00410106

The identification is obvious here at the start and all up and down the line of Google Street View shots of the village. Good work re-creators of Amiable in Our Second Lyfe (I’ve got a name!)!

Panning just right in the virtual world version where Google Street View can’t, we spot Marsha “Pink” Krakow at her table, still studying the accordion.

Eddie, her Edward, has split the scene, saying he prefers the hustle and bustle of Meat City as opposed to the boring, backwards life here. He’s read the attached note procured from the woman standing near the start of the weedy lane leading to their table. He has no desire at all to help the few villagers, mostly older like her, with upcoming Thanksgiving festivities, primarily focusing on corn shucking it appears. Marsha is left alone in the village. Lacking any other meaningful contacts, she decides to go back and visit Andrew “Biff” Carter.

But the tractor was gone at the farmhouse…

… in both real and virtual worlds.

Andrew’s split the scene as well. More on that story coming up.

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She has to find the owner of this accordion.

“I can’t hold out much longer here. My world is breaking down Eddie, my Edward.”

“How are you sitting? My chair won’t work. Can we trade?” he asked selfishly. Like the man he was. Was he even listening to what she said?

“It’s *not* about the chairs.” She huffs a bit and looks around, down the road. Just over there. Where the camera is. “I have a new game in the meantime, Eddie. I call it Pan All Around.”

“Peter? Here?”

“*No*.” Another huff. “Pan like in zoom. Pan like in circle around something. Pan like in…”

“Peter,” he repeated, staring out.

Marsha realized he was correct after all.

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00410104

In the morning she skipped breakfast with the creepy mesh family and drove more into the heart of the village. She checked the gauge after starting the car. Gas tank full, good. She was back on the right timeline, the one she came from when she entered the portal.

Seeing some cows in a field above her after parking, she decided to visit them first. She always had an affinity with these gentle animals, actually wanted to be a cow when she was little. “Milk me,” she said very inappropriately to her younger brother when they were 8 and 10 respectively, too small to know what they were doing. Their Mother set her straight later on. “Get it through your bull headed brain: you are *not* a cow.” But then when she grew up and started to put on a few extra pounds, well, things got complicated again. “I *am* a cow,” she would often say to herself after that, until pound begat pound and she was puttering about the house in a black and white suit made from miracles. Took a long time to get over that. She thought of Christina again and her own unburdening. In a mesh way in that case, of course. Hard to compare the two.

And low and behold she found that she could milk the farthest one she automatically dubbed Bessy as per custom, like strange dogs tend to become Rover or Spot when addressed. Milk, mmm. Would be tasty after not having anything to eat this morning. Needed nutrition.

“You’ll have to give that milk to Donna,” spoke Andrew “Biff” Carter loudly over a nearby fence. “She owns the cow.” Can she not shake the creepy mesh man? She wondered about his ability to have sex again. Maybe he’s feigning all *this* — mesh could be just an act so that he could seem innocent when following her around. I bet he drinks that wine after everyone else has gone to “bed”. Bet he dreams about more than just tools in a shed. Wait… is *she* mesh instead? No no no, she waves the crazy thought off. I’m *real*. I *eat*. But yet she skipped breakfast with no ill consequences yet. And she couldn’t manage to quite go to the bathroom last night behind the house.

I’m *not* mesh, she then thought. But I’m *turning* into mesh. This place!

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00410103

She asked for the little lady’s room and got another stare. “The *what*?” he replied, then realized the nature of the request. “Oh, outside on the back wall we have what you call a *bathroom*. We, of course, have never used it but it came with the house,” the implication being that he and his children were mesh creatures each and every one. Marsha was the only actual person here with physical needs like that. Heck, they didn’t seem have a bed to sleep on, not one that she’s spotted. Probably just stop and rest upright when needed. But still they feigned to eat, hmm. Maybe for social acceptance in the small community where they lived. Must get a name for that soon (she made a mental note to herself).

