Right on

(joined in progress)

why it has so much going for it.

bb:

Like the football helmet of Nitschke that becomes the army helmet of the Monkee. Obviously reflected *backwards* to the army helmet that Monkey City was named after (Monkey patrol helmet?). But there’s (much) more than that. The helmet is worn on the Head, like the movie Head is the white or yang source of Head Trip. It is exposure to light — dark half hidden for now. Both the movies — the 2 halves of the synch — are 1161. The batters Chance faced in both 1967 and 1968, the years of Trip and Head. Obvious right? Who’s (still) with me?

Carr.:

Zebra. Where is Zebra?

Hucka D.:

Good question Carr.

bb:

In the Korean Channel.

Hucka D.:

Isn’t that I Zimbra, however.

22139_2

4f0d91f4eb5069fa523ba3a81e4cdff8
“When’s my stuff going to start, Davy?”

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Marbles 02

TEXT SOON.
castle01

castle02

castle03

castle04

https://en.wikipedia.org/wiki/Elvis_Presley

Presley was born on January 8, 1935, in Tupelo, Mississippi, the son of Gladys Love (née Smith; April 25, 1912 – August 14, 1958) and Vernon Elvis Presley (April 10, 1916 – June 26, 1979),[12] in the two-room shotgun house built by Vernon’s father in preparation for the child’s birth. Jesse Garon Presley, his identical twin brother, was delivered stillborn 35 minutes before him.[13] As an only child, Presley became close to both parents and formed an especially close bond with his mother. The family attended an Assembly of God church, where he found his initial musical inspiration.[14]

“There can be….

… little doubt

MORE TEXT SOON.

coalcounty

https://bakerbloch.wordpress.com/2014/10/22/owl-centrahoma/

Jesse_Pinkman2
Better call Saul!

Special:

nicholson01

*Jack’s son* (Daniel, or Danny) is special.
Shines. Like moonshine.

moonshine01

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Filed under Illinois, MAPS, New York, Oklahoma, Toy Avatars, West Virginia

Notes

Short post tonight (again).

Re: audiovisual synchs. Going to get into them more. Maybe not creating them per se (har!) but analyzing and extending what I’ve got. A lot! A whole lot. I remember the old good days — or simple days is a better way to put it — when there was just Dark Side of the Rainbow and not a lot else. But of course expansion and all the rewards is better. Still shocked… after all these years. But I want to pace myself as the music is (finally!) running out. The Residents pulled me through the carrcasses alone, but can’t depend on them forever. Will something else move up and take their place as prime audio movers? I suppose it’s possible.

But now I have the collages, correct?

And process art will evolve into something, extending from toy happenings in the Blue Mountain landscape (Billfork, Lion’s Roar, Whitehead X-ing, etc.). So I think it may finally be time to return to The Crossing…..

I’m studying toy avatars in ernest again. It still all seems to revolve around Whitehead X-ing. But I haven’t given up on a toy happening this fall at Bigfeet. Not at all. Long term this Blue Mtn. Urban Landscape is.

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Ideas

“Lost in Hermania”

Independent film by Mmmmmm’s. Mmm (*not* Salad Bar Jack!) is lost in the urban landscape of Hermania, unable to escape. Hermania is a burg of quite some significance. Many Mmmmmmm’s live there. Mossmen too (exploiting Mmmmmmm’s?). Marbles as well. Bad ones. Bad ones? Dented.

Known as the first humanistic Mmm related film; beyond action-adventure. Probably low budget as well.

Film deals with rapid growth of Hermania, attracting the “wrong” elements, and the clash of cultures (3Ms). Must remember to be united through TILE and Meeting Rock! Must remember the cooperation of between their ancestors. Not devolve into the warring factions that caused the Wilderness battle, etc.

Must create a street map of Hermania — collaged from other maps. How? Hermania exists between Mars Beach (“south”) and Jupiter Beach (“north”).

