Category Archives: Wiltshire

March 26, 2013 · 8:44 pm

Falmouth Interpretations/Associations 04

(continued from Falmouth Interpretations/Associations 03)

“Don’t you think this is you as a certified professional in the future.”

bb:

Yes Hucka D. Thanks for the lead-in.

Hucka D.:

You’re welcome. One of my tasks. This is future stability. On the other side, in Falmouth 03[ opposite of the Falmouth series “circle”] you have the present situation, or what happened in late November or early December. You have a breakdown of communications on both sides. You have the boss or the prez, Shark, talking to The Mouse. Prez *hates* corndogs. This is what he or she is pissed off about. The Table is not getting done. And yet very ironically *you* have your own kind of parallel table that’s not getting done. You see?

bb:

Yeah. The Table.

Hucka D.:

The Clock is the 8-5 grind you’re trapped in, like most of the rest of us working slobs. This is your job. You are the worker and shark is the boss. You are Mouse.

bb:

Yes.

Hucka D.:

Perhaps you cannot get on your tiny tip toes to retrieve the corndog that has a hand up on this roof, inside the triangles that represent a clock as well. The hand points to one, but the hand also points to the actual clock in the collage, the one frozen on the minute of 2:22. The clock cannot move to 2:23. You are stuck, like Groundhog Day and Phil within.

bb:

Yes. I’m better at listening now.

Hucka D. (continuing):

As you also realize now, this is your situation in your US of A, where you live, where you work. The street is the Big Pond. Crossing the street like a chicken or chichen equates with heading to England now. You must go!

bb:

Yes. Just found out there’s no backing out now. Excitement! No regret.

Hucka D.;

Good. When you get to England and center yourself over there, apart from your US of A, you will understand the future role, the certification. It’s not exactly what you think.

bb:

What I don’t want to happen is me being pushed out of my present position.

Hucka D.:

That won’t happen. Now. You and the New Guy will get along smoothly. He will see the real you… doctor. And you are clearing up your act. Balance. England plays a great part in that. No, you will not be able to leave your US of A for 8 more years. Yet you must prepare for the inevitable — retirement. Now. You will always have your Frank, your Herman Parks. That will not leave you. Then you plug in that to the whole England scene and the crop circles and the activating megaliths.

bb:

Did you say activating?

Hucka D.:

Yes. Everything is warming up. The past will be the present will be the future. (pause)

bb:

Activate, huh.

Hucka D.:

Back to the collage, this is you in the future. You are both the man and woman, like Ozmo’s Man/Woman that Roostre knows about. Okay?

bb:

Alright Hucka D.

Hucka D.:

Andrew Wyeth’s Cristinia is a direct reference to Cygnus and its x-rays through Rush, Missouri. Alright?

bb:

Yeah. So Bytor’s collages are another pointer. I must protect the history of the Golden Age of Synching, Hucka D.

Hucka D.:

Okay. Alright.

bb:

And we’ve already talked about how symbols and images from The Barge have sort of been imposed upon the Red Lion pub of Avebury, kind of like the former has taken over the latter. And the red haired being is behind all this… including the Rockley rock art in Falmouth 02. So we have the Croppie beer logo attached to the front of the Red Lion, the elements from the poster — saucer and white horse, on another Red Lion building, and then the red haired being’s hair covers the actual Red Lion logo on the side or front of the building. This *is* the Red Lion, or the true Red Lion — what it could actually be.

Hucka D.:

A center or watering hole for crop circle studies. (pause) The drunken beer in the front has a prominent black hole that peeks through into another dimension through the white foam. This is Cygnus X-1 again. Then there’s the relationship between Cygnus X-1 and Cygnus X-3: even though they’re far apart in actual space, they appear close together from our Earth angle in the constellation[ of Cygnus]. And now you know that the only carving on any of the Avebury stones is of a swan. Fantastic. Avebury itself is aligned to the brightest star of Cygnus in Deneb.

