Moon Landing (revised)
Lis Interpretations/Associations 04
(continued from Lis Interpretations/Associations 03)
So we’re going to make a stab at Lis Interpretations/Associations 04. Since writing Lis I/A 03 the whole Falmouth series has unfolded suddenly. Excitement! But more to interpret, and because of the complexity of the 4 part series which acts as one whole going around in a circle, I have decided to go ahead and attempt to analyze that at the same time. So returning to Lis, and I assume Hucka D. is around this morning to help me, we have a late addition to Lis 05 that he didn’t approve of first, as I understand, but likes more now in light of Falmouth. So… this is Andrew Wythe’s Christina, from the painting of the same name. Hucka?
Christina is the same as both the man and the woman extending through Lis 01 Lis 02, and Lis 03 04, 04 to be specific. But it acts as a diptych so it’s really the first 3 pictures of the Lis series this figure appears in. And then she returns here, but in a slightly different form. In Lis 01, she is the woman, lone woman by herself, like the mountain in the center of Hayes County, Texas.* In Lis 02 she is paired with a man, making a Lone Woman and a Lone Man. In Lis 03 04, the man is without the woman — Lone Man. Can you find a picture of a map of this county quickly enough, baker b.?
baker b. (after a pause): I had to reload it.
Hucka D.:
Cool. That’s Hays County — sorry. The only Hayes County is in Nebraska and has basically no one in it. That was used in Latona 06 I believe — Hayes Center, the county seat. But it’s Hays we’re now shifting our attention to, and it’s really about [President] Hayes, once more. Shifted. So to return to Lone Man/Lone Woman, we have the man then approaching what we know is a mock up of Cygnus X-1 and its sun and black hole relationship. That’s new information. The man approaches — he is meeting Meat Shake, which is the same. It’s two things that shouldn’t belong together. Black Holes shouldn’t exist. We talked about black holes in the other important Avebury collage, or Latona 03 04. The Red Lion woman watched it form and become perfected — a perfect circle like a perfect ring — on the top of the Red Lion pub before fully manifesting between the 2 prominent Avebury rocks to its right in that diptych. Another diptych, then, like Lis 03 04, and with the same 2 numbers (03 04 of each series). Already we could illuminate this further by discussion of Falmouth, it has become so central. The rock in-between the 2 rocks the red clad being is seemingly stealing in Falmouth 03 is the same size as the circle of meditators atop the Red Lion pub in Falmouth 01. We have gone quite far, baker b. Good work once more. I lost my bet.
bb:
Thanks. Not to get away from Lis 05 too far, but I’m wondering if the vacant corner of Falmouth will be filled with something. Already I’m seeing Harrison’s hand in place of Hayes, and maybe his head in place of Hayes. But what would that mean?
Hucka D.:
We better stick to Lis 05. So here we have the Christina addition, which will become more understandable in Falmouth, once more. There it points to an alternate Falmouth where siginificant elements of Max Ernst’s “The Robing of the Bride” were/are/will be used, including the blue-green gargoyle with the spear, and als the prominent red plumage of the central “bride”, as it were. But in the Falmouth you decided to create, you substituted Ernst with the sweeter, much sweeter Man/Woman of 12 Oz Mouse, who instead pats the should of the central Red Lion woman, instead of trying to stab her, you see. Her hand becomes central. But once more we have wandered back to Falmouth.
bb:
The swan of Lis 05 — returning to that — has also been more recently altered to include an eye. And this is the same eye from the central figure of Lis 04, the preceding collage. This is the black hole of Cygnus X-1.
Hucka D.:
Yes. Most definitely yes.
bb:
The… you go ahead.
Hucka D.:
The swan swims on the line between two geograph squares, which are all 1 kilometer square. This is SU016 and SU116. The Crammer, the central pond of Lis 05, is on the line between the two. As the collage combines two Crammer locations into one to make the pond non-dimensional, one can say that it too has collapsed into a black hole. The Crammer is the black hole. The moon is trapped inside the water but cannot be raked out because it really doesn’t exist in our dimension. That’s the true story behind Devizes’ Moonrakers myth. It is that this lake, this pond, has become a black hole. In your collage — Lis 05, you did rake the moon out of the pond, but only by combining it with the sun, the little yellow fellow in the front. The moon touches the shore — Moon Landing. Yellow being manifests inside. This is pulling out of the black hole by the sun of Cygnus X-1. Matter has reversed out of the black hole and back into the sun. The yellow figure, who is McCoy in the Jelly Fox seeking group, is the same as the Meat Shake of Lis 04. Or the meat part anyways. And with this yellow guy, McCoy, comes the other parts of TILE that he is always attached to. They manifest at all the same time. This is the gargoyles as well of Lis 03, but their positive side, their future side if you may. If I may. They all drink from the TILE cup, which is Shake as well of course, as we’ll see illustrated in Lis 09 coming up. This group although they originate in Devizes and The Crammer, point to The Country beyond The Town for ultimate answers about Lis. They point to Alton Priors and Alton Barnes and Honeystreet and Falmouth beyond.
bb:
Let’s then get back to Lis 06. I won’t put up the picture again, but this is out in The Country now. We look over the top of Alton Barnes and Alton Priors toward Woodborough Hill, Hucka D., the site of the sunfish crop circles early in last years season, and already used in a number of Gilatona-Lis collages, most openly in Latona 00. In The Country… you go ahead again… sorry…
Hucka D.:
In The Country, the 4 part nature of TILE is more fully revealed as a rotating wheel that first appears as The Sun within The Moon in Lis 05. Here it begins as the same underneath or attached to the Rockley rock with the Rockley crop circle picture etched or engraved on its surface. This sculpture, last time we checked, still exists in The Barge at Honeystreet. It will prominently reappear in Falmouth, but let’s not go there again quite yet. The story behind this rock is that it’s symbolically Patrick Star’s rock of the Spongebob Squarepants Show, a favorite of your family as I understand.
bb:
We watch it all during Christmas, yeah. (laughs)
Hucka D.:
Truthfully it’s the silliness they don’t like, and the show, up front, states if you don’t enjoy nautical nonsense then it may not be to your liking.
bb:
But back to Lis 06, it’s Patrick’s rock, his home, and we know this from the star crop circle that appeared on top of Furze Hill in 2007, followed by a square shaped crop circle in the next field over in 2009 indicated his main bud Spongebob Squarepants, shaped like a square. I think we’ve already talked about those circles, along with the one that appeared at the bottom of Furze Hill — is it Knoll or Hill? — that also obviously indicted Patrick’s rock home, 3d style.
Hucka D.:
It’s Furze Knoll, I believe.
bb:
So this is Furze Knoll crop circles, then, imported to a location several miles southwest, where we look toward Woodborough Hill over the top of The Altons. Oh, I just thought of something — Latona is an anagram of Alton (!)
