Tag Archives: Pierrot^*+++++

00480616 (hands a blazing)

“I know how to beat Mouse’s high score and get away from the fire of Little Hell for good, Frank. Red car!”

“And *I* know how to beat the difficult score before me too, Philip my oft times housemate. Red note to also constantly remind me of middle!”

PLAY.

And hoped for, 2nd, even more oft times housemate Daisy makes 3. Er, make that *5*.

END OF “SUNKLANDS 2025 LATER”!


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00480613 (“Endless Window”)

Harlequin moves from the darkened corner of the courtyard into the house with Columbine, Pierrot having shuffled off below the event horizon like a dying orbital sun. The oldest extant animation ends here with the created black hole, paint applied gelatin finishing its run.

—–

“Now let’s get to the other one, Daisy. Father you say?”

“Father I say.”

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00480610 (1st Pierr/)

“You see? You SEE?? Columbine. Revealing strangely bright lit Edward Pierrot coming from the North. He doesn’t know what will backstab him in a minute. Or back *stick* him as in a stab. This is important. This is *crucial*. She should have never opened that door in the wall and neither should we.”

“Simmer down, Mouse,” said Philip Strevor to his oft times housemate, still unable to beat his high score at his best game, NUMBER not to be taken down yet. 28064212. “Just start over at the beginning, pal,” he said while also looking up at the castle’s video feed he just walked in on. Mouse: always jabbering, always theorizing. Until it ends.

“How about the middle,” said Mouse, and then went there.

“The banana moon hangs low in the blue night-sky, yellow-ish or maybe even green-ish, sun nowhere to be shone now,” he describes. “In the shadow made by the walls the stick keeps poking, keeps jabbing, turning him ’round and ’round and eventually gone. Leaving Columbine for…

“…. Harlequin. This is the tragic tale of our Edward, Philip.”

“Edward… Philip?” TBC

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00480509 (1/2 and 1/2)

Wait… something *is* being etched in stone. Let’s see…, um…

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00480504 (Old Railroad Grade (C is 4…))

“Caledonia has been mentioned in 48, *cement pond* has been mentioned. That’s 2 in a row. And then Baker obviously, since that’s me: baker b.! And through baker b., both Baker Bloch and Baker Blinker, the original male-female duality of the blog and what everything builds around. And then Maxwell to end — she’s obviously around as well (wife). So that’s 4 in a row again, just like here in your castle, Frank. Whaddaya think, huh? HUH?”

“Get out,” Frank says to this issuance. Philip starts to leave. Frank catches him. “No no, I mean, get out of him, baker b. I want to talk to Philip directly.”

“Oh. Okay.”

“Philip” turns around, returns to the couch. Baker exits the body; Frank has learned enough from him. “W-where am I, w-what *happened*?”

“Never mind all that, Philip. You’re back and that’s the most important thing.”

“I *am*?”

“Yeah, it happened again. You got all dizzy and had a lie down, let’s say.”

“I *did*?”

“Yes, you *did*.”

“Huh. I can’t remember.”

“Of course not.”

“I can’t remember *any* of that. Was I high on speed? Was I playing High Speed? And, worst of all, was I playing High Speed while high on speed?”

Frank decided to say, all of the above.

“Golly.”

“Golly Miss Molly, yeah.”

Philip looks up at the video feed, at the map. “W-what’s that? 4?”

“Yeah.” Must still be doing a little channeling, Frank rationalizes this insight. “4 in a string,” he explained, “but I think Caledonia is 4 instead of 1. It’s reversed from what I saw before here. I’M WITH STUPID — that indicates (the holder is) the wife. And (stone holding) hubby baker b. is being pointed to, ha. Veery clever. And cement turns into concrete to seal the deal. Concrete, Washington I’m talking about here, which use to be named Baker. I checked: former towns Cement City and Baker combined to form Concrete back in 1909. So there’s that.”

“But… why am *I* here?”

