Is this in preparation for a Lis02??? Could be. And my bud Brian R. Marshall has most of the pictures regarding St. Johns Church in Devizes on geograph. Coolie.
Here’s a web site he indicated in one of the captions.
http://www.devizesheritage.org.uk/st_johns_church.html
—–
More:
http://www.gazetteandherald.co.uk/news/8367165.Graffiti_attack_on_Devizes_church/
Revelation 11:37
Place of Worships
Filed under collages 2d, Wiltshire
(continued from Latona Interpretations/Associations 01)
To summarize Latona 01, it seems to be about the destruction of New Pietmond, coupled with an exodus factor, like Lisa V. is using the Cherhill “monster” (riding in its brain) to escape, and also the orange (inverted color) sunfish to the left. It’s a bit of a scene of chaos — dishevelment. So what does Latona 02 bring us? Stability? Well, we’ve returned to Wiltshire and the crop circle region for more images for sure, so that helps with the grounding. The locations are from around but not within West Woods to the west of Marlborough, and one of 2 woods I’m really eager to explore during my England trip. As I’ll use West Woods for the culminating 3 collages of the Latona series, we must keep this in mind, maybe like I was close to the mark on this collage (Latona 02) but hadn’t quite hit it yet. Also the “singing Hermans” used in Latona 02 will return in Latona 08 09 10 (the West Woods collage), and employed in a more logical manner. They seem to be, when set up correctly, a protective device created by Lisa V. to, among other things, calm me in England while I’m there. In theory. Kind of like I’ll be in suspended animation. But back to Latona 02, I don’t think I quite knew what to do with the Singing Hermans in this one. The 2 very similar images (“singers”) were very close to each other in a search fo Rockley images, so both come from that area (north of Marlborough and the setting for a number of collages already in Gilatona). I knew their proximity was synchy, but only with Latona 08 09 10 did their meaning start to clear. Latona 02 is about death. The father of a good Internet friend died around the same time. I also thought of the death of my own father during the composition. The sun “swallowed” by the moon in the dew pond at the bottom of the picture (dew pond near Knap Hill). It is also about the death of Virgo (father) inside the direct opposite sign of Pisces (mother). It is both death and sexual union in this manner. The dewpond is both womb and tomb.
Hucka D.:
St. John’s Church in Devizes is important to go to, baker b. Go to the graveyard in the back. Look for [delete name].
bb:
Hmm. I got behind you there once again. Adding text behind you when you’ve already talked.
Hucka D.:
[Delete name]. Remember that. Make a collage of it as well. It is *the dewpond*.
bb:
To continue with this, I believe the dewpond is also Drink Lake of Herman Park, as Master Shake, a drink after all and nothing more, is directly above it, hovering. Then the bottom Singing Herman is also Drink Lake, or just “Drink”. To give more detail he is a *fis*Herman. The line or cable in the collage, inside Shake, might then be a fishing line (extended from his purple straw), which saves the tiny Dr. Who here from the Satan Pit, which is also death most likely — the dew pond. Life is also sun — king/father and death is queen/mother. The letters on the sun and moon at the dew pond come from SID’s 1st Oz, and the 2007 Booker T. 15 part analysis of this pivotal audiovisual synchronicity, my most original contribution to the Golden Age of that now almost forgotten field.
Hucka D.:
We have a field here as well. Dewpond field. With rocks.
bb:
The dew pond is also probably Winesap, don’t you think Hucka D.?
Hucka D.:
Winesap Smimesap.
bb:
Okay. So as we’ll see, the Singing Hermans are also placed on rocks that Lisa the Vegetarian has just been seen sitting on earlier in the Latona series, or Latona 00. It’s the same rock. And then this rock will also reappear in Latona 08 09 10 with Lisa V. again perched upon it, joining the 2 Singing Hermans also perched upon the same. Confusing.
Hucka D.:
The Hermans are the same as Lisa the Vegetarian. She had to equalize the 2 parks, the 2 Hermans in this way. Frank equals Herman. Heman to Herman. She did it through the diamond. That’s the diamond that goes in the dogs tail to wag it.
bb:
I can’t just take it out of the ground Hucka D.
Hucka D.:
Why not. That’s what she put it there for. It belongs in the dog’s tail. Wag the dog.
http://en.wikipedia.org/wiki/Wag_the_Dog#Title
Why does the dog wag its tail?
Because the dog is smarter than the tail.
If the tail were smarter, it would wag the dog.
bb:
Nothing is really resolved in Latona 02, Hucka D. Shake seems to center, and that’s what we have as a stability point in this one. But he has to be hollowed out to see the actual, inner workings or goodness. Jesus saves, I suppose.
Hucka D.:
Yes, Master Shake is Quetzalcoatl is Jesus. Indeed.
bb:
So we should probably move on to Latona 03 and 04, and this is a joined effort this time, Hucka D., and something quite new in my collage producing. Latona 04 was actually composed before Latona 03, and this makes it a Wheeler-Wilson situation, like we have occurring twice in SID’s 1st Oz, but the first use of it in that a/v synch sets the tone and embodies the symbolism. A nurse name Wilson (Head Nurse Wilson) and what we know will become a Wheeler in Oz for Dorothy wheels in Dorothy to the electroshock chamber on a gurney. When she arrives there, the failed electroshock treatment, which goes wrong at the very last second, is dubbed with a song already used in SID, but the *first* part of the song (introduction) not used before. This is Queen’s “Death on 2 Legs”, the first track of Night at the Opera. So we’ve reversed the two parts of the tracks in SID, with the intro coming after the song proper. This is Wheeler-Wilson. Time has become suspended because we have no past and no future here. Only present. Which may be the same as Norris. Space of Norris.
