Drinking from the fount of pure synchronicity. W(e) IS renewed.
http://kdk12.tumblr.com/post/4879566957/the-shining-forwards-and-backwards
Category Archives: COLLAGES
Green Oz Mouse…
… discovering the Greenup (Yellow Down) hole.
Filed under 12 Lb Mound, Green Oz Creek, Herman Park
Variety of Stuff
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Started to work on carrcasses again after almost a 3 month layoff. I call the newest one “Number Nine” (subject to change), apparently a close companion to “8 Ball” basically completed in June before we left for England. As usual, I can’t give out many details on these, unfortunately. I *can* talk about it using more abstracted images.
—–
MORE TEXT SOON.
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Strange I was the first to mention Burnet on the Synchronicity Phenomena board, not Don, who later actually lived there.
http://tech.groups.yahoo.com/group/SynchronicityPhenomena/message/14266
This was the 4th (Don, from Oct. 2004)…
http://tech.groups.yahoo.com/group/SynchronicityPhenomena/message/19549
I just read this post last night, and then today saw an actual coon in the woods, and in the very spot I thought that Mossman as a surrogate Daniel Boone might have spent his last days. No lie. See this post for further information on Gene Fade and his Missouri [link soon].
Filed under Byng, Carrcass Artists, Herman Park
Going Back in Time…
…To Pick Up Additional Threads…
First:
Notes:
Yes, I did get to pass through this Dimensional Kink while in England. Very successful trip! Unfortunately I didn’t take my camera, because some interesting things were on and in the ground at that point (stone structures, perhaps a bridge at one spot), with more to explore. It’s a void between the communities of All Cannings (east) and Coate (west), passed through after I parked my car at The Barge, deciding to hike all the way to Devizes on Tue night, a distance of about 7 miles. For the evening walk, arriving in Devizes only a bit before dark (close!), I decided that I simply had to try passing through this time/space Kink written about just prior to the flight in, even though I knew it was risky. This might have been, in fact, my greatest risk taking during the trip. Or was it the least risk taking activity — dunno. This is not The Hole I’ve written so much about lately mysteriously forming in the center of heated crop circle activity swirling all around, but a kind of second, considerably less defined hole appearing not far south. I say that risk taking may *not* have been involved because obviously the alien type crop circle makers have also been ignoring this place as well; less chance of being beamed up like Scotty, you see. What did I see inside? Again I don’t have the photos, but my guess is the remains of ancient stuff poking through. When I go back to Wiltshire (5 yrs? 10 yrs?) I’ll make a considerable attempt to return to this place. In being a void between population places, it is somewhat akin to the Synching Creek Designated Mystery Area, I guess. Interesting that Pooh appeared in the All Cannings church after showing up in Whitehead Crossing with his wagon full of honey the week before. 4 Sticks missed him, though, but received the gift of honey.
Just to complete: The next morning (Wed) had to head back to The Barge, of course, to retrieve my car. Went back soley on the Kennet and Avon Canal this time — amazing trip; took about 4 hours at a relatively slow pace, and the weather was pitch perfect. Arrived at The Barge early afternoon and rewarded myself with a vegetarian lasagna lunch, which I purchased a number of times over the 2 week trip. Unfortunately, blisters began to appear on my little toes after the hike, probably because my shoes, although comfortable, were relatively new. These would be my most waterproof shoes, however, and the ones I wore most in England.
Second:
First, Hucka Doobie wants to ask some questions. Hucka, take it away…
Hucka D.:
Welcome to the Baker Bloch Blog, baker b.! I have some additional questions about the Dimensional Kink? post. Don’t you think this is SID’s 1st Oz. The hike, I mean?
bb:
I’m not sure.
Hucka D.:
The dimensional kink, or, sorry Dimensional Kink is like the kink in the line of Bodysong within SID. Sorry, again: Music from the Body. Can you pull up a diagram and I’ll demonstrate.
bb:
I think so. Hold on a minute, though…
http://rainbowology.net/sid/bookernew12.html
There it is Hucka D.
Hucka D.:
Yes, I’m convinced the hike is like the journey through SID’s 1st Oz front to back, in turns of this one album (Music From The Body). You’re lucky you made it through the kink, just like you’re lucky you made it through SID’s 1st Oz’s kink. I was there to help. Pooh.
bb:
Well, there was a lot of pooh in the kink for sure, Hucka (!)
Hucka D.:
The cows had never seen anyone hike through their field, in truth. Knee deep was the grass, ankle deep was the pooh. Next time you will take a bear in there.
bb:
Now the… sorry.
