Category Archives: Beetles, The

January 25, 2013 · 8:25 am

“Well, Hucka D…

“… I didn’t retreat from Marlborough and Marlborough Downs but seemingly embraced them for the next 2 collages after “Monsters”. The 7th is still a draft so far, and probably the 6th as well. But in the 6th[ of the “Gila” series], I stare into the heart of the town, perhaps a dark heart.”

Hucka D.:

You stare into yourself. You stare into the future and retirement. What will happen then? Gila knows perhaps. You see?

bb:

Yes I think so. Two paths, a brother and a sister. Both with conditions, shall we say. One, the sister, didn’t get past this alley. She stared into the future and saw the end.

Hucka D.:

Michael[ Too]’s in there as well. Smoking. He’s A. Marlborough Man too.

bb:

Half man and half rabbit. This is the alley that doesn’t appear in New Pietmond because there’s no in-depth middle between height and depth except for the X-Spot Gallery.

Hucka D.:

About at the eye level of the sink, yes.

bb:

Why did I go to the perhaps dark heart of Marlborough instead of moving away from it, back to River Key and Purton Stoke more on the edge of Wiltshire, an objective or semi-objective viewing ledge?

Hucka D.:

Already been done. You’ve already been there. As Baker Bloch.

No Way

bb:

I’m going to copy the new collage — 6th — of the Gila series into this post. Let’s take a look. This is an alleyway in Marlborough, perhaps the tightest one. Called Ironmonger Lane. There’s one in London too, and this one probably took its name after that one[ the one in London].

Hucka D.:

You must[ find out] what happened in that lane. You cannot run away back to River Key just yet. Stare into it.

bb:

Well, there’s a white horse — 2 white horses. The top one looks more like the white horses of Wiltshire, or a typical example of such, like Marlborough’s itself. The bottom one is more of a color inversion of a real horse. They face opposite ways. Also the bottom one has a rider…

Hucka D.:

The lower one is Michael Too, don’t you think? He is A. Marlborough Man. Mann.

bb:

Let’s switch to the sunfish, also an inversion. But also the same color as the sunfish that seemed to magically appear in Sunfish, Kentucky on GoogleEarth, Hucka D. I think it is some sort of psychic collage[ there].

Hucka D.:

Yes you put it there. With your mind. (smiles)

bb:

What of the sunfish crop circles in Wiltshire this past summer? What of Sunfish Pond in New Jersey next to Yards Creek? Has to mean all something this does.

Hucka D.:

Well put. Let me see as well. The sunfish[ in the 6th Gila collage] appears to be leaving the alley to the left, which means he entered it to the right. Sunfish have a difficult time changing directions once in motion. He went in and he came out. There’s 2 turquoise doors in the alley, toward the back. You’ve retained them for the collage.

bb:

One I’ve retained, and the second may be added tomorrow from the original Brian Robert Marshall photo [LINK]. You told me to return to the Marshall photos and I did. Just not in Purton Stoke.

Hucka D.:

No. You had to get to the heart of the matter. A heart.

bb:

I’m going to leave further discusssion of[ collage #6] alone, because I don’t think it’s quite finished. Will tinker with tomorrow, perhaps.

Hucka D.:

Good. And the 7th?

bb:

Well, this is in draft form as well definitely, but it looks like Baker Bloch will be standing up to his chest in the waters of the New Pietmond labyrinth, staring toward the Rockley Mansion with added rock stackings in front. I suppose it would be equated with Solomon’s Temple in this way, because the pillars, one dark and one light or in sunlight or with the sun illuminated side facing us, would be Joachim and Boaz.

The pillars will placed there synchronistically and not on purpose, as it were. As it is.

Hucka D.:

Ah so.

bb:

They are magical in appearance, and represent Marlborough in conjunction with the whole Marlborough Downs area. They probably represent some kind of answer to the dark heart of Ironmonger Alley.

(to be continued?)

