Category Archives: COLLAGES

May 7, 2013 · 12:54 pm

Post-Rubi 01

Focus now will be on England (!!!). Studying crop circles. Will read Edna’s England travelogue asap. Will read my own analysis of Wheeler-Jasper collages from same web site, and maybe Baker Bloch in England material also. I have access to a super cool crop circle database now that allows one to view the circles down through the years on a single satellite map.

I’m also on the outer fringes of another carrcass, to even add a bit more to all the excitement going on in my life right now. I think that was the clincher in giving up the Rubi land… how am I going to mix *that* in with everything else. The initial song involved is “The Lovely Linda” by Mac, his first track from the solo years beyond The Beatles.

http://en.wikipedia.org/wiki/Love_%26_Monsters

Elton and Ursula form LINDA—”London Investigation ‘N’ Detective Agency”—with three others, Bridget, Bliss, and Mr. Skinner, and meet in a library basement to discuss their experiences, but soon their activities become more social in nature. Elton and Ursula become closer through these meetings.

One day, a man by the name of Victor Kennedy comes in and interrupts one of the group’s meetings, and points out that LINDA has lost its cause.

—–

bb:

Marty, we talked to you quite a bit in 2009, I believe, when Carrcass-3 was slowly percolating after the summer creation of Carrcass-2. I assume you know what I mean.

Marty:

As a variant — yes, I know what you mean. We were in Sunklands[ at the time].

bb:

Still miss it Marty… Pietmond and all.

Marty:

Pietmond, yes.

bb:

I’m starting a new carrcass, Marty, and you’re tile #1. “The Lovely Linda”. Can you tell us about, say, the relation with Lemon’s Plastic Ono Band for Billfork, which also uses his track 1 from the post-Beetles career?

Marty:

I can tell you some. I can say that I agree with the tiling process as much as Lemon. Back to basics, that was my mantra[ at the time of McCartney I]. We, the variant band, appeared in WES west of Sunklands (pause). Lennon was shot. (long pause)

bb:

That was a long time ago, now. (pause) Are you familiar with Billfork?

Marty:

Yes.

bb:

I mean the carrcass now.

Marty:

Yes I know. Billfork.

bb:

Do you like Billfork?

Marty:

Yes, very much.

bb:

Did you agree that The Bill had to be called in?

Marty:

Just translating — yes, I agreed.

bb:

But not at the time.

Marty:

No. I didn’t understand how it would all unfold.

bb:

Billfork was something new, beyond SID[‘s 1st Oz]. Then the carrcass beyond that was something new again. Then the carrcass beyond even that was something new once more. The Foreign One. It was big big, so big I couldn’t control it. And the Beatles [Beetles] were right there again. 5 songs, the use of Magical Mystery Tour[ video], and The Rutles [Beatles parody band movie]. Lead Zeppelin and The Beetles acted together, like in the later Carrcass-3. Plant and Marty again.

Marty:

Yes. Zeppelin Tube, I remember. How I remember.

bb:

Do you think Lead Zeppelin is a better variant band than your own?

Marty:

No. Plainly speaking.

bb:

Why not?

Marty:

They lack a sense of humor about themselves — took themselves too seriously.

bb:

But let’s look at The Bill. *All* they do is make fun of themselves and others. One could say there’s no seriousness or *gravity* about any of all that.

Marty:

Yes.

bb:

Lemon liked them, though.

Marty:

Yes. He said: Bring in The Bill. Sure, bring ’em in, baker b.

bb:

“Bring me The Bill”, and all.

Marty:

Yes.

bb:

The influence of The Bill in the carrcasses essentially ends in Carrcass-0, which is often grouped with Carrcass+0 as the ur-carrcass or beginning carrcass, not Carrcass-1 as some believe.

Marty (repeating):

Some.

bb:

They are bookends for this central period of the carrcasses, which contain the largest and most complex of the lot still.