Hucka D.:
Now the body of water you hiked down from Devizes to Honeystreet the next day would be the necessary body of water in the equation. Without this single channel or *canal* of water, you would not have been able to effect the first hike, see?
bb:
Yeah, I kinda see that, Hucka D. Because I would not have been able to pass through the Dimensional Kink. The canal smoothed out the kink, somehow.
Hucka D.:
Yes it did. And that’s why I showed up today. To tell you that.
bb:
What would have happened if I hadn’t hiked down the canal from Devizes to Honeystreet the next day?
Hucka D.;
The 2 hikes acted as one in hypertime. One does not exist, then, without the other. You would not effected the first without understanding the second would follow the next day. (pause)
bb:
This collage (Lis 06) might be symbolic of the 2 hikes, then, Hucka. The turning of the moon shaped thingie occurs perpendicular to the direction of the hikes (north to south instead of east-west), but the rock with the triangle shaped crop circle image represents The Barge, the beginning and end point of the hikes respectively. And the tombstone, then, represents the kink, the dimensional kink.
Hucka D.:
But it… yes, you go…
bb:
But it could also represent *Devizes* in the center between the *two* Barges, one beginning and one ending. The tombstone, after all, comes from Devizes (St. James’ church) from the collage just before this one (Lis 05). The gargoyle being hugged, which is the same as Bart Simpson, would be my accoster, then.
Hucka D.:
Yes. Yes.
bb:
The Dimensional Kink is about as far away as you can get from a population center in these neck of the woods. The accosting came about as *close* as you can to a population center, occurring near the middle of Devizes.
Hucka D.:
All this (collages, from early this year) was preparation for that (Devizes experiences, including the accosting).
bb:
Perhaps strange that that particular rock with a crop circle image wasn’t in The Barge any longer, although I have proof of its existence there through a pic from this post. Lemme dig that up quickly…
Hucka D.:
Go ahead. But… yes.
https://bakerbloch.wordpress.com/2013/03/14/honey/
bb:
The picture comes from this flickr page…
… taken on June 6, 2007, or over 6 years ago now. They probably have the rock somewhere in the back still, then, in a storage room or sumtin.
Hucka D.:
It is a Rockley rock. It is archetypal. (pause) All these things were set up so that the accosting would be minimized. He would simply say “silly man” and brush you aside. He was a tank, a brute. But at that point in time he softened. He became not Bart alone but Bart with a caring and more advanced feminine side — sister Lisa. And you received a vegetarian lasagna to remind you of this.
bb:
The rock is signed PRS, and dated 2005.
Hucka D.:
Filed under SID's 1st Oz, United Kingdom, Wiltshire
Post-Rubi 03
“So… a wormhole, Hucka D.”
Hucka D.:
UFO is Uffcott. Maybe UFON. It’s fun!
bb:
Virtual VWX Town is set up in Uffcott.
Hucka D.:
Marriage. Black Lodge and White Lodge. Ray… Away the Ray.
bb:
It’s amazing that this crop circle basically ending the 2012 season is still the closest [“legitimate” one] formed to Uffcott down through the years…
Image Simon Brown Copyright 2012
… save for this one, also found in the 1st collage of the Gilatona-Lis series set up in the Power Tower Gowlery of Rubi’s VWX Town, most recently.
The Hackpen Hill crop circle pictured above also appears in Gilatona-Lis, starting in Gila 04. I identify it with a 3rd eye cube of some sort, indigo in symbol.
Currently I’m reading through all the Gilatona-Lis posts on this blog, focusing on the interpretations.
Hucka D.:
Go ahead…
bb:
I’m wondering if this Hackpen Hill cube, with its small, hollow interior cubes inverted in respect to the small, hollow exterior cubes, is the same as Mr. Boyce’s cube from The High Octave Story at the end of part 2 of 3, or the middle part? It is indigo at the 7th perspective — sort of explaining my indigo reference above or continuing it.
Hucka D.:
Something…
bb:
Is this [again] a CORNDOG (?)
216 x 216
Filed under 12 Lb Mound, Crop Circles, Wiltshire
Post-Rubi 02
“Thank you again for showing up on the Frank and Herman Einstein! Blog, Marty.”
Marty:
You’re welcome.
bb:
Hold on, *sir*. (Marty smiles)
—–
bb:
We’re back. Got my heat under my desk.
Marty:
Nice.
bb:
So we’re at the door to Carrcass-8, Marty. Very nice. And your song “The Lovely Linda” is sort of the door knob I suppose.
