Category Archives: collages 2d

February 28, 2013 · 2:23 pm

Latona Interpretations/Associations 02

(continued from Latona Interpretations/Associations 01)

To summarize Latona 01, it seems to be about the destruction of New Pietmond, coupled with an exodus factor, like Lisa V. is using the Cherhill “monster” (riding in its brain) to escape, and also the orange (inverted color) sunfish to the left. It’s a bit of a scene of chaos — dishevelment. So what does Latona 02 bring us? Stability? Well, we’ve returned to Wiltshire and the crop circle region for more images for sure, so that helps with the grounding. The locations are from around but not within West Woods to the west of Marlborough, and one of 2 woods I’m really eager to explore during my England trip. As I’ll use West Woods for the culminating 3 collages of the Latona series, we must keep this in mind, maybe like I was close to the mark on this collage (Latona 02) but hadn’t quite hit it yet. Also the “singing Hermans” used in Latona 02 will return in Latona 08 09 10 (the West Woods collage), and employed in a more logical manner. They seem to be, when set up correctly, a protective device created by Lisa V. to, among other things, calm me in England while I’m there. In theory. Kind of like I’ll be in suspended animation. But back to Latona 02, I don’t think I quite knew what to do with the Singing Hermans in this one. The 2 very similar images (“singers”) were very close to each other in a search fo Rockley images, so both come from that area (north of Marlborough and the setting for a number of collages already in Gilatona). I knew their proximity was synchy, but only with Latona 08 09 10 did their meaning start to clear. Latona 02 is about death. The father of a good Internet friend died around the same time. I also thought of the death of my own father during the composition. The sun “swallowed” by the moon in the dew pond at the bottom of the picture (dew pond near Knap Hill). It is also about the death of Virgo (father) inside the direct opposite sign of Pisces (mother). It is both death and sexual union in this manner. The dewpond is both womb and tomb.

Hucka D.:

St. John’s Church in Devizes is important to go to, baker b. Go to the graveyard in the back. Look for [delete name].

bb:

Hmm. I got behind you there once again. Adding text behind you when you’ve already talked.

Hucka D.:

[Delete name]. Remember that. Make a collage of it as well. It is *the dewpond*.

bb:

To continue with this, I believe the dewpond is also Drink Lake of Herman Park, as Master Shake, a drink after all and nothing more, is directly above it, hovering. Then the bottom Singing Herman is also Drink Lake, or just “Drink”. To give more detail he is a *fis*Herman. The line or cable in the collage, inside Shake, might then be a fishing line (extended from his purple straw), which saves the tiny Dr. Who here from the Satan Pit, which is also death most likely — the dew pond. Life is also sun — king/father and death is queen/mother. The letters on the sun and moon at the dew pond come from SID’s 1st Oz, and the 2007 Booker T. 15 part analysis of this pivotal audiovisual synchronicity, my most original contribution to the Golden Age of that now almost forgotten field.

Hucka D.:

We have a field here as well. Dewpond field. With rocks.

bb:

The dew pond is also probably Winesap, don’t you think Hucka D.?

Hucka D.:

Winesap Smimesap.

bb:

Okay. So as we’ll see, the Singing Hermans are also placed on rocks that Lisa the Vegetarian has just been seen sitting on earlier in the Latona series, or Latona 00. It’s the same rock. And then this rock will also reappear in Latona 08 09 10 with Lisa V. again perched upon it, joining the 2 Singing Hermans also perched upon the same. Confusing.

Hucka D.:

The Hermans are the same as Lisa the Vegetarian. She had to equalize the 2 parks, the 2 Hermans in this way. Frank equals Herman. Heman to Herman. She did it through the diamond. That’s the diamond that goes in the dogs tail to wag it.

bb:

I can’t just take it out of the ground Hucka D.

Hucka D.:

Why not. That’s what she put it there for. It belongs in the dog’s tail. Wag the dog.

http://en.wikipedia.org/wiki/Wag_the_Dog#Title

Why does the dog wag its tail?
Because the dog is smarter than the tail.
If the tail were smarter, it would wag the dog.

bb:

Nothing is really resolved in Latona 02, Hucka D. Shake seems to center, and that’s what we have as a stability point in this one. But he has to be hollowed out to see the actual, inner workings or goodness. Jesus saves, I suppose.