Marty:

Lot.

bb:

Billfork and Carrcass-0 I mean. We have an opening and a closing for that period. Both use Lemon as a primary artist, unique in that respect. Billfork uses Lemon 01. Carrcass-0 uses Lemon 02 04 05. 03 is skipped over. Do you know what I’m talking about?

Marty:

Yes.

bb:

This is the shared one of the first 5, and then the last two were also shared, 06 and 07 I suppose.

Marty:

Yes.

bb:

Do you think the shared albums are weaker?

Marty:

Most definitely. Don’t you?

bb:

Well, what I’ve heard I think you are probably correct.

Marty:

I mean… well, I won’t go down that road. I think the original idea was the best for the two of them: release 2 solo albums, one with his music and the other with hers. You didn’t have me sharing alternate songs on Band on the Run with Linda.

bb:

Hmmm, I can understand. Lennon started co-writing with Ono, when originally he had *you*. Probably a step down.

Marty (repeating again):

Probably a step down, yep.

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Filed under Beetles, The, Carrcass Artists, Who Doctor

May 2, 2013 · 5:30 pm

Rubi and SID’s 1st Oz

An obvious link: ruby key:

http://horrordigest.blogspot.com/2010/03/return-to-oz-when-reality-creates.html

Floyd and the Rubi Forest or Rubi Woods have been associated since the beginning for me. Key had a picture of Floyd and Barrett in his otherwise almost berift-of-objects second floor of his Rubi gallery at the time. He came to Rubi in July 2007, as I’ve found out. Must figure out how to get his variant, the actual pretend Key, to reinvest in the forest. A map, as Hucka D. reinforced to me — yes, that could be it, along with the same for Coke. Coke must not see the Rubi Forest as just Ordinary Glass.

Hucka D.:

Invite Hybuli to the next meeting. Isn’t that tonight?

bb:

Hybuli being the closest gallery owner when I opened the Power Tower Gowlery the other night, but then he deleted the kiosk as it moved across the internal sea of Heterocera. But for a moment, his was the closest. And of course I know him, especially through another.

Hybuli:

Hi, I thought I’d drop by before the meeting. How’s Chilbo doing?

[5 pages of script deleted]

—–

Further notes (now that that interesting interruption is over!):

The grey snakelet Aspinwall is the same as the Great Linden Wall of Heterocera. An important clue: the first letters of the first three sims the wall passes through, top to bottom, form the acronym ASP (Athetis, Spini, Pyri). Then it enters Ziczac, already blog famous in Baker Blinker’s completed macro-opus. Mystery ship The Arab, passed down through The Wall beginning at Ziczac, creating The Point(of The Wall). It passed underneath the main part, through a passage which is not square but pointed. Then it reaches Rubi, Hucka D., to become SID’s 1st Oz. 26 in 1. The diagonal: Ziczac Zoe. Rubi Forest. Temple. SID’s Temple. The placement of the Edwardston Station Gallery in Rubi opens up Sylver as in Sylver Forest, the past. The Past. Later this manifested as Jeogeot, the Southern Continent.

—–

“How did The Arab pass through The Wall, Hucka D.?”

Hucka D.:

How does anything pass through anything? Luck.

bb:

Is this where Aspinwall changes to Colon?

—–

“Says here in this deleted script, Hucka D., that Aspinwall had changed to Colon by the time The Arab had reached Rubi.”

Hucka D.:

Have you ever seen a ship driven by trees? They’re all *over* the road.

bb:

Hmmm.

Hucka D.:

Have you?

bb:

Yes, maybe. Like the trees overhang the Robin Loop next to my new parcel.

Hucka D. (apparently speaking to someone else offstage):

Oh no you haven’t. There’s 3 there instead of 2. You overcharged me once more!

bb:

Who’s that, Hucka D.?

Hucka D.:

My agent. He’s booked 3 shows for me at once instead of the normal 2. I asked for 2. I ask for multitasking. But not 3.

bb:

Interesting. So… back to the Rubi Woods.