Hucka D.:
The 4 prime energies of TILE, let loose in The Country, are now rolling around in freedom. They are motoring. They quickly get on the highway for further adventures. They head to The Altons. Should we end? I think we should.
(continued in Lis Interpretations/Associations 05)
Filed under collages 2d
Lis Interpretations/Associations 03
(continued from Lis Interpretations/Associations 02)
“I think it is a basic mistrust of all-things-town, Hucka D. The 4 characters of TILE arise from The Crammer, or between the two parts of The Crammer which are actually one part, because of the pull of The Country. The 4 gargoyles, kind of parallel monsters here, are The Town, and reach a dead end at the east portal of that old railway tunnel running underneath Devizes Castle, or what passes for a castle now.
Hucka D.:
Perhaps the gargoyles were attempting to restore the old castle, and add to its decor. Stone [attracts] stone, after all.
bb:
Never heard of that. But at any rate we can move to Lis 06, called “Hugs All ‘Round”, I believe. (checking) No, it’s “Rock’n Home”. We have the reappearance of Spongebob Squarepants in Gilatona-Lis, and this time with his best pal Patrick Star. Sbsp appears first in Latona 01, peering out of the opened front door of his pineapple home, speaking of homes. And I suppose here in the newer collage we have a nod to Patrick’s rock home now, which appears in front of him… But the rock is actually from The Barge in Honeystreet, very near Alton Priors which we will be speaking of in a moment. It’s from a picture of this rock I found online, which strangely and queerly depicts the same crop circle I’ve already used several times in Gilatona-Lis collages, originally in Gila 05 but also in Latona 05. This despite it not being a very famous crop circle, Hucka D.
Hucka D.:
*We* put the rock there. [The] Lis [collages] are very tight. You would see the rock, or the picture of the rock from The Barge, and immediately know you had to use it in a new collage. This then becomes Patrick Star’s rock house or home as well, since you made that association beforehand.
bb:
Here’s the post you’re talking about.. oh, it’s already there (!):
https://bakerbloch.wordpress.com/2013/03/03/more-wiltshire-shots/
And then here’s the Marshall photo I use as the base for Lis 07.
http://www.geograph.org.uk/photo/1744705
This is taken several miles east of Devizes, not too far into the country, then. The distinct hill in the distance is Woodborough Hill, which was the site of not one but several of those sunfish related crop circles from 2012. Including the one depicted in part at the bottom of Latona 00, returning to that collage once more.
Hucka D.:
Cool. There’s Lisa the Vegetarian in the new one [Lis 06] as well. She appears to be hugging one of the gargoyles from the statue. As Marshall himself pointed out, this is Bart Simpson, 12th Century style. But the spirit of the gargoyle or monster is trapped in that gravestone transported from The Crammer location, or the location of [Lis 05]. You must hug and love the gargoyles within yourself, baker b., in order to be free of them. You move out into The Country to do this. The Town cannot give you what you need. You search elsewhere — country.
bb:
Like we’ve moved the progression of the Lis series from Devizes — town — out into the countryside, specifically the area around Alton Priors and The Barge itself and the famed Alton Barnes white horse, and so on. Most sacred spot. Here we also have at least one of the 4 TILE monsters or creatures from Lis 05 returning just below Patrick’s crop circle adorned rock. This would be the little yellow fellow again, called McCoy in The Jelly Fox episode of Noel Fielding’s Luxery Comedy show.
Hucka D.:
He’s the one with diabetes (smiles).
bb:
Yeah, but it’s no laughing matter. Perhaps not even a smiling matter. (Hucka D.’s smile is erased.)
Hucka D.:
But…
bb:
But he represents The Sun, the counterpart to The Moon. He’s within The Moon, just as in Latona 02 you have The Sun being swallowed, seemingly, by The Moon. And Fielding himself is swallowed into The Moon when he plays that particular character in The Mighty Boosh. There’s a scene in the first episode of his Luxery Comedy where he reappears in this rather famous role, only to state he’s not in this show. Quite funny.
Hucka D.:
Can I smile again, then?
bb:
Sure. (Hucka D.’s smile returns.)
—–
“In looking again at Latona 00, I feel that all three “stones” we’re talking about here, the one Lisa is sitting on in Latona 00 and then the two (grave stone and rock with crop circle) are one and the same. And all 3 stones are in fact The Diamond from Lis 00. It represents knowledge… Arkansas knowledge. I revisited The Diamond at Metril yesterday, Hucka D.”
Hucka D.:
Great. Singing frogs. Fantastic. They were chatting about how f—ing cold they were, and why did they have to be hatched so early? You’d be doing the same… in fact you were… in your head.
bb:
Returning to Lis 06, obviously the two rocks or stones are associated. According to the turns of The Moon in the foreground, representing its 4 phases seemingly, we have the downward turned moon associated with yellow and the rock from The Barge, and then the upward turned or “horned” moon associated with the grave stone carried over from Lis 05, the one with the Bart spirit within.
Hucka D.:
Bart The Gargoyle. Hugged by Lisa the Vegetarian. Did you know in the early days of The Simpsons, Lisa was seen more as a female Bart. Only later in the series did she acquire her own unique character. Lisa the Vegetarian [season 6 episode] is an important landmark in this progression to individuality. She exists separate from Bart, able to stand apart from him. But love him and his gargoylian ways still. The Simpson males have a degenerative gene that carries over from generation to generation. The female Simpsons are not so cursed.
bb:
Yeah, I read something about that[ not surprisingly]. So Lisa here is loving or hugging somewhere that she had come from, but now stands apart from. A brother to her instead of she herself. As the gravestone is from The Crammer, and is where The Moon originates from in Lis 05…
Hucka D.:
The rotating Moon, actually one Moon, has absorbed the colored energy of the 4 Crammer monsters and trapped it within a 4-part mandala that are called its phases. These are yellow — full moon — blue — new moon — green and red and the half moons, then. The progress of The Moon across the landscape of Lis 06, which would be atop Alton Priors, even, hidden just below the line of trees beneath Woodborough Hill…
bb:
Yes.
Hucka D.:
… Well, I lost my train of thought. Train?
bb:
Thank you for that interpretation. Anything else about Lis 06? We are out in the country, specifically Alton Priors and Alton Barnes and Honeystreet, which are all connected anyway, and away from Devizes. But still close to the latter. We are approaching *home*. We are approaching The End.
Hucka D.:
The grave stone has an eye. It is peering toward The Rock that is the same as itself. The rock does not progress beyond itself. Lisa the Vegetarian has. She has learned to love. She is heart.
(continue to Lis Interpretations/Associations 04)
Filed under collages 2d, Jello Fox
Lis Interpretations/Associations 02
(continued from Lis Interpretations/Associations 01)
“We’re probably on the Meat Shake concept, Hucka D. Got a decent amount of sleep last night for a change.”
