Category Archives: carrcasses

February 28, 2013 · 2:23 pm

Latona Interpretations/Associations 02

(continued from Latona Interpretations/Associations 01)

To summarize Latona 01, it seems to be about the destruction of New Pietmond, coupled with an exodus factor, like Lisa V. is using the Cherhill “monster” (riding in its brain) to escape, and also the orange (inverted color) sunfish to the left. It’s a bit of a scene of chaos — dishevelment. So what does Latona 02 bring us? Stability? Well, we’ve returned to Wiltshire and the crop circle region for more images for sure, so that helps with the grounding. The locations are from around but not within West Woods to the west of Marlborough, and one of 2 woods I’m really eager to explore during my England trip. As I’ll use West Woods for the culminating 3 collages of the Latona series, we must keep this in mind, maybe like I was close to the mark on this collage (Latona 02) but hadn’t quite hit it yet. Also the “singing Hermans” used in Latona 02 will return in Latona 08 09 10 (the West Woods collage), and employed in a more logical manner. They seem to be, when set up correctly, a protective device created by Lisa V. to, among other things, calm me in England while I’m there. In theory. Kind of like I’ll be in suspended animation. But back to Latona 02, I don’t think I quite knew what to do with the Singing Hermans in this one. The 2 very similar images (“singers”) were very close to each other in a search fo Rockley images, so both come from that area (north of Marlborough and the setting for a number of collages already in Gilatona). I knew their proximity was synchy, but only with Latona 08 09 10 did their meaning start to clear. Latona 02 is about death. The father of a good Internet friend died around the same time. I also thought of the death of my own father during the composition. The sun “swallowed” by the moon in the dew pond at the bottom of the picture (dew pond near Knap Hill). It is also about the death of Virgo (father) inside the direct opposite sign of Pisces (mother). It is both death and sexual union in this manner. The dewpond is both womb and tomb.

Hucka D.:

St. John’s Church in Devizes is important to go to, baker b. Go to the graveyard in the back. Look for [delete name].

bb:

Hmm. I got behind you there once again. Adding text behind you when you’ve already talked.

Hucka D.:

[Delete name]. Remember that. Make a collage of it as well. It is *the dewpond*.

bb:

To continue with this, I believe the dewpond is also Drink Lake of Herman Park, as Master Shake, a drink after all and nothing more, is directly above it, hovering. Then the bottom Singing Herman is also Drink Lake, or just “Drink”. To give more detail he is a *fis*Herman. The line or cable in the collage, inside Shake, might then be a fishing line (extended from his purple straw), which saves the tiny Dr. Who here from the Satan Pit, which is also death most likely — the dew pond. Life is also sun — king/father and death is queen/mother. The letters on the sun and moon at the dew pond come from SID’s 1st Oz, and the 2007 Booker T. 15 part analysis of this pivotal audiovisual synchronicity, my most original contribution to the Golden Age of that now almost forgotten field.

Hucka D.:

We have a field here as well. Dewpond field. With rocks.

bb:

The dew pond is also probably Winesap, don’t you think Hucka D.?

Hucka D.:

Winesap Smimesap.

bb:

Okay. So as we’ll see, the Singing Hermans are also placed on rocks that Lisa the Vegetarian has just been seen sitting on earlier in the Latona series, or Latona 00. It’s the same rock. And then this rock will also reappear in Latona 08 09 10 with Lisa V. again perched upon it, joining the 2 Singing Hermans also perched upon the same. Confusing.

Hucka D.:

The Hermans are the same as Lisa the Vegetarian. She had to equalize the 2 parks, the 2 Hermans in this way. Frank equals Herman. Heman to Herman. She did it through the diamond. That’s the diamond that goes in the dogs tail to wag it.

bb:

I can’t just take it out of the ground Hucka D.

Hucka D.:

Why not. That’s what she put it there for. It belongs in the dog’s tail. Wag the dog.

http://en.wikipedia.org/wiki/Wag_the_Dog#Title

Why does the dog wag its tail?
Because the dog is smarter than the tail.
If the tail were smarter, it would wag the dog.

bb:

Nothing is really resolved in Latona 02, Hucka D. Shake seems to center, and that’s what we have as a stability point in this one. But he has to be hollowed out to see the actual, inner workings or goodness. Jesus saves, I suppose.

Hucka D.:

Yes, Master Shake is Quetzalcoatl is Jesus. Indeed.

bb:

So we should probably move on to Latona 03 and 04, and this is a joined effort this time, Hucka D., and something quite new in my collage producing. Latona 04 was actually composed before Latona 03, and this makes it a Wheeler-Wilson situation, like we have occurring twice in SID’s 1st Oz, but the first use of it in that a/v synch sets the tone and embodies the symbolism. A nurse name Wilson (Head Nurse Wilson) and what we know will become a Wheeler in Oz for Dorothy wheels in Dorothy to the electroshock chamber on a gurney. When she arrives there, the failed electroshock treatment, which goes wrong at the very last second, is dubbed with a song already used in SID, but the *first* part of the song (introduction) not used before. This is Queen’s “Death on 2 Legs”, the first track of Night at the Opera. So we’ve reversed the two parts of the tracks in SID, with the intro coming after the song proper. This is Wheeler-Wilson. Time has become suspended because we have no past and no future here. Only present. Which may be the same as Norris. Space of Norris.

