Tag Archives: CHORUS

X-City church 02

“A marriage,” A Mann suddenly said behind her, unseen before and sitting in the front pew. Duplicates again!

“Marriage to who?” Tessa ventured, getting bolder now. She could punch through his face and draw back a brain if she wished. She’d done it before with a coke machine.

“A Womann,” came the response. Kate, or the thing that appeared to be Kate, halted for a moment, hands raised from the keys. Tessa half suspected the singing would begin now, but it never did, the chorus remaining frozen in their spots, blue books still open. She could go check on the name of the composition in it, she realized. Kate’s too — from the score on the organ’s music stand; if there was one.

There wasn’t. The blue choral books proved more fruitful. Handel it truly was! But which part of the “Messiah” was Kate playing? Not the same one as this more familiar bit here. Maybe from the Easter part?

The marriage was beginning. A Mann united with A Womann in holy matrimony. But where was the minister?

“Madam, I’m Adam,” said A Mann.

“A Man, A Plan, A Canal…” said A Womann.

“Panama!” they exclaimed together. Tessa woke up.

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X-City church 01

“Kate! I thought I’d lost you forever.”

“No. I’m here.” But her voice was weak, far away. She waves half-heartedly. She didn’t appear to be herself to Tessa.

“I *saw* you, though. On the beach.” Tessa thought back to Kate face down in the sand at Elven Mist. And the perpetual atomic blast out over the water in the distance. Kate didn’t have on a mask. There was no way she could make it, which, given the ones who did and their actions, maybe was a good thing. Tessa realizes this wasn’t really Kate. Kate was dead. She turned to the other figure acting as a greeter in this X-City church, new in the last year and a half.

“And what is *your* name, sir?”

“Mann. Just call me A Mann.”

“A. Mann? A. stands for something?”

“No. Just A Mann.”

All 3 stood there for a bit, with awkward gestures from the 2 what Tessa now considered simulacra; forgeries of real people most likely; stand-ins.

Music was coming from the front of the church. Perhaps Bach but maybe Handel — Tessa couldn’t quite get a handle on it. She moved forward down the aisle to investigate more, leaving the two figures who she deemed useless for meaningful interaction behind. “Goodbye Kate,” she whispered to herself, not looking back.

But then in front of her appeared the figure of Kate, playing the organ and the classical tune she couldn’t figure out the composer of. Maybe not even baroque. But Kate again! Perhaps this was the real one this time.

“Kate?”

The tune of baroque or baroque-ish design went on and on as Kate didn’t respond to the outside world, engrossed in her playing, it appeared. And those mute singers with their blue choral books seemed so familiar. What was going on here? Ahh, Tessa realized. A dream!

(to be continued)

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shape pullers

She’d finished the 3oth and last of Johann Sebastian Bach’s “Goldberg Variations” and waited for accolades that never came. This time was different.

“Your daughter plays superbly, King Tully.”

The king acted surprised, then: “Tull please. The spirits flaunt their wears at 12 midnight. You must stay up for it. Every night it happens without fail. Music as well. The spirits sometimes say it’s for a Benefit, sometimes they’re just Living in the Past, they decree, sometimes for a forgotten War Child, and then, most mysteriously of all, for the Passion Play. The play of life itself. Daughter Merry Gouldbusk is fair. But the spirits play a superb and haunting tale weaving in and out of itself.

“The daughter is good too,” Monsieur Gold reinforces, knowing the difficulty of the pieces just performed. Merry Gouldbusk beams inside — a little ray of sunshine enters her cold, metallic life. I will marry this man, she states inwardly. I will show father what he can do with his Jimmy Fisks of the world.

“Let me show you something, Monsieur Gold,” the king then commands while rising. “The mystery of my name.” He turns to his daughter, who awaits orders. He bows his head toward her. “You can come with us.”

God I hate that man, she thinks for the millionth time.

—–

“Are these the… spirits?”

“No. I’m afraid not.” King Tully’s voice betrayed disdain. In fact, one could tell from only a short time that the king held contempt for everyone and everything around him. Except the “Great Queen”, as he always addressed her. Always the full name Merry Gouldbusk for the daughter, though. “This is the perpetual choir, currently on shutdown.”

Herbert Gold stared at each frozen character in turn. “So… it’s not a perpetual choir. Since they’re not singing currently. To be perpetual…”

“They sing within,” interrupts King Tully. “There is no difference in the play of life between inward and outward. It’s all golden appearances and then golden opinions and values. Everything counts equally if you’re gold. Isn’t that right Merry Gouldbusk?”

“Yes,” the trailing daughter dutifully utters without thinking of her father’s nonsensical speech too much, a long honed practice.

“And… the name?” Herbert Gold was becoming impatient with the king perpetually sitting on his high horse.

“Name?” King Tully returns coldly.

“You said you had something to show *us*” — he indicates both himself and the trailing Merry Gouldbusk here — “about your name. A mystery I think you put it.”

“Oh, that will come with the spirits. Look for the shapes in the air. Golden in hue, of course.”

“Some silver,” his daughter interjects, then quickly regrets it. He turns toward her. One could say he glowers at her, but a glower without emotion, if that makes sense. Emotionless rage?

About 20 seconds pass. Herbert Gold wonders if the king will smite his fair daughter, something he *definitely* doesn’t want to witness. But he simply bows (again) and turns back to Mssr. Gold. “Gold,” he reinforces. “With *some* silver.”

Merry Gouldbusk declares another small victory today.

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