Hucka D.:
Good to snooze through the night once in a while. The Meat Shake is a combination of your Meatwad, your Shake. Shake seen already in Latona 02 (center). He will be seen again in Lis 09. This is not really your Shake here, but a combo monster, like you indicated. And there is an eye next to him.
bb:
Perhaps I better create a close up of what we’re talking about. Oh, and before I forget, I thought I’d put up the links for the Brian R. Marshall geograph photos these two collages are based upon. They’re a part of a set, just like the collages…
http://www.geograph.org.uk/photo/2388037
http://www.geograph.org.uk/photo/2388024
And here’s the detail I mentioned…
The photos are of an old railroad track called the Holt to Patney Railway. The detail above is from the front of a tunnel which runs under the Devizes Castle, although it no longer acts as a train conduit now. The second photo linked to above shows its blocked up east portal, and the eye and the “Meat Shake” I’ve been speaking above are just in front of this portal. In the collage, a man approaches them — it’s the same man on the right side of Lis 02, who has ditched the girl now and stands alone, just as the girl formerly was alone in Lis 01. As I think I talked about before, I believe the man and woman are one entity, and perhaps akin to the Lone Man/Lone Woman twinned peaks at the center of Hays County, Texas. Just thought I’d throw that in.
Hucka D.:
Hmph.
bb:
So what do you think of this “Meat Shake”, Hucka D.? The man who is the same as McCartney seems to be interested in meeting him. Then the *front* of McCarney is seen inside a pot to the right, facing the camera this time. This is culled from the front of the Sgt. Pepper cover, once more. Again beside him is Lisa the Vegetarian. Obviously these 3 figures — the blue clad man with his back to us, Paul Mac facing us, and then Lisa V. — are directly related to Latona 00 and the front and back covers of Sgt. Pepper, as well as the screen shot from the Smipson’s “Lisa the Vegetarian” episode in season 6.
https://bakerbloch.wordpress.com/2013/01/29/3759/
Hucka D.:
You’re saying that you think the man in Lis 04 with his back turned toward us, the one “meeting” Meat Shake, is McCartney again because he is similar to the Paul in Latona 00 with his back turned toward us?
bb:
Yes. Don’t you think? Seems obvious.
Hucka D.:
(pausing to look) Okay, yeah, now that I compare the two — Latana 00 and Lis 04 — I can see that you are talking correctly. Proceed.
bb:
I suppose I’m just asking: Who or what is Meat Shake?
Hucka D.:
(pausing again) It… is the opposite of the grave the woman stares at in Lis 01. It is The Beginning. Genesis. Not Revelation. How’s that?
bb:
Interesting. I also forgot to mention that I bring these mystery figures “forward” in the collage by doubling their size and positioning them in front of the originals, with the original images kept behind them, or in the background.
Hucka D.:
Cool. They are coming up to meet the McCartney with his back to us.
bb:
I should also add, if I haven’t already, that this tunnel, this portal is just behind St. John’s church in Devizes and can be easily walked to from there. So that fits into the story that it’s the same man as in Lis 02, who is the same as the woman in Lis 01 and Lis 02. That’s why the gargoyles from the church can follow them so easily as well — him, I mean.
Hucka D.:
It’s a strange [detail in the] picture. We better move on to Lis 05. Maybe that will give us the answers we need. We have TILE arising from the waters of The Crammer, still in central Devizes but in a cemetery behind another church this time northeast of St. John’s. This is St. James. 2 Brian R. Marshall photos are once more employed here and combined into one. The gravestone in the foreground is actually part of the cemetery seen in the background “across” The Crammer.
https://bakerbloch.wordpress.com/2013/03/01/4858/
bb:
Let me take over now, Hucka D. Thank you. The collage occurs in a crack in space and time, then, where front and back are the same — kind of akin to McCartney in Lis 04, don’t you think?
Hucka D.:
Could be.
bb:
From this crack in space-time arises these 4 creatures, colored the hues of TILE, or red-green-blue-yellow — monsters again like the gargoyles in Lis 03. But more organized because TILE is behind the process. And all this is a type of play on the Moonrakers mythology surrounding The Crammer, Hucka D. Let me give you the link to the Marshall photos I use now…
This is the foreground obviously…
http://www.geograph.org.uk/photo/382881
And this is the background…
http://www.geograph.org.uk/photo/382855
Marshall provides a link for the Moonrakers story in his caption for the second:
http://www.wiltshiretouristguide.com/Articles/Article_27.asp
In this same way, I am kind of “raking” the alchemical image of the moon in to the shore of The Crammer. I say raking here because it is a gradual process, starting from the grave stone. 6 stages are involved before the moon touches the land. Hence the title of the collage: “Moon Landing”. And inside the last moon image, when it touches the land, is the yellow monster of TILE. These “monsters” come from a Noel Fielding’s Luxery Comedy animation called The Jelly Fox, which both Edna and I found hilarious. I was also instantly struck by the fact that the involved monsters were colored the 4 colors of TILE.
Hucka D.:
Let me stop you here if I may. (pause) Could this new series of 4 monsters be the same as the gargoyles just left behind in [Lis 03 04]?
bb:
I think they’re a progression beyond them, because this is TILE.
Hucka D.:
You are playing on Devizes mythology here, which is interesting for sure. You succeed in this collage where the original Moonrakers couldn’t. You are *actually* raking the moon, which may be cheese and maybe not, into land.
bb:
Interesting as well that Noel Fielding rather famous plays The Moon itself in The Mighty Boosh. And Fielding plays *all* 4 creatures that are colored TILE in the Jelly Fox, and make a reappearance or are reincarnated [in Lis 05]. All of these creations are Fielding.
(continued in Lis Interpretations/Associations 03)
March 13, 2013 · 12:22 pm
Lis Interpretations/Associations 01
(continued from Latona Interpretations/Associations 05)
We start with Lis 00, which is and isn’t the start of the Lis series, much like the situation with Gila 00 and Latona 00 before it for their respective series.
Hucka D.:
Respective? Good evening to you baker b. Nice to be starting a third series so soon.
bb:
Great to be working with you again as well, Hucka D. We may try a double shot today[ of interpretations].
Hucka D.:
I know you don’t like Lis 00 as much as the remaining collages of the series…
bb:
I suppose that’s true.
Hucka D.:
… but it interests me. It *captured* your attention, those 6 Confederacy of Diamond participants sitting in a row in Castle Combe like that. It inspired you to create a new collage even though you thought you were done with them for the winter/spring of 2013. Not so. Lis is the most consistent of the 3, actually, and probably the most meaningful. Deep. But we start with Lis 00. The Diamond rock is front and center, a kind of 7th member of this confederacy and the head of it obviously, since it is the Confederacy of Diamonds. But what is this confederacy. Is it merely a play on Confederacy of Dunces?
bb:
Well, in looking at the collage I believe the people sitting there may represent the collages of the Lis series itself, which will quickly line up in a row after Lis 00 — one interpretation.