Hucka D.:

Yes, Master Shake is Quetzalcoatl is Jesus. Indeed.

bb:

So we should probably move on to Latona 03 and 04, and this is a joined effort this time, Hucka D., and something quite new in my collage producing. Latona 04 was actually composed before Latona 03, and this makes it a Wheeler-Wilson situation, like we have occurring twice in SID’s 1st Oz, but the first use of it in that a/v synch sets the tone and embodies the symbolism. A nurse name Wilson (Head Nurse Wilson) and what we know will become a Wheeler in Oz for Dorothy wheels in Dorothy to the electroshock chamber on a gurney. When she arrives there, the failed electroshock treatment, which goes wrong at the very last second, is dubbed with a song already used in SID, but the *first* part of the song (introduction) not used before. This is Queen’s “Death on 2 Legs”, the first track of Night at the Opera. So we’ve reversed the two parts of the tracks in SID, with the intro coming after the song proper. This is Wheeler-Wilson. Time has become suspended because we have no past and no future here. Only present. Which may be the same as Norris. Space of Norris.

Hucka D.:

That’s my phrase. Anyway, we have Latona 04 on the right and Latona 03 on the left. Or is it the other way around — we just can’t really tell. We have to assign the number arbitrarily. This is what interested Booger Hays when he visited your Power Tower Gowlery. He looked at Latona 04 and then Latona 03. “What is actually happening here?” he asked. Well, I said it has something to do with Dr. Who, which of course I had to explain to him, him being from the 19th Century and all. I said that the red headed lady, or the “red lion” entering the pub the Red Lion, or standing beside it in the parking lot, is probably Melonie Pond, who has just died in the Dr. Who series along with husband Rory. She is defined by her red hair, you see. (pause) Oh, I said Melonie but I meant Amy Pond.

bb:

To remind: Dew Pond at the bottom of this collage, Hucka D.

Hucka D.:

Yes. The former collage [Latona 02] you mean. And in Latona 03 04, we are in Avebury, re-centering ourselves as it were. We have a kind of before/after story in the two sides of what in effect is one collage, but it’s difficult to discern what is before and what is after.

bb:

So I think this is also about the death of Amy and Rory Pond in Dr. Who, Hucka D. Talking about Latona 02 here still.

Hucka D.:

We must move to Latona 03 04 fully, however.

(continued in Latona Interpretations/Associations 03)

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Filed under 12 Lb Mound, Aquamarine Rebel Strike Force, collages 2d, SID's 1st Oz, Space Coast, Who Doctor

February 27, 2013 · 1:37 pm

Latona Interpretations/Associations 01

(continued from Gila Interpretations/Associations 04)

“Can’t believe I could be starting yet another collage series, Hucka D.: Lis maybe?”

Hucka D.:

We better get crack’n on Latona 00, then. You have McCartney from the Smipsons, you have Lisa V. from the same. McCartney, or who we talk about as Marty, is discussing with Lisa V. the benefits of a vegetarian life. But he is also telling her the secrets of Sgt. Pepper, front to back, hehe. And Quetzalcoatl. Have you read all of Red Collie’s Quetzalcoatl material yet?

bb:

Probably not, Hucka D. I think I read all the sunfish related crop circle stuff. There were 8 or 9 crop circles last year that shared that common theme — all related to the orbit of Venus relative to the sun and other planets according to Collie. He’s most likely right. And these are crop circle not created by mankind. So that means an e.t. message. The circles are giving us astronomical information. I’m not sure about the remote creation theory of his. I think they can move forward and backwards in time easier than he supposes. After all we’re talking about higher intelligence.

Hucka D.:

Before you go to England, you should read up about the sunfish circles again. And of course you had your own encounter with a sunfish in Sunfish Kentucky…

bb:

… via GoogleEarth, yeah. But it was colored orange, like the inverse color of an actual ocean sunfish. No chance finding that in Sunfish, Kentucky, and *before* I knew anything about the sunfish crop circles, I believe. The Kentucky town was examined because of UmapS connections.

—–

bb:

“She’s Leaving Home” and “Live and Let Live… Die” mentioned in that episode. “Maybe I’m Amazed” played at the end, with a smashing lentil soup recipe backmasked within.

—–

Hucka D. (peering over my shoulder at the collage picture I just inserted):

The front and back of the Smipsons DVD becomes the front and back of Sgt. Pepper, two in one. I believe this might be seasons 6 and 7 — this front and back. Aren’t they magical, baker b.?

bb:

Could be, Hucka D.