Hucka D.:

I think you should call Hybuli back and apologize to him. How’s he suppose to know about the positive carrcasses?

bb:

All’s I said is that I always had the suspicion that Giant Rat of Sumatra was FT’s greatest work, Hucka D., and he gave me back the usual rigamarole about FT themselves claiming Dwarf as their best. And then he named half a dozen more albums he thought were better than Rat.

Hucka D.:

The Foreign One let the Rat out of the Bag. You saw it once. In the woods. Remember?

bb:

Yes. The trap when I bought the Rubi land along the woods in 2010. Yes, that was obviously something psychic taking place. The thing in the woods knew I would buy the land there. And then Bill might have shown up last night.

Hucka D.:

Yes (!)

bb:

Did the Rat pilot The Arab[ down through The Wall and to Rubi]? It’s obviously quite queer that Hybuli shows up right when I buy the new land in Rubi. It must be the Rat again

Hucka D.:

What else did you say to Hybuli[ to offend him]?

bb:

We talked some about Zappa. We agreed that Lumpy Gravy may be his best work, because Hybuli had read the same stuff as I had about Zappa saying that very thing. So we agreed there.

Hucka D.:

Here’s his story…

—–

SWITCH TO HUCKA D.’s EARLIER CALL TO HYBULI:

“Hell yeah! Bacon… ummmm. Love it.”

Hucka D.:

Hi yourself Hybuli. Must you always answer… well, yeah, I guess you have to answer that way. Do you know Furry Carl?

Hybuli:

He’s here now. What a meeting[ of the Sylver Forest Council] he’s describing! Couldn’t sound more exciting.

Hucka D.:

Is that sarcasm?

Hybuli:

Yeah. He actually only offered me a summer beer. Like always.

Hucka D.:

Figured as such. Listen, baker b. — you know the guy that supposedly *organized* this thing… you know Baker don’t you?… course you do.

Hybuli:

Well, I know of *a* baker. And I know [another delete name].

Hucka D.:

But you and he talked about FT last night at the meeting.

Hybuli:

I was running late because I had to close up the gallery and move it across the sea and all. Bobby Darin, thank you.

Hucka D.:

Pulling a Bobby Darin. Nice.

Hybuli:

Thank you.

Hucka D.:

But it’s… .never mind. Good one.

Hybuli:

Thanks again.

Hucka D.:

So when you arrived I had left, and then Baker was still around. How about [delete name]? Tell me all the gossip.

Hybuli:

I don’t know that person. [another delete name] was with me but he stayed outside. Said something about he and baker had split from each other. Separated at the hip, he said, and laughed. Not sure what that means, but I think it has something to do with the Lion and Tiger of Oz. Wait… (checks script). That’s your line, sorry.

Hucka D.:

Just back it up a bit. Just end with the line you were suppose to end with. Ready… just begin again now.

Hybuli:

Now?

Hucka D.:

Yes, now. Go…

Hybuli:

Not sure *what* that means?

Hucka D.:

Nice emphasis. Ahem, yeah, I think *that* has *something* to do with the *Lion* and Tiger of *Oz*.

END FLASHBACK

—–

Hucka D.:

So you see, he did it to me as well. Tried to double back on me. Trap me in a corner, like you were symbolically trapped by that Rat in Rubi. Ratti.

—–

“WAIT a minute!”

2 Comments

Filed under **VIRTUAL SL, Rubi, SID's 1st Oz

Tagged as TIGERS

April 13, 2013 · 9:39 am

Lynn County, Grassland, etc.

Grassland, Texas

My emphases.

The community was founded in 1888 and grew up around a ranch owned by Enos Seeds and his brother, Thomas.^[2]

Grassland seems to be assoc. with the number 61 (same population for 3 decades):*

From the 1940s through the 1970s the population was recorded as 200. It had dropped to sixty-one by 1980. In 1974 Grassland still had two cotton gins, a store, and a station. The population was still sixty-one in 1990. The population remained the same in 2000.