Hucka D.:
And a good one. They are waiting for you to manifest them, one by one. And The Diamond will make an appearance as well. This is the spirit of Lisa the Vegetarian showing her strength once more. Everything centered in Arkansas for the US of A boy. TILE. And the walking man to the right is experiencing the energy of TILE as well. The 7 of Diamonds over the entrance he has strutted through is the 7 diamonds of the Confederacy. He is the seventh as The Diamond is the 7th. Arkansas.
bb:
Let’s move to Lis 01, although we may return to Lis 00. Lis 01 is all about Devizes, Hucka D., which I’ll be staying at for my first week in England this coming summer.
Hucka D.:
3 months[ to go]!
bb:
Yes. Getting very excited, especially given what happened in the Lis series. The centerpiece of the collage is St. John’s Church in Devizes, which exists very near where I’ll be staying. Devizes central area is very compact overall; you can be out in the country in a matter of minutes walking north, for example.
Hucka D.:
Oh you’ll be walking north. North east south west. And you’ll go to the old tunnel entrance, if you can get down there.
bb:
We’ll get to that in a minute[ in reviewing collages 03 and 04 of the Lis seris]. So in Lis 01 you actually have a number of Brian Marshall Roberts… dang, you got *me* saying it now Hucka D.! — Brian *Robert* Marshall’s photos combined together. There are 3 focusing on the church itself… I’ll just list them out and give links…
http://www.geograph.org.uk/photo/2387363
http://www.geograph.org.uk/photo/2387298
http://www.geograph.org.uk/photo/2386590
… then 2 of the what’s called the Millenium monument behind the church, which are combined to make a type of 4d image of the thing I suppose…
http://www.geograph.org.uk/photo/2387342
http://www.geograph.org.uk/photo/2387345
… and then one additional Devizes shot Marshall took of a pyramidal sculpture from the downtown area…
http://www.geograph.org.uk/photo/950005
A lot of photos used here, in other words.
Hucka D.:
It is the spirit of Devizes and St. John’s Church combined into one collage. 4d, as you stated, for both church and sculptures. You’ll do this again for Alton Priors in Lis 07. Same technique.
bb:
Yes. Thanks for that.
Hucka D.:
What are the bricks removed in the wall to the left telling you?
bb:
They reveal part of an oval, maybe a mirror.
Hucka D.:
A mirror. Something has been pushed off to the left. There’s only one figure in the collage, and that’s a woman admiring a grave stone to the right. But the stone has been moved from behind the wall to in front. What does the stone say, baker b.?
bb:
I think it is about The End.
Hucka D.:
Yes. This collage is so complex because we had to root you in Devizes firmly to begin Lis. You are *there*. You will be there. You are already there. There!
bb:
A tiny gift shop exists in the corner of the church next to the pyramid, perhaps frequented by toy avatars.
Hucka D.:
Reminders of Civil War battles to the left. Grape shots in the wall. Grape shots are also in crop circles.
bb:
But…
Hucka D.:
The end is covered up, first by putting a brick in the wall to obscure, and then by simply moving the whole picture to the right and pushing it off to the left. But you must remember the origins of the collage. Why did you have to cover up The End?
bb:
I didn’t want to see it.
Hucka D.:
Out of sight and out of mind. But The End serves a higher purpose, for it is the end of life itself. The grave stone to the right, still in the picture and added later, tells you this.
bb:
I really like this collage, Hucka D. It’s soothing to look at. Lots of cool stone.
Hucka D.:
3 bricks removed here… 2 to reveal what you call the edges of a mirror behind the church’s wall, and then a third to make a window for the tiny gift shop beside the pyramidal sculpture. A duplicate St. John’s exists in the background so that you can see its front better. The clock says 11:37. Revelation.
bb:
Let’s move to Lis 02, since it is of the same Devizes church but from the back now.
http://www.geograph.org.uk/photo/2387438
Again we’re combining different Devizes locations into one collage, and this time its St. John’s with a coffee shop in the downtown area called Costa [culled from a Google Streetview image]. We don’t have those over here.
Hucka D.:
That’s your Starbucks as I remember. I don’t drink coffee myself.
bb:
Interesting. Yeah, I assume I’ll be going to that coffee shop quite a bit… again not far at all from where I’ll be staying there. But it’s not *right* behind St. John’s, you see.
Hucka D.:
I see. These are places of worship combined in a place of worships. You worship coffee. Others worship other gods, including The God, the Big Man upstairs. Some even worship the other Big Man downstairs. But you mainly worship coffee, or that’s a primary worship. You should think of TILE more. But you have the woman carried over from Lis 01, and to the right again. She’s gained a partner, a male… they’re a couple. They walk side-by-side. They walk to, well they’re the same person actually, and then man then walks behind the church to the tunnel entrance where he’ll meet Meat Shake. Or meat Meet Shake. The gargoyles from St. John’s break off the church and follow him, but are thwarted in their attempt to spoil the meeting by Gary, who has come with The Diamond from Amereca all the way to Devizes just to protect his own partner.
bb:
We’re moving into the themes of Lis 03 and Lis 04, which are a diptych, so I suppose we better throw out a collage picture here…
The collage “Gargoyles Cometh” is on the left here, and is Lis 03. These are the 4 gargoyles you mention, which you stated have followed the man/woman to the tunnel entrance and are trying to spoil a meeting with Meat Shake… get to that in a moment. Let’s put up the 4 additional Brian Robert Marshall photos the gargoyles come from…
The last gargoyle (4 of 4 in Marshall’s ordering) is the only one that appears full scale in the collage, Hucka D. The images of both the 3 of 4 and 2 of 4 gargoyles are reduced to 50% — they are to the right and left. Then the one in the back is reduced to 25% of the original. That’s a drain pipe coming out of its mouth, but in the collage it makes the thing look more like a monster than it actually is.
Hucka D.:
Oh they’re monsters. Coming to get you!
bb:
Coming to get the man/woman who seeks Meat Shake, you mean.
Hucka D.:
Yes. But thanks to Gary, their efforts were twarted. Gary swings from a tree branch from the right and starts knocking them off one by one till all are dispelled. They slink, defeated, back to their church perches. Church perch. They are the 4 abberant energies of TILE. The 4th, the largest, attempts to sit on and obscure The Diamond of Frank Park you worked so hard to find this spring. He sits and laughs, waiting for the others to catch up. But then — Gary. Swings from the left. Picks them off. Gargoyles thwarted. Attack feigned off.