—–

http://en.wikipedia.org/wiki/Avebury#Purpose

Alexander Thom suggested that Avebury was constructed with a definitely indicated site to site alignment with Deneb.[39]

—–

(continued in Falmouth Interpretations/Associations 05)

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March 26, 2013 · 6:47 pm

Falmouth Interpretations/Associations 03

(continued from Falmouth Interpretations/Associations 02)

bb:

Hucka D., we’re going to inexplicably switch back to Falmouth 01 to continue our interpretations/associations here. We started with Falmouth 04. The Falmouth Interpretations/Associations 02 post was a bust.

Hucka D.:

Yes. Put up your picture and I’ll take over. No need to overexplain things, mr. b.

bb:

Thanks for saving me once more. (smile)

INSERT COLLAGE PICTURE

Hucka D.:

“We…” covers a log of ground [ for Falmouth 01]. (pause to read) Well, the collage picture has changed a little since those older interpretations, baker b. *The* b.

bb (pointing):

You’re the b.

Hucka D.:

We’re both b’s, then. (points to both b’s) Let me see… lost my place.

bb:

We’ve got to make a solid start at this interpretation today. Another solid run, I mean. April and its fool days are quickly approaching (!) But it feels like January.

Hucka D. (singing):

When it’s hot, it’s hot. When it’s not it’s not.

bb:

Fantastic. So… Falmouth 01?

Hucka D.:

(pauses to read more of “We…”) See I was singing in that old post as well.

bb (trying not to get sidetracked again):

Yeah I remember. (pause)

Hucka D.:

Let’s just start with the circle of meditators up on the Red Lion pub’s roof on the right side of Falmouth 01. This is Falmouth 01, and this is the 1st or 01 iteration of the Koch star crop circle we discussed previously, baker b.

bb:

Yes.

Hucka D.:

Falmouth 02 contains the 2nd iteration, Falmouth 03 the 3rd[ of the same], and Falmouth 04 the 4th. The entire Falmouth series in its 4 parts actually is the same as this circle, or equates with it. Through this one circle it relates or equates with all [crop] circles. It is whole and complete unto itself. The trouble is, then, finding openings of interpretation. This is different. And now you have the Falmouth Creek factor to weigh in. Falmouth Creek and its Old Baker Settlement is turning out to be directly linked to your brand new PGT Town.

bb:

That’s PTG Town, but — yeah.

Hucka D.:

A nodal point has been discovered — uncovered. This is like the center of a crop circle. There is also a circle in Old Baker Settlement. It is a metal circle you found on the ridge of broken glass neighboring TILE Cabin on this same creek. You took the metal circle along with the 34-36 bottles and placed them in Old Baker Settlement, then. The park ranger saw you doing this, but he didn’t *see* you doing this.

bb:

Yeah, that was odd. If it was the park ranger I saw before.

Hucka D.:

PTG may be like PIG. You better check…

bb:

Thanks. (checks) Not sure.

Hucka D.:

Thank you for checking anyway. You have pieces of a puzzle for this one. You have symbolism within the Lis series. Lis 01 depicts a woman who is in one strong way Baker Blinker, who wears purple and is standing in front of a gravestone to the right in the collage. In Lis 02 she is joined by a blue clad man, again on the right. In Lis 03 04, the blue clad man is alone, and is standing in front of not a gravestone, like the [companion] woman of Lis 01, but a strange thing at the center of a Brian UK geograph photo — I won’t even bother to remember his last or middle name this time —

bb:

Thank you. (smiles)

Hucka D.:

This strange thing you know is representative of the Cygnus X-1 system, a regular white star and then a proven black hole. Proven by your scientists. The black hole is the eye that is attached to the dough-like being to *it’s* right. This the blue clad man meeting *Falmouth Creek*, see?

bb:

Yes.