It’s also Lynn County’s oldest community according to that same Texas Online Almanac article.

http://en.wikipedia.org/wiki/Frank_Herbert#Biography

Herbert began researching Dune in 1959 and was able to devote himself wholeheartedly to his writing career because his wife returned to work full-time as an advertising writer for department stores, becoming the breadwinner during the 1960s. He later told Willis E. McNeilly that the novel originated when he was supposed to do a magazine article on sand dunes in the Oregon Dunes near Florence, Oregon. He became too involved and ended up with far more raw material than needed for an article. The article was never written, but instead planted the seed that led to Dune.

http://www.duneinfo.com/giedi_prime/books/frank-herbert.aspx

Eye
ISBN: 0-743-43479-X

Eye features the startlingly original collaboration “The Road to Dune,” a walking tour of Arakeen narrated by Frank Herbert and illustrated by acclaimed British artist Jim Burns. Also included is an introduction by Herbert describing his personal feelings about the filming of David Lynch’s movie version of Dune; Herbert’s own favorite short story, “Seed Stock”; and tales from throughout his career, some never before collected.

http://oreilly.com/tim/herbert/ch09.html

As suggested in the discussion of Children of Dune, Herbert seems to subscribe to a kind of evolutionary ethic, which uses survival as a touchstone for evaluating species behavior. This ethic is also the subject of one of his most effective short stories, “Seed Stock” (1970).

A colony has been landed on an alien planet. It is dying. There is no return. The colonists are trying to reproduce Earth; they cannot understand why their efforts do not work. There is a strange force that warps embryos and seedlings so they do not flourish. The experts choose the most normal-born of the plants and animals to nurture, with no success. They cannot see (because it is unthinkable) that it is the seemingly most stunted and sickly of the plants and animals that are adapting. Kroudar, the laborer, listens with his body; he feels the different rhythm of life on his new planet. He does not try to maintain the old ways. He nurtures the new

—–

*
http://wiki.answers.com/Q/What_is_the_significance_of_601_in_The_Andromeda_Strain

In 4orrin1, the 601 here is directly overlapped with the number 61 of Giant Rat of Sumatra (36:39).

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Filed under Carrcass Artists, MAPS, Texas

March 22, 2013 · 12:49 pm

Falmouth…

Falmouth Creek is Falmouth, Indiana extended from point to line. Left side of creek is Rush, and right side, with source at top and mouth at bottom, is Fayette, which doesn’t count. It’s mundane. On the right side also enters the magic spring just below Old Baker Settlement. This is the black hole, the X-Ray source, Cygnus X-1 but also a bit of X-3. Rush the band. Eyes. Eyes. The Visible I. [symbolic Falmouth *mouth*] is the white star, visible to the invisible, sucking and ripping black hole.

I also think of foul mouthed basses…

I must raise The Kniks out of the X-Ray source, back into the light. Back into Avebury Light. In the X-Ray spring which is the black hole, there is Gila 00, the null before the 01.

https://bakerbloch.wordpress.com/2013/01/07/the-kniks/

https://bakerbloch.wordpress.com/2013/01/17/fuzzer-house-01/

(into The Light).

Reconnected. Reharmonized. Peace with Zapple and *that* twinship, which continues after a brief period of independence in Carrcass-1. A lot hinges on Carrcass-1 Hucka D. Hucka D.? Not here.

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Filed under Falmouth Creek, Frank Park, Kniks, The

March 13, 2013 · 1:26 pm

Lis Interpretations/Associations 03

(continued from Lis Interpretations/Associations 02)

“I think it is a basic mistrust of all-things-town, Hucka D. The 4 characters of TILE arise from The Crammer, or between the two parts of The Crammer which are actually one part, because of the pull of The Country. The 4 gargoyles, kind of parallel monsters here, are The Town, and reach a dead end at the east portal of that old railway tunnel running underneath Devizes Castle, or what passes for a castle now.

