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Rubi Thoughts….

Chatting, F

A questions that isn’t suppose to be answered:

http://boards.adultswim.com/t5/Williams-Street-Music/Music-from-quot-Booger-Haze-quot/td-p/44178647

Order of the Owl
SnappleMan
Posts: 29,891
Registered: ‎06-20-2006
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Music from “Booger Haze”
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‎05-26-2008 07:45 AM
I was just watching my 12 oz. Mouse DVDs (yeah, again) and I noticed that neither of the two piano songs from the episode “Booger Haze” were put in the special features. Does anyone know the titles and artists/composers were for those two songs?

For the record, these are the two songs that Spider plays inside his cave SPOILER! after he kidnaps Roostre SPOILER!

—–

Mrs. Bucket!

—–

Seems to now be about Concreek’s The Island:

Chatting, J[ug]

—–

Article on Zarek Lock, my old Rubi neighbor who was a world famous kinetic sculpture and roller coaster creator:

Click to access Dannenberg%20Copyright%20column%20LinuxInsider%203.pdf

“Notwithstanding [your retention of copyright rights], you understand and agree that by
submitting your Content to any area of the service, you automatically grant (and you
represent and warrant that you have the right to grant) to Linden Lab: (a) a royalty-free,
worldwide, fully paid-up, perpetual, irrevocable, non-exclusive right and license to (i)
use, reproduce and distribute your Content within the Service as permitted by you
through your interactions on the Service. …”

—–

Zarek Lock Creations from the DualAtoll archives:

http://blog.livedoor.jp/dualatoll/archives/551763.html

—–

Another Rubi related article from the same blog: 🙂

http://blog.livedoor.jp/dualatoll/archives/1693479.html

—–

Opening of Lock Creations, July 22, 2007:

http://eventful.com/events/grand-opening-kinetic-art-sculpture-/E0-001-005326774-3

—-

COUNCIL OF THE SYLVER FOREST MEETING

Members/Those Present:

Baker Bloch (Baker Blinker? Hucka Doobie?)
Keraz (“Key”)
Patsi Rubi (together: Rubi Key)
Cokoala (more of an outsider: from Rosieri)
Flynn (?)
Headburro? (to add mythological depth)
Blinkerton?

—–

Baker:

So we begin. Greetings to all variants present, and thanks for attending the first meeting of the Council of the Sylver Forest.

Keraz:

Call me Key.

Baker:

Thank you Keraz. I will. You were always a champion of the Rubi Forest. Now you know of the larger Sylver Forest in the past.

Karoz:

What is the relationship of the Sylver Forest to the Square Forest of Frank Park?

Baker:

Thank you Karoz. Didn’t see you back there behind Keraz.

Keraz/Key:

Actually I have to go to another meeting. Karoz can have my seat, then, so he can see better and you can see him better and hear him better. Thank you for inviting me, Baker.

Baker:

Um, no problem. No other remarks before you step out?

Keraz/Key:

Only: Good luck!

[Keraz/Key leaves the building. Where is the building?]

Cocoala:

Actually I must leave as well. Must get back to creating my houses. Nice gallery. I prefer landscapes.

Baker:

Yes, I like landscapes too. Sorry we never got around to creating that interview I promised, Cocoala.

Cocoala:

Call me Coke. Yeah, no big deal. Where’s the exit again?

[Baker points to the exit, and Cocoala/Coke exits through it]

Baker:

Hope she can find her way home through the Rubi Forest.

Patsi Rubi:

She doesn’t live there any more. Remember? It’s only you and me. Keraz is gone too. Key, I mean. And I’m…

Baker:

Leaving too?

Patsi Rubi:

I am ill.

Baker:

I remember that.

Patsi Rubi:

I am the forest more than anyone. I am the forest more than you[ for example].

Baker:

Could be. My main chunk of time here was still in 2008. Long time ago. So what happened to the ring of galleries you were going to build around the forest? The Forest?

Patsi Rubi:

Let’s see… Sylver broke me down.

Hucka Doobie:

What does that mean, Patsi?

Baker:

Hi Hucka D. [seeing Hucka’s head emerge from behind where Patsi is sitting]. You know everyone here, I assume. Everyone that’s left.

Hucka D. [ looking around]:

Hi Goodnight Violet [nods to Goodnight]. Hi Barbury Castle [nods to Barbury]. Hi [delete name].

Baker:

Yes, hi to you as well, [delete name]. But Hucka, all the rest you were nodding to were just empty seats.

Hucka D.:

*I* see them.