Marty:
Right.
bb:
So I’m opening this metaphorical door. Where are we?
Marty:
In the future.
bb:
Cool. I mean more what is this Carrcass-8, then? What is there at the door to greet me?
Marty:
Me. (smiles again)
bb:
Where’s Plant?
Plant (showing up):
I can show up if you wish. All the variants are available, if the shoe fits.
bb:
Are you at the door with Marty? Greeting me?
Plant:
If you wish.
bb:
Are we in Sunklands still?
Marty:
Not really. New.
bb:
I’ve started watching the Beatles Anthology. Pretty nifty, as I also remember.
Marty:
Heart and soul[ into it].
—-
“We’re back with Marty and maybe Plant. Plant, what you been up to in the years now since Carrcass-3?”
Plant:
Planting. Logical enough[, right]?
bb:
Is Ray around back there? Knik I mean?
Marty:
We’re all here. At the table.
bb:
I was just going to ask that. Thanks. Where’s the table, then?
Plant:
Mars.
Marty (countering):
Venus. (both laugh)
bb:
Let’s say we’re back in Siliconicus.
Plant:
Let’s not and pretend we are anyway. (nudges Marty) Right Marty? (Marty doesn’t seem as amused this time. Maybe he is and maybe he isn’t.)
—–
bb:
I’m also starting to get heavily into researching crop circles guys. [no response]
—–
Hucka D.:
I found you a [virtual] home, baker b.!
bb:
Howdy Hucka. The others in the background once more?
Hucka D.:
Yes. But to the big news. It’s yellow. It’s a beam of light. It’s Uffcott. Remember Uffcott? Well, it just became available.
bb:
Hmmm. Can you explain, Hucka D.?
Hucka D.:
Uffcott is where all things equalize.
bb:
Let me look up the village…
http://www.cropcircleconnector.com/2012/uffcott/articles.html
There’s the wedding proposal circle. Obviously add that to the hoaxed circle list.
—–
“Okay, according to primelocation.com, there’s no property around Uffcott presently, Hucka D. (pause) It appears in 2 entries in the Domesday Book.”
http://domesdaymap.co.uk/place/SU1277/uffcott/
“Not much into artistic photography, or photography for its own sake, Hucka D.”
Hucka D.:
Have you found it yet? Keep looking.
bb:
Okay. Shut my yammering and all. (pause)
bb:
Interesting.
—-
“How ’bout this, Hucka?”
Hucka D.:
Yes! The Diamond.
Filed under Beetles, The, Crop Circles, Lead Zeppelin, Wiltshire
Post-Rubi 01
Focus now will be on England (!!!). Studying crop circles. Will read Edna’s England travelogue asap. Will read my own analysis of Wheeler-Jasper collages from same web site, and maybe Baker Bloch in England material also. I have access to a super cool crop circle database now that allows one to view the circles down through the years on a single satellite map.
I’m also on the outer fringes of another carrcass, to even add a bit more to all the excitement going on in my life right now. I think that was the clincher in giving up the Rubi land… how am I going to mix *that* in with everything else. The initial song involved is “The Lovely Linda” by Mac, his first track from the solo years beyond The Beatles.
http://en.wikipedia.org/wiki/Love_%26_Monsters
Elton and Ursula form LINDA—”London Investigation ‘N’ Detective Agency”—with three others, Bridget, Bliss, and Mr. Skinner, and meet in a library basement to discuss their experiences, but soon their activities become more social in nature. Elton and Ursula become closer through these meetings.
One day, a man by the name of Victor Kennedy comes in and interrupts one of the group’s meetings, and points out that LINDA has lost its cause.
—–
bb:
Marty, we talked to you quite a bit in 2009, I believe, when Carrcass-3 was slowly percolating after the summer creation of Carrcass-2. I assume you know what I mean.
Marty:
As a variant — yes, I know what you mean. We were in Sunklands[ at the time].
bb:
Still miss it Marty… Pietmond and all.
Marty:
Pietmond, yes.
bb:
I’m starting a new carrcass, Marty, and you’re tile #1. “The Lovely Linda”. Can you tell us about, say, the relation with Lemon’s Plastic Ono Band for Billfork, which also uses his track 1 from the post-Beetles career?
Marty:
I can tell you some. I can say that I agree with the tiling process as much as Lemon. Back to basics, that was my mantra[ at the time of McCartney I]. We, the variant band, appeared in WES west of Sunklands (pause). Lennon was shot. (long pause)
bb:
That was a long time ago, now. (pause) Are you familiar with Billfork?
Marty:
Yes.
bb:
I mean the carrcass now.
