Category Archives: Sunklands

X-Spot Gallery, Wings 03 and 04

Wings 3 and 4 of the X-Spot Gallery contain abstract art by syncher friend Mike Casey and collages by Kenneth Rougeau and Julie Takac. As my collection from each of these artists hasn’t been significantly altered since I first introduced their Pietmond virtual galleries in late 2010/early 2011, I’ve decided not to review them again here but instead point to former Baker Blinker Blog posts on the subject.

First up came Mike Casey’s art, housed in SoSo West:*

http://bakerblinker.wordpress.com/2010/12/08/pietmond-ch-ch-ch-changes/

Then soon after this sprouted the Norum Gallery, a smaller venue chocked full of Julie’s beautiful collages:

http://bakerblinker.wordpress.com/2010/12/16/norum-gallery-01/
http://bakerblinker.wordpress.com/2010/12/16/norum-gallery-02/

Lastly came Kenneth Rougeau, one of the few Pietmond artists with significant Second Life experience, and who use to own a virtual gallery himself several years ago. I originally put his art in the Pietmond South Gallery, as discussed here:

http://bakerblinker.wordpress.com/2011/02/28/36508/

I’d also like to give a repeat plug to the art and photography of another syncher friend Stegokitty, as originally reviewed in this Gallery in the Rocks post from February 2011:

http://bakerblinker.wordpress.com/2011/03/05/gallery-in-the-rocks/

—–

* In conjunction with opening SoSo West, I also conducted a lengthy interview of Mike and his art in Jan.-Feb. 2011.

http://bakerblinker.wordpress.com/interviews/mikecasey01/

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X-Spot Gallery, Wing 02b

We continue from X-Spot Gallery, Wing 02a with an inworld snapshot of the second of 3 notecards (and accompanying Jeogeot map) describing the exhibit. Again I’ll let the notecard do most of the talking, and just give supplemental photos and descriptions here.

A wall containing mostly Chilbo related objects, including Grassland II (etched art by Kristine Kristan, present Chilbo mayor still, I believe) and a recently created town map. Along with these we have a poster advertising an art exhibit of another defunct Jeogeot Gallery, The Red Leaf, which use to exist next to the 4 sim Hanja infohub area at the heart of the continent.

More Chilbo related art, or, left to right, “gallery surface1” by Janis Shamen, “Winter Berries” by Corcosman Voom, and a Chilbo photo by Melodie Darwin… yes, she’s definitely taken pictures from all over this largest of Second Life continents. Also notice the very similar effect of foreground red plants in the Voom and Darwin works here.

Then looking directly up at the centerpoint of the exhibit gives you this view of “NO HEAD FLEXI FISH” from the Tubular Gallery southwest of Chilbo, a kinetic sculpture designed by elros Tuominen.

Also mentioned on Notecard 2 of this “Jeogeot through Art and Word” is the DKArt gallery run by Dave Koi. His 2 works in the exhibit are the red scupture “aim high”. along with “Babelstorm”, filled with blue cubes adorned with letters of the alphabet.

Notecard 3 of 3.

A Parktown photo by Darwin. I consider Parktown (on the west side of the Hanja infohub mentioned above) a type of twin or counterpart to Chilbo. It’s a shame they couldn’t team up in some way to generate a greater whole, perhaps initiating some kind of overall Jeogeot, um, unification. Not exactly the word I’m looking for, but teaming up to step everything up a notch, Jeogeot-style. Um.

Two similarly named works but from different Jeogeot locations: to the right, “Phoenix” by Kylie Sabra, and to the left, “Tuscon, Arizona” by Samara Barzane of Park Galleries, yet another Jeogeot art establishment that does not exist any more. To be honest, I can’t remember the story behind “Phoenix” — I promise to check that out asap; it’s not mentioned in the notecard I don’t believe.

