.
bb (trying not to get sidetracked again):
Yeah I remember. (pause)
Hucka D.:
Let’s just start with the circle of meditators up on the Red Lion pub’s roof on the right side of Falmouth 01. This is Falmouth 01, and this is the 1st or 01 iteration of the Koch star crop circle we discussed previously, baker b.
bb:
Yes.
Hucka D.:
Falmouth 02 contains the 2nd iteration, Falmouth 03 the 3rd[ of the same], and Falmouth 04 the 4th. The entire Falmouth series in its 4 parts actually is the same as this circle, or equates with it. Through this one circle it relates or equates with all [crop] circles. It is whole and complete unto itself. The trouble is, then, finding openings of interpretation. This is different. And now you have the Falmouth Creek factor to weigh in. Falmouth Creek and its Old Baker Settlement is turning out to be directly linked to your brand new PGT Town.
bb:
That’s PTG Town, but — yeah.
Hucka D.:
A nodal point has been discovered — uncovered. This is like the center of a crop circle. There is also a circle in Old Baker Settlement. It is a metal circle you found on the ridge of broken glass neighboring TILE Cabin on this same creek. You took the metal circle along with the 34-36 bottles and placed them in Old Baker Settlement, then. The park ranger saw you doing this, but he didn’t *see* you doing this.
bb:
Yeah, that was odd. If it was the park ranger I saw before.
Hucka D.:
PTG may be like PIG. You better check…
bb:
Thanks. (checks) Not sure.
Hucka D.:
Thank you for checking anyway. You have pieces of a puzzle for this one. You have symbolism within the Lis series. Lis 01 depicts a woman who is in one strong way Baker Blinker, who wears purple and is standing in front of a gravestone to the right in the collage. In Lis 02 she is joined by a blue clad man, again on the right. In Lis 03 04, the blue clad man is alone, and is standing in front of not a gravestone, like the [companion] woman of Lis 01, but a strange thing at the center of a Brian UK geograph photo — I won’t even bother to remember his last or middle name this time —
bb:
Thank you. (smiles)
Hucka D.:
This strange thing you know is representative of the Cygnus X-1 system, a regular white star and then a proven black hole. Proven by your scientists. The black hole is the eye that is attached to the dough-like being to *it’s* right. This the blue clad man meeting *Falmouth Creek*, see?
bb:
Yes.
Hucka D.:
The black hole in this case is the still as yet unnamed spring entering the creek from left to right in your maps. The doughy being, which you call Meat Shake I believe, is the white star, as stated. This is Falmouth Creek. The situation at Old Baker Settlement just upstream from this spring is a miniature version of the same. It represents a collapsed star that *didn’t* quite have enough mass to create a black hole, like the spring is considerably smaller there than the larger one downstream. And I must ask: which is truly Old Baker Settlement? Anyway, don’t answer that yet. The woman in Lis 01 and 02 is Baker Blinker, the companion man in Lis 02 and 03 is Baker Bloch, who walks side-by-side with Baker Blinker for a while as you attempt to use both avatars during your Second Life experiences and exploring and building and such. But Baker Bloch is destined to take over — Lis 03 04 then. Baker Blinker was dominant at the beginning, a situation depicted in Lis 01. See?
bb:
Yes.
Hucka D.:
So with Lis 03 04 we’ve crossed over Bloch Ridge from the direction of Second Life Pond, which is now *blocked*, just as Baker Blinker of Second Life has been left behind. She really cannot move over the ridge with the male Baker. Baker Bloch must travel on alone after reaching the crest of Bloch Ridge. And so he descends by himself to Falmouth Creek. He sees the representation of the Cygnus X-1 system alone.
bb:
I see.
Hucka D.;
So we continue a revision of the Lis series in this light in Lis 05. The black hole is now the same as The Crammer of Devizes, as we leave St. John’s and its graveyard and its gargoyles behind. What comes out of the black hole — again this is the same as the spring at Falmouth — is *TILE*, the 4 color or creatures of this game/philosophy/religion.
