“It’s suppose to be a representation of the Red Room from Twin Peaks but, as you can see, it’s not quite finished yet. Gotta get that zig zag black and white texture for the floor… and so on.”
“Really nice, Wheeler,” I say, wondering again why she hadn’t shown me this before. “And the painting — I assume it is a duplicate of the one over in Salty’s, in the old storage area behind the cooking section.”
“Or the same,” Wheeler answers. “Maybe this painting is in the past and the one over at Salty’s is more in the future. Or visa versa. Depends on if Arthur is still tied up over there. And I think he might, making this the, um, future?” She looks over at me. “But you’re not Arthur. And we haven’t made a deal yet. Better get over there, then.”
“Okay,” I said to end things here. Because I was never really here without her. I wanted to talk about the old core of avatars and her role in it. Baker Bloch — me, in essence — came before Wheeler. Baker Blinker came before her. Baker Blinker is more me than her. And then Hucka Doobie came along to make an original three. Hucka Doobie is of course the spiritual guide for the blog and attached photo-novels as a whole, although she hasn’t been in the recent ones as much. That might change. Then there’s Karoz, kind of my blue-green alien brother, if I am the same as Baker Bloch which I mostly am (Whitehead in Da Woods). Then and only then came Wheeler, and, at first, she wasn’t who she is today. All that changed with the photo-novels, 2 if not 1. She came… in 2. All the rest were there long before even 1. She was the last who became the first. Arkansaw.
But we never got around to that discussion.
I watched her disappear up the stairs and then I did too.
Sunklands 