(continued in Lis Interpretations/Associations 02)
Filed under collages 2d
Distribution of Gilatona-Lis collages
Hard to interpret, I know, but the basic gist I’m getting out of this is that the Gila series (magenta pins) is mainly set in Marlborough and points northwest to Hackpen Hill, Lis (cyan pins) mainly involves Devizes locations at first, and then moves to the Alton Barnes region a couple of miles west to finish up, and then the middle series of Latona (yellow pins) mainly involves locations between these two (like West Woods, setting for Latona 08 09 10). The only place where all 3 series overlap is Avebury, which is roughly in the center of the map. Gila 01, Latona 03/04 and Lis 08 all involve primarily Avebury locations, and a number of other collages from each series have Avebury elements added in.
In addition, a couple of other collages are still set in Wiltshire County, but considerably outside this general circle (Gila 02 in Salisbury to the south; Lis 00 in Castle Combe to the west). We can also add the 3 full collages of the Baker Bloch in England exhibit from 2010 into this group, which are set in Purton Stoke to the north.
Gila series locations (magenta)
add in Lis series locations (cyan)
add in Latona series locations (yellow)
Then kind of behind all this in the background, as it were, are the remaining supplemental collages created for the Baker Bloch in England (green pins)…
*Now* compare all this to the crop circle map from 2012 I bring up in this mid-January post, just before starting Gilatona-Lis…
https://bakerbloch.wordpress.com/2013/01/16/plans/
Marlborough to the east again, and Devizes to the west.
Summary: The distribution of locations used in Gilatona-Lis collages roughly follows that of crop circles from not only 2012 but previous years back to 1990 at least. The area is roughly covered in an east to west sweep, with Avebury at the center. Crop circles also tend to congregate around Avebury. This is an the energy I’m obviously dependent upon.
Crop circles themselves are seen in many Gilatona-Lis collages (Gila 01 02 03 04 05, Latona 00 01 05, Lis 06 07 08 09), and symbolically implied in others (sunfish imagery for example).
—–
We also have some collages whose imagery is primarily from Second Life (Gila 05, Latona 01). I’ll get to a more detailed breakdown of Gilatona-Lis images in a future post.
Note: Gilatona-Lis is now on flickr.
Filed under collages 2d, Crop Circles, Wiltshire
Latona Interpretations/Associations 05
(continued from Latona Interpretations/Associations 04)
We’re at “3 Beetle Love”, Hucka D.
Hucka D.:
Back in Wiltshire. You took this snapshot in Google Earth but didn’t realize that a heart shaped grove of saplings was in the center background. Later you did, and returned to this picture for collaging fun. Ringo Starr — ahem, Ingor Ratts returns for this one, and now accompanied by not only George Harrison but the one and only John Lennon himself, or at least his head.
bb:
But that’s Lemon.
Hucka D.:
Of course. Put up a pic.
https://bakerbloch.wordpress.com/2013/02/17/oare/
bb:
So the “Introducing Lemon” is twice or sumtin appropriate here. Since Lemon — Lennon — is actually introduced to the Gilatona-Lis series through this collage.
Hucka D.:
His head fades in. Obviously we have some elements carried over from the former collage, “Central Hayes”.
bb:
Not sure if that’s the actual name[ of the collage] but go ahead.
Hucka D.:
We have Hayes himself, or at least his feet. His corndog holding hand now has been replaced by George Harrison’s, who instead holds the steamy dog. But Harrison’s head is in another place — just below Hayes’ feet. His head has been separated from his body. And it’s only half a head and half a body as well. You have recently been confusing Rutherford B. Hayes with Benjamin Harrison, a slightly later president of your US of A.
bb:
I have.
Hucka D.:
George Harrison’s head replaces the red spaceman head of the former collage — same color of red, or George has a red hat on at least [ like the spaceman dons a red space helmet]. The rooster teeth also reappear in 3 Beetle Love from Central Hayes. Along with part of the Big Chimney of Mouse Island, Ohio. And Mouse Island itself, of course, which has that peculiarly corndog shape — no cheer accident there. Now Harrison’s body actually covers part of the heart shaped grove in the backdrop. An article about that grove can be found in the above link.
bb:
Here it is again, Hucka D.
https://bakerbloch.wordpress.com/2013/02/17/oare/
I think Harrison’s half body equals half a heart, since it covers up the right half of the heart in the background in part. Like a broken heart or a lonely heart. Harrison is cut from the Sgt. Pepper album, along with Ringo and Lennon’s head. Suspiciously McCartney is not present here, the 4th Beetle as it were.
Hucka D.:
He’ll show up in the next series of collages however, or at least his head is there. And he’s been in so many already.
bb:
Gila 02, Gila 09, Latona 00…3 at least.
Hucka D.:
And Ringo?
bb:
Let’s see, Gila 02, Gila 08… also Gila 07. Zapple was with him in Gila 08, and then Zapple reappears without any accompanying Beetles this time in Latona 03 04.
Hucka D.:
Love the 3 Beetles. 3 Beetles love. No McCartney. No Mac.
bb:
The Cheer Accident cover becomes even more in parallel with the Sgt. Pepper album cover, Hucka D. Lennon shows up, and in the same relationship with Ringo’s head as occurs on Sgt. Pepper. The same for Harrison in respective to Lennon and Ringo, or at least his head part here. Oh, and the hand above McCartney’s head also returns.
Hucka D.:
It *throws* the heart from the album cover into the field. Don’t you think?
bb:
Could be.
Hucka D.:
Lennon appears here, without McCartney, and since this is Lennon’s one and only appearance in the Gilatona-Lis series, then it means he is never found with McCartney in this series. This goes against the Lennon-McCartney pairing all the Beetles records have tagged, or the ones composed by either one of the two of them, which is the vast majority.
bb:
Harrison wrote some, especially during their later period. “Something” comes to mind. A couple of others. But obviously he was frustrated and had a lot of songs in storage.
Hucka D.:
The presence of the window in the upper left corner, along with some room furniture, means we’ve never really left Ironmonger Lane in Marlborough, and we are actually inside instead of outdoors. In short, we are in a virtual reality, like GoogleEarth Streetview, say (smiles). Reality reality peeks through to the left. Physically, in Google Earth, we are south of West Woods but pretty close still. We are sort of in the same location as the top photo of Latona 02, as well as its dewpond toward the bottom. This is also the second to last time I’ll — you’ll use Streetview as the basis for a Gilatona-Lis collage, baker b. From now on the focus shifts toward Brian Marshall Roberts’ photos.
bb:
Well, again that’s Brian Robert Marshall, Hucka D.
Hucka D.:
Should we move into Latona 08 09 10, then?
bb:
We haven’t really talked that much about 3 Beetle Love yet.