Hucka D.:

Perhaps the gargoyles were attempting to restore the old castle, and add to its decor. Stone [attracts] stone, after all.

bb:

Never heard of that. But at any rate we can move to Lis 06, called “Hugs All ‘Round”, I believe. (checking) No, it’s “Rock’n Home”. We have the reappearance of Spongebob Squarepants in Gilatona-Lis, and this time with his best pal Patrick Star. Sbsp appears first in Latona 01, peering out of the opened front door of his pineapple home, speaking of homes. And I suppose here in the newer collage we have a nod to Patrick’s rock home now, which appears in front of him… But the rock is actually from The Barge in Honeystreet, very near Alton Priors which we will be speaking of in a moment. It’s from a picture of this rock I found online, which strangely and queerly depicts the same crop circle I’ve already used several times in Gilatona-Lis collages, originally in Gila 05 but also in Latona 05. This despite it not being a very famous crop circle, Hucka D.

Hucka D.:

*We* put the rock there. [The] Lis [collages] are very tight. You would see the rock, or the picture of the rock from The Barge, and immediately know you had to use it in a new collage. This then becomes Patrick Star’s rock house or home as well, since you made that association beforehand.

bb:

Here’s the post you’re talking about.. oh, it’s already there (!):

https://bakerbloch.wordpress.com/2013/03/03/more-wiltshire-shots/

And then here’s the Marshall photo I use as the base for Lis 07.

http://www.geograph.org.uk/photo/1744705

This is taken several miles east of Devizes, not too far into the country, then. The distinct hill in the distance is Woodborough Hill, which was the site of not one but several of those sunfish related crop circles from 2012. Including the one depicted in part at the bottom of Latona 00, returning to that collage once more.

Hucka D.:

Cool. There’s Lisa the Vegetarian in the new one [Lis 06] as well. She appears to be hugging one of the gargoyles from the statue. As Marshall himself pointed out, this is Bart Simpson, 12th Century style. But the spirit of the gargoyle or monster is trapped in that gravestone transported from The Crammer location, or the location of [Lis 05]. You must hug and love the gargoyles within yourself, baker b., in order to be free of them. You move out into The Country to do this. The Town cannot give you what you need. You search elsewhere — country.

bb:

Like we’ve moved the progression of the Lis series from Devizes — town — out into the countryside, specifically the area around Alton Priors and The Barge itself and the famed Alton Barnes white horse, and so on. Most sacred spot. Here we also have at least one of the 4 TILE monsters or creatures from Lis 05 returning just below Patrick’s crop circle adorned rock. This would be the little yellow fellow again, called McCoy in The Jelly Fox episode of Noel Fielding’s Luxery Comedy show.

Hucka D.:

He’s the one with diabetes (smiles).

bb:

Yeah, but it’s no laughing matter. Perhaps not even a smiling matter. (Hucka D.’s smile is erased.)

Hucka D.:

But…

bb:

But he represents The Sun, the counterpart to The Moon. He’s within The Moon, just as in Latona 02 you have The Sun being swallowed, seemingly, by The Moon. And Fielding himself is swallowed into The Moon when he plays that particular character in The Mighty Boosh. There’s a scene in the first episode of his Luxery Comedy where he reappears in this rather famous role, only to state he’s not in this show. Quite funny.

Hucka D.:

Can I smile again, then?

bb:

Sure. (Hucka D.’s smile returns.)

—–

“In looking again at Latona 00, I feel that all three “stones” we’re talking about here, the one Lisa is sitting on in Latona 00 and then the two (grave stone and rock with crop circle) are one and the same. And all 3 stones are in fact The Diamond from Lis 00. It represents knowledge… Arkansas knowledge. I revisited The Diamond at Metril yesterday, Hucka D.”