More twinning: 2 unusual galleries from the same sim of Cheosan, although no relationship between the two that I know of. To the left we have “The Gallery Shaped Like a Woman” masterminded by Earl Dinkins. To the right is the plainly named Cheosan Building, which is not plain atall within or without.

Now 2 actual works by Dinkins: “205” (left) and “1105 quatrains pillar” (right).

2 Melodie Darwin photographs come next as we head up to the end of the exhibit (“Lordshore Bridge” and “Island Light”).

An early Second Life map found buried beneath a mysterious farmhouse in Eunhuang as described in this Baker Blinker Blog post.

To end: “Life” by Melodie Darwin…

… and a book called “Expedition 1: A Trip to the Southern Island” by famed Second Life explorer and conservationist Salazar Jack.

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X-Spot Gallery, Wing 02a

Start of “Jeogeot through Art and Word,” taking up a full wing (of 4 total) of the newly re-established X-Spot Gallery.

First of 3 maps and accompanying notecards describing the exhibit:

I’ll just move through each picture in succession as you encounter them. Here’s “Untitled” by Melodie Darwin.

LVPVS IN FABVLA p26: “There I found you, my love” (water and ink on blotter paper).

“What Counts” by Dale Innis (left) and “Around Every Corner” (right), digital art by Czar Nicholas.

“Orion” by Kyra.

“Commemorating Sculpties” by Melodie Darwin. Here’s the SLurl to the real deal.

Another Melodie Darwin photograph from the now extinct WES community at the end of West End Road.

“Deserted Crossroad” also by Darwin. I believe this use to be the center of what I called X-ville in the Baker Blinker Blog, officially known as Pine Tree Village and where I had a small gallery at one time.

“Steep Hill” by Darwin. This was near Sternberg, yet another extinct Jeogeot urban region, pheh.

Several Sunklands related pictures, or, from left to right, a photo of my Biggie Gallery formerly in Aotearoa; a rendering of a Dogon alien being by Lark Blackheart from a small, defunct Otaki Gorge gallery; and then a surrealist painting by Sambroxton String found in Big Sink.

Then 2 more photos from Sunklands to end this post, the first by Melodie Darwin once again and originating in the Felix Meritus Monestary that use to take up the entire Lil Burn Valley sinkhole; yet another fabulous Jeogeot location now gone with the wind.

And here’s another Jeogeot goner: the Roseheart community formerly of Second Sink.

X-Spot Gallery, Wing 02b

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Sunklands Galleries Nov. 2012

Although the number of kiosked Second Life galleries is down from several years back, there are still about 9 in the Sunklands area alone. My X-Spot Gallery is marked by the lowest of the orange squares in the above screen save from this art galleries of Second Life map, with each of these squares representing a gallery kiosk obtained through Sasun Steinbeck’s wonderful system.


Baker Bloch on the top floor of the Tower of TILE, a supplemental gallery to the X-Spot looming below him here.

—–

bb:

Hucka D., want to comment on the above photos?

Hucka D.:

Nah.

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X-Spot Gallery, Wing 01b

Continuing from X-Spot Gallery, Wing 01a, next we view “Trouble in Store”…

… and then on the wall across from it, the enigmatic “What’s Behind the Red Door?” I believe this is also the largest work of X-Spot’s Kollage Kid kollection, er, collection.

“Road Trip” (left) and “Elephantasmagoria” (right).

Straight ahead: “Cactus House”, a nice, compact black and white effort.

Then across from it we have another b&w collage exhibited beside the resting Baker Bloch here, named “What Lies Beneath”. Reminds me a bit of “Who Left That Tap Running?” from the upwards part of this wing.

The witty “I Remember the Incident at the Canal”. Do *you*?

“Found Heads” — there are a number of these type of collages in Michael’s work depicting a row of women and/or men whose appearance have been uniformly altered.

“nowhere town2.” Strangely enough I think I want to actually visit!

“Madonna and Egg”, made from Tunnock’s Tea Cake wrapper foil, old scrap and cut outs, according to Michael’s flickr page on the work. A bit different from the rest of those here.