—–
(2 hrs. later):
Hucka D.:
Have you read this yet?
http://www.andrewcollins.com/page/articles/thecygnusmystery_serpent.htm
Adding to Avebury’s suspected connections with the Cygnus constellation is the fact that the only carving to be seen on a standing stone there (Stone #25S in the Kennet Avenue) shows the head and neck of a swan (first identified by local earth mysteries writer John Wakefield). Nobody before had made the link between this stone and the swan. In the knowledge that the water-filled meadows of nearby Silbury Hill, as well as the Kennet river which runs alongside Avebury, once played host each winter to flocks of migrating whooper swans inbound from their breeding grounds in the Arctic, this had to relate in some way to Avebury’s axial alignment towards the setting of Deneb.
In the knowledge that Avebury has frequently been linked with the ancient British goddess called variously Bride, Brigid, Bridget, Breeshey and Brigantia, whose main totemic symbols are the swan and serpent, might she help us better define the precise nature of the site’s link to Cygnus?
http://www.zophiel.org/quests.html
—–
(continued in Falmouth Interpretations/Associations 04)
Filed under collages 2d, Wiltshire
(continued from Falmouth Interpretations/Associations 01)
I must raise The Kniks out of the X-Ray source, back into the light. Back into Avebury Light. In the X-Ray spring which is the black hole, there is Gila 00, the null before the 01.
https://bakerbloch.wordpress.com/2013/01/07/the-kniks/
https://bakerbloch.wordpress.com/2013/01/17/fuzzer-house-01/
(into The Light).
Reconnected. Reharmonized. Peace with Zapple and *that* twinship, which continues after a brief period of independence in Carrcass-1. A lot hinges on Carrcass-1 Hucka D. Hucka D.? Not here.
Hucka D.:
I’m here. Ready to continue?
bb:
Sure.
Hucka D.:
Button your mouth and fold your clothes. Here comes England!
bb:
Of course that becomes a candidate for a collage picture now, Hucka D.
Hucka D.:
Right. So to continue, let’s move to Falmouth 02. Or would you rather start with Falmouth 03? We better get one round of interpretations under our belt today, however.
bb:
Since Falmouth 03 has a picture of the same Avebury house, symbolically, as The Kniks live in in Gila 01, the very first official collage of the whole Gilatona-Lis process, let’s start there. Shark is talking to Mouse. A corndog on the roof of the house which is the same as Selma’s arm, which smokes a cigarette. A clock stuck permanently on 2:22 unable to move to 2:23. Twelve mainly red lined circles like the twelve hours of a clock. There are 2 clock faces, Hucka D, a yin or am and a yang or pm. 12 Noon is am and 12 Midnight is pm. This is 1967, night, and 1968, day. These are the batters faced by Don Chance during those two years.
Hucka D.:
Thank you once more. (pauses to look at collage to restart thinking processes) Nothing has changed since Falmouth Interpretations/Associations 01. The 12 triangles are still the 3rd iteration of the Koch star crop circle from 1997, a peak circle for that particular glyph season along with 2 companions at Alton Barnes and Hackpen Hill.
MORE TEXT SOON.
(continued in Falmouth Interpretations/Associations 03)
Filed under collages 2d, Wiltshire
Base of first and perhaps only collage of Falmouth, the 4th series of 2012. But this is a 4-part collage if so, furthering the diptychs and triptych already present in Gilatona-Lis. So I suppose this becomes Gilatona-Lis-Falmouth. Must shorten this?!
Baker Bloch getting a kick out of the base photos of Falmouth 01 02 03 04 now inserted into the Power Tower Gowlery.
Here are the 4 parts.
Here is the whole:
This goes in a big circle, unlike the diptychs and triptych. This will become Falmouth 01 02 03 04.
Is there even a Falmouth 05 06 07 08?
Also, obviously, this is going to be a sort of big brother companion to Latona 03 04, whose angle is from the *other* side of the Red Lion parking lot.
Should be loads of fun to fill in.
FALMOUTH 01 FINAL?
FALMOUTH 02 FINAL?
FALMOUTH 03 TEST
FALMOUTH 04 TEST
FALMOUTH ALL TEST
Filed under collages 2d, Wiltshire
(continued from Lis Interpretations/Associations 03)
So we’re going to make a stab at Lis Interpretations/Associations 04. Since writing Lis I/A 03 the whole Falmouth series has unfolded suddenly. Excitement! But more to interpret, and because of the complexity of the 4 part series which acts as one whole going around in a circle, I have decided to go ahead and attempt to analyze that at the same time. So returning to Lis, and I assume Hucka D. is around this morning to help me, we have a late addition to Lis 05 that he didn’t approve of first, as I understand, but likes more now in light of Falmouth. So… this is Andrew Wythe’s Christina, from the painting of the same name. Hucka?