How does actor-turned-director Gene Fade, struggling still to fulfill his ambitious (expensive?) “Fade To Moss” art movie, feel about a successful movie by an Mmm that’s pulling in the crowd (mostly other Mmm’s)? Not good, I’m thinking.

What is the population of Hermania? What of the pop. of the ethnic groups? Meeting Rock is seen as a landscape icon, like Hollywood Hills for L.A.

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Filed under Blue Mountain, Herman Park, Hermania, Mmmmmm's, Mossmen, Tile Creek, Toy Avatars

Rediscovery 9/13/15

The territorial extension of Rediscovery continues, with exploration on the south side of Leola Creek this weekend. Below is a picture of a large gully that would contain an interesting and meaningful waterfall in heavier rains. In fact, I’m pretty certain I’ve seen such a phenomenon through the trees while driving down Leola Creek Road during said situation. As with a lot of my pics, the gully is more impressive in person that the photo suggests. I look forward to seeing the temporary waterfall up close sometime. I might even think up a name for it in the meantime.

IMG_0002smaller

The paths and roads running through Rediscovery are increasing weekly. An old road was found up from the gully pictured above. Here’s a tree I spotted just off this road, which runs north and west of a local water purification plant.

IMG_0005smaller

Beginning around this tree a loose or faint path runs down from the old road along a ridge for about 100 yards or so, until it meets some houses. Here’s what I found at the low end of this path. I’m guessing this is an antiquated water heater but unsure.

IMG_0010smaller

Meanwhile the old road becomes grassier and better kept as it continues west around the plant.

IMG_0011smaller

This is the general area where I crossed Leola Creek to access the whole “southside” area, a parting shot while heading back to my car parked just off Leola Creek Road. I don’t think I’ll do that a lot, however. Best to park in the Blue Mtn. Urban Landscape proper and walk up to Rediscovery. That’s another advantage to Bigfeet I suppose — easier walking access from BMUL.

IMG_0017smaller

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Marbles 01

“How did Key Rock move from outside the house to inside the house and between the walls of the living room and den, Hucka D.?”

Hucka D.:

Effort.

bb:

Great. How long did it take?

Hucka D.:

Two centuries.

bb:

Can you tell us more about Augustus the rat?

Hucka D.:

Why don’t you listen look?

—–

“Ah, as I’m reading now LINK, the place of the key rock was also the same as the Erietown Exteriorization Center, or EEC.

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Weekend 02

https://bakerbloch.wordpress.com/collages/falmouth-04/

(flips pages)

“But of course this is the one I’m most interesting in,” I said. I pointed again. “Foote”, I said, drawing the magnification out. “Grace, Glen Allan, Panther Burn.” “Foote,” I reinforced, “Then Heads on the other side.”

He looked with me. I also thought of the lyrics, “from my head down to my toes,” as 2 of the 4 Beatles — John and Paul perhaps meaningfully — fall flat, head and feet on same level, as in a corpse.

“Helm may also refer to the helm of a ship,” I said, still looking at the northern part of the same county. “This is the body of Addie.”

“Or someone at the helm,” Hucka Doobie chipped in. “A boss, a captain.”

“Helm could also refer to helmet.”

“Or helmets. Helmets cover heads, like in a fireman’s helmet. Like in a football helmet.”

“Here?” he asked. It was a sly observation by him concerning me.

https://bakerbloch.com/wp-content/uploads/2014/04/collage61part02c.jpg

Hucka D.:

Mississippi is a heavily coded state. You will not be able to find it all in the present. It is for the future. “As I Lay Dying”.

bb:

Yes. The present is Winesap.

Hucka D.:

Yes. Cash… money. Bono can’t control. Fully. You’ll win. You’ll see.

bb:

Frank Park’s Korean Channel: coded in Mississippi.

Hucka D.:

*Visa versa* (!)

bb:

But the combo of Foote and Helm+Heads on opposite sides of Washington County points to a specific body (Addie), but also a *foot*ball *helm*et worn on the *head* for protection. And perhaps a specific football player in part: Ray” Nitschke, former all star linebacker for the Green Bay Packers during the famed Lombardi era. But his success on the field led to a small role in The Monkees’ *Head* movie from 1968, where he was running around banging his helmeted head against the walls of a war trench. Football is War. And that’s where it all goes wonky.