Baker:

Okay, I’ll just go along with that now. I wonder if you, [delete name], have any comments?

[delete name]:

Questions. What is the Korean Channel?

Baker:

It’s the central shaft of water at the Jeogeot continent, the largest landmass of Second Life as a whole. You know that, don’t you?

[delete name]:

Not really. Or I forgot.

Baker:

Do you want to say anything about the idea of the Sylver Forest?

Barbury Castle [suddenly appearing to Baker in a formerly empty seat]:

Do we get to walk The Diagonal?

Baker:

You *are* real. Well, sure we can do that.

Barbury Castle:

I want to disappear at the one hundred and twenty-five.

Hucka D.:

That’s one-eighth of a thousand to you, Baker. 1:8.

Patsi Rubi:

Yes The Diagonal is nice. I created it. I am taking over, Baker.

Baker:

Well, um…

[delete name]:

The Korean Channel is what?

Hucka D.:

Furry Carl! (Hucka D.’s eyes follow an imaginary person coming into the hall and sitting in another empty seat, an empty seat to Baker.)

Baker:

Does anyone else see Furry Carl besides Hucka D.?

(But then Baker *sees* Furry Carl, and *everyone else* has disappeared.)

Furry Carl:

Merry fucking summer have a beer!

END OF MEETING

—–

POST MEETING NOTES

That was not a really successful meeting, Hucka D.

Hucka D.:

I enjoyed it. I thought it was great. Wonderful, even. What was wrong with it?

bb:

Well, most of the people left. A lot of the remaining people were *imaginary*.

Hucka D. (countering):

They *all* were imaginary. Are imaginary.

bb:

Delete name was there and not there at once.

Hucka D.:

On off, black white, Zebra.

bb:

The actual place of the meeting was not clarified, even to me.

Hucka D.:

You said it was a hall. The Hall.

bb:

I don’t have a hall. Not yet, I suppose you’re going to add…

Hucka D.:

Not *yet*. (smiles; pauses) So what else disappointed you?

bb:

Nothing got done (!)

Hucka D.:

You were thinking about a map.

bb:

A map of the Sylver Forest, thank you. I think I’ll prepare one for the next meeting. Invite Coke and Key back. Think they’ll like[ it].

Hucka D.:

Barbury Castle said he wanted to walk The Diagonal[ as well].

bb:

Okay we can do that. Don’t know really who that is but we can acommodate him.

END OF POST MEETING NOTES

2 Comments

May 2, 2013 · 12:29 pm

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Korean Channel

“Korean Channel is perhaps the original audiovisual tiling, Hucka D. Zebra and Damsel Island are clues — black and white. Head trip.”

Hucka D.:

Yes.

bb:

Obviously a gold plated football helmet that is also an army helmet, like the one used to name Monkey City when I was a boy. Land of Reds and Yellows must play a role as well. Perhaps everyone is bushed there all the time. This is a way beyond Billfork. This is the Korean Channel.

Hucka D.:

Yes. Where is the Land of Reds and Yellows? Would that be Whitehead Crossing?

bb:

Unsure Hucka D. Let’s see, the Land of Blue and Purple would be entered through that log bridge, but the actual significance of that bridge is that it points to The Totem in Silverberg on the other side of the channel. I think a battle between Silverberg and Purpleland took place in the past. Purpleland grouped around the smaller of the 2 Silverberg streams, and Silverberg proper around the larger of the two, perhaps centered by Silver Pool.

Hucka D.:

Yes.

bb:

(after a pause) Maybe Green Stream itself was originally known as the Silver Stream. Now this applies to Spoon Fork perhaps.

Hucka D.:

Maybe. Yes.

—–

1 Comment

April 16, 2013 · 2:07 pm

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SEE:

Ray Of Darkness/Away The Ray

stet
/stet/
Verb
Let it stand (used as an instruction on a printed proof to indicate that a correction or alteration should be ignored).
Noun
Such an instruction made on a printed proof.

http://en.wikipedia.org/wiki/X-Ray_%28book%29

Simple; direct: Raydium

Preservation.

https://bakerbloch.wordpress.com/?s=raydium

https://bakerbloch.wordpress.com/category/carrcass-artists/kniks-the/

—–

Hucka D.:

We must speed things up once more, baker b. So I come out into the light again. Can you see? Raydium. Light. Beyond X-Ray. Dark. 1973 is the year. Village Green is the place. This is where the extra energy comes from and is needed. Past future present. Can you?

bb (after a pause):

Sorry, I was looking at maps of Stafford and Pawnee Counties in Kansas, Hucka D. Thanks for showing up. We have about 10 minutes.

