“Investigating a murder, ma’am. Blue Moon Kentucky. Know anything? A-bout it?”
“My Son!” she cried upon seeing him beam in on a ray of light. “Come back to me.”
“No ma’am. Not your Son. Or your Sun for that matter if that’s what you meant. Despite the beam and ray thing going on here beneath me.” But then he thought again. Clue!
Barry De Boy wakes up, immediately googles “Elvis Esley”. Or was it Isley?
(to be continued)
“Interesting place you have here, Dandelion.” She’d caught up with the owner of the cocktails bar. Indeed a dandy, a playboy, but of the loyalest kind. “But… I must ask, of course. How did *you* get here?”
“Interesting question in turn, my lady, interesting indeed. And the crux of the issue — you’re good at getting to those as I’m recalling. Our many adventures.” He shakes his head with the flood of memories, takes a second to absorb and then recalibrate the discussion. In truth, he didn’t think his great great friend Gerald, the former witcher recently retired to the Touisant vineyard he inherited after killing that, well… red headed *monster*, would choose Merry here over Jennifer. He considers the red head before him, looming large and bright. That must be it. Gerald was always a sucker for bright colors. Like those painters who only paint red yellow blue all over Beauchamp. Abstracters, they’re sometimes called. His other great great friend Princess Anna of Lea who ruled that land had explained it all. Abstraction’s the rage of Beauchamp, she said while pointing an artist out, busy away at it on one of the many town terraces. If you paint or draw realistically you are considered mundane, run of the mill; *anyone* can do realism, she said at the time, which he thought was odd. He preferred landscape paintings himself. And portraits, especially of himself. Which gets him to the point.
“It all had to do with a painting, Merry. A painting of me.”
Filed under **VIRTUAL SL, 0046, 0503, C2077, Heyworth, Maebaleia/Satori, Witcher, X-City^
“I’m going to rub than d-mn coffin right out of the painting, that’s what I’m going to do, hmm-mm-mm.”
“Paw?”
Andy twirls away from the flawed painting Uncle Herbert gave him as a wedding gift for his first marriage and toward his son from that marriage, trying to block his vision of what he was doing to it with his body as best as possible.
“Opie, what’re you doing out of bed?” Andy says in a harsher tone than normal, which of course Opie, being the sensitive child he is, picks up on. Something’s wrong, he senses.
“I-I just wanted some milk. And maybe cookies (!)” Should have been a laugh track there, Barry De Boy thinks from the couch, also understanding something’s wrong.
“Milk milk milk, okay okay okay,” Andy says while rushing over to corral his son and herd him toward the kitchen. “And then right straight back to bed. Do you realize what time it is?”
—–
After making sure Opie is good and tucked in again, Andy returns to the painting. But his rubbing has made the child’s coffin even *more* visible to his complete exasperation, uncovering additional layers of paint. “What the–” he says while staring at it, and then instinctively glances over his shoulder to make sure Opie didn’t come back down again. “That’s it that’s it, wedding gift or no, this painting’s got to *go*,” and he grabs it with both hands, intending to take it out to the squad car parked in the driveway and dispose of it in the dumpster behind Floyd’s first thing in the morning, before he even goes into the office. He’s just that determined — suddenly — to be done with the thing. Uncle Herbert hadn’t visited in months after all. But Aunt Bee, he thinks. Herbert was her favorite brother. She’ll notice, she’ll be upset; won’t let off until he puts the painting he gave us back up above the mantelpiece, pheh.
There’s another way, he realizes. Who can change a painting but a *painter*. “Barry De Boy,” he says aloud, probably to the camera.
“Barry De Boy??” Barry utters too. He looks down at the red tie, wakes up.
(to be continued)
He was here to confiscate the so-called offensive painting and that alone, this Arthur *Kill*, disguised in another role. Even took the same first name this time. “Art like this shouldn’t happen in Saint Dennis,” the wife of a prominent town businessman said to the gallery owner on opening night. He countered that it was tasteful nudity, no naughty bits shown at all, “unlike, say, that one over there,” he said, pointing to another painting visible in the next room. “A bare bum! That doesn’t offend you but this does?”
“This one was done with more in mind. Chains!”
The gallery owner, raised in the North where his mama still lived (Illinois I believe), ruminated: I thought you Southerners *liked* chains and slavery. Maybe because the model isn’t *black*. But of course he kept all this to himself.
And so Arthur the policeman, gifted Shakespearean actor beneath the blue garb, was sent in by the powers that be to make a statement. Thing is, he helped seed the controversy in the first place, part of his overall plan.
“Oh Libra Neptune,” he quietly lamented from his position in front of the work while staring at it, contemplating the circumstances surrounding its composition. “I thought I paid you enough never to come back here.”
He also wondered if her unpictured cheeks had turned red again.
Filed under **VIRTUAL SL, 0042, 0501, Kangerootown, Omega^^, RDR2, The Cross^
Sunklands 