Hucka D.:

Great. Singing frogs. Fantastic. They were chatting about how f—ing cold they were, and why did they have to be hatched so early? You’d be doing the same… in fact you were… in your head.

bb:

Returning to Lis 06, obviously the two rocks or stones are associated. According to the turns of The Moon in the foreground, representing its 4 phases seemingly, we have the downward turned moon associated with yellow and the rock from The Barge, and then the upward turned or “horned” moon associated with the grave stone carried over from Lis 05, the one with the Bart spirit within.

Hucka D.:

Bart The Gargoyle. Hugged by Lisa the Vegetarian. Did you know in the early days of The Simpsons, Lisa was seen more as a female Bart. Only later in the series did she acquire her own unique character. Lisa the Vegetarian [season 6 episode] is an important landmark in this progression to individuality. She exists separate from Bart, able to stand apart from him. But love him and his gargoylian ways still. The Simpson males have a degenerative gene that carries over from generation to generation. The female Simpsons are not so cursed.

bb:

Yeah, I read something about that[ not surprisingly]. So Lisa here is loving or hugging somewhere that she had come from, but now stands apart from. A brother to her instead of she herself. As the gravestone is from The Crammer, and is where The Moon originates from in Lis 05…

Hucka D.:

The rotating Moon, actually one Moon, has absorbed the colored energy of the 4 Crammer monsters and trapped it within a 4-part mandala that are called its phases. These are yellow — full moon — blue — new moon — green and red and the half moons, then. The progress of The Moon across the landscape of Lis 06, which would be atop Alton Priors, even, hidden just below the line of trees beneath Woodborough Hill…

bb:

Yes.

Hucka D.:

… Well, I lost my train of thought. Train?

bb:

Thank you for that interpretation. Anything else about Lis 06? We are out in the country, specifically Alton Priors and Alton Barnes and Honeystreet, which are all connected anyway, and away from Devizes. But still close to the latter. We are approaching *home*. We are approaching The End.

Hucka D.:

The grave stone has an eye. It is peering toward The Rock that is the same as itself. The rock does not progress beyond itself. Lisa the Vegetarian has. She has learned to love. She is heart.

(continue to Lis Interpretations/Associations 04)

4 Comments

Filed under collages 2d, Jello Fox

Tagged as Gargoyle Observer^*

Image

Cereal Characters

http://www.geograph.org.uk/photo/885302

http://www.geograph.org.uk/photo/885306

+

https://si0.twimg.com/profile_images/2577353477/obd7eu38orq6ykb4g44w.jpeg

1 Comment

March 5, 2013 · 7:19 am

March 3, 2013 · 7:36 am

More Wiltshire Shots

GoogleEarth Streetview: Calstone Wellington. Don’t know what this object is — looks like a human being flying through the air and rolled into a ball (holding his legs?) in the second shot. But the object in the first shot appears to be more of a large pink bird like a flamingo.

These appear just south of pictures of the Church of St. Mary, another Wiltshire place of worship that B.R. Marshall has documented for geograph, this time with considerably more photos than for even St. John’s of Devizes:

http://www.geograph.org.uk/snippet/7156

A manmade crop circle just to the southwest of Calstone Wellington…

along with some interesting, surrounding landscape features…

The square-ish field in the lower left part of the same photo, for instance, was the site of a complex *square shaped* crop circle in July 2009. The location is called Morgan’s Hill. These amazing pictures come via GoogleEarth submissions as well:

In comparison, a deceptively simple 2007 star circle from the next field over:

I couldn’t help myself when associating the 2 Morgan’s Hill circles with these cuddly characters, especially since I’ve inserted the one on the right into a recent collage:

Also, take a look at this article if you wish about a rather famous 2011 crop circle appearing at the foot of the same hill (Furze Hill beech copse in distance):

http://www.cropcirclesandmore.com/thoughts/201103ecc.html

Patrick Star’s home anyone?

https://bakerbloch.wordpress.com/2013/02/02/fh/

Hmmm…

http://www.wccsg.com/2009Gallery/April2009/MorgansHill/tabid/807/language/en-US/Default.aspx

Llis06 TEST (another one):

2 Comments

Filed under Crop Circles, Smipsons, The, Squaar, Wiltshire

March 1, 2013 · 5:04 pm

216

There are 216 photos currently listed for SU0061 in geograph. 216 is also mentioned in this recent post concerning a Latona collage series interpretation. There it’s the number of cubes, hollowed and unhollowed in a 3d representation of a grand crop circle appearing just below Hackpen Hill last season, a grand finale as it were.