Hucka D.:

We have 10 minutes about. Raydium wants to be in the light. You can do this. You had him in Lion’s Roar, and the 3 bottles which were KKK. Knik Knak Knok. All this before Gila 00, however. All this before Gila 01 therefore. All this Gila 07 before was. Sowhatnext?

bb:

I think it’s always got to be about Ray and Frank, Hucka D.

Hucka D.:

Correct. Dye has been cast. Maybe Pye.

bb:

I don’t think PTG Town is BIG enough for Ray, Hucka D. He is BIG with big ambitions. He is 4-in-1. He is the Foreign One. Arab.

Hucka D.:

Bring him back to size. Raydium. Z.

Whitehead X-ing Intricacies

Mall Meadows was a confluence point between human or humanoid toy avatars, mossmen, and bees. Perhaps others. The huge mall there was famous for its 5 shot lattes. Depression still there.

“We sent an Uncle Joe and an Aunt Zoe to the bees to find out why they ticked. Bombs away, we said, laughing. They didn’t know what hit them. This is Joe the Rock. Solid.”

“What about Cleveland?” I asked. “Cleveland Rocks. Do you draw? Did you drew?”

A stuttered reply came: “The Presidents… of the United States… of America.” He continued: “Rocks bark. Bark at a rock. Bark at rocks. Drew. Cleveland. Rocks.”

“Obvious that Rock, the toy avatar, sat on Rock, and probably for numerous times and long times.” I melded one with the other in me mind.

—–

“Rock’s Sinclair became Mr. Blue Skies or Blue Skies Mr., way up in the sky with his mass of white, tangly hair like wispy, clumped clouds. Like Baker Bloch and Baker Blinker and the King and Queen saw up in the sky in Rockley. And Hucka Doobie as well.”

“You need to write this god in the sky,” came the mystery entity’s reply. Across space. Across time.

—–

“Humans invited bees to come live in Greenhead amongst them, or nearby at least. Mall Meadows was a great gathering place. Mossmen crawled out of Red Head, bees came from Greenhead. The humans from Whitehead. A Great Party. Mmm’s? Marbles?”

“So why did Joe Flo Zoe Mo plug up the bee’s hole at Greenhead?” he then ask, staring at me with his blue blue eyes so deep. Krakatoa.

“The sealing affected the whole dimensional aspect,” came my reply. “The Bees were cut off from Green River and its centering Mammoth Cave. Allen Knob Kentucky was not an option now.”

—–

http://bakerblinker.wordpress.com/2011/11/21/the-2-allen-knobs-and-green-branchgreen-river/

There is a battle shaping up for control of future rock temples/land art between Dongoba and Whitehead Crossing. Who will win? My personal guess is that there will be no losers in this contest. It’s all just meaningful nonsense in a box canyon, thanks to that Roostre fellow/dude.

“Turns out this is coming true just now, Mystery Person.”

“Call me Blue. Mr. Blue. Mr Blue Skies. Blue Skies Mr. Blue wins out, yes.”

“So you really are a type of God for the Whitehead Crossing region.”

“Yes,” came the reply. He was a type of God.

Return to the WIS Map…

“WIS came from a different dimension and entered Tinsity and Green Oz through Red 7. This is the same as the Wizard Head of Oz. The Wizard Head assigned Tin S. Man to Tinsity, thus changing its name from original [Gold]. Lisa the V. created Health Lake and Wealthy Mtn. and then WIS all at once. WIS is short for WISE or WIZARD. The Wizard of Oz was certainly wise in at least a pretend humbug way. Was he a bug?”

Backwards.

bb:

Hello Hucka D. Thank you for starting without me.

Hucka D.:

Oh baker, I wanted to see you just today. The Falmouths are mouthing off about a union between them and Second Life. Or Second Life and them in First Life. Sims. Do you have your pencil?

bb:

Suppose I do Hucka D. Have you taken your red and blue pills today? Not the little round, lime green ones, because those don’t work any longer. Remember?

Hucka D.:

Memory shot. Intuition stronger. I sense the air and the air is pure and good. Falmouth.

bb:

Okay, so the residents, or The Residents, want to unite… what?

