The Table 01

I have a co-worker whom I speak to in confidence sometimes now (like today). In my imagination tonight I tried to envision a situation where I told him about The Table, which is unrelated to the work I do with him and others at my job. Or is it? Yes it is I can hear Hucka D. saying in my ear (or is that Carrcassonnee still?). I don’t think this co-worker would understand the channeling I do on this blog. Might think me, well… possessed? Who are Carrcassonnee and Hucka D.? I diverge unsurprisingly. Back to The Table. How would I describe this? I have said that variants of famous rock stars can sit at this Table. They have a permanent seat actually. Who are the variants? They are members of famous bands who also have a successful solo career. But, more importantly, both the music of the band *and* the attached solo artist have been used in personal a/v synches — or carrcasses as I more often call them on my blogs. That’s how they become variants; how they’re defined in a large way. So who are they? We can start with The Beetles, Lemon and Marty. These are variants of John Lennon and Paul McCartney. Then we add in Little Robert Plant Variant, who was an important blog spirit during the latter part of the 2009’s, or the period between Carrcass-2 and Carrcass-3. Lemon and Marty show up at about the same time in the old Baker Blinker Blog. Now it’s probably not shocking to learn, for those who didn’t know already, that the compositions of these already established variants show up in Carrcass-3. So the Plant variant yacks and yacks on this blog for a good number of months and then he manifests inside the next carrcass that came up. And this spread out into Second Life synchronicities…

Little Robert Plant Variant has a story inside Second Life now, as do Lemon and Marty to a somewhat lesser degree. They converge in an area known as Sunklands, which was a new idea at the time (later 2009). Now that name has lent itself to the new site.

But back to my co-worker. So I would describe The Table as a handful of rock stars who have also had successful solo acts. Number Peter Gabriel among those, who is called Peter SoSo sometimes here. Number Ray Davies among them — he sometimes goes by Dr. Blood here, but is also known by other names like Day Ravies. The variant band becomes not The Kinks but the Kniks. And we’ve already mentioned The Beetles subbing for The Beatles. Led Zeppelin logically becomes Lead Zeppelin — another simple name change. This is to keep the Google machine from spotting me, an illegal artist of sorts after all, so easily. Who else? I think Chuck will become a variant in due time, and I might as well allot him a spot now. Chuck is one of the few variants who has actually pretend visited me in real life. We walked, for example, the Bunny Trail over in Frank Park together and talked about carrcasses and his music’s role in them. He knows what is going on basically. And then you can lump Roger Pine Ridge in here too. He pretend visited our home in the spring. Trouble was, there were 2 of him. Double the trouble. Where does this name Roger Pine Ridge come from? In reality he is called Roger Waters formerly of Pink Floyd, but he’s also Syd Barrett formerly of Pink Floyd. Both are variants for the same reasons: Waters’ music and Barrett’s music, both solo and group variety, have been used in carrcasses.

The Table is obviously not a physical one, although I’ve portrayed it as such at times. Why are the variants so important? What has this got to do with Sunklands?

Hucka D.:

When the Baker Blinker Blog started in 2008 and I was born, we were at[ Carrcass]-0. The beginning, the void beginning. Now we approach 12, but it’s taking longer than before. That’s because you’re getting older.

bb:

That’s not very nice Hucka D.

Carr.:

Older and wiser I would say. Elect *me* as primary blog spirit!

bb:

Thanks Carrcassonnee. You’re sweet.

Hucka D.:

I’m sweeter.

bb:

Well, you shouldn’t comment on a person’s age and then connect it with diminishing creativity.

Hucka D.:

What are your next steps? And: I’m sorry.

bb:

That’s okay.

Hucka D.:

You have your variants sitting around a Table. *The* Table. Have they had their say? What does Roger Pine Ridge have left to say?

bb:

Not a whole lot I don’t think. Radio Kaos is used in a positive carrcass way back in 2003. And then Pink Floyd has been used very sparingly since then as well. Barrett has 2 songs in Carrcass-5 and that’s it for him. There *may* be more work for them to do here.

Hucka D.:

But maybe not.