Hucka D.:

That’s my phrase. Anyway, we have Latona 04 on the right and Latona 03 on the left. Or is it the other way around — we just can’t really tell. We have to assign the number arbitrarily. This is what interested Booger Hays when he visited your Power Tower Gowlery. He looked at Latona 04 and then Latona 03. “What is actually happening here?” he asked. Well, I said it has something to do with Dr. Who, which of course I had to explain to him, him being from the 19th Century and all. I said that the red headed lady, or the “red lion” entering the pub the Red Lion, or standing beside it in the parking lot, is probably Melonie Pond, who has just died in the Dr. Who series along with husband Rory. She is defined by her red hair, you see. (pause) Oh, I said Melonie but I meant Amy Pond.

bb:

To remind: Dew Pond at the bottom of this collage, Hucka D.

Hucka D.:

Yes. The former collage [Latona 02] you mean. And in Latona 03 04, we are in Avebury, re-centering ourselves as it were. We have a kind of before/after story in the two sides of what in effect is one collage, but it’s difficult to discern what is before and what is after.

bb:

So I think this is also about the death of Amy and Rory Pond in Dr. Who, Hucka D. Talking about Latona 02 here still.

Hucka D.:

We must move to Latona 03 04 fully, however.

(continued in Latona Interpretations/Associations 03)

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Filed under 12 Lb Mound, Aquamarine Rebel Strike Force, collages 2d, SID's 1st Oz, Space Coast, Who Doctor

February 11, 2013 · 2:05 pm

Love the 3 Beetles (The Walrus Was Paul)

http://www.ispauldead.com/573.html

—–

Was Paul Mozart?

—–

Why would Lennon play the role of Salieri? Out the Blue; Jealous Guy; How do you Sleep?; Imagine. I suppose because they worked as partners.

—–

http://en.wikipedia.org/wiki/Harrison,_Idaho

The community was named for President Benjamin Harrison, due to a large wood mill and stop for mining boats coming off the nearby Coeur d’Alene River.

http://en.wikipedia.org/wiki/Mount_Harrison_%28Idaho%29

Also named for President Benjamin Harrison, and reinforced by Lake Cleveland, an alpine lake below the summit.

—–

Paul and Rupert:

http://en.wikipedia.org/wiki/Rupert_and_the_Frog_Song

(Eleanor) Rigby next to Gravey Bend/Grant:

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Filed under Beetles, The, Carrcass-00, Idaho, MAPS, Montana, Zapple

February 8, 2013 · 1:33 pm

Baker’s Creek

http://rainbowology.net/sid/bookernew12.html

f-j-n-r-v-z-d-h-l-p-t-x-b-f

http://www.youtube.com/playlist?list=PL52154B34A59CA62E

http://en.wikipedia.org/wiki/Seathwaite_Fell

Sun Yellow swallowed by Moon Blue… sexual copulation. Two children of opposite sex Green/Red. They are streams on either side, running away from parents. Sun is Dry, Moon: Wet. Sun and Moon alone isolated from World. Children connect.

Seathwaite Fell is a northern ridge of Great End in the Scafells. It projects out from beneath the great northern cliff of its parent, occupying a tongue of land between two tributaries of the River Derwent. These are Styhead Gill to the west and Grains Gill to the east, the streams meeting at Stockley Bridge below the nose of the fell. Sty Head Gill falls from the walkers’ pass at Sty Head, the main pedestrian route from Borrowdale to Wasdale. Near the head of the pass is Styhead Tarn. This in turn is fed by the outflow of Sprinkling Tarn, a beautiful indented pool lying between Seathwaite Fell and Great End. Sprinkling Tarn lies very close to the course of Grains Gill, ensuring that Seathwaite Fell is almost surrounded by water.

If Seathwaite Fell would have been surrounded by water, it would have been cut off and isolated. Grains and Styhead are the 2 children, connecting it to normal physics of our World.

Seathwaite is listed as having 3552mm of rainfall annually; this figure makes it the wettest place with rainfall statistics in England.

Singing Hermans

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Filed under collages 2d, Lake District, SID's 1st Oz, Wiltshire

February 7, 2013 · 2:15 pm

Cards, In The

“West Virginia is where The Kniks conglomerate Power. Why is this?”

bb:

It is to protect the Cardboard City that is connected to their Village Green concept.

Hucka D.:

Correct. Davies has a stake in this as well now. Zappla[ and Ingor] come to examine the results. There is Dead End Steert on one side of the Cardboard City timewise, and then Big Black Skome on the other side. This is Cardinal.

bb:

Trying to process that… The two Kniks heads in “Marge Refound”, the 8th collage of the Gila series, stand for the first and last third of Baker’s Creek, marked off by identical 3.11 mile segments according to the Cardinal, er, Process.

Hucka D. (correcting?):

Decree.

bb:

The middle head has been replaced by a beech grove, probably Marge. The heads to its side are then Selma and Florence. Sorry, Selma and Patty. Marge is the 3.31 length between the two, identical 3.11. Together they are the 3 Sisters.

Hucka D.:

We’re talking about Carrcass-1, which we still can’t provide the real name for, darnit. Still haven’t got permission. Lots of paperwork involved.

bb:

Good luck with that, Hucka D. (smiles)

Hucka D.:

You could help.

bb:

How?

Hucka D.:

Provide an archival copy of Carrcass-1 for the Council to examine.

bb:

Don’t really know what the Council is.

Hucka D.:

Cardinal. (pause)

bb:

I’ll work on that archival copy then, Hucka D.