Hucka D.:

Falmouth, or Old Baker’s Settlement as it was once called — OBS — with PTG Town or PTG. 1st and 2nd reality. They point to Lis 06. They remember where you left off in the re-examination of the Lis series. TILE emerges from the black hole that is The Devizes Crammer — TDC — and rolls like a marble — right, top, left, down — toward the sea or ocean which is the singing frog’s pond in front of Tilie Cabin, Falmouth. And they want to bring some more blog spirits in. Used the term “berift of spirits” to me. Called me in, because I do most of the interpreting of the collages, see. And there are two x-rays sources, if not 2 black holes per se. Never seen them in person, though.

bb:

We’re talking about the 2 possible locations of Old Baker Settlement on Falmouth I’m guessing. There are 2 springs involved, a smaller and a larger. The smaller of the two springs — well, both have a moss bank at their source. The larger of the 2 has basically no white rocks in the bank, even though it is the larger. The smaller has many embedded white rocks. This is what I’ve *been* calling Old Baker’s Settlement or Old Baker Settlement.

Hucka D.:

The Falmouthers — pronounced funnily like “fowl mouthers” — used “Fi” code word to communicate their desire to unite your PTG Town and their Old Baker Settlement. So it’s the smaller moss bank with the many white rocks they’re talking about. The one you have the bottles lying on the ground above. As you have guessed, this is where most if not all Frank and Herman Parks marbles come from. This was a marble factory or marble producer of some quantity and quality at one time. Have you guessed the time?

bb:

No, Hucka D. Can you tell me?

Hucka D.:

Maybe the same time as WIS came out of his black hole and settled in the Tinsity area, then known or shortly to be known as Gold. Pure, simple. Carrots.

—–

bb:

We know kind of who Tin S. Man is now. And Wallace3, his counterpart in the Tinsity Metro Area. Wallace3 is me. WIS is the Wizard Head which may be attached to the new Oz movie, Hucka D. Oz the Great and Powerful I believe it is called. 3-d movie. Tells the story of how the wizard got to Oz.

Hucka D.:

It is the same story. The WIS goes to Tinsity or what in the future will be Tinsity on Green Oz Creek. Establishes a center, a green center. Greenup and Yellow Down. Brownie.

bb:

Sounds like Eob.

Hucka D.:

Tin S. Man comes in. Pretends to himself he has no emotions, like a Spock. But then emotions revealed (!) He is frustrated by the Protectorate. He establishes Greenup and Yellow Down.

bb:

The Greenup and Yellow Down concept may come directly from Carrcass-1, Hucka D. In the desert, Don-who-is-Mouse pissed down mundane yellow at the same time as pissing up special green.

Hucka D.:

And he is Ozmo. First Mouse. First Man-Mouse.

bb:

I think the best thing we can do is analyze 12 Oz Mouse. To help keep it alive in the minds. It is in the Falmouth collages, after all — Shark, Mouse, Man/Woman, corndog. 12 Oz Mouse comes from Space Ghost through Aqua Teen, and SG is in Falmouth as well. He has chichen legs there, so he’s *going* to England now and crossing the Big Pond. He doesn’t have chicken legs per se, then.

Hucka D.:

Not in person.

bb:

Yes.

Hucka D.:

I mean… never mind. So what’s your proposal? Because the dual townspeople who are confusing the heck out of me with their muffled quips and banterings.

bb:

Maybe you should get them organized. Those from Falmouth Creek in real life, perhaps Old Baker Settlement, on this side. And those from PTG Town on the other side. Who do we have?

Hucka D.:

Weellll. Robots. Red and blue. Did you give them to me yet?

So I guess that tour of PTG Town is in order here, or at least a start. We begin in the central or pivotal Tower of A. Mann, where robots are welcome.

There are two main ways or rows in town, both leading to (or from) the entrance to the Power Tower Gallery on its north side. One is called Gallery Row, and leads past the Sink Lair and Quadtowers of TILE to the skyscraper with the Wheeler-Jasper collage series, the last of the Art 10×10 works. This is the end of the other row or way, instead *seemingly* dead-ending on one corner of the Tower of A. Mann, but more directly, the front of the still empty Coolie Building in town, which can be seen as a second center or alternate center of town. Both central buildings remain empty…

… along with the Norris Temple off the same row/way, which mysterious has been declared a robot-free zone by Mr. Bean, arms crossed in a defiant stance.

Robots are apparently allowed in the town’s watering hole, “Hole-in-the-Wall”. And for the lone robot in the establishment presently, that’s literally what it is: a place to get water. Meanwhile Baker Bloch eyes the delicious beer on the counter, wishing he had real taste buds.