Christina is the same as both the man and the woman extending through Lis 01 Lis 02, and Lis 03 04, 04 to be specific. But it acts as a diptych so it’s really the first 3 pictures of the Lis series this figure appears in. And then she returns here, but in a slightly different form. In Lis 01, she is the woman, lone woman by herself, like the mountain in the center of Hayes County, Texas.* In Lis 02 she is paired with a man, making a Lone Woman and a Lone Man. In Lis 03 04, the man is without the woman — Lone Man. Can you find a picture of a map of this county quickly enough, baker b.?
baker b. (after a pause): I had to reload it.
Hucka D.:
Cool. That’s Hays County — sorry. The only Hayes County is in Nebraska and has basically no one in it. That was used in Latona 06 I believe — Hayes Center, the county seat. But it’s Hays we’re now shifting our attention to, and it’s really about [President] Hayes, once more. Shifted. So to return to Lone Man/Lone Woman, we have the man then approaching what we know is a mock up of Cygnus X-1 and its sun and black hole relationship. That’s new information. The man approaches — he is meeting Meat Shake, which is the same. It’s two things that shouldn’t belong together. Black Holes shouldn’t exist. We talked about black holes in the other important Avebury collage, or Latona 03 04. The Red Lion woman watched it form and become perfected — a perfect circle like a perfect ring — on the top of the Red Lion pub before fully manifesting between the 2 prominent Avebury rocks to its right in that diptych. Another diptych, then, like Lis 03 04, and with the same 2 numbers (03 04 of each series). Already we could illuminate this further by discussion of Falmouth, it has become so central. The rock in-between the 2 rocks the red clad being is seemingly stealing in Falmouth 03 is the same size as the circle of meditators atop the Red Lion pub in Falmouth 01. We have gone quite far, baker b. Good work once more. I lost my bet.
bb:
Thanks. Not to get away from Lis 05 too far, but I’m wondering if the vacant corner of Falmouth will be filled with something. Already I’m seeing Harrison’s hand in place of Hayes, and maybe his head in place of Hayes. But what would that mean?
Hucka D.:
We better stick to Lis 05. So here we have the Christina addition, which will become more understandable in Falmouth, once more. There it points to an alternate Falmouth where siginificant elements of Max Ernst’s “The Robing of the Bride” were/are/will be used, including the blue-green gargoyle with the spear, and als the prominent red plumage of the central “bride”, as it were. But in the Falmouth you decided to create, you substituted Ernst with the sweeter, much sweeter Man/Woman of 12 Oz Mouse, who instead pats the should of the central Red Lion woman, instead of trying to stab her, you see. Her hand becomes central. But once more we have wandered back to Falmouth.
bb:
The swan of Lis 05 — returning to that — has also been more recently altered to include an eye. And this is the same eye from the central figure of Lis 04, the preceding collage. This is the black hole of Cygnus X-1.
Hucka D.:
Yes. Most definitely yes.
bb:
The… you go ahead.
Hucka D.:
The swan swims on the line between two geograph squares, which are all 1 kilometer square. This is SU016 and SU116. The Crammer, the central pond of Lis 05, is on the line between the two. As the collage combines two Crammer locations into one to make the pond non-dimensional, one can say that it too has collapsed into a black hole. The Crammer is the black hole. The moon is trapped inside the water but cannot be raked out because it really doesn’t exist in our dimension. That’s the true story behind Devizes’ Moonrakers myth. It is that this lake, this pond, has become a black hole. In your collage — Lis 05, you did rake the moon out of the pond, but only by combining it with the sun, the little yellow fellow in the front. The moon touches the shore — Moon Landing. Yellow being manifests inside. This is pulling out of the black hole by the sun of Cygnus X-1. Matter has reversed out of the black hole and back into the sun. The yellow figure, who is McCoy in the Jelly Fox seeking group, is the same as the Meat Shake of Lis 04. Or the meat part anyways. And with this yellow guy, McCoy, comes the other parts of TILE that he is always attached to. They manifest at all the same time. This is the gargoyles as well of Lis 03, but their positive side, their future side if you may. If I may. They all drink from the TILE cup, which is Shake as well of course, as we’ll see illustrated in Lis 09 coming up. This group although they originate in Devizes and The Crammer, point to The Country beyond The Town for ultimate answers about Lis. They point to Alton Priors and Alton Barnes and Honeystreet and Falmouth beyond.