She checked the animations in the toilet before using. She could, to put it more politely than the built in descriptions, do #1, #2, or throw up. Interesting possibility on the last for drinking later on. She noted Andrew’s fine wine collection on a table in a corner of the kitchen — untouched, he said at the time when she asked about it; the family only drank water. What was the point, she figured now, if you couldn’t taste it, thinking the wine was perhaps another amenity that came with the house. Which reminded her that she never actually saw anyone else woof down a bit of food at dinner — should have been a tip off to their type. They were all just chatting away in the vacant way they do. Wally about the Ramones that, the Sex Pistols this. Christina about her recovery from the crippling grips of polio — a miracle indeed (she hadn’t needed a wheelchair in years), but she wouldn’t stop about it. On and on and on, like it was the only thing in the World for her, and the people around her, her father and brother, were just sounding boards to proclaim this miraculous event again and again. She wasn’t real, Marsha then understood. Beyond just mesh. Something even meshier and more unreal than just plain mesh. At least with Biff (Andrew) you could carry on a conversation of sorts. And Wally — maybe the same as his sister. Is it some kind of *degenerative* mesh, passed on from generation to generation until they just end up as statues or something? She peered around outside the bathroom walls for the son and daughter “sleeping” upright. No sight of them on this side of the house. But they had to be *somewhere*. The ground, she thought. Do they just *bury* themselves at night… and then dig themselves up in the morning? Odd thought, she realized. Probably just staring too much at the tools lined up over there against a shed wall while she tries to finish her business. Must think of something else (she attempted to refocus).

She ended up just sleeping in the shed, which made her dream about malicious tools throughout the night. Dug her own grave and then beheaded with the same shovel to wake up.

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00410102

Although not particularly shy, she had to look away as he continued to stare. Dinner was over — roasted chicken on toast — and the kids sent away to bed. Grown up talk now. He looked and looked and then plainly asked: “Are you her?”

Marsha shifted around some more, then echoed back, “Am I her?”

“Yes. The one. The one prophesized.” He started again after his head kind of indicated the outside. “A yellow Volkswagen Bug. Orange is close enough. You drove up in it. It’s probably close enough,” he reiterated.

His voice was pleasant like his appearance. All exterior signs point to a decent person sitting across from her. But not a lover despite his obvious interest. This man was too mesh for all that. And besides she still had Eddie, left behind as she continued to portal jump. But she couldn’t quite remember how she got to this place — something about Bellissaria links (I know I’m spelling the name of the continent(s) wrong but for a reason).

Marsha didn’t tell him her car use to be yellow and she changed it just on a whim shortly before arriving here. This man, Andrew or whoever, didn’t need to know that information; may make him stare at her even more intensely. Nazi, suddenly came to mind. WWII style clothing; out in the country away from everything. Could be hiding from the the police. A war criminal, she pondered. Close.

—–

The year was 1939 but Andrew “Biff” Carter still pretended it was 1919 and he was reading the red book just after it was published; fresh off the printers. He inhaled deeply. He could even smell the new from decades away.

Couple crackers before dinner just to tide him over. Oh what the heck. He shuts the book; can’t delay any longer working on that gall darn old broken down tractor. I wonder if that *girl* will show up again? he thinks while putting on his work gloves and walking out the door. She didn’t know I was inside, washing the dishes from lunch, just peering out the window at nothing. Then suddenly: peering at something.

(to be continued)

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00410101

She tired of yellow so she changed to orange, another kind of disguise. The woman on the road directed her to the man on the tractor in the distance — up at the farmhouse — but she could travel only so far. Ran out of gas, we’ll say. Another man was waiting who turned out to be the same as the one on the tractor, which was only trick of shadow.

“My you’re a sight for sore eyes,” he said in his gravelly old voice when she approached, being use to only cows around here. “What’s your name, Hot Pink?”

“Pink actually,” Marsha “Pink” Krakow answered with a wry smile. “But you call me Marsha — I only let friends call me Marsha.” Lie lie lie, she thought. They call me *Pink*, which you never will again you old pervy man on the road. She noted his half buried legs. “Looks like the ground’s a bit soft around here.”

“This?” He looked down too. “Got caught in some quick terraforming by the owners, people named Locus. Only met ’em once or twice I believe. Now I can’t get out.”

“Would explain the smell,” Marsha said, noticing it for the first time. She wondered if she should pull him out, get him going again.

“Don’t worry,” he said, sensing her desire to help. “Owners will come around again soon enough; they’ll set me free.” With this, he looked hopefully down the road beyond Marsha’s now orange VW, beyond the woman still standing there. Christina I believe is the name, from Wyeth County, Missouri. Waiting on her dad Andrew.

—–

She found herself driving up the road again to the farm with the tractor. She didn’t run out of gas this time. There was no man on the bench waiting for her. Instead someone was actually at the tractor, apparently working on it. Christina’s father. “My you’re a sight for sore eyes,” he said as she approached from behind.

“H-how do you know?” She got within 10 feet or so and halted, looked at the pleasant back of the dude.

“Switch places with me. Know a lot about tractors?” He had seen her from before, she realized. Test run.

“Not really. I was… *pretending*,” she decided to explain herself.