Marty:
Yes I know. Billfork.
bb:
Do you like Billfork?
Marty:
Yes, very much.
bb:
Did you agree that The Bill had to be called in?
Marty:
Just translating — yes, I agreed.
bb:
But not at the time.
Marty:
No. I didn’t understand how it would all unfold.
bb:
Billfork was something new, beyond SID[‘s 1st Oz]. Then the carrcass beyond that was something new again. Then the carrcass beyond even that was something new once more. The Foreign One. It was big big, so big I couldn’t control it. And the Beatles [Beetles] were right there again. 5 songs, the use of Magical Mystery Tour[ video], and The Rutles [Beatles parody band movie]. Lead Zeppelin and The Beetles acted together, like in the later Carrcass-3. Plant and Marty again.
Marty:
Yes. Zeppelin Tube, I remember. How I remember.
bb:
Do you think Lead Zeppelin is a better variant band than your own?
Marty:
No. Plainly speaking.
bb:
Why not?
Marty:
They lack a sense of humor about themselves — took themselves too seriously.
bb:
But let’s look at The Bill. *All* they do is make fun of themselves and others. One could say there’s no seriousness or *gravity* about any of all that.
Marty:
Yes.
bb:
Lemon liked them, though.
Marty:
Yes. He said: Bring in The Bill. Sure, bring ’em in, baker b.
bb:
“Bring me The Bill”, and all.
Marty:
Yes.
bb:
The influence of The Bill in the carrcasses essentially ends in Carrcass-0, which is often grouped with Carrcass+0 as the ur-carrcass or beginning carrcass, not Carrcass-1 as some believe.
Marty (repeating):
Some.
bb:
They are bookends for this central period of the carrcasses, which contain the largest and most complex of the lot still.
Marty:
Lot.
bb:
Billfork and Carrcass-0 I mean. We have an opening and a closing for that period. Both use Lemon as a primary artist, unique in that respect. Billfork uses Lemon 01. Carrcass-0 uses Lemon 02 04 05. 03 is skipped over. Do you know what I’m talking about?
Marty:
bb:
This is the shared one of the first 5, and then the last two were also shared, 06 and 07 I suppose.
Marty:
Yes.
bb:
Do you think the shared albums are weaker?
Marty:
Most definitely. Don’t you?
bb:
Well, what I’ve heard I think you are probably correct.
Marty:
I mean… well, I won’t go down that road. I think the original idea was the best for the two of them: release 2 solo albums, one with his music and the other with hers. You didn’t have me sharing alternate songs on Band on the Run with Linda.
bb:
Hmmm, I can understand. Lennon started co-writing with Ono, when originally he had *you*. Probably a step down.
Marty (repeating again):
Probably a step down, yep.
Filed under Beetles, The, Carrcass Artists, Who Doctor
Rubi and SID’s 1st Oz
An obvious link: ruby key:
http://horrordigest.blogspot.com/2010/03/return-to-oz-when-reality-creates.html
Floyd and the Rubi Forest or Rubi Woods have been associated since the beginning for me. Key had a picture of Floyd and Barrett in his otherwise almost berift-of-objects second floor of his Rubi gallery at the time. He came to Rubi in July 2007, as I’ve found out. Must figure out how to get his variant, the actual pretend Key, to reinvest in the forest. A map, as Hucka D. reinforced to me — yes, that could be it, along with the same for Coke. Coke must not see the Rubi Forest as just Ordinary Glass.
Hucka D.:
Invite Hybuli to the next meeting. Isn’t that tonight?
bb:
Hybuli being the closest gallery owner when I opened the Power Tower Gowlery the other night, but then he deleted the kiosk as it moved across the internal sea of Heterocera. But for a moment, his was the closest. And of course I know him, especially through another.
Hybuli:
Hi, I thought I’d drop by before the meeting. How’s Chilbo doing?
[5 pages of script deleted]
—–
Further notes (now that that interesting interruption is over!):
The grey snakelet Aspinwall is the same as the Great Linden Wall of Heterocera. An important clue: the first letters of the first three sims the wall passes through, top to bottom, form the acronym ASP (Athetis, Spini, Pyri). Then it enters Ziczac, already blog famous in Baker Blinker’s completed macro-opus. Mystery ship The Arab, passed down through The Wall beginning at Ziczac, creating The Point(of The Wall). It passed underneath the main part, through a passage which is not square but pointed. Then it reaches Rubi, Hucka D., to become SID’s 1st Oz. 26 in 1. The diagonal: Ziczac Zoe. Rubi Forest. Temple. SID’s Temple. The placement of the Edwardston Station Gallery in Rubi opens up Sylver as in Sylver Forest, the past. The Past. Later this manifested as Jeogeot, the Southern Continent.