Hucka D.:

The black hole in this case is the still as yet unnamed spring entering the creek from left to right in your maps. The doughy being, which you call Meat Shake I believe, is the white star, as stated. This is Falmouth Creek. The situation at Old Baker Settlement just upstream from this spring is a miniature version of the same. It represents a collapsed star that *didn’t* quite have enough mass to create a black hole, like the spring is considerably smaller there than the larger one downstream. And I must ask: which is truly Old Baker Settlement? Anyway, don’t answer that yet. The woman in Lis 01 and 02 is Baker Blinker, the companion man in Lis 02 and 03 is Baker Bloch, who walks side-by-side with Baker Blinker for a while as you attempt to use both avatars during your Second Life experiences and exploring and building and such. But Baker Bloch is destined to take over — Lis 03 04 then. Baker Blinker was dominant at the beginning, a situation depicted in Lis 01. See?

bb:

Yes.

Hucka D.:

So with Lis 03 04 we’ve crossed over Bloch Ridge from the direction of Second Life Pond, which is now *blocked*, just as Baker Blinker of Second Life has been left behind. She really cannot move over the ridge with the male Baker. Baker Bloch must travel on alone after reaching the crest of Bloch Ridge. And so he descends by himself to Falmouth Creek. He sees the representation of the Cygnus X-1 system alone.

bb:

I see.

Hucka D.;

So we continue a revision of the Lis series in this light in Lis 05. The black hole is now the same as The Crammer of Devizes, as we leave St. John’s and its graveyard and its gargoyles behind. What comes out of the black hole — again this is the same as the spring at Falmouth — is *TILE*, the 4 color or creatures of this game/philosophy/religion.

—–

(2 hrs. later):

Hucka D.:

Have you read this yet?

http://www.andrewcollins.com/page/articles/thecygnusmystery_serpent.htm

Adding to Avebury’s suspected connections with the Cygnus constellation is the fact that the only carving to be seen on a standing stone there (Stone #25S in the Kennet Avenue) shows the head and neck of a swan (first identified by local earth mysteries writer John Wakefield). Nobody before had made the link between this stone and the swan. In the knowledge that the water-filled meadows of nearby Silbury Hill, as well as the Kennet river which runs alongside Avebury, once played host each winter to flocks of migrating whooper swans inbound from their breeding grounds in the Arctic, this had to relate in some way to Avebury’s axial alignment towards the setting of Deneb.

In the knowledge that Avebury has frequently been linked with the ancient British goddess called variously Bride, Brigid, Bridget, Breeshey and Brigantia, whose main totemic symbols are the swan and serpent, might she help us better define the precise nature of the site’s link to Cygnus?

http://www.zophiel.org/quests.html

—–

(continued in Falmouth Interpretations/Associations 04)

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Tagged as Gargoyle Observer^*+

March 22, 2013 · 1:15 pm

Falmouth Interpretations/Associations 02

(continued from Falmouth Interpretations/Associations 01)

I must raise The Kniks out of the X-Ray source, back into the light. Back into Avebury Light. In the X-Ray spring which is the black hole, there is Gila 00, the null before the 01.

https://bakerbloch.wordpress.com/2013/01/07/the-kniks/

https://bakerbloch.wordpress.com/2013/01/17/fuzzer-house-01/

(into The Light).

Reconnected. Reharmonized. Peace with Zapple and *that* twinship, which continues after a brief period of independence in Carrcass-1. A lot hinges on Carrcass-1 Hucka D. Hucka D.? Not here.

Hucka D.:

I’m here. Ready to continue?

bb:

Sure.

Hucka D.:

Button your mouth and fold your clothes. Here comes England!

bb:

Of course that becomes a candidate for a collage picture now, Hucka D.

Hucka D.:

Right. So to continue, let’s move to Falmouth 02. Or would you rather start with Falmouth 03? We better get one round of interpretations under our belt today, however.

bb:

Since Falmouth 03 has a picture of the same Avebury house, symbolically, as The Kniks live in in Gila 01, the very first official collage of the whole Gilatona-Lis process, let’s start there. Shark is talking to Mouse. A corndog on the roof of the house which is the same as Selma’s arm, which smokes a cigarette. A clock stuck permanently on 2:22 unable to move to 2:23. Twelve mainly red lined circles like the twelve hours of a clock. There are 2 clock faces, Hucka D, a yin or am and a yang or pm. 12 Noon is am and 12 Midnight is pm. This is 1967, night, and 1968, day. These are the batters faced by Don Chance during those two years.