And we leave this wing with “Victorian Seaside Holiday drawbacks No. 237” to the left and “Mr. Archimboldo” to the right, with another NYC background for the latter.

Super job Michael!

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X-Spot Gallery Wing 01a

Wing 01 of 04 of the newly established X-Spot Gallery features 25 collages from Kollage Kid, or Brit artist Michael Leigh in real life. I describe his collage technique as quintessential toward the end of this Pietmond review from January. I’ll let the pictures do most of the talking, along with providing titles of each here. Please check out the Laughing Shed blog for more information about Michael’s exciting work.

As we head up into this wing of the X-Spot, we have the similarly punning “Wall Flower” to the right and “Flower Mill” to the left. Nice start.

“Freudsters”. Luv this one.

“Ant Invasion”.

And in a similar mode, once more, we have “Who Left That Tap Running?” just further up.

Then “Hula Hoop Party” across the wall from it…

… and “Time Travel” on an adjacent wall to both of the last 2 collages pictured above.

“Noah’s Submarine”, hehe, and, to the right of it here, “Cafe of Earthly Delights,” a cute and clever spoof of Hieronymus Bosch’s famed “Garden of Earthly Delights” triptych.

The marvelous “Bill Haley Fans”. You guys remember “Rock around the Clock” don’t you?

Another New York City disaster collage similar to “Ant Invasion”, this one called “The Great Flood”. Since taking this picture of Kollage Kid’s work, the Statue of Liberty and NYC as a whole have come up in another guise within this blog.

“Space Laundry” (left) and “The Gem Polishers” (right).

The most excellent “Drowning in Germs”. We’ve reached the top level of this wing.

X-Spot Gallery, Wing 01b

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X-Spot Gallery/SoSo: Notes

X-Spot Gallery and whole of SoSo Village should be open by this weekend. Need to purchase a couple more pieces of Jeogeot art, check some notecards, and basically I’m done except for the little promotion I’ll do. The first overall exhibit in the X-Spot will be simple, or at least I’ve already set up the same thing in Carcass-One this past spring. Title will be “Pietmond Remembered”, which I think I’ll keep up for about a month. It will include works by “classic” Pietmond artists Mike Casey, Julie Sadler, Kenneth Rouggeau, Melodie Darwin, Kollage Kid, as well as displaying a further refined version of “Jeogeot Through Art and Word” I first set up about 2 1/2 years ago in Noru/Greater Chilbo. Then will make a decision how I want to build upon it or take the New Pietmond energy from that point onward. Checking out collages online now. Maybe even create new collages myself? A possibility of course.

I really like the new stage of Pietmond. Fate that I came back; easy to see that now. Just have to figure out when to exit. Obviously I’ll keep my land there at least through December and probably January as well. Start exploring a bit also.

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New Pietmond Plans 02

X-Spot Gallery is slowly shaping up, including the creation of a logical entry point from SoSo Village directly beneath it.

And I think I will rename the village as a whole SoSo, or SoSo Village. Although this still is New Pietmond, it may not be known as such in general. But I guess the X-Spot Gallery and SoSo Village together are New Pietmond… hafta think about that a little more.

Hucka D.:

The X-Spot Gallery and SoSo Village are fused[ now]. Goodnight to you baker b.

bb:

Hi Hucka D.

Hucka D.:

Two in one. Opposites yet equal. High and low[ hi and lo]. Hilo maybe, even. Have you found it yet?

bb:

Found what, Hucka D.?

Hucka D.:

The map. I get past/present/future confused sometimes.

bb:

Not sure. What is it I’m suppose to find… suppose you can’t really tell me that.

Hucka D.:

Um, no. But soon.

bb:

Tomorrow I have a free and beautiful hiking day. Excitement once more (!) Thinking of returning to Lion’s Roar for the first time in several weeks. No snow on the ground now here, Hucka. Hucka? Anyhoot, hafta think about that as well.