Carr.:

Not.

bb:

No.

Hucka D.:

And then Little Robert Plant. You’re thinking “Big Log” may be used. And that’s attached to Whitehead Crossing[‘s Big Log].

bb:

Yeah. So there’s something left in the tank there. And also Led Zeppelin I believe. Dyer Maker.

Carr.:

The Zeppelin Tube!

bb:

Yes I think so Carrcassonnee.

Hucka D.:

Just what *is* that? I know it is a MacGuffin.

—–

“When the rat speaks everyone will listen.”

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Separation (too far?)

We’ve moved beyond the Blue Mtn. Urban Landscape.

Rediscovery is an old site renewed and enlarged. It is a place of exteriorization (still).

How do the toy avatars fit in here?

What of The Table and Carrcass-12? It is coming up (?).

I have separated myself from Karl’s energy by drawing even with him. Removal (like of Blue Mtn. Urban Landscape). What of Devine?

Rediscovery is too far. Bigfoot is a balance. Not too near not too far. Goldilocks.

For now.

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Rediscovery 09/07/15

I hiked within Rediscovery on both Sunday and Monday of the past long Labor Day weekend. It feels important, especially when coupled with almost neighboring Bigfeet and Plateau of Raw Art. There’s no direct trail connecting the latter 2 with Rediscovery as far as I can tell. I’m going to keep looking but I’m doubtful — a shame. So near to each other yet so far. Blue Mtn. has this nack of segmenting its various focus spots from each other, it seems. Certainly all the local rhododendron plays a role here.

Below is a rock I’ve named Flattop, with a neighboring stone called Razor Edge. They project from the side of the mtn. just above Rediscovery. It’s actually a ridge, with a faint but quite walkable trail running along a large portion of it. This was yet another exciting discovery of the weekend. Evidence of camping doesn’t make its way up here from Rediscovery, however, although a kind of very loose trail does. This ridge actually separates Rediscovery from Bigfeet/Plateau of Raw Art, the latter which can be glimpsed below through the trees to the south as you walk along it. Again: so near yet so far.

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Moving back into Rediscovery, I found this sign marking a Traverse Station. I had to look up what that meant, and found this:

http://encyclopedia2.thefreedictionary.com/Traverse+Station

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The power lines above the station. We are at the peak of the same ridge, but further down toward Leola Creek after a steep descent of maybe 200-250 feet.

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And it was in this same area that my former campspot is found, where I erected a primitive teepee in the summer of 1984. My plan was to live in the teepee all that summer, but I only stayed there a month — May as I recall. I believe I’ve already mentioned this teepee in the blog, stating that I couldn’t figure out how to seal the top and just stuck an umbrella up there, ha ha. At the same time a good friend of mine was setting up an *actual* and official teepee about a mile and a 1/2 further up in the hills from here, off a tributary of Leola Creek as I’m thinking about it. I helped with this process, thus the inspiration to create my own rough copy. And I’ve mentioned this man in the blog as well: he worked with me at Maynard Jackson’s Cafeteria in Blue Mtn.’s Town Mall, along with another guy I’ve touched upon named Willard. Other friends and acquaintances also had their own teepees at the same time set up in various area locations. Wild times. Have I mentioned my play “Dump” here?

As I’m checking now, I see not, although I’ve mentioned the old Middletown dump here. Well, I’ll just briefly say here that Dump was a rough draft of a play I created in 1984 at the peak of all this teepee madness. The whole concept became legendary in the minds of a handful, and even sprouted its own era: The Age of Dump.

*Anyway*, below is a picture of the actual spot where I set up my *own* teepee in the place I now call Rediscovery. I haven’t been to this spot in perhaps 20 years, maybe longer. Again it lies at the top of the low end of the ridge forming a barrier between Rediscovery and the Bigfeet area to the east. And, again, I’ll make a map or set of maps of this whole area soon for better explanations of what’s going on here.

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Firepit next to the old teepee site…

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… with gleaming coffee pot.

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Here’s some pictures of one of several other camping spots found this weekend in Rediscovery.

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Glimpse of Leola Creek Road from a rocky perch.