Hucka D.:

Please. Then we move beyond calling them carcasses.

bb:

So Zapple is taking notes on Carrcass-1, because his work will reappear in the following carrcass, or Carrcass-2.

Hucka D.:

Yes.

bb:

Carrcass-1 seems inexplicable to them.

Hucka D.:

Well, Ingor especially. He didn’t know about this before. He’s just become a variant here… newborn.

bb:

Let’s see. So Lola is the man-woman of the Cardboard City. That’s pretty obvious. Ruustre knows the story about the man-woman, according to bartender Rhoda, now deceased (this is also in Carrcass0-1). And the man-woman is connected to Hays County, Texas with not one but two Roosters within, a Rooster Springs and then the hq of Rooster Teeth of Red vs. Blue fame, or the former hq (in Buda). Lone Man and Lone Woman are in the center of the county, while the Roosters are more on the eastern edge. I probably have a picture of this county in the Baker Blinker Blog, Hucka D.

—–

bb:

Just as a sidenote, it’s really cool because Carrcass-1 which actually created in the first year of the blog, and you can follow my thoughts, in essence, all the way up to its actual creation and then beyond — the immediate effects.

—–

bb:

First off, Ozmo is Baker, both in the forms of Baker Bloch and Baker Blinker, the lone man and lone woman, perhaps. Fused they become The Bakers.

—–

bb:

I believe this is where the prelude stuff really starts kicking into gear: with the discovery of Mouse Island and The Darts.

http://bakerblinker.wordpress.com/2008/11/04/chatting-d/

—–

bb:

It’s the mention of Booger Hayes in the Cardboard City that is a key. B. Hayes, like President Rutherford B. Hayes, who owned Mouse Island. Hays County, of course, again.

Hucka D.:

He is the first president who wasn’t a president. We have left — sorry *entered* variant territory for the United States as a whole. United Snakes?

bb:

Carrcass-1 is the first carrcass beyond the influence of The Bill, who’ve not be used in one since Carcass-0 immediately preceeding this. We just mentioned Master Shake of Carrcass-0.

Hucka D.:

Master Snake?

—–

bb:

Spider plays or knows B. Hayes (to play is to know a tune). The naming of such is not liked by the Spider of the Cardboard City.

Hucka D.:

No. The variant world must remain hidden. The music becomes Latona… atonal I mean.

bb:

It’s music that can kill. Corndogs at least.

Hucka D.:

The…

bb:

The playing of B. Hayes is concordant, as long as the actual name of the piece or composer is not spoken.

Hucka D.:

There’s no answers to who this B. Hayes is coming from the Cardboard City alone. This is genius. But to speak the name of this genius is to deny full genius.

—–

bb:

Maybe we should talk of R110. (pause) Interesting that I thought Ozma was sync proof early on in this discussion.

—–

bb:

Interesting about the discussion of the 4th Angle… which might not be 4th Angel as perhaps some people thought. 4th Angle is the desert. Osmos. Ozmo searches the desert for new adventures, but he just doubles back into the Cardboard City in Carrcass-1. Folded back into itself, as in a 4th dimension. He cannot descend back into the Aquamarine Rebel Strike Force. West Virignia gives strong clues how to really kick start Carrcass-1, Hucka D. It starts with a man named Don in the desert, who is the same as Ozmo. He stepped outside. Don Aman. Amanaplanpanama. That was probably your line.

—–

bb:

When the 4th corner is reached, Ozmo ends, even though it was never suppose to end. It just does.

Hucka D. (correcting once more):

It’s never ended.

—–

bb:

Ozmo will be in the next collage, Hucka D. Ozmo has already been in a collage: Jasper 04. It’s connected to Gills Pier in Michigan, where Ozmo will return. 2052 is the date given.

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Filed under Carrcass-01, Kniks, The, Zapple

February 2, 2013 · 8:33 am

Gila Interpretations/Associations 01

The Gila collage series appears to be over. It’s obviously related to the series of the Art 10×10, even in name. Gila is one of the most interesting village names left in northern Jasper County Illinois after those taken by the Art 10×10 (Rose Hill, Yale, Newton, Wheeler, and Jasper itself).

Similarities/differences: Gila, like basically all the tiers of the Art 10×10, consists of a base of 10 collages, but in this case augmented by a 00 collage and an 11th collage, as far as I can determine. Let’s look at each one, and I assume Hucka D. will help me with an interpretation, since he likes doing such things. So let’s just bring him in now.

Hucka D.:

The first is called [“The Kniks”], and came first — January 7th was the finish date as I’m seeing.

https://bakerbloch.wordpress.com/2013/01/07/the-kniks/

This is and isn’t the first collage of the series, so you are right to call it 00 or label it as such. The collage plays on the fact that Ray Davies’ head off the sleeve of the hit single Dead End Street/Big Black Smoke conjuncts with or sort of “captures” the word “Big” of the second [ b-side] song. Then this is copied and allowed to substitute for the heads of the 3 other band members of The Kinks — except now they’re called The Kniks, and the songs are Dead End Steert and Big Black Skome. Clever. Meaning? Probably that Ray Davies was obviously the main creative genius of the group and wrote almost all the songs. He probably thought of it has his band, although he tried not to. He had a big head, then? Well, I didn’t create the overlap of “Big” and his head, and you didn’t either. You’re just playing on something already there. So that’s kind of the trigger for the whole Gila series.

bb:

Thank you Hucka D. Very informative. This is also the birthplace of The Kniks, perhaps, where they split off from The Kinks.