Hucka D.:

Thank you once more. (pauses to look at collage to restart thinking processes) Nothing has changed since Falmouth Interpretations/Associations 01. The 12 triangles are still the 3rd iteration of the Koch star crop circle from 1997, a peak circle for that particular glyph season along with 2 companions at Alton Barnes and Hackpen Hill.

MORE TEXT SOON.

(continued in Falmouth Interpretations/Associations 03)

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March 14, 2013 · 2:58 pm

Falmouth??? Yes, Falmouth.

Base of first and perhaps only collage of Falmouth, the 4th series of 2012. But this is a 4-part collage if so, furthering the diptychs and triptych already present in Gilatona-Lis. So I suppose this becomes Gilatona-Lis-Falmouth. Must shorten this?!

Baker Bloch getting a kick out of the base photos of Falmouth 01 02 03 04 now inserted into the Power Tower Gowlery.

Here are the 4 parts.

Here is the whole:

This goes in a big circle, unlike the diptychs and triptych. This will become Falmouth 01 02 03 04.

Is there even a Falmouth 05 06 07 08?

Also, obviously, this is going to be a sort of big brother companion to Latona 03 04, whose angle is from the *other* side of the Red Lion parking lot.

Should be loads of fun to fill in.

FALMOUTH 01 FINAL?

FALMOUTH 02 FINAL?

FALMOUTH 03 TEST

FALMOUTH 04 TEST

FALMOUTH ALL TEST

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March 14, 2013 · 12:39 pm

Things Wild

http://www.cropcircleconnector.com/anasazi/time2012t.html

http://1pumplane.wordpress.com/2013/03/04/the-barge-inn-honeystreet-wiltshire/

But, musical benchmarks are everywhere I remembered as the Barge Inn loomed. Rodriguez faded as soon as I removed the earphones and was replaced in my head with my own very poor rendition of Wild Thing on the ukulele (which I have been working out, unsuccessfully since Reg Presley, lead singer of the Troggs passed away last month…Reg is quoted as saying this was his favourite pub).

http://en.wikipedia.org/wiki/Reg_Presley

http://www.huffingtonpost.com/2013/02/10/wild-thing-reg-presley_n_2647670.html

http://www.flickr.com/photos/hilofoz/6282332330/

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March 12, 2013 · 7:03 am

Distribution of Gilatona-Lis collages

Hard to interpret, I know, but the basic gist I’m getting out of this is that the Gila series (magenta pins) is mainly set in Marlborough and points northwest to Hackpen Hill, Lis (cyan pins) mainly involves Devizes locations at first, and then moves to the Alton Barnes region a couple of miles west to finish up, and then the middle series of Latona (yellow pins) mainly involves locations between these two (like West Woods, setting for Latona 08 09 10). The only place where all 3 series overlap is Avebury, which is roughly in the center of the map. Gila 01, Latona 03/04 and Lis 08 all involve primarily Avebury locations, and a number of other collages from each series have Avebury elements added in.

In addition, a couple of other collages are still set in Wiltshire County, but considerably outside this general circle (Gila 02 in Salisbury to the south; Lis 00 in Castle Combe to the west). We can also add the 3 full collages of the Baker Bloch in England exhibit from 2010 into this group, which are set in Purton Stoke to the north.

Gila series locations (magenta)

add in Lis series locations (cyan)

add in Latona series locations (yellow)

Then kind of behind all this in the background, as it were, are the remaining supplemental collages created for the Baker Bloch in England (green pins)…

*Now* compare all this to the crop circle map from 2012 I bring up in this mid-January post, just before starting Gilatona-Lis…

https://bakerbloch.wordpress.com/2013/01/16/plans/

Marlborough to the east again, and Devizes to the west.