Hucka D.:

And you know you’ll use the one with McCartney again in a future carrcass. (pause) Let’s move on to Latona 01… we can come back to this one. The rocks are sarsen stones from the Fyfield Downs northeast of Marlborough, arranged in a line by farmers. Lisa sits on the largest one. Lisa will sit on this rock again toward the end of the Latona series, when McCartney also returns with a new body in tow. It is probably Paul and Linda as androgyny. In a way, in a manner. Appropriate that Paul is lecturing about vegetarianism in a cereal field. As Glickman put it, circles are totally benign, and mean no harm to us meat beings. We are meat as well. What if someone else came down and tried to farm *us*?

bb:

Hadn’t thought about it that way.

https://bakerbloch.wordpress.com/2013/02/04/new-something/

So here’s “New Something”, Hucka D., a play on “New Pietmond” which I had just dismantled before creating the collage. We have superimposed on each other the remains of New Pietmond in Sikkima at the time — foreground — and then a second village I was playing around with in Snow Country, Sansara in the background. Different set of buildings in each at this moment. The background village was in turn dismantled after a couple of days, and New Pietmond of Sikkima became totally extinct in a matter of hours. So this is akin to Gila 04, where we have New Pietmond in all its glory, heights and depths, portrayed — at its peak. It was a great creation, but I couldn’t keep it around.

Hucka D.:

No. Then you have all the other collage elements positioned around the Second Life buildings, foreground and background. You have elements from, let’s see, Gila 00 and Latona 00, the two 00 collages starting each series, and then Gila 05 and 06 as well, the middle of Gila. So that’s Gila 00, then skipping 01 02 03 04, and then Gila 05 and 06 depicted, and then skipping 4 more collages 07 08 09 10 to get us to Latona 00. Very symmetrical culling, then.

Lisa the Vegetarian is found again, riding or sitting inside the visible brain of the whale-monster of Gila 06. She seems to represent the 3rd eye, or the pineal gland in this position. An Avebury stone projects from the top of its head — another pine cone or pineapple symbol.

And then across from it on the other side of the collage is a pineapple itself: your good buddy Spongebob Squarepant’s pineapple shaped home under the sea. Bikini Bottom, I believe. He peers out at the landscape through an open door… he is pineal. The pineapple’s shape is mirrored in the shape of Marge Smipson’s head of the Smipsons DVD in front of it. It is the front and back of the pineapple. The 4d cube atop Patty’s head is another representation of the 3rd eye or pineal gland.

http://www.cropcircleconnector.com/2012/hackpenhill3/hackpenhill2012c.html

It is squaring the circle.

bb:

It’s a 6x6x6 cube with all the edge units hollowed out. I believe the edge units would number 56. The internal cubes number 4x4x4 + 4x4x6. The core of the cube is 64 packed un-hollowed out cubes, surrounded by 96 more un-hollowed out cubes touching the surface. This would make a total of 216 single unit cubes within the overall cube, or 6x6x6. That works!

Hucka D.:

We better head toward Latona 02. What does Lisa V. head toward in the head of the Gila 06 monster? She heads toward the triangle, single point down. This is also the 3rd eye illuminated, but perhaps not in a totally positive way. It is like an eclipse of the sun. To reinforce, we have carried over the two horned crescent moon from Gila 06 as well, above Lisa the V. here. The “BIG” in the Knik’s head below this also acts as reinforcement.

(continued in Latona Interpretations/Associations 02)

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Filed under collages 2d

February 26, 2013 · 9:10 am

Spacial, er Special

When people ask me about the spacial relationships between Frank and Herman Park locations I mention in this and the Baker Blinker Blog, I usually tell them to f— off.

Hucka D.:

Wise decisions. But this time you’re showing a map. Why? Is it because you’ve found *the center*? Have you found the heart of the heart of Frank and Herman Parks, baker b.?

bb:

Not sure about that, Hucka D. But I think I’ve found Diamond. The legendary Diamond. Priceless indeed. We know from long ago that Frank Park has a set price, a very high price but a figure can be named, given enough time. Herman Park is in contrast priceless. Now I’ve found the priceless Diamond, but inside Frank Park. It should have been in Epsi but instead there I find a piece of ordinary glass with the word “Epsi” on it — “P” removed.

Hucka D.:

That’s then also Pepsin, baker b.

bb:

I get that. With an extra letter instead of a letter removed.

Hucka D.:

Dirty Dozen.

bb:

So instead of Coke, Virginia next to Ordinary and Glass, it should have been Pepsin. But the words were switched, and Pepsin moved to Missouri and positioned near Diamond, close enough for me to make the association. But The Diamond is that special special rock in Methril, Hucka D. Obvious now that I’ve revisted the place and taken blog pictures. Next might be a marble race event.