Hucka D.:
Haven’t we? It’s the 3 Beetles sans McCartney. McCartney instead is projected in the fields of Wiltshire as a heart shaped grove, propelled by the hand that symbolically is united with his head elsewhere. The other 3 Beetles have all their heads here, and in the same position relative to Sgt. Pepper as the originals. Lennon — Lemon — decided he didn’t want to appear with McCartney, or else they work as a team, one without the other and the other without the one.
bb:
I’m still uncertain about the relationship between Apricot Bone and Sgt. Pepper. Is Apricot Bone a pretend band as well? I think you said before that it’s a Kinks variant band, like they also could have created in 1967. Instead they created the Village Green Preservation Society. “We are the Village Green Preservation Society”.
Hucka D.:
Apricot Bone is something else. Related to Pine Apple, Alabama and its Banana and Cherry Streets but more. Apricot is King Tull… 333. A tropic fruit.
bb:
We don’t seem to be answering much about what these collages actually speak of, Hucka D.
Hucka D.:
Oh we are in a way. I think we should move on.
https://bakerbloch.wordpress.com/2013/02/21/latona-08/
So here it is. The end of the Latona series in one 3 part band. Er, bang. Bang All.
bb:
Do you want me to start.
Hucka D.:
Well it seems that we’ve covered a lot of this… I’ll let you dig up the link.
bb:
Yes, we’ve covered a lot of this in an early post here. There we interpreted the 3 collages as mainly the story of my trip to England this summer.
Hucka D.:
I’ll be going to. I’m already there and I’ll be going back as well. And probably returning home at the same time — all three. All Bang.
bb:
So is that it for the Latona series? Are we ready to delve into Lis?
Hucka D.:
I’m game if you’re game. I’m surprised you don’t have any additional comments about the triptych. Maybe you should look it over again.
bb:
Hmmm… Hayes in Latona 08 is the US of A still, an anchor in the background, and I am the Spaceman in the foreground, sniffing the Marlborough cigarette smoke offered by Selma Smipson. The smoking corndog has been set aside for now. The dog and Selma’s cigarette may even be one and the same.
Hucka D.:
They are desires. Cigarette smoking is an addiction. Corndogs are an addiction. The blue sunfish erupts from Hayes’ suit, meaning you are in England, you are in Marlborough. Ironmonger Lane has opened up. Bluebells are ringing true blue. The Deepening Dike.
bb:
Yes, that’s the name of the mini-series of collages here: The Deeping Dike, parts 1, 2 and 3. Because all 3 collages are set in the Wansdyke running through West Woods near Marlborough. The 3 pictures are not suppose to link together in a causal way — all 3 are by Brian Robert Marshall by the way. Instead Marshall snapped these successively at different points along the ancient dike running West Woods[ but it starts below Marlborough].
http://www.geograph.org.uk/photo/409328
http://www.geograph.org.uk/photo/409337
http://www.geograph.org.uk/photo/409354
—–
bb:
Interesting to me that in Latona 09, Lisa the Vegetarian has taken the place of one of the singing Hermans on the rock, Hucka D. This is like the gargoyle of Lis 03 sitting on The Diamond and obscuring it from view.
Hucka D.;
That is the most interesting part [of Latona 08 09 10]. Lisa V. displaced the singing Herman to the right. The singing Herman is a gargoyle — both Hermans in Latona 09 are gargoyles. The orange sunfish is the backwards sunfish is fear. Fear of travel, fear of noise, fear of people and contact with. Your fear. Lisa the V. displaces part of the fear to make it symmetrical. Symmetry equals retreat of fear. Fear is itself divided in two. Lisa the V. makes two part of one thing and recognized — fear. The only thing to fear.
(continued in Lis Interpretations/Associations 01)
Filed under **VIRTUAL SL
Retooling…
Will probably stay in Sansara Snow Country till about the end of March and no more. That will give me about 2 solid months there. The Power Tower Gowlery is almost finished, and has become the new center of any community I have in My Second Lyfe. I have an option to rent in Jasper sim, which is attractive because the Art 10×10 has strong ties to Jasper County, Illinois. I don’t think New Pietmond will be rebuilt with galleries holding other people’s art, but could be wrong. Am happy with my 4096 parcel for now… probably won’t reduce down from that.
On weekend hiking: Was able to get out quite a bit and walked around Mytholopolis both days, for a change. It was my standard walk down the Green Worm River on the north side of town, a spot I found maybe 2 years ago now. Can even see an art happening taking place there at what I’ve renamed Sunfish Creek (name subject to change again). But since I didn’t take any pictures I think I’ll hold off on talking about the particular creek I see as a center for now. If I do anything there, it will in all likelihood be a November through March project (but that’s 5 months, or almost 1/2 a year). Can work on it sometimes when I’m down at mom’s house… there’s junk in the area to use (bottles, pots, lots of other stuff). I may even create a map of the location soon.
The other place I hiked (yesterday) was on Greene Knob in Frank Park. There was a delapidated cabin that eventually drew my attention while I was walking around — again I didn’t have my camera so I didn’t snap any pictures to put in the blog here. But as I’ll take pictures soon of, there were 4 symmetrically arranged cement lined “containers” near this cabin that I have no real explanation for right now. And the cabin is situated about halfway between Methril (home of The Diamond Rock as featured in the Lis collage series!) and the infamous Rust Spot, so maybe it has ties to the nearby Bill Mountain aliens as well. And it’s almost directly across the street from the newly found Epsi (which I *thought* contained a diamond but what turned out to be mere “ordinary glass”). Did an alien even *live* in this cabin at one time? Or did whoever lived in the cabin know the Bill Mtn. aliens at least? There’s another ruin in the area that I’ll also be examining soon. Photos should be forthcoming this weekend. Although this weekend is supposed to be “nice” (which means “normal” for mid-March, pheh), another shot of cold air comes during the work week before this, and then another one is due next week. Winter is turning out to be long and protracted this year. In contrast, last year I’d already been hiking heavily in the woods since mid-February. It was a uniquely warm winter last year. On the other hand, maybe since spring arrives late this year I can extend my hiking season on the other side, or into May. Also last year, the season ended in April because of the warmth, as poison ivy, bugs, etc. came out early. Doesn’t look like that’s going to happen this year.
Hucka D.:
Bert lived in the cabin, baker b. Bert Liar. If he were living [and still lying] he’d tell you all about the aliens and those 4 containers. They’re baths. (pause) Devices. They were left behind. Red, green, blue and yellow were the color of the liquids, but that was just dyed. The aliens died within them.
bb:
You mean the aliens were dyed within.
Hucka D.:
They were dyed the colors of Tyle. This is where Marbles come from. This very spot.
bb:
So marbles were made in those, er, vats.