Summary: The distribution of locations used in Gilatona-Lis collages roughly follows that of crop circles from not only 2012 but previous years back to 1990 at least. The area is roughly covered in an east to west sweep, with Avebury at the center. Crop circles also tend to congregate around Avebury. This is an the energy I’m obviously dependent upon.

Crop circles themselves are seen in many Gilatona-Lis collages (Gila 01 02 03 04 05, Latona 00 01 05, Lis 06 07 08 09), and symbolically implied in others (sunfish imagery for example).

—–

We also have some collages whose imagery is primarily from Second Life (Gila 05, Latona 01). I’ll get to a more detailed breakdown of Gilatona-Lis images in a future post.

Note: Gilatona-Lis is now on flickr.

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Image

Cereal Characters

http://www.geograph.org.uk/photo/885302

http://www.geograph.org.uk/photo/885306

+

https://si0.twimg.com/profile_images/2577353477/obd7eu38orq6ykb4g44w.jpeg

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March 5, 2013 · 7:19 am

March 5, 2013 · 12:48 am

More Alton Priors

http://www.cropcircleconnector.com/anasazi/time2007y.html

http://www.lucypringle.co.uk/photos/2009/uk2009bl.shtml

http://www.jonappleton.org/alton_priors_dolmen.html

http://www.youtube.com/watch?v=cSQXP9FF_fc

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March 4, 2013 · 7:36 pm

Alton Priors Alchemy 00

Base for a new collage. Sorry my bud Brian R. Marshall. I apparently won’t be using your material this time, and decided to focus on the Alton Priors church instead of the one in Calstone Wellington. But you’re there in spirit (!) This will be the beginning of Lis 07, most likely. Lis 07 08 and 09 may also focus on this church near the Alton Barnes white horse.

The woman’s head in the picture *wasn’t* there, but *could* have been there. It is a strong probable reality photo, then. How the *body* of the person in the picture within the picture got here and why their head had to be substituted with another one will have to remain a mystery for now. Speaking of mysteries and buttons and shiny things in general, let’s head inside the church once more. You’ll see the woman’s head repeated, same scale, in the last photo. It is probably the wife of the photographer who took all the pictures below (and the main one above; not the picture within the picture, in other words), and who I won’t name for now for various reasons. It could be B. R. Marshall again but most likely isn’t, we’ll say — the “spirit” thing again.

A 1700 year old Yew Tree stands on the church grounds. Amazing.

The controversial brass plaque. Here’s the wikipedia article on the church again, which provides a link to one of the stranger sites on the subject.

—–

And these come from a different source that I will give the link to. First off, another shine link.

http://www.megalithic.co.uk/article.php?sid=10053

Two trap doors, then, both with sarsen stones underneath.

—–

Shiny Thing

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March 3, 2013 · 11:43 pm

End of Lis.

I’m not sure if the next collage or 2 or 3 of the Lis series will be primarily set in Calstone Wellington, Alton Priors, or both or elsewhere, but I thought I’d continue the selection process with a couple of links to the mysterious All Saints Church of Alton Priors.

http://en.wikipedia.org/wiki/All_Saints_Church,_Alton_Priors

http://web.archive.org/web/20101006191430/http://www.cropcirclewisdom.co.uk/related/allsaints/church.html

http://archive.org/details/AveburyMidsummer2012

http://www.flickr.com/photos/oxfordshire_church_photos/342283914/in/photostream/

http://roy25booth.blogspot.com/2010/09/shining-button.html

—–

Uffington’s Blowing Stone featured in this 1980 novel created about the same time as the start of The Resident’s Mole Trilogy. Although concieved as a stand alone novel, Duncton Wood became the basis for its own trilogy. Another coincidence?

http://en.wikipedia.org/wiki/Duncton_Wood

Compare here (note: the tetralogy never manifested, instead reverting to a trilogy as stated):

http://en.wikipedia.org/wiki/Mark_of_the_Mole

http://en.wikipedia.org/wiki/Blowing_Stone

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