Plant:

Carcass-8.

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New Pietmond: Plans

Idea: Might change the name of New Pietmond to SoSo Village?

Idea: Use this quick analysis of the Oblong series by Hucka D. and Baker Bloch

http://bakerblinker.wordpress.com/2009/10/25/bill-hill/

as basis for new analysis, a New Pietmond Analysis. I had already planned to look over Floydada (much larger critique of Oblong series, written during the creation of the series itself). I’m thinking of a pretty large book, but new and different, as stated. New Pietmond style pretty.

—–

11/10/12, 3:23 pm.

New Pietmond projects:

Revision/updating of “Jeogeot Through Art and Word” exhibit.
Basically I think Jeogeot energy is done for except for pockets such as New Pietmond (and Chilbo, for example, which still lives on despite the reversion to private landownership — I have nothing, really, to do with it now, though, and never did much actually; on the surface). *But* it may still be important to keep developing this exhibit for historic purposes. The merger of Melodie Darwin’s Jeogeot related photos into the exhibit earlier this year is a key. Might even go out and buy some more Jeogeot art (?) Anyway, this is one thing I can do in New Pietmond.

A peak of energy for Jeogeot as a whole might be identified when Chilbo attempted to cooperate with Linden Labs in 2009 to potentially create a primary urban area for Jeogeot as a whole. Instead the energy seemed to soon split between Parktown (closer to Jeogeot’s central infohub) and Chilbo, as the latter gradually withdrew more into self containment again. Just reading about this, actually.

Re-exhibit some of those present in former versions of Pietmond. Thinking esp. of Kollage Kid’s collages, and perhaps Rougeau’s. Sadler’s? (she’s changed her name in the meantime but I can’t remember what it is right off — not any contact with her in over a year). Could attempt to draw in new artists to Pietmond, either from inworld (less likely) or from the “real world” (more likely if I follow this path). Take a look at Kollage Kid’s newer work; check out his contacts and “likes” again.

—–

“Hucka D.?”

Hucka D.:

Yeah?

bb:

How’re you doing?

Hucka D.:

Fine. You seen Plant around?

bb:

No. Not in quite a long while. You?

Hucka D.:

No. Dr. Blood is here[, though].

bb:

Oh. Is he the same as…

Hucka D.:

No. Here he is.

Dr. Blood:

I see you live in Lion’s Roar now. Good work! For both of us.

bb:

Hi Dr. Blood. Are you the same as….

Hucka D.:

No. Anyway, he’s gone. But: no. Just no. (pause) Alright, maybe.

bb:

Maybe he’s the same as…?

(to be continued?)

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New Pietmond 01

New Pietmond is really shaping up. And I have over 700 prims left to play around with on some kind of skybox project I suppose (!) Very exciting times, and I’m certainly glad now I splurged a bit and delved back into Second Life property ownership. The initial cost was about 37 dollars for the land and then the tier amounts to about 45 dollars a month, factoring in my monthly allowance from the Lindens. I’ll probably give the land up in February again, or maybe even at the end of January. So this is a winter project. Who knows how good or bad the winter will be this year, and last year we had a *mild* one here in the mountains. That contributed to me giving up Second Life expenses in early March for certain (and before that abandoning Pietmond at the start of February). The call of the outdoors at that time was strong.

So let’s take a look at what’s developing in New Pietmond so far and what I anticipate happening in the near and perhaps also the more distant future in this virtual location.

Below we have a picture of the east to west expanse of New Pietmond, which goes completely from one side of my roughly square 8016 parcel to the other. As I said in my last post on Pietmond I believe, the X Spot Gallery that use to be a skybox in Carcass-1 (my Maebaleia continent digs from earlier this year) has now been moved to the ground itself, with New Pietmond or the core of such literally built beneath the giant x shape.

Baker Bloch here is up on the top of one of the arms of the “x” itself, looking down through an opening into the heart of New Pietmond. He got up here with aid of the Burl Tower, which we’ll discuss further in a moment.