Here’s a related post I found:

https://bakerbloch.wordpress.com/2013/04/16/korean-channel/

The Korean Channel represents one specific tile in the 47 tile “Head Trip”, which I can now say the actual name of thanks to Karl’s interview of me, baker b. In the synch (and attached “Dwarf” album) it’s a channel George Tirebiter is watching that shows a movie about war. Pork Chop Hill is mentioned therein so it’s apparently the Korean War.

https://en.wikipedia.org/wiki/Battle_of_Pork_Chop_Hill

Later a Monkee replaces his lost army helmet with Nitschke’s football helmet. War is football.

Hucka D.:

That is an important tile.

—–

Back to marbles and toy avatars, I believe the marbles, through Key Rock or the rock with the key in it at Bridee, were able to turn themselves into *humans*, or at least toy avatar versions. The first of their kind might have actually been named *Rock*. Yes, I’m thinking it may have been Rock Meadows of Whitehead Crossing. He has a strong Elton John vibe going on through Mississippi and Crocodile Rock — one Rock might have named the other Rock. And eventually this leads to Gray Seal (Gray Rock + Seal Stone) on the other side of Fantasia Brick Road going through the center of Whitehead Crossing, a Wilson-Wheeler forwards-backwards phenomenon. Across Big Log from it.

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Filed under Blue Mountain, Frank Park, Whitehead Crossing

Weekend’s Here!

Will probably head back to Rediscovery and Bigfeet, weather permitting, for more picture taking and perhaps map creating. All of this *means* something.

I’ve been thinking about toy avatars and the progression of their story in the blogs, starting in 2008. The avatars seem exclusive to Frank and Herman Parks — what is their role in the Blue Mtn. Urban Landscape and attached extensions, then? I haven’t yet linked up the 2 hiking mythologies.

Toy avatars manifested in conjoined Frank and Herman Parks because they felt protected there, like the parks are protected. 3 major species: mossmen, mmmmmm’s, and marbles. 3ms. The mossmen story seems to have been worked out more than the other two, centered on the Gene Fade character who was born in Frank Park’s Jupiter Rock and also lived in nearby Notherton and perhaps Mocksity. Supersity? Mossmen (and Gene Fade) were also involved in Whitehead Crossing for certain. They might have invented the Spoon River portal system, or at least they used the system for instant teleport to various spots.

Mossmen, mmmmm’s and marbles alike appear in my collages, still displayed currently in the various Collagesity galleries next to the Rubi Forest. I tried to get rid of my land there this month but couldn’t shake it. Now I may keep the place for the whole winter again.

Mmmmmm’s seem exclusive to Herman Park. Hermania on TILE Creek, just west of Drink Lake, seems a focus for them, replacing an original living area in Good and Great Meadows to the north of this lake. Story is that the first mmmmmm’s arrived in Great Meadow in a large goodmobile from “Pluto”, which may be the same as Mythos’ Edwardston but we’re not quite sure yet.

Salad Bar Jack is, by far, the best known of the mmmmmm’s, and acts as a balance to Gene Fade. They both appear in Salad Bar Jack action adventure movies. They’re both actors. And actually, as I’m remembering it, Salad Bar Jack’s real name is Grassy Noll. He’s so identified with his famous role that people always confuse the two (even me!). Gene Fade, in the same films, is usually called simply “The Mossman” or “Mossman”, perhaps a slightly or even not-so-slightly demeaning name. Then there’s Dirk Stew, a humanoid toy who plays Rock Meadows in a projected series of movies directed by Gene Fade himself. He plans to move beyond the action-adventure genre in these. Can he pull it off? Will the mmmmmm’s pay their hard earned hard green money to see non-Salad Bar Jack vehicles? That’s the uphill battle he is facing in moving from actor to director, for that was always his destiny.