Hucka D.:
No one really lived in the cabin. It was a workstation. To supervise the operation of the vats. The actual factory was in the meadow just above. You weren’t suppose to really think about it until now. We’ve been blocking it, or it’s been blocked. Strange, eh?
bb:
It is (!) Never trapsed down to that cabin although I’ve walked only several 10s of yards from it for many years now. Maybe I went down there once, but I didn’t see the vats at that time. But now I’m trying to poke into every nook and cranny of Frank and Herman Parks.
Hucka D.:
The Diamond is in contrast all colors. Bold that… or capitalize that. You will continue the Latona series interpretation today, maybe even finishing it. Then later in the week you will run through Lis and be done. Power Tower Gowlery should be finished, then. Are you virtually moving yet?
bb:
Not yet Hucka D.
Hucka D.:
Of course keep thinking about Wiltshire even after this. You are building up.
bb:
Yes. We haven’t channeled any “spirits” on this blog in a while, Hucka. Should we try now?
Hucka D.:
Later.
Filed under **VIRTUAL SL
Power Tower Gowlery almost finalized.
I’ve been looking around at other land some, but I have no real reason to move from Sansara Snowland right now and my 4096 square meter parcel there (which is actually a square). So I think I’m stuck for at least another month, or until something else comes up that looks more appealing at that moment. I’ve been poking around my virtual neighborhood a bit but no blog pictures yet. Maybe that should change. But I’m so involved in Wiltshire County England still, and now Spring hiking season is upon me (time change comes Sunday!). So I don’t think virtual reality is going to be much of a focus for a while. That said, I’m real pleased about how the Power Tower Gowlery turned out — perfect fit for the Gilatona-Lis series and aided in its shaping, even.
03/11/13 update:
Looks like the Power Tower Gowlery containing the new Gilatona-Lis collage series will be balanced on my Snowland property by another skyscraper (lower left in above photo) holding the Wheeler-Jasper series, the last 20 collages of the Art 10×10 from 2009, and then two more conceptual collage/photography exhibits: the Quadtower (lower right center) with the Baker Bloch in England pieces, and then the Sync Lair (left of the Power Tower) with the Synching Creek Designated Mystery related photos and maps created about a year ago. The exhibits also balance each other as a whole — for instance, the Baker Bloch in England story can be seen as a direct continuation of the flow of the Gilatona-Lis collages, even thought the latter came after BBiE.
I’m debating on whether to keep the Kidd Tower (smaller tower next to the Power Tower) on my parcel… not sure if I’ll be working on that particular project again in the near future. Would save prims to substitute it with a shorter structure. Currently I have just a tad over 200 prims left to experiment with.
March 8, 2013 · 7:10 am
Latona Interpretations/Associations 04
(continued from Latona Interpretations/Associations 03)
bb:
Hucka D., I believe this is the most difficult turn of the Gilatona-Lis series, this transition from Wiltshire back to America and then back to Wiltshire. I think Latona 03 and Latona 04 — the diptych — coming just before this represents confusion and opposition. This is the Wheeler-Wilson paradox, where things can work equally well both forwards and backwards. One has to go back to America…
Hucka D. (correcting):
Amereca.
bb:
… Amereca, yes, to get energy, to be grounded once more. And we start in Manitoba here. This is a door for others to explore, if not necessarily here in this analysis. The backdrop is still Wiltshire — Hackpen Hill’s white horse viewed in the distance, like it is in several other Gilatona-Lis collages.
Hucka D.:
Has it? You should check.
bb:
Well, obviously it is at least implied in Gila 03, which I’ve been revising a bit lately given the end of Gilatona-Lis and the enlarged implications.
—–
bb:
Strange, Hucka D. I just checked and this is the only collage that contains any Wiltshire white horses in their natural setting. Gila 10 also contains a white horse, but separate from the landscape and stuck up in the air, like a cloud. And here we have 2 white horses, the Rockley one defunct as stated, and the quite nearby Hackpen Hill horse still maintained. It is also the central white horse of the very odd white horse alignments I found during the composition of the Baker Bloch in England material — at the cross between 4 white horses, including the oldest in Uffington.
Hucka D.:
We better move to the third hand in the collage, which is from the Dune movie by David Lunch.
bb:
Lunch, yeah.
Hucka D.:
King Karb minituarizes and seems to go inside. In the Baker Bloch in England series, which *does* contain a picture of Hackpen Hill’s white horse, he is seen heading toward the horse as well, eventually to show up in Rockley *behind* the horse, and where the other white horse from the present collage use to exist. The box held by the third hand is the Pain Box of the Bene Gesserit. The top of the Bene Gesserit’s head is found in the distance, beyond Hackpen Hill or behind it. This is much like Marge’s head — or it becomes like another beech copse on this ridge[ like Marge, Selma and Patty before it]. So the witch is both in front and behind the hill at once. Like I said, the King, which is the same as King Tull of earlier in the collage sweep, seems to head within the box. He is, in this way, the hand that incurs the pain. What is the relationship between the Karb or the King in this collage and the one from the Baker Bloch in England series? Let’s put up a picture to help the contrast.
bb:
On it…
… well, we have a (flying) saucer in the earlier, simpler collage, and then we have a saucer *implied* in the new Hackpen Hill collage through Saucer Alabama and the Forest Home circle.
Hucka D.:
Saucer Alabama being on the edge of this circle, along with Fake Herbert. So there’s the Herbert (Frank Herbert) influence coming in as well. Fake Herbert and Saucer define the circumference of the Forest Home, Alabama circle, with Forest Home at its center. And this is the same or symbolized by the circle with the dot in the center, also in the center of Latona 05. The crop circle it is joined to now is also from Rockley, and will even show up once more in the Gilatona-Lis series (Lis 06) in an unexpected way. Rockley has a large gravity, it seems.
bb:
I had an epiphany about those two hands last night, Hucka D. Trying to think…
Hucka D.:
This is the 2 Hermans of Winesap[ Sminesap]. These are the 2 columns in front of the Temple of Solomon.
bb:
I think that’s it. In Lis 09, the final collage of Gilatona-Lis and just completed, we have two pillars guarding the brass plaque in the Alton Priors church. It all aims toward that plaque as it turned out.
Hucka D.:
Yes. That is TILE.
bb:
But back to Latona 05… (pause)
Hucka D.:
It could be that Latona 05 is simply too difficult or obscure to fully analyze at this point, baker b. We have the green triangle from the Gila series — Gila 06 (“Monsters”), we have the 3 circles carried over from Latona 04, the previous collage. We have hands.
bb:
What of the overlap of Pine Apple, Alabama streets and Winesap streets in the lower left corner?