Hucka D.:

That is correct. This is done through the overlap of not one but both involved songs with the Cardboard City. The Kniks, by attaining variable status here, finally break free of a Zapple coupling. But “Dead End Street” might be their best overall song, their “Strawberry Fields.”

bb:

Except for “Waterloo Sunset”.

Hucka D.:

Maybe. Guess the latter ends better.

bb:

And this is Carrcass-1 or Carrcass-One, kind of like Carcassonne. (pause) We also have “Powerman” included here, and the Gila series is presently housed in the Power Tower of New Pietmond, Hucka D. The Power Tower is like the tallest building of the Cardboard City, where the person shaped like a Square lived. He was the most powerful entity of the town, and controlled the connection with virtual reality.

Hucka D.:

Power Tower being the tallest building of New Pietmond as well.

Hucka D.:

Yes. It’s on collages of the Gila series itself.

bb:

Maybe we should move on to collage 01 of the series, then. We have Ray Davies’ head present. We have 4 again, just like in 00, and all with the word “Big” on them. This is obviously The Kniks of the original collage, then. Not really The Kinks.

Hucka D.:

No. It’s like The Beetles. They have passed into variant territory, probably connected with the Sunklands Initiative.

bb:

Let me put up a link. The original collage is found in this post, but I’ll just copy the image over here. This one’s called “Making it BIG” for now.

Hucka D.:

The Kniks have sprung into action in the series. The heads of 3 of the members, which are all 1 member now [Ray], cover some Google Earth text at the bottom of the collage. The 3 heads are joined. A 4th Ray Davies/Kniks substitutes for a chimney on the central house of the picture, found in Google Earth in Avebury, UK. It was a notable snapshot for you because of the seeming presence of 2 upright dragonflies hovering above the house. That’s not what they are but that’s okay — we wanted you to choose this photo for the collage. You will return to this house. The house contains scenes, in its windows, of other oddities in GoogleEarth you had recently found, including an elogated headed alien, also of Avebury, and a Rockley mystery fireball.

bb:

Still haven’t seen anything like that elsewhere in Second Life — did I just say *Second Life*? — GoogleEarth I mean, of course.

Hucka D.:

Rockley will come up again soon. The house contains these images. In front of the house, along the road, are the 3 heads of The Kniks mentioned before. This is in essense their house, where they play and rehearse and live. They are from Avebury.

bb:

Hmm.

Hucka D.:

The 4th head is the key, the one that acts like a chimney. From it smoke emerges, and the numbers 333 are seen within [note: this is white smoke, not black]. A headless entity seems to claim the middle of the three 3’s for a substitute head. We know now this is associated with the 3 sisters of Hackpen Hill: Marge, Patty and Selma, 3 basically identical and circular beech groves just to the north of the famous white horse on the hill. To the left is a crop circle image coming from the fields just below the sisters — at Uffcott.

bb:

Let me see if I can dig up some more information quickly on that circle, Hucka D.

Hucka D.:

Go ahead sir.

—–

bb:

It apparently dates from 1995, Hucka D. I found it on this site, where it is described as a solar image. And that’s how it’s probably used in the collage — as a substitute for the sun itself. The golden color goes along with this too.

Hucka D.:

Uffcott will come up again in a minute. Do you have anything to add about this particular collage?

bb:

I remember adding the hand above “Chimney Ray’s” head after the second collage was perhaps completed, or near completion. It’s the hand above Paul McCartney’s head from the Sgt. Pepper album cover. I didn’t know until recently that Davies didn’t care too much for The Beatles back in the day, but I guess that’s just rivalry, like he had with his own brother within his own band. So his head, here, takes the place of McCartney’s head. Davies/Kniks heads will return in the collage series in 08 as a resolution to all this, seemingly.

Hucka D.:

We should move on, then. We can talk about elements of 01 through higher collages. So 02 is called “Ring_o” according to that post.

bb:

Oh Hucka. We forgot to talk about “Apricot Bone” in that last collage. Apricot Bone is perhaps the name of a band as well, maybe like Sergeant Pepper was for The Beatles. As The Beetles created Sgt. Pepper, so The Kniks created Apricot Bone.

Hucka D.:

That could be correct. Apricot is a UmapS name, from the Washington state. Relates to the site where you have information about Sunfish Pond in New Jersey, and how it’s linked to Block Island, Rhode Island through rock stackings. Sunfish comes up again soon as well in Gila. (pause) But to collage 02, which will answer some of these questions. We have Paul’s head now positioned below the same hand as above Ray’s head in 01, and this is from Sgt. Pepper again. Union of Hand and Head, just like we have in Arkansas on the Arkansas Line of The Way. This is the *correct* interaction of the Hand with a Head. Ray’s is a substitute. He cannot be Paul, nor does he need to. He is a great songwriter in his own right. He just didn’t have a Lennon to help him. In variant terms, Paul is Marty, and Lennon is Lemon. I say this because there’s a Lemon in collage 02 as well.

bb:

From the union of Sgt. Pepper and The Kniks comes “Introducing Lemon”, which is actually an album by a Chicago math-rock group called Cheer Accident. Pretty good album, and I need to give it a spin again. I use the album cover in this collage, like I did with The Kniks single sleeve in collage 00. The head of the album is fiddled with again — I put Ringo’s head on top of the one on the Cheer Accident album. Otherwise the album cover is unaltered. The insertion of Ringo’s head is logical here because he is the trumpeter of the Sgt. Pepper military band, just like the person on the Cheer Accident album is a trumpeter in a military band. Their uniforms are very similar. So the marriage of Sgt. Pepper Ringo with this cover is a natural, if we add in the mistique of the name “Lemon” from the album. Lemon is actually Lennon, or a variation thereof. Lennon stands beside Ringo on the Sgt. Pepper album, holding a ~~tuba~~ french horn instead of a trumpet. The image is that of Ringo, but it is also Lennon, then, through Lemon. Lennon and McCartney, also pictured here, form the greatest songwriting duo of all time, most likely.