Hucka D.:

I think you have to. Interact with the energies of the hill in that way.

bb:

And I think there may even be some kind of Bee’s Line up there, Hucka D. Can you tell me more as of now? Since I probably won’t be able to get up there for about 2 weeks at least.

Hucka D.:

Methril will throw open doors. Make you forget about the aliens on Bill Mountain. That’s the main purpose, or a main purpose. The Diamond was held in reserve. You knew about it but you didn’t really *know* about it.

Welcome Back!

http://en.wikipedia.org/wiki/Mithril#Abundance

In Tolkien’s Middle-earth, mithril is extremely rare by the end of the Third Age, as it was now found only in Khazad-dûm. Once the Balrog destroyed the kingdom of the Dwarves at Khazad-dûm, the only source of new mithril ore was cut off. Before Moria was abandoned by the Dwarves, while it was still being actively mined, mithril was worth ten times its weight in gold.[2] After the Dwarves abandoned Moria and production of new mithril stopped entirely, it became priceless.

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Filed under Allen Knob, Bill Mountain, collages 2d, Concreek, Frank Park, Gnirps, Norris Brook, Spoon Fork, Thrill, Wiltshire

February 21, 2013 · 12:20 am

Latona 08 09 10

Latona 08

Latona 09

Latona 10

Latona 08 09 10

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Filed under Beetles, The, collages 2d, Smipsons, The, Who Doctor, Wiltshire

February 20, 2013 · 7:53 pm

Deepening Dike 01 02 03

Linked base photographs from Brian Robert Marshall for projected new (last?) collage of Latona, Latona 08 09 10 perhaps. Excitement! This is from West Woods, not Savernake, but the forests are similar, and both are near Marlborough already depicted in various ways in several collages of Gilatona.

Individual photos here, and associated links with Marshall’s always interesting captions…

http://www.geograph.org.uk/photo/409328

http://www.geograph.org.uk/photo/409337

http://www.geograph.org.uk/photo/409354

Here’s Baker Bloch staring at the joined base photos in my Second Life “Power Tower Gowlery”. What to fill it with, what to fill it with, what to *fill* it with?

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Filed under **VIRTUAL SL, collages 2d, Sansara, Wiltshire

February 20, 2013 · 8:16 am

[Soon Enough]

After the creation of “3 Beetle Love”, there’s only 3 more to the Latona series most likely. But a mini-series on top of this? Lis? 5 collages? I only say this because Gilatona has formed so quickly, and it’s only been a bit over a month since I began, yet 18 collages have been produced. Rapid succession. So tired of this f—ing wind. And winter in general, even though it hasn’t been *that* bad this year. I think the winter of 2009-2010 has soured me forever on the season. I just start cringing now when the first snow falls. So this year it was late October and I was thinking: 5 more *months* of this? Anyway, back to the topic.

Hucka D.:

Harrison wanted to be a part of this. He wanted to hold the corndog. After all, you mistakened Rutherford B. Hayes for Benjamin Harrison just the other night.

bb:

Thanks Hucka D. But the wind… the wind…

Hucka D.:

Don’t worry about that now. You’ll fix up your house this spring. Warmth will be here soon enough.

bb:

https://bakerbloch.wordpress.com/2013/02/17/oare/latona07test14/

This has to do with heart. I took the base photo for this latest collage a week or two ago in GoogleEarth, but before I knew that I was looking toward a heart shaped orchard. You can’t really see it from this direction. Then more recently I took another shot from the same angle after learning about the heart. Then I found out I still had the other photo in a folder at work. It seems to work better — bluer tint matches the blue of the spaceman’s helmet.

Hucka D.:

That’s “E”. Big “E”.

bb:

Yes. And the corndog itself, yellow as if smothered with mustard, is “I”. Then the corndog shaped Mouse Island is “T” — green. Then to complete this thought Harrison and the rooster mouth is red, as will be the heart shaped grove [behind him in the collage] when it is in full bloom.

Created by Lady Keswick, the owner of Oare House, the wood was planted over 10 years ago as a memorial to the death of her two brothers:
“We planted it in 1999,” says Lady Keswick, “with two varieties of hawthorn – one with dark pink and one with pale pink flowers. “But it takes a long time to be fully grown and even after 10 years it is not yet fully in bloom.”