“Nothing pretentious about farming young lassie.” He turned. “Could you pipe down for a moment, Wally?” he requested to his punk playing son on the left now, a Ramones song I believe, perhaps “Rockaway Beach”. Hard to tell since they all sound alike and he’s just kind of mumbling the words as he quickly strums along. Probably doesn’t know the lyrics, Marsha guessed. But could it be possible? Could he know about her stint in prison?” Just then, he pretty clearly mumbled the words “Rockaway Beach.” It *was* that song; he *knew* about the prison. What *is* this place, actually?

“Christina!” the tractor man suddenly belted out in the direction of his older child. “Time for dinner!” Her wait was over.

“Joining us I assume,” he spoke to Marsha. Was she?

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00400616 (Dolores)

And so she was back in NWES City Big Sandy, Dr. Mouse having come through the secret door just before. “Bye Prontus!” he said before leaving his beloved Anti-Omega monitor room, following bow and arrow into oblivion. He’d have to trust the door would take him where he needed to be. And Marsha: the same with her likewise cherished yellow bug just outside with Eddie, her Edward in tow.

They were all waiting on someone or something to appear on that purple ottoman over there, including the “housesitting” little demon locally known as Wilbur holding the bowl of patriotic soup that can make one grow large or small, depending upon the situation. Suddenly, something began to form on the ottoman. A spirit.

END OF “SUNKLANDS 2023 LATER”!

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00400615

In the morning it was all smoke and ashes anyway, the central cabin never standing a chance surrounded by a burning ring of fire. Millbank was dead, at least for another 10 or 11 months or so. Rock and his entourage found a secret portal inside the spiritually juiced piano he was playing so they’re okay. Zapppa is the key. Zapppa.

Marsha “Pink” Krakow looked up from the text she had just typed, thinking: Did all this really make sense? The reference to Zappa’s Civilization Phaze III again and people living inside a piano that he was so eager to explore toward the end of his life? And what happened to my Oz novel everyone here was so keen on? That’s it! she realized. They didn’t come out in Big Sandy but in Oz. And Alice Farrowheart the precious precocious child’s grandmother along for the ride; not being excluded this time.

In fact let’s go back in time and change something else.

Quickly twirling and catching Prontus Archereus (Archerus?) by surprise, Dr. Mouse uses the power of his cane to instead open up a portal in the wall which swiftly sucks up the bow and arrow into an oblivion of no return. De-armed, crudely drawn cartoon character Prontus was powerless before the menacing man of action.

Marsha ponders removing Prontus’ actual arms in the picture above to continue the joke but decides against it. Too late in the night to start all that.

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00400614

Once Mouse started blowing up stuff in the sim he couldn’t quite seem to stop. “There, that’s gone,” he said, pushing the red button in his secret monitor room atop the Charles Village Anti-Omega Rehabilitation Center and remotely watching the incinerator snow globe explode. “Gone gone gone,” he continued, blowing up the forest cemetery, the Chthulu possessed skyscrapers, the Millbank Mortuary and Mental Asylum in rapid order, including patient 00 in the latter, drugged with darts in his eyes and formaldehyde in his veins and arteries. He finds the final target on a screen, trigger happy cane again hovering above red. Haunted Trailer Park Welcome Center. Once he blows this up… oh, he forgot the cabin more in the center, the one where Rock found his true calling with the revealing of a middle name Roll. Is rocking “Roll” Ramby still playing within, unable to unglue himself from the old upright piano, former spider occupants all scurried away to other parts of the structure? Do Toddles, Vain and Artery Boyy, Alice Farrowheart remain as well, ears and eyes and brains hypnotized by the brand new style of keyboard banging music?

Rock stopped his frantic playing mid-bang. “I sense something.”

Then just in the nick of time, arrow shooting municipal agent Prontus Archereus barges into the monitor room. “Hold it right there Mouse!” he commands in a mysteriously strong, masculine voice for such a crudely drawn cartoon. The doctor freezes, fearful that another arrow might take out his cane.

“I’ll… cooperate.”

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00400613 (Yellow again!)

Marsha thought they could talk freely here during the night in the park between all the buildings of the compound. Little did she know the trees, the birds, the flowers, even the bugs: bugged. Dr. Mouse would analysis the recordings later from his various sources. Eddie looked up at the big fat full silver moon before starting his soliloquy, “I love you,” being the summary sentence.

“Run away?” she said about one of the other parts, the “plan” we’ll call it.

“Yeah,” he said at the time. “Look over there. Between the bushes. I brought you something.” Broad smile. About time to say the “love” part.

Yet another bug, seemingly a different kind this time. But it was miked up as well, along with having an attached tracker. And perhaps even another one of those explosive time bombs, but definitely the first two. And maybe even Eddy, her Edward, put them there, in cahoots with the good Dr. Mouse by this point. Maybe he knows about all the bugs here. Thanks to the mother once more.

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