Hucka D.:

You said the album cover was unaltered except for the addition of Ringo’s head — and Ringo becomes Ingor in the variant name playing game — but there’s another change and that’s the overlap of “Apricot Bone” again on the name of the band across the top of the Introducing Lemon cover. But part of their name remains in the overlap: in the center, we still see “Accid”. This refers to LSD acid, like as perhaps sung about on songs like Lucy in the Sky with Diamonds from the Pepper album. This refers to that. But also this is actually part of the word “Accident”, like some say all this collaging business you do is. It’s all accident and there’s no meaning. Well, I’m here to say there is meaning. We are talking about it here. There is no Accident. (pause)

bb:

I want to get to that central ring figure of collage 02 as well tonight. This is cut from the middle of the Uffcott crop circle pictured in collage 01. It represents a ring itself, and is like another Uffcott crop circle coming from the end of just this past crop circle season, Hucka D., an obvious forgery or hoax. I talk about this crop circle at the bottom of this post:

https://bakerbloch.wordpress.com/2013/01/22/it-2/

The name of the woman being proposed to through this hoaxed circle, Laura, also piqued my interest. In David Lynch’s Fire Walk With Me, Agent Cooper, speaking to Laura in a dream from the Black Lodge, urges her not to take a particular ring, associated with a wedding ring before this although not connected with any particular, normal wedding in the movie or attached Twin Peaks series. No…

Hucka D.:

The hoaxed crop circle is the power of the Black Lodge manifesting itself in the Uffcott fields. The ring is also a Hope Diamond, and is thus cursed. There is even a glinty spark at the northwest corner of your ring in collage 02 to remind us that this is a diamond ring. The glint is the same as the Rockley mystery fireball pictured in one of the house windows of collage 01. In collage 03 this same glint on the same ring will become All Illuminated. Should we move on?

bb:

Eh, why not. (pause) But you want to talk how *you’re* the man waving in collage 02?

Hucka D.:

No. But it *is* me. I’m golden; he’s golden. But let’s go to 03.

bb:

So this one’s called “King Tull” apparently, Hucka D.

Hucka D.:

Here we have pictured the 3 sisters for real, although it’s hard to see them in the final collage unless you know what you’re looking at. Insert one of those other pictures of the sisters as a contrast…

Okay, so that’s the 3 sisters from the western edge of Uffcott, where they can be seen straight on, as it were. They appear equal from there — equally spaced. This makes the Uffcott location special for you. It will be the place of Saucer Contact.

bb:

Don’t know what that really means but let’s keep going…

Hucka D.:

Frank Herbert’s Paul has a Saucer. Paul is not where he seems to be.

(continued in Gila Interpretations/Associations 02)

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Filed under Carrcass-01, collages 2d, Lunch, David, Twin Peaks

February 1, 2013 · 3:58 pm

non sequitur

Lisa the Vegetarian wants me to start studying Winesap. Lisa the Vegetarian wants me to understand that the basic design of Herman Park comes from Arkansas and The Way and Winesap. 56. The end of March 2013 may be a decision point.

“The governments know of my return”.

“Quetzalcoatl?” I asked. “No: Master. Master Shake. Of the Aquamarine Rebel Strike Force.” “Great,” I answered. “Sapphire’s precious Aquamarine grew into the rebellious Aqua Teen and psychologically became split from her.” “Baby Jesus and the lasers,” came his non sequitur answer. Should have known.

—–

Lisa started with Hand + Head at the center of the Arkansas Line. “Go there,” Marty said. “Unite Hand and Head so that I will be revealed.” So she did and came back and he said she did pretty good for a young’n. She took it kindly. “Go there again and insert Heart.” So she did. She came back. “You did okay,” Marty said to her. “You did kind of good.” She was not fazed. She stood her ground. “Now the most difficult part, young lady girl woman.” Marty seemed drunk but wasn’t. “Create Health *off the map*. No… create *Hustle* and then change it to Health by spinning it in the opposite direction. Which direction are your creations spinning now?” Lisa had to think. “Clockwise? Yeah, clockwise.” “We are in the northern hemisphere so that is good and correct,” Marty answered back. “Now you must make the southern hemisphere come to the northern hemisphere.” Lisa was confused. She tapped her finger to her chin in thought. She thought of her mother Marge and her aunts Selma and Patty back in Wiltshire, England. But she was now in Amereca, land of the freaks and home of the braves. Indian braves, that is, before White Man took it all. White Buffalo Men like Marty himself. But she didn’t say this aloud. “Do I really *have* to go to Amereca?” she asked Marty, who then looked at her reprovingly. She knew she had to. She looked down at the books strewn around her feet, around the rock she sat upon. She was still in Wiltshire but she was in Amereca.