bb:
Let’s then get back to Lis 06. I won’t put up the picture again, but this is out in The Country now. We look over the top of Alton Barnes and Alton Priors toward Woodborough Hill, Hucka D., the site of the sunfish crop circles early in last years season, and already used in a number of Gilatona-Lis collages, most openly in Latona 00. In The Country… you go ahead again… sorry…
Hucka D.:
In The Country, the 4 part nature of TILE is more fully revealed as a rotating wheel that first appears as The Sun within The Moon in Lis 05. Here it begins as the same underneath or attached to the Rockley rock with the Rockley crop circle picture etched or engraved on its surface. This sculpture, last time we checked, still exists in The Barge at Honeystreet. It will prominently reappear in Falmouth, but let’s not go there again quite yet. The story behind this rock is that it’s symbolically Patrick Star’s rock of the Spongebob Squarepants Show, a favorite of your family as I understand.
bb:
We watch it all during Christmas, yeah. (laughs)
Hucka D.:
Truthfully it’s the silliness they don’t like, and the show, up front, states if you don’t enjoy nautical nonsense then it may not be to your liking.
bb:
But back to Lis 06, it’s Patrick’s rock, his home, and we know this from the star crop circle that appeared on top of Furze Hill in 2007, followed by a square shaped crop circle in the next field over in 2009 indicated his main bud Spongebob Squarepants, shaped like a square. I think we’ve already talked about those circles, along with the one that appeared at the bottom of Furze Hill — is it Knoll or Hill? — that also obviously indicted Patrick’s rock home, 3d style.
Hucka D.:
It’s Furze Knoll, I believe.
bb:
So this is Furze Knoll crop circles, then, imported to a location several miles southwest, where we look toward Woodborough Hill over the top of The Altons. Oh, I just thought of something — Latona is an anagram of Alton (!)
Hucka D.:
The 4 prime energies of TILE, let loose in The Country, are now rolling around in freedom. They are motoring. They quickly get on the highway for further adventures. They head to The Altons. Should we end? I think we should.
(continued in Lis Interpretations/Associations 05)
Filed under collages 2d
(continued from Lis Interpretations/Associations 02)
“I think it is a basic mistrust of all-things-town, Hucka D. The 4 characters of TILE arise from The Crammer, or between the two parts of The Crammer which are actually one part, because of the pull of The Country. The 4 gargoyles, kind of parallel monsters here, are The Town, and reach a dead end at the east portal of that old railway tunnel running underneath Devizes Castle, or what passes for a castle now.
Hucka D.:
Perhaps the gargoyles were attempting to restore the old castle, and add to its decor. Stone [attracts] stone, after all.
bb:
Never heard of that. But at any rate we can move to Lis 06, called “Hugs All ‘Round”, I believe. (checking) No, it’s “Rock’n Home”. We have the reappearance of Spongebob Squarepants in Gilatona-Lis, and this time with his best pal Patrick Star. Sbsp appears first in Latona 01, peering out of the opened front door of his pineapple home, speaking of homes. And I suppose here in the newer collage we have a nod to Patrick’s rock home now, which appears in front of him… But the rock is actually from The Barge in Honeystreet, very near Alton Priors which we will be speaking of in a moment. It’s from a picture of this rock I found online, which strangely and queerly depicts the same crop circle I’ve already used several times in Gilatona-Lis collages, originally in Gila 05 but also in Latona 05. This despite it not being a very famous crop circle, Hucka D.
Hucka D.:
*We* put the rock there. [The] Lis [collages] are very tight. You would see the rock, or the picture of the rock from The Barge, and immediately know you had to use it in a new collage. This then becomes Patrick Star’s rock house or home as well, since you made that association beforehand.
bb:
Here’s the post you’re talking about.. oh, it’s already there (!):
https://bakerbloch.wordpress.com/2013/03/03/more-wiltshire-shots/
And then here’s the Marshall photo I use as the base for Lis 07.
http://www.geograph.org.uk/photo/1744705
This is taken several miles east of Devizes, not too far into the country, then. The distinct hill in the distance is Woodborough Hill, which was the site of not one but several of those sunfish related crop circles from 2012. Including the one depicted in part at the bottom of Latona 00, returning to that collage once more.
