Category Archives: Mayberry

00470111

“Jeez, Barry, I thought you were *dead*.”

“*I* thought I was dead. Inside the dream. Bass had a rock the size of a small schoolboy’s head. Hit me with it right in the kisser!”

“*3… hours, Barry. *Three* *hours*.” She sits back in the chair a bit. “Anyway, *why* was she trying to kill you? This Bass woman.”

“Man. Bass man. Ernest T.. Haven’t you ever seen ‘The Andy Griffith Show?'”

“Of course I have, Barry. I meant *man*.” Why did she say woman? she thinks to herself. But this is not about her. This is about *him*. She turns her attention back to the freakishly long dream which he for some God awful reason couldn’t wake up from. It was like some kind of temporary *coma*.

“I think,” he answers Wendy’s question, “he was jealous of me.” The laugh track ended there, he knew. Time for something serious; time for *death*. In the show!

“Why? Why Barry? Why was he jealous?”

A common love, he understood. Helen. Helen Pettry Crump, also known by the schoolboys and even some of the opposite shore experimenting schoolgirls as Helen Pretty Rump. And now Ernest T. was a 33 year old schoolboy himself. Always looking for a potential new bride. Watching her from the back with the others, he knew he’d found one!

“Ernest T.!” she called to him one day, whirling around from the blackboard, surprising him. “Solve the following equation.”

Suddenly there was no schoolroom, no teacher. Just a rock. He thought long and hard about what’s on it but couldn’t reduce it to nothing. This was *something*. His blood began to boil inside him again. I’m going to *take* this rock… or a smaller version thereof… Aaaaaaand.

“And that’s all I remember, Wendy. Swear to God.”

(to be continued)

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00470110 (Bass cont. (lost laugh track))

“Saaayyy. You’re sweet on her too, Sheriff. Aren’t you?”

The moment rock throwing and all around Mayberry troublemaker Ernest T. realized Andy and he like the same woman. Teacher of Opie, Andy’s son, but also, now, teacher of himself (!). One of the two of ’em would have to go, he decided then and there. And he’s hoping it wouldn’t be him of course. So that meant, let me see (he thought, narrowing the options), it had to be *Andy*.

—–

“Barry? Barry?!”

“BARRY!!!”

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00460501

“I’m going to rub than d-mn coffin right out of the painting, that’s what I’m going to do, hmm-mm-mm.”

“Paw?”

Andy twirls away from the flawed painting Uncle Herbert gave him as a wedding gift for his first marriage and toward his son from that marriage, trying to block his vision of what he was doing to it with his body as best as possible.

“Opie, what’re you doing out of bed?” Andy says in a harsher tone than normal, which of course Opie, being the sensitive child he is, picks up on. Something’s wrong, he senses.

“I-I just wanted some milk. And maybe cookies (!)” Should have been a laugh track there, Barry De Boy thinks from the couch, also understanding something’s wrong.

“Milk milk milk, okay okay okay,” Andy says while rushing over to corral his son and herd him toward the kitchen. “And then right straight back to bed. Do you realize what time it is?”

—–

After making sure Opie is good and tucked in again, Andy returns to the painting. But his rubbing has made the child’s coffin even *more* visible to his complete exasperation, uncovering additional layers of paint. “What the–” he says while staring at it, and then instinctively glances over his shoulder to make sure Opie didn’t come back down again. “That’s it that’s it, wedding gift or no, this painting’s got to *go*,” and he grabs it with both hands, intending to take it out to the squad car parked in the driveway and dispose of it in the dumpster behind Floyd’s first thing in the morning, before he even goes into the office. He’s just that determined — suddenly — to be done with the thing. Uncle Herbert hadn’t visited in months after all. But Aunt Bee, he thinks. Herbert was her favorite brother. She’ll notice, she’ll be upset; won’t let off until he puts the painting he gave us back up above the mantelpiece, pheh.

There’s another way, he realizes. Who can change a painting but a *painter*. “Barry De Boy,” he says aloud, probably to the camera.

“Barry De Boy??” Barry utters too. He looks down at the red tie, wakes up.

(to be continued)

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00460216

Later while Wendy went to the SL Marketplace to buy a new dress with unruined stripes, Barry perused various algorithmic offerings on his Youtube premium subscription service. Soon a video about a particular painting shown in the 60s classic sitcom “The Andy Griffith Show” popped up and he couldn’t resist. Turns out… well: Dali again. Let’s listen in. Fake dialog here we’re talking about, but still seems to fit. 🙂

“*Child’s coffin*??” Andy exudes.

“That’s right Andy,” says Barney, standing proud before him after pointing it out. “Read it in a magazine over at Floyd’s. I’ll help you with things like this, Andy, keep you up to date on all the modern trends. Yup (he sniffs in satisfaction about knowing something the seemingly all knowing sheriff of this here small NC town on the far edge of modernity doesn’t). Artist by the name of Da Lee found it hidden under layers of paint. Child’s coffin, Andy,” he repeats. “Turns out that couple wasn’t grieving for lost crops in that field but something *bigger*.”

Barry wonders where the laugh track was on this episode then realizes the obvious. He looks down to see a glowing tie: dream again.

Wendy opens the door to the small cottage, startling him awake from his afternoon nap. “What do you think?” she said, twirling around in place to show the purchased dress off.

“I think… we need a TV.”

“And a bed!” Wendy added. She was feeling frisky again, their checkered, unaligned past be damned. Start anew; forget the old. Rebirth.

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