—–

She picked up one. “Light in August” was its title. She picked up another, and another. “Those are no good,” Marty said to her. “They’re all protected. No, you have to use *this* one.” He handed her a somewhat smaller book, a red book. No title. Instructions for building an ATM sperm bank machine? Not quite. Let’s look at Tennessee, a new blog category under UmapS, then.

“How confusing, Hucka D. Herbert Do*main* overlapped with *Main* Street Winesap.”

“Expand out please.”

So I did.

Winesap *and* Old Winesap. I knew, well, Herbert Domain refers in part to Frank Herbert, the famous science fiction author of the Dune series. In the Dune movie directed by David Lynch, an especially powerful scene is where *Paul’s hand* is inserted into a Pain Box.

http://www.technovelgy.com/ct/content.asp?Bnum=39

From the folds of her gown, she lifted a green metal cube about fifteen centimeters on a side. She turned it and Paul saw that one side was open – black and oddly frightening. Paul slowly put his hand into the box. He first felt a sense of cold as the blackness closed around his hand, then slick metal against his fingers and a prickling as though his hand were asleep…

“What’s in the box?”

“Pain.” He felt increased tingling in his hand, pressed his lips tightly together. How could this be a test? he wondered. The tingling became an itch… The itch became the faintest burning… It mounted slowly: heat upon heat upon heat… . The burning! The burning! He thought he could feel skin curling black on that agonized hand, the flesh crisping and dropping away until only charred bones remained.

It stopped! As though a switch had been turned off, the pain stopped… “Take your hand from the box, young human, and look at it.” He fought down an aching shiver, stared at the lightless void where his hand seemed to remain of its own volition. Memory of pain inhibited every movement. Reason told him he would withdraw a blackened stump from that box. “Do it!” she snapped. He jerked his hand from the box, stared at it astonished. Not a mark. No sign of agony on the flesh. He held up the hand, turned it, flexed the fingers. “Pain by nerve induction,” she said. “Can’t go around maiming potential humans. There’re those who’d give a pretty for the secret of this box, though.”

We also know from Carrcass+3 that this Pain Box is the same as an ATM sperm bank machine. Whose Line is It Anyway? Paul inserts his hand instead. “My what?” Colin asks in return, obviously surprised.

—–

“No you have to use *this* one,” Marty said in parallel time. Lisa took the book… not really Herbert Domain but Public Domain. Winesap is in public domain, which means she could make cash from it. Cash and credit and more cash and credit. She could rule the world… no, rule *Wealthy* Mountain and its Healthy Lake. “Use this to make Health in Arkansas,” he said. She needed cash, she needed to be *wealthy*. Then she could create the parallel domain in parallel time. I think.

—-

She brought her father Homer to Wealthy Mtn. through the use of virtual reality technology only she could afford to her knowledge. The Kniks knew of this and approved. This was at Quartz Brook. He was a Plastic Man, meaning he was a toy avatar. Plastic Man is bookended by Plastic People by Zapple. Through this, Lisa knew that she could not make Plastic Man because it implied or led to Plastic People. But she herself was Plastic. So this was the great sacrifice.

“Yes, 2d to 3d,” said Hucka D. He was on Mars.

But then it was the 3rd, Tin S. Man, also sponsored by The Kniks, that drew her interest next. Another A. Mann. This was at Tinsity, in the next valley over from Quartz Brook but still on her mountain: Wealthy Mountain. She was experimenting with different locations. But this was a failure as well, at least initially.

“All were successes,” Hucka D. perhaps corrected.

Superman was the last man and the 4th. This was Lion’s Roar. Lisa on Byng. She created The Way here, connecting Kansas and Kentucky, while just before this establishing Kansas and Kentucky themselves. Lisa knew that this 4th was the best and most perfect… the *most* successful. It is here that Paul’s legacy was secured.

Pauls’ Switch comes then. 5 to 6. 56. End of March 2013. 5 to 6.

1,2,3… 4-square.

http://www.songmeanings.net/songs/view/3530822107858703499/

The Residents – The Electrocutioner

The time for all the followers of doom is drawing near,
Deceiving no-one, knowing nothing but the bite of fear.

Smiling as I throw the switch
That takes away their breath,
I see life as an interruption
To the tune of death

She is the electrocutioner…!

Playing with my birds, I wonder how the world could be
A perfect place to sin about, for anyone but me.

I see the shimmer of the dewdrops as I drink my tea.
And when the foolishness is over, I am much more me.

I wish that all the suffering and all the misery
Could be consumed inside my room, where switches set you free.

*humming*

Where switches set you free, my friend, where switches set you free.

333.

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Filed under Arkansas, Beetles, The, Byng, Carrcass Artists, Carrcass+03, Dune, Green Oz Creek, Herman Park, Kniks, The, Lunch, David, MAPS, Quartz Brook, Smipsons, The, Tennessee, Tin S. Man/ Dr. Blood^*++++#$, Toy Avatars, Wealthy Mountain

February 1, 2013 · 4:54 am

If odd, crazy things become consistently common…

… well, I think you know what I’m getting at here (odd crazy things turn into common ordinary things). Like this image I found while googling “‘Baxter County’ Arkansas map” just a minute ago, before logging in here. It was in the 5th row of hits, about 29 images down. But it stuck out, you see, because of my recent mentions of Hand in relation to this county (posts immediately below this one), and how Hand lies at the center of the lower line (Arkansas Line) of The Way and assoc. with the hand of Sgt. Pepper, et al.