Hucka D.:
Cool. There’s Lisa the Vegetarian in the new one [Lis 06] as well. She appears to be hugging one of the gargoyles from the statue. As Marshall himself pointed out, this is Bart Simpson, 12th Century style. But the spirit of the gargoyle or monster is trapped in that gravestone transported from The Crammer location, or the location of [Lis 05]. You must hug and love the gargoyles within yourself, baker b., in order to be free of them. You move out into The Country to do this. The Town cannot give you what you need. You search elsewhere — country.
bb:
Like we’ve moved the progression of the Lis series from Devizes — town — out into the countryside, specifically the area around Alton Priors and The Barge itself and the famed Alton Barnes white horse, and so on. Most sacred spot. Here we also have at least one of the 4 TILE monsters or creatures from Lis 05 returning just below Patrick’s crop circle adorned rock. This would be the little yellow fellow again, called McCoy in The Jelly Fox episode of Noel Fielding’s Luxery Comedy show.
Hucka D.:
He’s the one with diabetes (smiles).
bb:
Yeah, but it’s no laughing matter. Perhaps not even a smiling matter. (Hucka D.’s smile is erased.)
Hucka D.:
But…
bb:
But he represents The Sun, the counterpart to The Moon. He’s within The Moon, just as in Latona 02 you have The Sun being swallowed, seemingly, by The Moon. And Fielding himself is swallowed into The Moon when he plays that particular character in The Mighty Boosh. There’s a scene in the first episode of his Luxery Comedy where he reappears in this rather famous role, only to state he’s not in this show. Quite funny.
Hucka D.:
Can I smile again, then?
bb:
Sure. (Hucka D.’s smile returns.)
—–
“In looking again at Latona 00, I feel that all three “stones” we’re talking about here, the one Lisa is sitting on in Latona 00 and then the two (grave stone and rock with crop circle) are one and the same. And all 3 stones are in fact The Diamond from Lis 00. It represents knowledge… Arkansas knowledge. I revisited The Diamond at Metril yesterday, Hucka D.”
Hucka D.:
Great. Singing frogs. Fantastic. They were chatting about how f—ing cold they were, and why did they have to be hatched so early? You’d be doing the same… in fact you were… in your head.
bb:
Returning to Lis 06, obviously the two rocks or stones are associated. According to the turns of The Moon in the foreground, representing its 4 phases seemingly, we have the downward turned moon associated with yellow and the rock from The Barge, and then the upward turned or “horned” moon associated with the grave stone carried over from Lis 05, the one with the Bart spirit within.
Hucka D.:
Bart The Gargoyle. Hugged by Lisa the Vegetarian. Did you know in the early days of The Simpsons, Lisa was seen more as a female Bart. Only later in the series did she acquire her own unique character. Lisa the Vegetarian [season 6 episode] is an important landmark in this progression to individuality. She exists separate from Bart, able to stand apart from him. But love him and his gargoylian ways still. The Simpson males have a degenerative gene that carries over from generation to generation. The female Simpsons are not so cursed.
bb:
Yeah, I read something about that[ not surprisingly]. So Lisa here is loving or hugging somewhere that she had come from, but now stands apart from. A brother to her instead of she herself. As the gravestone is from The Crammer, and is where The Moon originates from in Lis 05…
Hucka D.:
The rotating Moon, actually one Moon, has absorbed the colored energy of the 4 Crammer monsters and trapped it within a 4-part mandala that are called its phases. These are yellow — full moon — blue — new moon — green and red and the half moons, then. The progress of The Moon across the landscape of Lis 06, which would be atop Alton Priors, even, hidden just below the line of trees beneath Woodborough Hill…
bb:
Yes.
Hucka D.:
… Well, I lost my train of thought. Train?
bb:
Thank you for that interpretation. Anything else about Lis 06? We are out in the country, specifically Alton Priors and Alton Barnes and Honeystreet, which are all connected anyway, and away from Devizes. But still close to the latter. We are approaching *home*. We are approaching The End.
Hucka D.:
The grave stone has an eye. It is peering toward The Rock that is the same as itself. The rock does not progress beyond itself. Lisa the Vegetarian has. She has learned to love. She is heart.
(continue to Lis Interpretations/Associations 04)
Filed under collages 2d, Jello Fox
Sunklands 