Hucka D.:
We simply can’t know.
bb:
Well, I suppose we should move to Latona 06. Maybe we’ll have more success there, Hucka D. Latona 06 is maybe the smallest physical collage of the 32 in the Gilatona-Lis series, or at least that’s how it played out in the Power Tower Gowlery. This is also the only one with no Wiltshire elements, or in any way “set” in Wiltshire. Instead we are back in the US of A, our Amereca.
Hucka D.:
*Your* Amereca. You made the choice to cross the ocean, foolish you (smiles).
bb:
I guess I had to grow with Amereca as Amereca grew beyond Uerope and Britain.
Hucka D.:
Kind of. You had to follow others as well, to be fair to you and also Edna. You had to go with the karma. Where has it taken you? Arkansas? I would say Arkansas, but I say Arkansas for a lot of things.
bb:
Back to Latona 06, we have President Rutherford B. Hayes, who has mysteriously changed into Non-President R. “Booger” Hayes, but more on that in a moment. The setting at the bottom is Hayes Center, Nebraska, county seat for the only county of the US named for President Hayes in this reality. Then we have Mouse Island, Ohio at the top, which President Hayes owned in its entirety and used it as a summer getaway. His grandson use to drive darts into it.
Hucka D.:
Yes.
bb:
D is for Dart, I suppose.
Hucka D.:
Right.
bb:
Let’s put up a picture of Latona 06 before going further…
… so Hayes here is holding a corndog, a smoking corndog. His Mouse Island is also, probably not coincidentally, shaped like a corndog. We have theorized terraforming for the island, like I can accomplish in Second Life even on my rental land now.
Hucka D.:
Same.
bb:
And I think you want to remind me this is where the fictional text grew strong in the blog — surrounding this collage and the elements therein. Hayes surfaced in the blog and became rather 3d, interacting with both of us. We were on Mouse Island with him.
Hucka D.:
He was trying to explain to us why he was the first US president who was not president. He was attempting to talk to us about the Big Cabin folder that has been mysteriously removed from his archive in [fill in blank]. It was suppose to be about the construction of a chimney for his Mouse Island cottage, the very same chimney seen in ruins in the collage[ Latona 06]. But in reality it was much more. Project Big Chimney is about [Clyde].
bb:
Clyde, Ohio.
Hucka D.:
And the 2 people who came from there, both fathers and both Wilson and Wheeler in one. This is Wheeler-Wilson. Or Wilson-Wheeler. The dates are 1860 through 1900 approximately. 2 score. This is what Hayes was interested in. Singing Hermans were within[ the folder].
bb:
If I could find that folder…
—–
bb:
Hayes unleashed the power of the Triumvirate, which is the pineal gland or the 3rd eye. He did this to unleashed Amereca himself. The Pope Project is chaining. Like The Devil card of The Tarot.
Hucka D.:
Yes.
bb:
And opposed or in contrast to this, we have The Lovers, card 6 of the Tarot.
Hucka D.:
That is what Booger wanted. For Amereca to love himself. To be able to look himself in the mirror and say “I’m okay. I’m better than okay. I’m perfect as I am. Now let’s change perfection into higher perfection.”. Because you can’t change the instant of the present, as you recognize it. But in the recognition or after the instant, change can start to happen. So Booger created an alternate Amereca, which is actually the Amereca we’re talking about. He centered it around Arkansas, but he played on the Arkansas-Missouri tension. He did this because he loved America. Can you go back in time and find out when Hayes first contacted Norris?
bb:
I would assume it would be about 1880. Probably just after he bought Mouse Island. Probably around the same time he went to Yreka. He began to see things both forwards and backwards at once. He talked to Norris about this.
Hucka D.:
But slyly at first. He told Norris about the coming of Anderson. And when did Anderson arrive?
bb:
Let me check. (pause to check) Looks like 1884, or when he was about 8 years old.
Hucka D.:
Anderson was a concoction. He never really existed. Or he existed in two places at once.
bb:
It was all about the book — Winesap.
Hucka D.:
Yes. The book made the man in this case. Not the other way around. It was unique. But it will be followed by more unique books later on. This is just a start. But it’s a big start — Big Chimney start.
bb:
Paul was the father of Leto, who went beyond him. Leto took a path the father didn’t choose. It made him half human and half worm, obviously a difficult difficult choice to make.
Hucka D.:
You only need to worry about Winesap in this life, yes. But when you meet the one who will go beyond you, you will know. You will be the father and he the son.
bb:
I am the son.
Hucka D.:
Yes, the son and also the father.
bb:
Back to Hayes… so he knew of this book and how the book made the man and not the other way around.
Hucka D.:
He was given the book, yes. Around 1880. At Mouse Island. He was told to say the project involved building a big and complicated chimney to his getaway there. Later his grandson drove darts into the island.
bb:
If this is coded into Ozmo, then Ozmo is obviously Mouse Island but also the corndog leading to Rooster.
Hucka D.:
Yes Hayes began to know about Rooster and R110.
bb:
Let’s get back to Latona 06, Hucka D. So Hayes is there on Mouse Island, in front of his Big Chimney which was actually a secret project concerning Clyde, Ohio in his home county, and near Mouse Island as well.
Hucka D.:
You can get to it pretty easily from either Fremond or Clyde, yeah.
bb:
And this has something to do with my “High Octave Story” from the ’80s.
Hucka D.:
Obviously.
bb:
Maybe I should just cut and paste that whole story into this blog.
Hucka D.:
An option.
bb:
We better start to wrap this up. So Hayes is there in front of his chimney which is also the secret project. And he’s holding a corndog, which is about Rooster and Hays County, Texas. And we know this because Hayes County, Nebraska is represented at the bottom of the collage in Hayes Center, its county seat. And, let’s see, the middle of the collage is also about Rooster — Rooster Teeth based in Hays County, Texas, most famous for the production of the Red and Blue series. So we have the logo for the show in the collage directly, or part of it. This resonates with the red spacesuit of Dr. Who in the previous 3 collages. But instead the spacesuit is blue, but blue and red are the same through the logo, or right and left of the same thing. Big Chimney obscures red… (pause) Hucka D.? And then we have a picture of Mouse Island from the air just below the blue spaceman. Then an actual picture of the “rooster teeth” projecting from the corndog. Rooster has something to say here. I think Hucka D. has flown the coupe. So in the center of this collage is also TILE, or the circle of TILE and its 4 colors, as displayed in the special version of that game/philosophy/religion. The yellow corndog, which should be slathered with mustard for increased tastiness, comes first, followed by the blue helmeted entity, then gree Mouse Island (Ozmo the Mouse is also green) and then finally the red spaceman mainly covered up by the second “big chimney” of the collage. So this is the first clear indication of TILE in Gilatona-Lis, don’t you think Hucka D.? (pause) Still gone. Rooster seems to want to talk about TILE.
(continued in Latona Interpretations/Associations 05)
Filed under collages 2d