A very odd picture — it represents an upside down map of the county since the Missouri state line is to the south instead of the north where it should be. Here’s the web site it’s from:

http://ozarkshistory.blogspot.com/2010_12_01_archive.html

Here’s the first of 3 posts on the subject from Vincent S. Anderson’s Ozarks’ History blog:

http://ozarkshistory.blogspot.com/2010/12/white-river-development-association.html

The map on the hand is very stylized and not accurate in scale atall, although the directions of the listed towns on the fingers and wrist roughly correspond to (reversed) directions away from central Mountain Home, the county’s seat and largest city. The actual former village of Hand, now inundated by Norfork Lake (SEE: Billville) would lie somewhere in the space between the pinky and the ring finger, I think.* Is there even a connection between this kooky map and the name of the Hand village itself? Probably not, but I thought I’d just mention it anyhoot. Hand *Valley* (also called Head Valley) would lie just beyond the tip of the index finger, near the junction of the Buffalo and White Rivers. Master Shake (also just mentioned in the post below) mouths or “channels” the phrase “White Buffalo” in Carcass-0, which is then equated with a white spaceship with “horns” containing Plutonians. Let me see if I can pull a picture of it up even — and before I forget, Master Shake is also very white. Check out the last section from the Quetzalcoatl wikipedia article here; I’ll highlight the key words:

The British author Graham Hancock published a pseudo-historic theory that Quetzalcoatl is a being that is shared across many cultures including Egyptian, Aztec, Mayan and Olmec. The stories of a bearded white man bringing “knowledge” are alleged to be common, and sprouting from a central source or “master” culture. (Source: Fingerprints of the Gods, Graham Hancock, 1995)

Quetzalcoatl was a known “master” jester or joker as well. Is Master Shake Quetzalcoatl in disguise as it were? A knowledge of Carcass-0 would be helpful here, but I can’t relay that information. Perhaps a study of Carcass-0 is in order.

Just down the White River from Hand Valley is Buffalo City, where the Buffalo and White Rivers actually meet. The next population place on the White River down from this junction is Cartney, which reminds us that it is Paul McCartney’s *head* on Sgt. Pepper that The Hand lies just above. And then just downstream from that, continuing down the White, is Shipp — a reference to the Plutonian ship or “White Buffalo” again? Cartney would lie about in the fingertip at the top of the Baxter County “map hand”.

—–

* White Buffalo reference in Billville Guestbook:

http://www.firesigntheatre.com/bvhtml/guestbook/guestbook044.php

The “River of Buffalo” is described starting at about 11 minutes into the below video, and “the trip” ends about 1 minute later with the last mention of “white buffalo”, just before the phone rings (in Carcass-0, this corresponds with us seeing the white, Plutonian ~~shipp~~ ship). Master Shake channels “white buffalo” of 11:13, mentioned above. God I love this new blog!

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Filed under Arkansas, Bill, The, Carrcass-00, MAPS

January 14, 2013 · 8:32 am

“I think…

… if I saw this list without knowing anything about MapS, I’d make the association with Drew Carey and Whose Line is It Anyway?”

Hucka D.:

That’s the point. (pause) Sorry.

bb:

That’s okay. So Cleveland does rock. Cleveland Rocks. Almost ringing Tiny Wiltshire.

Hucka D.:

Almost. (pause) To a point.

bb:

And so there are ley lines running through Tiny Wiltshire.

Hucka D.:

That’s next. T. W. is a place of contact between man — you and alien — them. But the aliens are not actually aliens, just the surrounding woods and inhabiting spirits. Now. Rocks that watch[ like in SID’s 1st Oz].

bb:

But this is, once again, about Carcass+3.

Hucka D.:

Yes. In MapS.

bb:

Carey is a Host as well.

Hucka D.:

Just because the alien aliens are gone doesn’t mean that Tiny Wiltshire isn’t still relative.

bb:

If I wait to go to Real Wiltshire…

Hucka D.:

Don’t wait. Tom is waiting for you. You need to go. It’s an expense well worth it.

bb:

The second or third day, I’d actually go to Oliver’s Castle just blogged about below, Hucka D.

Hucka D.:

Oliver is an Oddball. More MapS.

bb:

Who is Pansy Mouse?

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Filed under Arkansas, Carrcass+03, MAPS, West Virginia

January 13, 2013 · 7:19 am

The Pullllll

This was I believe the next post up in Michael Glickman’s blog I was planning to read sometime soon, and then just a minute ago it came up as the 4th hit in my Google search for “eleven sided” + “crop circles.” So I’m reading the post *now*.

http://www.michaelglickmanoncropcircles.com/blog/geometry-olivers-castle-seven/

A newer theory has it that the alien spaceship landing sometime in the past in Frank Park may have left in the trail of smoke I saw Saturday a week ago from Tiny Wiltshire. The mystery (train) whistle heard at the same location the next day might be directly related as well, thinking of such a whistle producing a cloud of stream. So maybe Hucka D. is right about them being gone man gone.

Seven is considered to represent spirit, revelation, the eternal feminine and that which lies behind the veil. Eleven is the first number of the Master Number series that is said to indicate degrees of contact and interaction with other dimensions. [my emphasis] Given these credentials we cannot be surprised that these two noble numbers choose to hold themselves slightly aloof from such as the ordinary fours and nines.

The Oliver’s Castle snowflake formation can be seen as a pivotal point in crop circle history, deepening a rift between those who believe there is most definitely a real mystery phenomenon going on in Wiltshire and elsewhere and those who believe there is most definitely no mystery atall to examine — just the work of very terrestrial and very human crop circle “artists”.