Going back to Gene Fade’s origins in Jupiter Rock and Frank Park, we also know something about a “Prior” (from “Pryor”), which may be a father or grandfather who came from the park’s Wild Wild West, or what we call the Trident Creek area in the blogs. This figure is attached to Neptune and also the Aquaman “Anti-Superman” superhero. Compared to this, Fade is Uranus, visible to the naked eye in the night sky if you know where to look. This is Superman (Supersity?) revealed?

Heading even further west than Frank Park’s Wild Wild West, we know that Mossmen consider Granddaddy Mtn. verboten to walk upon, and the source of their all powerful Rock Gods. A mystical place named Rubi Doo (Ragi Too?) is associate with the summit.

We also theorize that the Second Life avatar Karoz Blogger is the creation of Gene Fade, and that he considers him his “son” of sorts. Karoz was partly designed to walk the slopes of Grandaddy Mtn. in a safe manner, since, being virtual, he can’t harm the indigenous plant (and animal) life. But the experiment failed. Karoz could not escape his limiting Jeogeot continent circle centered by Mother Noru. Karoz’s mother Sapphire (she adopted him?) called him her precious Aquamarine, but he grew beyond this to become rebellious Aqua Teen. Rebeling caused the circle?

I have all these bits and pieces concerning toy avatardom but I haven’t put all of them together into a larger jigsaw puzzle. It remains unfinished.

And then the marbles — I have them coming from the Key Rock area southwest of Blue Mtn. They originally come from Mythos as well, like the mmmmmm’s apparently. In their case: Bridee, which psychically overlaps my mother’s house in Mythopolis. As a child I played a lot with marbles in this house. Later on I theorized that wilder counterparts to my “tame” toys might have been living inside the walls of the house when I was growing up. They found a forgotten house key in a fake rock lodged in these walls and thought the rock to be a super-marble, which was partly correct according to Hucka D., I believe. This rock in Bridee corresponds exactly to the position of Key Rock and the surrounding Castle Rock area in Blue Mtn’s county of Haze. These wilder marbles also had contact with a house rat named Augustus. Was this the Map Rat? The wild marbles looked down upon their tamed counterparts that I played with. Deemed them washed up. The wild marbles sent a new delegation to replace the older marbles afte they had been beaten up by their constant gaming, like a beat up old football players dented by their many collisons down through the years. This is actually a real story.

The location of Key Rock in Bridee (mother’s house) was between the den and living room wall. The rock totally fascinated the marbles. I believe it represents the main link between microcosm (Bridee) and macrocosm (Haze County), and a way to move between the two. Like the Dr. Who tardis, inside was much larger than outside. The specific ratios involved in the two dimensions are 12 or 13 to 1, or a dozen or Baker’s dozen to one. This relationship is coded into Maebaleia continent’s 12 or 13 to 1 ratio between large Blue Feather Sea and small Blue Drake lake or pool.

I would compare the relationship between wild and tame marbles to that between the wild and tame humans in the movie “Fantastic Planet”, use in a carrcass or a/v synch called “Fantastic Aspic” now. Like these humans, marbles are “pets” — *of* humans in this case, or, specifically, me.

The gargantuan blue Dragg child Tiva compares to me in this way. Her human “pet” Terr compares to my named marbles such as Bob Underston and Big Blue Eye. She has one but I have/had several to many.

Fantstic-planet-poster
Tiva and Terr

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The Table 03

skilletz

“Certainly, like Don, 12 Oz Mouse, or Ozmo as we should probably call him, wishes he were drunk. Or drunker. “It felt good to be alone” — Peanut and Golden Joe leave the company of Ozmo and his real best bud Skillet. They are alone again in their dual oneness. “He decided to piss” — here we have Ozmo pausing to watch a bug burrow backwards into the sand. Then green liquid *shoots* up as he stares into the resulting hole. This is pissing *upwards* but green instead of yellow. Thus the concept Greenup (yellow down). This is from Ozmo (!)”