—–

Related Baker Blinker Blog posts:

http://bakerblinker.wordpress.com/2010/01/19/22673/

http://bakerblinker.wordpress.com/2009/12/19/big-e-gallery-cutting-edge-01/

And maybe especially:

http://bakerblinker.wordpress.com/2009/11/20/19808/

Temple Dors

http://cinematic.de/200-motels-frank-zappa/

Marge Refound

Fuzzer House 01

“Awww. Mess’n with me head, Butcher.”

“Blimey,” Butcher said back. He was opening a can of ten beans.

Fuzzer House looked larger from the inside. The Kniks, dressed up as Apricot-Bone, felt open and vulnerable. Like the door was open to the Broad Hinton house… and suddenly it was. Outside they saw a man walking a white dog, oblivious their exposed presence. Thank dog for the force field.

Jimmy stepped through the force field and out in the street. “Got a light, man?” he asked in his cocky Cockney way. For he desperately needed a fag.

“Blimey,” the man in the street walking his dog said. “Where’d you come from?”

“Where do you think mate?” Jimmy said, indicating with his head the Fuzzer House behind him. For his hands were busy lighting the fag after the man had handed him a cigarette lighter.

The man handed him a cigarette lighter.

“Blimey,” Butcher said back. The tin can of beans sealed itself up.

Making It BIG

Ring_o

King Tull

4 Comments

Filed under Beetles, The, collages 2d, Crop Circles, Kniks, The, Wiltshire

January 6, 2013 · 12:25 pm

Hi!

“Lonely Hearts” at the center of the US of A.

Accompanying drum.

Accompanying club band (Sgt. Pepper).

Paul’s Switch indicates Paul should be reversed to make “Lonely Hearts” coordinate/align with The Way between Kansas and Kentucky. Fifty-Six indicates the reversed situation of Kansas and Kentucky after Paul’s switch, where Kentucky represents the 5th US of A tile and Kansas the 6th, coming from opposite directions and heading jointly toward the “Lonely Hearts” center.

Hucka D.:

I happen to know something about this picture.

bb:

Is that you waving to us, like Edna joked about?

Hucka D.:

Yes! Nice trick, eh? Cost me 40 pounds.

bb:

To get the man to wave?

Hucka D.:

Yes.

bb:

Should we move to…

Hucka D.:

Yes (!)

bb:

We’ll be A. Mann.

Hucka D.:

Yes. I have more surprises in store for you. And Edna.

bb:

So — let me get this straight — you *knew* Edna and I would attempt to get as close to Salisbury Cathedral as possible in Streetview and thus see this very man waving.

Hucka D.:

Yes. Obvious, isn’t it?

bb:

Perhaps.

Hucka D.:

Be A. Mann.

1 Comment

Filed under Arkansas, Beetles, The, MAPS

January 3, 2013 · 4:31 am

5, 6, 11, 12, so on

http://en.wikipedia.org/wiki/Paris,_Texas

Local residents like the humorous slogan “Second Largest Paris in the World.” Following a tradition of American cities named “Paris”, a 65-foot (20 m) replica of the Eiffel Tower was constructed in 1993. In 1998, presumably as a response to the 1993 construction of a 70-foot (21 m) tower in Paris, Tennessee, the city placed a giant red cowboy hat atop the tower. The current tower is at least the second Eiffel Tower replica built in Paris; the first was constructed of wood and later destroyed by a tornado.

Paris, Illinois and Paris, Maine are both seats of their respective counties. Kansas and Kentucky west and east of Paris, Illinois and Mexico/Peru and Norway/Sweden/Denmark north and south of Paris, Maine then become associated. Kansas is at the end of the 6th US tile and Kentucky at the end of the 5th: together they are 56, or Fifty-Six, like happens *twice* in Arkansas, the 12th and last US tile. Like Golden City is the 12th city of Arkansas, but unrecorded in Harrington’s book “Let Us Build Us a City: Eleven Lost Towns”.

“Eiffel Tower is the Tower of A. Mann, Superman to be precise.”

Paul’s Switch.