(continued from Latona Interpretations/Associations 02)
So to the left — that would be Latona 03 I suppose…
Hucka D.:
Either way. Wilson and Wheeler again.
bb (continuing):
… we have Dr. Who or the equivalent showing off his pet *lion* to the 2 walking their “mere” dogs. Like, “oh those look ferocious but look what *I* have to walk every day.” Imagine cleaning up after it, Hucka D.
Hucka D.:
Then Baker Bloch sits in the corner, unchained as it were but oblivious to the world happening behind his back. He is chained in a different way. Opposed to this we have Frank Zapple not merely staring at the camera but glaring at it, projected from a 4th dimension again (like The Diamond of Methril, Hucka D. seems to be saying here). This is from his Lumpy Gravy period. You have or had been dealing with Zapple in maps… UmapS… and seeing the line or chain of Dr. Who as saving one from the grave; pulling one up from Idaho to Montana and safety. Billfork land, but also Frank’s Moving Mtn. Ooops, can I say that? I just did. So this is about Zapple and his music and his agreement within Billfork a bit. Zapple has already appeared in Gila 08, with Ingor Ratts there. Don’t you think Ingor relates to Ironmonger? Same letters used basically.
bb:
Proba-bly Hucka D. The Bee.
Hucka D.:
I know… I’m chatty this morning. Very excited that you’ve finished the whole f—ing series so soon. Gilatona-Lis. You must analyze differences between it and the Art 10×10 preceeding it. Obviously you have no animations in this one — oh except for the one (Gila 06 and Gila 10) and instead diptychs and even a triptych. In fact, this (Latona 03 04) is the first diptych/triptych of Gilatona-Lis, and the only one that doesn’t use Brian Marshall Roberts’ photos.
bb: (correcting)
That’s Brian Marshall… I mean Brian Robert Marshall.
Hucka D.:
Instead we have more GoogleEarth Streetview based photos on both the right and the left. This is from Avebury of course, as stated. So back to Latona 03. We have Dr. Who with his pet dragon, who is on a chain like the dogs around him but ironically already inside a closure — a courtyard — so no chain really needed. We have Baker Bloch turning his back on the events of the day in his corner… oblivious. We have Zapple staring and glaring directly at the camera, projecting toward it. This is “saved from grave”. This is why he decided to participate in the Sunklands Initiative and the Billfork Agreement. Dragon contained. Red Dragon.
bb:
The chain is also the 112 latitude line. Sorry to interrupt your flow.
Hucka D. (continuing):
The chain is also the 112 *longitude* line. Saved from grave. Lumpy Gravy. Pulled up. In Latona 02 just interpreted, we had Dr. Who being lifted up by this same line, out and away from the dewpond that also represents death or grave. He exits in the internal workings of Master Shake, invisible in part. Red Lion may be death, then.
bb:
Maybe we better move to Latona 04. Oh, and we have the little red figure walking through the 2 Avebury stones in the road to the far left, beyond Dr. Who and his dragon.
Hucka D.:
Free again; able to walk through the rocks unharmed. Passage complete. Bold walk as well. Strutting.
bb:
Diminutive compared to Dr. Who and especially Baker Bloch to the right.
Hucka D.;
So you requested we move to Latona 04. We have Dr. Who again, but he has been absorbed into a black hole. Actually he has fallen into a pit on his own volition. This is the Satan Pit. The black hole is formed between the very same 2 Avebury rocks we have been discussing. The red figure in the two collages between the two rocks is the same, trapped in time. Dr. Who falling into a black hole pit is the dot in the middle of a circle, associating him with Forest Home and the 2 Cardinal Roads the Forest Home circle of Alabama highlights. You have the beginning of one Cardinal Road highlighted in this circle, and then the end of a completely different Cardinal Road highlighted in another place on this circle. Beginning and end again, alpha and omega. Uroborous in effect. We do not know where time starts or stops. (pause to catch breath)
bb:
Thanks, Hucka D. Rapid fire. And Baker Bloch or the equivalent *is* chained in this one, near the other Baker Bloch also next to the central Red Lion pub of Latona 03 04.
Hucka D.:
Doesn’t matter if he is chained or unchained. He would be the same either way. Kind of like you are chained by an 8 to 5 job now but it wouldn’t matter if you were retired already and free. Not now anyway. Best you have work.
bb:
Thanks. Now the red haired woman’s hair just touches the circle surrounding Dr. Who falling into a black hole slash pit. She is obviously Cardinal, then.
Hucka D.:
Yes. Like [the 4] directions.
bb:
And this is who we’ve already called Amy Pond.