—–

bb:

Hucka D., didn’t you spend some time in Oliver, Wisconsin last year?

Hucka D.:

I lived there. It was the first virtual reality town created by GoogleEarth. I hid there, yes.

bb:

Then of course Carcass-6 comes along that summer; Oliver at center. *Flower*, like in Flower of Life.

—–

bb:

It looks to me for all the world that Screven County Georgia and its outlying Oliver (highlighted in red below) duplicates Michael’s revelation that seven lies at the root of the Oliver’s Castle formation. Screven = seven. “Cr” may even be important: *cr*op circle?

—–

http://en.wikipedia.org/wiki/File:Screven_County_Georgia_Incorporated_and_Unincorporated_areas_Oliver_Highlighted.svg

Going deeper into this, it may be significant that Oliver, Georgia’s town boundaries are no longer circular, although the other 3 circular towns in the county (Hilltonia, Newington, Rocky Ford), according to the above map, remain so. The limits of the largest city and county seat, Sylvania, is also based on the circle, but a significantly larger one than the rest. Here’s a comparison of all 4 along with Oliver, the 5th incorporated town of the county that doesn’t fit the pattern any longer. Or never did.

Why is Oliver marked as a circle in the outline above when it’s not? Was it *ever* a circle? Maybe not. Is Oliver’s Castle a legitimate (non-human artist) circle and is the Oliver’s Castle video a legitimate film of a crop circle forming and not another piece of art? How much did the videographer get *paid*?

Is this another video of Oddball Oliver killed by King Circle?

http://www.flatlandthefilm.com/videos/Flatland_Assassination.mp4

—–

http://www.hypermaths.org/cropcircles/chapter8/

—–

“Yes, I am there now.”

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Filed under Carrcass-06, Crop Circles, Georgia, MAPS, Wiltshire

December 1, 2012 · 8:01 am

Shark (referencing a severed hand): You found my record, didn’t you? Now… spin it.

“The band rehearsed in your Garage #2. They were *the* band of the town, like the Conchords were for Little New Zealand, or they were planned for as such (smile). Dr. Blood planned this out with you. The owners of the new Stairs Building Gallery complained of the noise. The Knicks (variant band) said: stuff cotton in your ears you freaks, and laughed derisively. Both brothers were there. Dan camped out in the TILE Tower for quite a while, but his official place was Fleep’s Cottage. Both grew up in the House of Truth, and the brothers’ dad owned both it and the garage and possibly the land occupied by Fleep’s Cottage and the TILE Tower. What did they think of the TILE religion? I suppose they followed it. The church use to be in the SoSo Village, but was later replaced by Stairs Building #2. *Their* New Pietmond sort of evolved backwards from yours, with the X-Spot Gallery being the *last* addition. The X-Spot Gallery signaled the band’s fiscal triumph. Questions?”

bb:

How did the Knicks acquire the art of the X-Spot?

Hucka D.:

They bought it. And they also bought the art of your 10×10.

bb:

Did they know of Peter Gabriel, supposedly also in Second Life?

Hucka D.:

*Yes.* They knew of the Sunklands Initiative after a while. Or at least Dr. Blood did.

bb:

And they knew of Z.

Hucka D.:

Yes. He came to town as well, although he wasn’t an official resident. I don’t think.

bb:

Maybe he was.

Hucka D.:

A possibility.

bb:

So it really looks like New Pietmond is “just” a continuation of Lion’s Roar from October. I didn’t go back there all of November, Hucka. I hope the bottles are all right.

Hucka D.:

Knicks, the name of the variant band, is a key, because you’ve compared both Lion’s Roar and New Pietmond — and also, now, Supersity just north of Frank Park — with New York City. But it’s the Kniks, without a “c”. Just looking at your type and over your shoulder and such.

bb:

Spooky. So Hucka, we’re going quite a long way in explaining who actually might have *lived* in New Pietmond.

Hucka D.:

The Kniks obviously. Do you know where the primary Knik is? It’s in… well, I’ll let you find out.

bb:

Knickerbocker is a resident of New York… knicks, then, for sure. They contacted the real world through the Tower of A. Mann, which is a type of psychic parallel of sorts to The Statue of Liberty — Lady Liberty.

Hucka D.:

Mossmen were probably also in New Pietmond. They may have come from the direction of Supersity. Mossmen are depicted in the 10×10 and in SoSo Gallery[ with its Oblong series from that overall opus].

bb:

Tower of A. Mann is obviously related to my recent Facebook post about the many Kinks’ songs ending with “man,” a number of which are now part of the Sunklands Initiative project, Hucka D. A good example is “Powerman”, a unique and rather stunning track from Lola. And this makes me think that the Tower of A. Man is the tower of Powerman, or the Tower of Power (in one incarnation of the building).

Hucka D.:

Right. Insert picture.

http://www.flickr.com/photos/15402278@N08/

bb:

Sorry. Still looking…

Hucka D.:

Nope. But close enough. You know 12 Oz Mouse’s cardboard city is New Pietmond as well. Dead End Street, the true beginning of Carcass-1, the very first Carcass in a way, in a manner. New Pietmond is a record… now spin it.

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Filed under **VIRTUAL SL, Carrcass-01, Jeogeot, Kniks, The, Pietmond^, Sunklands^

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If odd, crazy things become consistently common…

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The Pullllll

Shark (referencing a severed hand): You found my record, didn’t you? Now… spin it.

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