TEST: LLIS 05

TEST 02:

Moon Landing

TEST LLIS 06 (!)

1 Comment

Filed under Jello Fox

March 1, 2013 · 7:50 am

Diamond visits Devizes (Devizes visits Diamond?)

Base picture here from these 2 directly related B.R. Marshall photos:

http://www.geograph.org.uk/photo/2388024

http://www.geograph.org.uk/photo/2388037

Lis 03 Final:

Gargoyles Cometh

Lis 04 Final

Meating Meet Shake

Lis 03 and 04 Final:

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Filed under Beetles, The, collages 2d, Smipsons, The, Wiltshire

Tagged as Gargoyle Observer^*

February 28, 2013 · 2:23 pm

Latona Interpretations/Associations 02

(continued from Latona Interpretations/Associations 01)

To summarize Latona 01, it seems to be about the destruction of New Pietmond, coupled with an exodus factor, like Lisa V. is using the Cherhill “monster” (riding in its brain) to escape, and also the orange (inverted color) sunfish to the left. It’s a bit of a scene of chaos — dishevelment. So what does Latona 02 bring us? Stability? Well, we’ve returned to Wiltshire and the crop circle region for more images for sure, so that helps with the grounding. The locations are from around but not within West Woods to the west of Marlborough, and one of 2 woods I’m really eager to explore during my England trip. As I’ll use West Woods for the culminating 3 collages of the Latona series, we must keep this in mind, maybe like I was close to the mark on this collage (Latona 02) but hadn’t quite hit it yet. Also the “singing Hermans” used in Latona 02 will return in Latona 08 09 10 (the West Woods collage), and employed in a more logical manner. They seem to be, when set up correctly, a protective device created by Lisa V. to, among other things, calm me in England while I’m there. In theory. Kind of like I’ll be in suspended animation. But back to Latona 02, I don’t think I quite knew what to do with the Singing Hermans in this one. The 2 very similar images (“singers”) were very close to each other in a search fo Rockley images, so both come from that area (north of Marlborough and the setting for a number of collages already in Gilatona). I knew their proximity was synchy, but only with Latona 08 09 10 did their meaning start to clear. Latona 02 is about death. The father of a good Internet friend died around the same time. I also thought of the death of my own father during the composition. The sun “swallowed” by the moon in the dew pond at the bottom of the picture (dew pond near Knap Hill). It is also about the death of Virgo (father) inside the direct opposite sign of Pisces (mother). It is both death and sexual union in this manner. The dewpond is both womb and tomb.

Hucka D.:

St. John’s Church in Devizes is important to go to, baker b. Go to the graveyard in the back. Look for [delete name].

bb:

Hmm. I got behind you there once again. Adding text behind you when you’ve already talked.

Hucka D.:

[Delete name]. Remember that. Make a collage of it as well. It is *the dewpond*.

bb:

To continue with this, I believe the dewpond is also Drink Lake of Herman Park, as Master Shake, a drink after all and nothing more, is directly above it, hovering. Then the bottom Singing Herman is also Drink Lake, or just “Drink”. To give more detail he is a *fis*Herman. The line or cable in the collage, inside Shake, might then be a fishing line (extended from his purple straw), which saves the tiny Dr. Who here from the Satan Pit, which is also death most likely — the dew pond. Life is also sun — king/father and death is queen/mother. The letters on the sun and moon at the dew pond come from SID’s 1st Oz, and the 2007 Booker T. 15 part analysis of this pivotal audiovisual synchronicity, my most original contribution to the Golden Age of that now almost forgotten field.