Hucka D.:

But George is only 1 of 3 Beetles that appear in your collage “3 Beetle Love”. We have Ringo Starr returning — sorry, Ingor Ratts — and then Lennon — sorry, again: Lemon — appearing for the first time in Gilatona, although he’s seen in the Art 10×10 at times. But his head magically manifests beside Ingor’s on the album cover now. This is the true introduction of Lemon. Lemon Labs’ Lemon.

bb:

Still searching for a true virtual reality home, Hucka D. I don’t think[ Sansara] Snow Country is it. Maybe Nautilus again, but not around Mysten/Philo this time. Surely there’s another community I can latch on to.

Hucka D.:

Harrison’s head is separated from his body[ holding the corndog]. He and Hayes are one now, hand in hand. The blue helmeted spaceman looks on.

bb:

I think I know who that is. Not Dr. Who, but…

Hucka D.:

Yes. No. (pause)

bb:

Then McCartney’s head doesn’t reappear, as we’ve seen in Gilatona before, but his hand does, or the hand hovering above him on the Sgt. Pepper album cover does.

Hucka D. (correcting):

That’s Marty[ however].

bb:

The hand seems to be connected with the heart shaped grove. Harrison’s hand holds the corndog, while Marty’s is open and pointed to the heart, as if he’s, er, *released* the heart into the landscape or sumtin.

Hucka D.:

If you love something you let it go, no?

bb:

One heart. Lonely Hearts.

Hucka D.:

The 3 Beetles all want to help, baker b. They know you are alone.

bb:

Not mentally challenged?

Hucka D.:

Just enough (smiles).

bb:

We’ll examine the whole Latona series later on in more detail.

Hucka D.:

Yes. Now to Savernake…

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Filed under Beetles, The, collages 2d, Wiltshire

February 17, 2013 · 3:04 am

Oare

http://www.cropcirclewisdom.com/1/category/solstice%2021st%20june%202010%20oare/1.html

http://www.wccsg.com/Portals/6/Images%202010%20June/Huish-Nr-Oare-LS_1280.jpg

This is the heart. This is the heart? No — Avebury is. It brings out the best and the worst in people.

https://bakerbloch.wordpress.com/2013/01/16/plans/

West Woods (more important than Savernake because closer to heart?)

http://static.panoramio.com/photos/1920×1280/58829446.jpg

—–

Booger is studying the Avebury collage. He sees Wheeler and Wilson. Wilson and Wheeler. He wonders what you mean? He asks if the book on the Red Lion is Winesap. I said yes. He asks what the deepening black hole means. I said it has something to do with Dr. Who among other things. Red… Amelia Pond. And husband Rory. They chose this path. Amelia showed up in Avebury. Hayes didn’t quite get it. Booger, I mean. Haze. Hazy to him. To me as well admittedly. The two parts offset each other. They are heart. But there’s no real middle. There’s before and there’s after. The attempt to tame and then the unchaining. When Baker Bloch is unchained to the left, he just sits toward the corner of a rock wall, oblivious to all the action that is going on around him. To the right, he’s chained, and a chicken or chichen. He observes here but cannot join. This is the two sides of you.

“Right, and a good choice, Hucka D.”

Hucka D.:

I am fulfilled by Ozmo.

bb:

*I* am fulfilled by Ozmo, Hucka D.

Hucka D.:

What song is he playing?

bb:

Blackbird, obviously. White and black together. White Crow.

Hucka D.:

Black came first, then white.

bb:

No, *black* came second and white came first, Hucka D.

Hucka D.:

My bad.

bb:

What happened with Don Chance in 1967 and 1968, Hucka D.?

Hucka D.:

I don’t know. What *did* happen to Don Chance in those years? (pause) 1967 and 1968.

http://books.google.com/books?id=TBowgkpSZpEC&pg=PA107&lpg=PA107&dq=blackbird+and+%22white+crow%22+crop+circles&source=bl&ots=qa41bsTnLc&sig=dMvr-aWdvIDqwIwNFYxeNP5TddE&hl=en&sa=X&ei=6aEgUfLGOYOw8ASFw4CICg&ved=0CDkQ6AEwAg#v=onepage&q=blackbird%20and%20%22white%20crow%22%20crop%20circles&f=false

The Appearance of Red.

3 Beetles Love

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Filed under collages 2d, Crop Circles, Wiltshire

February 15, 2013 · 5:46 pm

Big Chimney

http://www.rootsweb.ancestry.com/~vaschs2/kilgore_ft__house.htm

Over the years the house deteriorated. So long as a roof was kept on it the interior remained in fairly good condition, but of recent years the roof was neglected and the whole structure rapidly went to ruin. The big chimney began to slump and shatter.