—–
“How did The Arab pass through The Wall, Hucka D.?”
Hucka D.:
How does anything pass through anything? Luck.
bb:
Is this where Aspinwall changes to Colon?
—–
“Says here in this deleted script, Hucka D., that Aspinwall had changed to Colon by the time The Arab had reached Rubi.”
Hucka D.:
Have you ever seen a ship driven by trees? They’re all *over* the road.
bb:
Hmmm.
Hucka D.:
Have you?
bb:
Yes, maybe. Like the trees overhang the Robin Loop next to my new parcel.
Hucka D. (apparently speaking to someone else offstage):
Oh no you haven’t. There’s 3 there instead of 2. You overcharged me once more!
bb:
Who’s that, Hucka D.?
Hucka D.:
My agent. He’s booked 3 shows for me at once instead of the normal 2. I asked for 2. I ask for multitasking. But not 3.
bb:
Interesting. So… back to the Rubi Woods.
Hucka D.:
I think you should call Hybuli back and apologize to him. How’s he suppose to know about the positive carrcasses?
bb:
All’s I said is that I always had the suspicion that Giant Rat of Sumatra was FT’s greatest work, Hucka D., and he gave me back the usual rigamarole about FT themselves claiming Dwarf as their best. And then he named half a dozen more albums he thought were better than Rat.
Hucka D.:
The Foreign One let the Rat out of the Bag. You saw it once. In the woods. Remember?
bb:
Yes. The trap when I bought the Rubi land along the woods in 2010. Yes, that was obviously something psychic taking place. The thing in the woods knew I would buy the land there. And then Bill might have shown up last night.
Hucka D.:
Yes (!)
bb:
Did the Rat pilot The Arab[ down through The Wall and to Rubi]? It’s obviously quite queer that Hybuli shows up right when I buy the new land in Rubi. It must be the Rat again
Hucka D.:
What else did you say to Hybuli[ to offend him]?
bb:
We talked some about Zappa. We agreed that Lumpy Gravy may be his best work, because Hybuli had read the same stuff as I had about Zappa saying that very thing. So we agreed there.
Hucka D.:
Here’s his story…
—–
SWITCH TO HUCKA D.’s EARLIER CALL TO HYBULI:
“Hell yeah! Bacon… ummmm. Love it.”
Hucka D.:
Hi yourself Hybuli. Must you always answer… well, yeah, I guess you have to answer that way. Do you know Furry Carl?
Hybuli:
He’s here now. What a meeting[ of the Sylver Forest Council] he’s describing! Couldn’t sound more exciting.
Hucka D.:
Is that sarcasm?
Hybuli:
Yeah. He actually only offered me a summer beer. Like always.
Hucka D.:
Figured as such. Listen, baker b. — you know the guy that supposedly *organized* this thing… you know Baker don’t you?… course you do.
Hybuli:
Well, I know of *a* baker. And I know [another delete name].
Hucka D.:
But you and he talked about FT last night at the meeting.
Hybuli:
I was running late because I had to close up the gallery and move it across the sea and all. Bobby Darin, thank you.
Hucka D.:
Pulling a Bobby Darin. Nice.
Hybuli:
Thank you.
Hucka D.:
But it’s… .never mind. Good one.
Hybuli:
Thanks again.
Hucka D.:
So when you arrived I had left, and then Baker was still around. How about [delete name]? Tell me all the gossip.
Hybuli:
I don’t know that person. [another delete name] was with me but he stayed outside. Said something about he and baker had split from each other. Separated at the hip, he said, and laughed. Not sure what that means, but I think it has something to do with the Lion and Tiger of Oz. Wait… (checks script). That’s your line, sorry.
Hucka D.:
Just back it up a bit. Just end with the line you were suppose to end with. Ready… just begin again now.
Hybuli:
Now?
Hucka D.:
Yes, now. Go…
Hybuli:
Not sure *what* that means?
Hucka D.:
Nice emphasis. Ahem, yeah, I think *that* has *something* to do with the *Lion* and Tiger of *Oz*.
END FLASHBACK
—–
Hucka D.:
So you see, he did it to me as well. Tried to double back on me. Trap me in a corner, like you were symbolically trapped by that Rat in Rubi. Ratti.
—–
“WAIT a minute!”
Filed under **VIRTUAL SL, Rubi, SID's 1st Oz
Sunklands 