“I told you. You were playing pinball. In the wrong way. Again.” In truth, *Edward* turned into Philip while Mouse had a bit of a lie down after all the excitement. He was in the spare bedroom that Philip uses occasionally. No room today. Well, there’s never any room in the tiny bedroom adjacent to the stairwell. STOP

GO “What’s this, then. Adjacent?”

“Yes, Philip. The tile before the 1st. Le Roy. Lime, indicating lime Jell-O, a new, 5th flavor added to an original 4 in 1930. We have to go down. Something — is there. TBC

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00480503

I watch over him from the moved table as he continues to shake. I called Lexi and she said it was in all likelihood an epileptic fit caused by all those Youtube poop videos he watches with the flashing lights and all. She just suggested keeping an eye on him until it passes — and DON’T put anything in his mouth, she warns. I couldn’t call Daisy at the Hole in the Wall; didn’t know her number. Must rectify that soon. Anyway, Lexi said she was probably too far away to help, and that the fit should only last a couple of minutes at most. I didn’t know her current location, forgot to ask. So I just waited…

… and waited. I glanced at my watch not on my arm. 3 minutes now. Glance again. 3 1/2. Glance again 3 3/4. At this rate it will never end, Zeno’s Paradox. So I stopped glancing at my watch, started counting Mississippi’s. One Mississippi, two Mississippi. On and on I went. 100 Mississippi, and that added on to the 3 3/4 minutes I had to start this. 200 Mississippi — okay, calling Lexi again. “Help!” I said. “Get here!” But just then he sat up, stopped shaking, seizure ended, as if nothing had happened. But he was different, really different. “Where is Edward with the sign?” he monotoned, and threw away his cane into a corner. “I need to talk to Edward. I need to *see*… Edward.”

So I pulled him out of the back of the fireplace where he lived and then this happened.

There they were, all lined up in a row, all holding something. I didn’t know what to make of it! TBC

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00480408 (NEXT!)

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00480315 (dream)

“Yeah, that’s him, Frank. I’d recognize those beady little eyes anywhere. And that smile!” Philip turns, realizes Frank is no longer with him. He calls anyway. “Frank? Franky boy — you here?” He stares around, then peers over at the conjunction of 2 streams below the railroad trestle bridge, lesser to greater. Copper to Silver some say, although he knows better about the former. This is Edward. Flowing into Silver directly below the train trestle marking the boundary between West and North; green and blue.

Frank says there’s people down there, Philip thinks while trying to spot any on the small peninsula. He knows they’d have to be tiny from his perspective, like ants. “Frank?” he says softer soas not to hurt littler ears. (TBC)

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00480314

“And so Edward disappeared back into the woodwork with the seance, hopefully never to be seen again. The End. Thank you so much, Lexi — dawg — for your channeling efforts on this matter. I owe you big time.”

“You’re welcome. But… scroll back to the first picture, Frank,” she requested, trying to stay calm for appearances. She wanted to check and compare.

Yup, that’s him all right. Only the colored version of Pierrot was returned to the walls of the castle, she then knew, and even that might only be temporary. The white one was still out and about, and causing trouble by the looks of what was going on up on the hillside over there. Lexi didn’t have the heart to tell Frank the bad news.

Don’t believe him! Lexi wanted to cry to a potential convert also spied in the distance. Everything *can* be fixed. Her whole existence depends on that very truth.

(TBC)

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00480109 (Edward Perriot again?)

“When… did you get a big tattoo of a tree, Alice?”

Alice? she thinks. Who’s Alice? “Oh, it’s just something I got on a whim the other day. I’m (she keeps walking briskly) surprised you haven’t noticed yet.”

“I’m not the most noticing type,” he admits. “But… this big?” He’s going to have to stare at this sometimes. Like during those moments. How easily would it be to get it removed, he can’t help but think. Will she *honor* his wishes if he demands it? Is she *obedient*? But for now he keeps walking with her, even brisker. So he’ll be up front and won’t have to stare at the thing. Those colors. So bright!  So — indicating. But of what?

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