Hucka D.:

We have a field here as well. Dewpond field. With rocks.

bb:

The dew pond is also probably Winesap, don’t you think Hucka D.?

Hucka D.:

Winesap Smimesap.

bb:

Okay. So as we’ll see, the Singing Hermans are also placed on rocks that Lisa the Vegetarian has just been seen sitting on earlier in the Latona series, or Latona 00. It’s the same rock. And then this rock will also reappear in Latona 08 09 10 with Lisa V. again perched upon it, joining the 2 Singing Hermans also perched upon the same. Confusing.

Hucka D.:

The Hermans are the same as Lisa the Vegetarian. She had to equalize the 2 parks, the 2 Hermans in this way. Frank equals Herman. Heman to Herman. She did it through the diamond. That’s the diamond that goes in the dogs tail to wag it.

bb:

I can’t just take it out of the ground Hucka D.

Hucka D.:

Why not. That’s what she put it there for. It belongs in the dog’s tail. Wag the dog.

http://en.wikipedia.org/wiki/Wag_the_Dog#Title

Why does the dog wag its tail?
Because the dog is smarter than the tail.
If the tail were smarter, it would wag the dog.

bb:

Nothing is really resolved in Latona 02, Hucka D. Shake seems to center, and that’s what we have as a stability point in this one. But he has to be hollowed out to see the actual, inner workings or goodness. Jesus saves, I suppose.

Hucka D.:

Yes, Master Shake is Quetzalcoatl is Jesus. Indeed.

bb:

So we should probably move on to Latona 03 and 04, and this is a joined effort this time, Hucka D., and something quite new in my collage producing. Latona 04 was actually composed before Latona 03, and this makes it a Wheeler-Wilson situation, like we have occurring twice in SID’s 1st Oz, but the first use of it in that a/v synch sets the tone and embodies the symbolism. A nurse name Wilson (Head Nurse Wilson) and what we know will become a Wheeler in Oz for Dorothy wheels in Dorothy to the electroshock chamber on a gurney. When she arrives there, the failed electroshock treatment, which goes wrong at the very last second, is dubbed with a song already used in SID, but the *first* part of the song (introduction) not used before. This is Queen’s “Death on 2 Legs”, the first track of Night at the Opera. So we’ve reversed the two parts of the tracks in SID, with the intro coming after the song proper. This is Wheeler-Wilson. Time has become suspended because we have no past and no future here. Only present. Which may be the same as Norris. Space of Norris.

Hucka D.:

That’s my phrase. Anyway, we have Latona 04 on the right and Latona 03 on the left. Or is it the other way around — we just can’t really tell. We have to assign the number arbitrarily. This is what interested Booger Hays when he visited your Power Tower Gowlery. He looked at Latona 04 and then Latona 03. “What is actually happening here?” he asked. Well, I said it has something to do with Dr. Who, which of course I had to explain to him, him being from the 19th Century and all. I said that the red headed lady, or the “red lion” entering the pub the Red Lion, or standing beside it in the parking lot, is probably Melonie Pond, who has just died in the Dr. Who series along with husband Rory. She is defined by her red hair, you see. (pause) Oh, I said Melonie but I meant Amy Pond.

bb:

To remind: Dew Pond at the bottom of this collage, Hucka D.

Hucka D.:

Yes. The former collage [Latona 02] you mean. And in Latona 03 04, we are in Avebury, re-centering ourselves as it were. We have a kind of before/after story in the two sides of what in effect is one collage, but it’s difficult to discern what is before and what is after.

bb:

So I think this is also about the death of Amy and Rory Pond in Dr. Who, Hucka D. Talking about Latona 02 here still.

Hucka D.:

We must move to Latona 03 04 fully, however.

(continued in Latona Interpretations/Associations 03)

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Filed under 12 Lb Mound, Aquamarine Rebel Strike Force, collages 2d, SID's 1st Oz, Space Coast, Who Doctor

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