Two more robots heading opposite ways on Gallery Row now, the red one to the Power Tower Gowlery and the blue one toward the Art 10×10 collages housed in two separate buildings on the parcel.

The blue robot, apparently the same robot, (?) gives directions to the larger of the 2 structures, with the 2009 produced Wheeler-Jasper series…

… and then a red one at the door to the same gives additional directions to the SoSo Gallery housing the Oblong series of the Art 10×10 from 2007.

Baker Bloch’s attention is drawn to a light coming from around the Coolie Building diagonal to SoSo.

He enters…

3 Comments

March 29, 2013 · 12:54 pm

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What a Rush!

Moon Landing (revised)

1 Comment

March 13, 2013 · 5:13 pm

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Lis Interpretations/Associations 02

(continued from Lis Interpretations/Associations 01)

“We’re probably on the Meat Shake concept, Hucka D. Got a decent amount of sleep last night for a change.”

Hucka D.:

Good to snooze through the night once in a while. The Meat Shake is a combination of your Meatwad, your Shake. Shake seen already in Latona 02 (center). He will be seen again in Lis 09. This is not really your Shake here, but a combo monster, like you indicated. And there is an eye next to him.

bb:

Perhaps I better create a close up of what we’re talking about. Oh, and before I forget, I thought I’d put up the links for the Brian R. Marshall geograph photos these two collages are based upon. They’re a part of a set, just like the collages…

http://www.geograph.org.uk/photo/2388037

http://www.geograph.org.uk/photo/2388024

And here’s the detail I mentioned…

The photos are of an old railroad track called the Holt to Patney Railway. The detail above is from the front of a tunnel which runs under the Devizes Castle, although it no longer acts as a train conduit now. The second photo linked to above shows its blocked up east portal, and the eye and the “Meat Shake” I’ve been speaking above are just in front of this portal. In the collage, a man approaches them — it’s the same man on the right side of Lis 02, who has ditched the girl now and stands alone, just as the girl formerly was alone in Lis 01. As I think I talked about before, I believe the man and woman are one entity, and perhaps akin to the Lone Man/Lone Woman twinned peaks at the center of Hays County, Texas. Just thought I’d throw that in.

Hucka D.:

Hmph.

bb:

So what do you think of this “Meat Shake”, Hucka D.? The man who is the same as McCartney seems to be interested in meeting him. Then the *front* of McCarney is seen inside a pot to the right, facing the camera this time. This is culled from the front of the Sgt. Pepper cover, once more. Again beside him is Lisa the Vegetarian. Obviously these 3 figures — the blue clad man with his back to us, Paul Mac facing us, and then Lisa V. — are directly related to Latona 00 and the front and back covers of Sgt. Pepper, as well as the screen shot from the Smipson’s “Lisa the Vegetarian” episode in season 6.

https://bakerbloch.wordpress.com/2013/01/29/3759/

Hucka D.:

You’re saying that you think the man in Lis 04 with his back turned toward us, the one “meeting” Meat Shake, is McCartney again because he is similar to the Paul in Latona 00 with his back turned toward us?

bb:

Yes. Don’t you think? Seems obvious.

Hucka D.:

(pausing to look) Okay, yeah, now that I compare the two — Latana 00 and Lis 04 — I can see that you are talking correctly. Proceed.

bb:

I suppose I’m just asking: Who or what is Meat Shake?

Hucka D.:

(pausing again) It… is the opposite of the grave the woman stares at in Lis 01. It is The Beginning. Genesis. Not Revelation. How’s that?

bb:

Interesting. I also forgot to mention that I bring these mystery figures “forward” in the collage by doubling their size and positioning them in front of the originals, with the original images kept behind them, or in the background.

Hucka D.:

Cool. They are coming up to meet the McCartney with his back to us.

bb:

I should also add, if I haven’t already, that this tunnel, this portal is just behind St. John’s church in Devizes and can be easily walked to from there. So that fits into the story that it’s the same man as in Lis 02, who is the same as the woman in Lis 01 and Lis 02. That’s why the gargoyles from the church can follow them so easily as well — him, I mean.

Hucka D.:

It’s a strange [detail in the] picture. We better move on to Lis 05. Maybe that will give us the answers we need. We have TILE arising from the waters of The Crammer, still in central Devizes but in a cemetery behind another church this time northeast of St. John’s. This is St. James. 2 Brian R. Marshall photos are once more employed here and combined into one. The gravestone in the foreground is actually part of the cemetery seen in the background “across” The Crammer.

https://bakerbloch.wordpress.com/2013/03/01/4858/

bb:

Let me take over now, Hucka D. Thank you. The collage occurs in a crack in space and time, then, where front and back are the same — kind of akin to McCartney in Lis 04, don’t you think?