And here we are on the ground itself at roughly the same spot. As you can see, the Trojan warrior statue found in second stage Pietmond (fall/winter 2011-2012) has returned and becomes the center itself this time. It stands at one corner of what will eventually turn into the newest iteration of the SoSo Gallery also found in earlier versions of Pietmond (both stages 1 and 2 this time), and with the Oblong series still within, just like it was in this very early version from 2010, shortly after I moved into the Otaki Gorge sink.

Btw, here’s my first post on Pietmond proper, describing how I just bought the land within the sink in early September 2010:

http://bakerblinker.wordpress.com/2010/09/12/more-additions/

I’m surprised to see the House of Truth set up so early on the same spot it occupies now — uphill from Peter’s Mound and to the south. And Peter’s Grave or Peter’s Mound still exists in present Pietmond, over 2 years later. However, like I explained before, I don’t on the land within the sink now, or only a very small portion. Instead my main, 8016 parcel lies to the south of the sink. However, I did own part of this parcel before, and called it Pietmond South at the time. Let’s go back again and find when I first bought a section of this land (since I have the BB Blog pulled up in another window already):

Actually, first off here’s a little history of Pietmond from February 2011; might revise this soon:


http://bakerblinker.wordpress.com/2011/02/15/pietmond-history-work-in-progress/

And here’s a post concerning the start of *renting* this Pietmond South land:

http://bakerblinker.wordpress.com/2010/12/11/pietmond-south-beginnings-endings/

And here’s what I originally did with the land:

http://bakerblinker.wordpress.com/2010/12/11/pietmond-south-cont/

And then here’s where I actually bought part of the parcel I own now, in January 2011. The only thing I can spot that would be slightly the same between then and now is that the Home o’ Fibs has been rezzed at roughly the same place in each. I’ll go more into all this history soon. Can’t wait!

Another view of New Pietmond’s heart from a slightly different angle. I don’t have any officially named “ways” yet in the new village, although I suppose that’s on the docket soon enough.

One sidewalk points to the Brash sculpture set up in eastern Great Pietmond now — easy to tell even from a distance because he is standing on his head. I didn’t create this alignment on purpose, however — just happened. Interesting that you look at the sculpture through a rainbow from this direction. The trojan warrior is to the right and facing us… kind of easy to miss him since he’s roughly the same color and texture as the bare tree behind him. There are oodles of “random” objects in New Pietmond already, and more to come I assume. Lots of details to look at from what you can see in this picture alone…

… and this one also, where a blue robot is stolling the sidewalk in front of the SoSo Gallery.

The Newton statue (of Newton-Jasper Memorial Park fame) has also returned to Pietmond, set up beside a church structure that’s totally new for me. Is it Newton’s church or do they worship Newton somehow?

Now 3 of the 4 giant statues or sculpture found in the last version of Pietmond have returned, with only Rusty missing. Although not in the same position as he was before, still Newton is to the south once more, with Brash to the east and Goldie to the west again.

Oh, and Carcassonne has not returned, since the old center of Pietmond (center of sink itself) doesn’t apply in this version. But heck that could change as well.

In east New Pietmond comes a sort of park surrounded by a square shaped sidewalk. Directly ahead of us here (and at one corner of the park) stands the Burl Tower built around a large tree, allowing avatars access to the roof of the X Spot Gallery if they wish for further exploration. This Burl Tower was also present in Carcass-1 of Maebaelia.

Again, while I have the Carrcass-1 posts of the BB Blog pulled up, thought I’d share the first link about the X Spot Gallery structure itself:

http://bakerblinker.wordpress.com/2012/05/25/x-spot/

Baker stands on the balcony of the Home o’ Fibs, looking toward the voided center of the sink. “Yes, this is certainly a *new* version of Pietmond,” he might think while admiring this view, “a New Pietmond for certain.”

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