Carr.:

Corr. ect. er.

bb:

And it’s a natural place to pause and recue. Like Ozmo himself is pausing. Or Don, I mean. In the song.

Hucka D.:

I have to go to bed soon. How long will this last?

Carr.:

I have to go visit an ogre.

bb:

Point is, the song matches the stuff on the video *too closely*. Then the battle between the 4th Angle and Ozmo and Skillet is like the *lead* stares of the people at the party Don just left. Lead is like bullets — filled full of lead and so on.

Hucka D.:

I am being led to the bed. How about you Carrcassonnee?

Carr.:

Craaa-zy! (both leave)

—–

And then we are back at the beginning. The bluebird shows up but we do not know it is the bluebird yet. But then: beginning. Ozmo shows up at Shark’s office. Wants a job but then realizes he’s already hired. The job turns out to be the same as Maria von Trapp’s in The Sound of Music: tending to 7 rambunctious children who are also stand-ins for musical notes. (checking): Still alone. Don Mouse turns into Maria[ in 2008].

5426097088_e7b5ea44da_o
Steins Revisited (2007)

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The Table 02

“We’re going pretty good tonight guys so let’s continue. Foreign One. That’s the one we need to speak about. Because it’s in the center…”

Hucka D.:

Of the platinum tiling. Not too young but not too old. You were.

bb:

Don’t start with me.

Carrcassonnee:

Me me me!

bb:

So the Giant Rat is in the center. On one side is Anne of Green Gables. On the other side is Dr. Zhivago. “A” and “Z”, Alpha and Omega. US and USSR. Kind of. And in the middle: Europe. Rat. Giant. Listening.

Hucka D.:

You’re not going to be able to figure this one out tonight. Foreign One is Carrcass+6. That’s, jees, 18 synchs ago (!).

bb:

But that was the big jump. Perhaps the biggest.

Carr.:

I was too young to remember. I was on Pluto still and Charon. Infant. You could ask my parents however. Pluto still. And Sharon.

bb:

What of 12 Oz Mouse Hucka D.? That seems to be the center or a center.

Hucka D.:

Indeed. But you have to tell me what you think.

bb:

I am 12 Oz Mouse.

Hucka D.:

Correct.

Carr.:

Corr. ect.

bb:

The seeds were planted long ago in Mythos history, or Myth Hist. The story of Osmos is the story of the final chapter of 12 Oz Mouse, or episode 21 TITLE. It’s obvious. It was all leading up to 12 Oz Mouse, which is in Carrcass-1.

Carr.:

And Carrcass-6! I Carr.

Hucka D.:

But what does that mean? Was 12 Oz Mouse, the series as a whole, designed by *you*?

Carr.:

Craaa-zy!

bb:

Yes I would agree Carrcassonnee. Unless it is correct. Look at the map synchs. Skillet, Mouse, Shark, Spider. But map synchs not directly connected with 12 Oz Mouse as much as Carrcass-1: mashups *themselves*. The map names are not what they seem. But Don plus Man in West Virginia is obvious. Mouse is Don, who woke up stepped outside near the beginning of Carrcass-1 and started to walk across the desert with Skillet, Peanut and Golden Joe. And this is to Don Aman by Slint. A man a plan a canal Panama. Obvious. And then Power and Don overlap in Ohio right next to West Virginia, as reflected in Idaho. Powerman — again. This is the song by The Kniks.

Hucka D.:

So you’re saying maps helped you identify the tiles of Carrcass-1. And other carrcasses. So what does Carrcass-1 say about 12 Oz Mouse that an aficionado [ of the show] wouldn’t already know?

bb:

We start not at the beginning but the end[ of the show] Chapter 21, the final chapter. Mouse is Don traveling the desert wastes until encountering the 4th Angle, who may be the same as the 4th Angel. In the synch we do not see her/him for very long. Instead we are taken back to when Mouse/Don’s enemies are eliminated by gunshots of Peanut. Don woke up again. He stares in the mirror. He is responsible… for the death of his friend.

Carr.:

Skillet.

skilletz

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