Hucka D.:

Could be.

bb:

From this crack in space-time arises these 4 creatures, colored the hues of TILE, or red-green-blue-yellow — monsters again like the gargoyles in Lis 03. But more organized because TILE is behind the process. And all this is a type of play on the Moonrakers mythology surrounding The Crammer, Hucka D. Let me give you the link to the Marshall photos I use now…

This is the foreground obviously…

http://www.geograph.org.uk/photo/382881

And this is the background…

http://www.geograph.org.uk/photo/382855

Marshall provides a link for the Moonrakers story in his caption for the second:

http://www.wiltshiretouristguide.com/Articles/Article_27.asp

In this same way, I am kind of “raking” the alchemical image of the moon in to the shore of The Crammer. I say raking here because it is a gradual process, starting from the grave stone. 6 stages are involved before the moon touches the land. Hence the title of the collage: “Moon Landing”. And inside the last moon image, when it touches the land, is the yellow monster of TILE. These “monsters” come from a Noel Fielding’s Luxery Comedy animation called The Jelly Fox, which both Edna and I found hilarious. I was also instantly struck by the fact that the involved monsters were colored the 4 colors of TILE.

Hucka D.:

Let me stop you here if I may. (pause) Could this new series of 4 monsters be the same as the gargoyles just left behind in [Lis 03 04]?

bb:

I think they’re a progression beyond them, because this is TILE.

Hucka D.:

You are playing on Devizes mythology here, which is interesting for sure. You succeed in this collage where the original Moonrakers couldn’t. You are *actually* raking the moon, which may be cheese and maybe not, into land.

bb:

Interesting as well that Noel Fielding rather famous plays The Moon itself in The Mighty Boosh. And Fielding plays *all* 4 creatures that are colored TILE in the Jelly Fox, and make a reappearance or are reincarnated [in Lis 05]. All of these creations are Fielding.

(continued in Lis Interpretations/Associations 03)

3 Comments

March 13, 2013 · 12:22 pm

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Power Tower Gowlery almost finalized.

I’ve been looking around at other land some, but I have no real reason to move from Sansara Snowland right now and my 4096 square meter parcel there (which is actually a square). So I think I’m stuck for at least another month, or until something else comes up that looks more appealing at that moment. I’ve been poking around my virtual neighborhood a bit but no blog pictures yet. Maybe that should change. But I’m so involved in Wiltshire County England still, and now Spring hiking season is upon me (time change comes Sunday!). So I don’t think virtual reality is going to be much of a focus for a while. That said, I’m real pleased about how the Power Tower Gowlery turned out — perfect fit for the Gilatona-Lis series and aided in its shaping, even.

03/11/13 update:

Looks like the Power Tower Gowlery containing the new Gilatona-Lis collage series will be balanced on my Snowland property by another skyscraper (lower left in above photo) holding the Wheeler-Jasper series, the last 20 collages of the Art 10×10 from 2009, and then two more conceptual collage/photography exhibits: the Quadtower (lower right center) with the Baker Bloch in England pieces, and then the Sync Lair (left of the Power Tower) with the Synching Creek Designated Mystery related photos and maps created about a year ago. The exhibits also balance each other as a whole — for instance, the Baker Bloch in England story can be seen as a direct continuation of the flow of the Gilatona-Lis collages, even thought the latter came after BBiE.

I’m debating on whether to keep the Kidd Tower (smaller tower next to the Power Tower) on my parcel… not sure if I’ll be working on that particular project again in the near future. Would save prims to substitute it with a shorter structure. Currently I have just a tad over 200 prims left to experiment with.

Cereal Characters

http://www.geograph.org.uk/photo/885302

http://www.geograph.org.uk/photo/885306

+

https://si0.twimg.com/profile_images/2577353477/obd7eu38orq6ykb4g44w.jpeg

1 Comment

March 5, 2013 · 7:19 am

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Smipsons DVD

http://en.wikipedia.org/wiki/Lisa_the_Vegetarian

“Lisa the Vegetarian” is the fifth episode of The Simpsons’ seventh season. It originally aired on the Fox network in the United States on October 15, 1995. In the episode, Lisa decides to stop eating meat after bonding with a lamb at a petting zoo. Her schoolmates and family members ridicule her for her beliefs, but with the help of Apu, Paul McCartney, and Linda McCartney, she commits to vegetarianism.