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Someone left behind their peanut butter and jelly jar.

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Yet another perch gives a nice view into the area’s formerly popular swimming hole on the creek. It’s still used, however, just not as much or as openly as before. I guess the place was shut down sometime around the turn of the century or so. Rough guess.

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Another camping spot, this one with packed sand as a base. How did they get that sand up here? And then I found that you can actually see this white hexagonal base in GoogleEarth.

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One more picture of the Rediscovery trail, with centering white mushroom.

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Bigfoot>Rediscovery 09/06/15

I discovered a praying mantis playing in the long grass near the se corner of The Plateau of Raw Art and decided the find was worth a picture.

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As I’ve stated before, a small stream flows underground through Bigfeet from this plateau, crossing under 3 of the 4 main roads in its swift, downward progress toward Bigfoot Swamp. A concrete square marks each crossing, such as this one on the northernmost road. And I believe I’m able to make a rough map of Bigfeet now from memory. Soon!

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Bank connecting Bigfeet to the plateau from this road.

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Part of the football stadium projecting upward from this angle.

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The track runs very close to Bigfeet — probably can be said to border it.

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We now move further up Leola Creek to an important junction with a very similar sized stream. It’s another either/or case, just like when Leola joins with Blue Mountain Creek in the center of the Blue Mtn. Urban Landscape further downstream. The name Leola could follow the flow of either creek. In this case, the name follows the flow to the right in the photo. The bridge I took this picture from is found near the beginning of Rocky Branch Road that I’ve also touched upon before. We’re about a third of a mile above Bigfeet here.

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And then *between* Bigfeet and Rocky Branch Road — still on Leola Creek — I *rediscovered* a place I use to camp at for a bit in the mid-1980s. I’ve decided to call it Rediscovery, simply enough. In the time between when I use to camp there in both a makeshift teepee and a tent, someone has created a rather complex weave of trails on either side of Leola Creek Road than runs through the area. And on these trails is found numerous evidence of more recent camping, probably by students from the local Blue Mtn. State College.

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The trail system is divided into 2 logical parts by the road. The northern part follows the low and often rocky cliffs above Leola Creek. The southern part follows the creek itself, all the way to a formerly popular swimming hole now banned from use by the town. But people still come there obviously. I was at least wise enough to stay away from the pool, as it can be seen by cars from the road. Want to stay out of trouble as much as possible!

This dam is found at a lake below the swimming hole, which you pass around to get to the latter. In the summer, you *can’t* really be seen from the road here, at least by passing cars. It’s only when you move close to the hole and pass the lake that one can really be seen. Nice.

Of course you have to park your car somewhere to get to the trails unless you walk directly from the Blue Mtn. Urban Landscape, which is quite doable, actually (as I tested out this day of picture snapping). And there’s really only one possible spot in which to park a car. The trailheads shoot north and south from this parking area. You can exit the road quickly and get out of sight on either side. That’s a potentially important consideration.

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Upper end of as yet unnamed lake.

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Graffiti at the dam site.

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Rediscovery

Carr.:

I was at that teepee. I teleported there. Tp to tp.

bb:

Great. It’s an amazing rediscovery. Expanded! Now I have a choice to make: whether to keep developing Bigfeet…

Carr. (interrupting):

Yes [ that’s the way to go].

bb:

So too many people at Rediscovery, as I’ll codename it for now.

Carr.:

Yeah. 2, 4, 6, 8, sometimes 10. Smoking weed. Hashing out problems. Evaporate. Sublime. Rediscovery. It discovered you[ as well]!

bb:

It seems about all of my old camping spots have subsequently been expanded. The tent site behind the campus was seemingly enlarged to a cabin at one point (pictures here for now).

Carr.:

That’s too noisy [to develop].

bb:

Yeah. It is. Rediscovery makes a kind of loose loop, Carrcassonnee. Oh, I forgot to ask. Should I abandon Collagesity? Finally?

Carr.:

You’ll make a sity somewhere. Why not just remodel Carrcassonnee? Oops I meant Collagesity.

bb:

But the money?

Carr.:

Penses.