Hucka D.:
In a manner. She reappears with the crowd, disguised as a Red Lion or perhaps at least attempting to blend in with the Red Lion pub crowd. But she sees the black hole forming above the doorway, growing larger. The hand first draws the circle crudely, then it advances toward the door, becoming more circular, and then find fruition or centering between the 2 Avebury stones, forming that black hole that the red Dr. Who falls into, then. Is falling into this black hole a good thing or a bad thing? It’s both, actually. This is all about paradox and contrast.
bb:
Then a final piece is Ozmo playing a song to the children of Sound of Music. They like the sound of his music. This is an element directly borrowed from the Wheeler-Jasper series of the Art 10×10, and maybe the only thing borrowed in Gilatona-Lis from that whole 100 collage effort. It appears on Jasper 04. Here’s the appropriate link from the Britain Britain Britain site.
Hucka D.:
It’s 2051. Ozmo is free to play at the Red Lion pub in Avebury, unchained from copyright constrictions. The synchronicities are free. Have you protected them? Have you prepared a proper time capsule? Let’s hope so. Else they are *true* carcasses. Dead.
bb:
For the carrcasses to live, then Ozmo must live through time and space as well. Can’t have one without the other.
Hucka D.:
No, true. This is why Hayes shows up soon. Non-president R. “Booger” Hayes.
bb:
So let me draw back again for Latona 03 04. I really like this collage. The weakness is the middle line between the two halves is not quite symmetrical, which I couldn’t accomplish just using Streetview. I had to return to Brian R. Marshall’s photos to do this, but in a peculiar way.
Hucka D.:
The hand drawing the crude circle (to the right) is like the animator’s hand that drew the circle that is the basis of Ozmo to the left. You can have too crude a circle and too perfect a circle. The middle ground is just right, and that’s the circle on the Red Lion pub, above the door. Red haired lion stares directly at it, knowing this or realizing this. She hears the teacher, then. The people at the Red Lion pub are at a lecture but they don’t know it. Instead they stare toward to camera perched atop a car whizzing by. It is GoogleEarth. They are posing for *this* collage.
bb:
Dr. Who is staring directly at the camera as well, even as he is being absorbed into the black hole pit.
Hucka D.:
He is being absorbed *into* the camera. Like Red 7.
bb:
Oh and the fox in the courtyard… from Jasper 04 as well. It seems to reinforce the red hair of the lion/woman. The red fox is off its leash, unlike the red dragon of the twinned panel.
Hucka D.:
When you let go of the leash, you fall into a black hole. We better leave it at that and move to Latona 05…
… here we have the Hackpen Hill white horse in the background, and yet another white horse in the foreground. We have the return of the circle centered by a dot like thing, like in Latona 04. This would be more in the foreground. But accompanying it this time are two more circles, arranged as a triangle. But in Latona 04 we also really have 3 circles, although in a line there. So it’s kind of the same thing. The circles have also become crop circles, and a specific one from Rockley already seen in the Gila series (Gila 06: “Monsters”). There it was chained as well, or harboured within a shelter, but with a door open. The munching monsters that are circles with “mouths” are about to be let loose there. What are they doing here? Oh, and the second white horse positioned just to the right of them here is also from Rockley — it is the lost Rockly white horse, only seen on black and white photos now. Or [only] one black and white photo, perhaps.
bb:
Cool. Let me look at this collage again… (pause) Obviously another thing that sticks out are the two hands, one white and one black. The white hand seems to be almost pinned down, as it were, by the 3 circles that are also the same as the Rockley crop circle, with the central (green) triangle. Again, this is a lot about the Forest Home, Alabama circle and the 2 Cardinal Roads. The roads below the circle come from Pine Apple, Alabama, which is where the main road from Saucer, Alabama (on the edge of the Forest Home circle) leads to… it’s called the Pine Apple Highway because of that. A map of Winesburg, Ohio is situated to its left… obviously there should be an association made, then, between the real Pine Apple, Alabama and the fictional Winesburg… the roads merge. This is a pretty complicated collage, Hucka D. (!)
Hucka D.:
Yes. And one that needs to be interpreted. You haven’t explained that the main black and white photo dominating the bottom part of the collage comes from Manitoba, and is one of the…
bb:
Let me help. According to this blog post, it is the aerial view of the 1st Igniting The Fire Gathering at Manito Ahbee in the Whiteshell provincial pARK. Important that a Native American named Don Cardinal presided over the lighting.
Hucka D.:
Let *me* help. You never got back to that Port Gibson-Cardinal explanation you promised [at the bottom of that post].
bb:
Well, I never got around to explaining the Bill Mountain aliens either, Hucka D.
Hucka D.:
That’s because you don’t know what they are.
bb:
I think a Forest Home is involved. That’s what I got out of the Forest Home circle in Alabama with Forest Home in the center and Saucer and Fake Herbert defining the circumference, which also indicates the two Cardinal Roads and their beginnings and endings respectively.
Hucka D.:
Respectively?
bb:
Maybe…
Hucka D.:
Maybe you should study up on the rock formations of (long pause)
—–
bb:
Of what? You mean the ones in Manito…?
Hucka D.:
…ba, yeah. The things that…
bb:
… ties it all together.
Hucka D.;
Of course.
TOGETHER:
—–
(continued in Latona Interpretations/Associations 04)