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Regression

regression01

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Suit yourself

Carr.:

I art Hill. I art Sunklands. I art the plateau. Raw.

bb:

Thank you for showing up tonight. Are you upset that Collagesity is for sale now?

Carr.:

Are you?

bb:

Not really. So… Bigfeet.

Carr.:

We wonder how, rumble rumble. We see future. Toy happening. Rail tracks. Go go go! Winners. Losers. Cheers. Jeers. But a plan. *No* winners. No losers. TILE. Art. Happening. One and all and all and one. 4 roads, yes?

bb:

Yes. Kind of.

Carr.:

Four. TILE. Take stock of what is there first. Take careful stock. Careful careful. Then play. Move in the toys. Happening to *them*. What is the mythology? Have you found primary and secondary sources?

bb:

Um…

Carr.:

Then let it be. Take pictures. Switch cameras. Listen to the stream. Follow the stream up and down. Where does it head and go? What does it say? It has stories, yes?

bb:

Could be.

Carr.:

What is the name of the stream. Bigfeet as well?

bb:

Unsure Carrcassonnee. Can you suggest a name?

Carr.:

Devine.

bb:

I’m not sure that’s suitable. How about Vineland?

Carr.:

Unsuitable[ as well].

bb:

Markland?

(no response)

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Bigfoot 06

“Embarras 10” and the plateau of raw ART.

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Reversed: creation/separation of artsy Bigfeet.

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How it happened. Down down down and then down again (roads). Top to bottom.

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Blue Mtn. Urban Landscape as octopus kid successfully breaks the Bigfeet code with balls reigning down. “Ta daa!”

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Bigfoot 05

Blue Mtn. Urban Landscape’s first and feeblest attempt to understand the complexities of Bigfeet.

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Another early attempt.

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Getting defensive about criticism now. Poor BMUL!

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Reverting to childhood seems to do the trick.

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Then going too far. Reverse reverse!

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https://www.google.com/search?q=%22jethro+haynes%22&biw=1024&bih=698&tbm=isch&tbo=u&source=univ&sa=X&ved=0CCQQsARqFQoTCMOhvdKJ1ccCFccmHgodQNoDrg

http://puteraaladin.blogspot.com/2008/07/shoe-art-jethro-haynes.html

http://www.jethrohaynes.com/index.php/archives/1328

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Bigfoot 04

Matching set of traffic barrels on one of the linear roads crossing Bigfeet. Map soon hopefully!

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Unfortunately most of my pictures of Bigfeet this day simply did not come out well. But perhaps you can get a general idea about the roads I talk about from the small photo below. There are 4 ‘of em by my counting, with the top three being basically straight as an arrow. All exist within a small pine forest of more recent origin, perhaps planted in the early to mid Naughts according to my research, making it about 10 years old or a little more. The 4th or lowest road can be extended to mostly circle around Bigfeet Swamp, with a gap remaining in its northwest corner. This gap is where the still unnamed small stream empties into the marsh from the west, crossing under each of the other three roads in its downward progress from the topping plateau.

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There’s some poison ivy in the forest but not a lot. You can fairly easily avoid it for the most part, as the small wood is mainly clear of undergrowth except for in and around the swamp itself.

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Another shot of the blue “doormat circle,” with a cryptically placed smooth rock. Does it represent an orbiting planet or planetoid by chance? Does the band of blue stand for our sky, or the visible universe surrounding our Earth? Sky blue represents the sky in day, a blanket for dreaming stars.

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Bigfeet Swamp from a position on the surrounding road.

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The pool formed where the feeder stream enters…

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Another shot of an upper road, black and silver coffee travel mug already in place. Again… I need a map!

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Odd spectacle encountered on the north edge of Bigfeet. More raw art roughly dropped off the side of The Plateau.

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Mysterious orange tinge to this area just below and east of the swamp. Better pictures soon!

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Bigfeet Swamp pool and feeder stream from a terminus of the lowest forest road. I can see camping on this very spot in the future.

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Stepping stones mark the remains of an old path heading up to the swamp from Leola Creek, an ascent of about 30-40 feet perhaps.

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