Hucka D.:
That’s my phrase. Anyway, we have Latona 04 on the right and Latona 03 on the left. Or is it the other way around — we just can’t really tell. We have to assign the number arbitrarily. This is what interested Booger Hays when he visited your Power Tower Gowlery. He looked at Latona 04 and then Latona 03. “What is actually happening here?” he asked. Well, I said it has something to do with Dr. Who, which of course I had to explain to him, him being from the 19th Century and all. I said that the red headed lady, or the “red lion” entering the pub the Red Lion, or standing beside it in the parking lot, is probably Melonie Pond, who has just died in the Dr. Who series along with husband Rory. She is defined by her red hair, you see. (pause) Oh, I said Melonie but I meant Amy Pond.
bb:
To remind: Dew Pond at the bottom of this collage, Hucka D.
Hucka D.:
Yes. The former collage [Latona 02] you mean. And in Latona 03 04, we are in Avebury, re-centering ourselves as it were. We have a kind of before/after story in the two sides of what in effect is one collage, but it’s difficult to discern what is before and what is after.
bb:
So I think this is also about the death of Amy and Rory Pond in Dr. Who, Hucka D. Talking about Latona 02 here still.
Hucka D.:
We must move to Latona 03 04 fully, however.
(continued in Latona Interpretations/Associations 03)
(continued from Gila Interpretations/Associations 04)
“Can’t believe I could be starting yet another collage series, Hucka D.: Lis maybe?”
Hucka D.:
We better get crack’n on Latona 00, then. You have McCartney from the Smipsons, you have Lisa V. from the same. McCartney, or who we talk about as Marty, is discussing with Lisa V. the benefits of a vegetarian life. But he is also telling her the secrets of Sgt. Pepper, front to back, hehe. And Quetzalcoatl. Have you read all of Red Collie’s Quetzalcoatl material yet?
bb:
Probably not, Hucka D. I think I read all the sunfish related crop circle stuff. There were 8 or 9 crop circles last year that shared that common theme — all related to the orbit of Venus relative to the sun and other planets according to Collie. He’s most likely right. And these are crop circle not created by mankind. So that means an e.t. message. The circles are giving us astronomical information. I’m not sure about the remote creation theory of his. I think they can move forward and backwards in time easier than he supposes. After all we’re talking about higher intelligence.
Hucka D.:
Before you go to England, you should read up about the sunfish circles again. And of course you had your own encounter with a sunfish in Sunfish Kentucky…
bb:
… via GoogleEarth, yeah. But it was colored orange, like the inverse color of an actual ocean sunfish. No chance finding that in Sunfish, Kentucky, and *before* I knew anything about the sunfish crop circles, I believe. The Kentucky town was examined because of UmapS connections.
—–
bb:
“She’s Leaving Home” and “Live and Let Live… Die” mentioned in that episode. “Maybe I’m Amazed” played at the end, with a smashing lentil soup recipe backmasked within.
—–
Hucka D. (peering over my shoulder at the collage picture I just inserted):
The front and back of the Smipsons DVD becomes the front and back of Sgt. Pepper, two in one. I believe this might be seasons 6 and 7 — this front and back. Aren’t they magical, baker b.?
bb:
Could be, Hucka D.
Hucka D.:
And you know you’ll use the one with McCartney again in a future carrcass. (pause) Let’s move on to Latona 01… we can come back to this one. The rocks are sarsen stones from the Fyfield Downs northeast of Marlborough, arranged in a line by farmers. Lisa sits on the largest one. Lisa will sit on this rock again toward the end of the Latona series, when McCartney also returns with a new body in tow. It is probably Paul and Linda as androgyny. In a way, in a manner. Appropriate that Paul is lecturing about vegetarianism in a cereal field. As Glickman put it, circles are totally benign, and mean no harm to us meat beings. We are meat as well. What if someone else came down and tried to farm *us*?
bb:
Hadn’t thought about it that way.
https://bakerbloch.wordpress.com/2013/02/04/new-something/
So here’s “New Something”, Hucka D., a play on “New Pietmond” which I had just dismantled before creating the collage. We have superimposed on each other the remains of New Pietmond in Sikkima at the time — foreground — and then a second village I was playing around with in Snow Country, Sansara in the background. Different set of buildings in each at this moment. The background village was in turn dismantled after a couple of days, and New Pietmond of Sikkima became totally extinct in a matter of hours. So this is akin to Gila 04, where we have New Pietmond in all its glory, heights and depths, portrayed — at its peak. It was a great creation, but I couldn’t keep it around.
Hucka D.:
No. Then you have all the other collage elements positioned around the Second Life buildings, foreground and background. You have elements from, let’s see, Gila 00 and Latona 00, the two 00 collages starting each series, and then Gila 05 and 06 as well, the middle of Gila. So that’s Gila 00, then skipping 01 02 03 04, and then Gila 05 and 06 depicted, and then skipping 4 more collages 07 08 09 10 to get us to Latona 00. Very symmetrical culling, then.
Lisa the Vegetarian is found again, riding or sitting inside the visible brain of the whale-monster of Gila 06. She seems to represent the 3rd eye, or the pineal gland in this position. An Avebury stone projects from the top of its head — another pine cone or pineapple symbol.
And then across from it on the other side of the collage is a pineapple itself: your good buddy Spongebob Squarepant’s pineapple shaped home under the sea. Bikini Bottom, I believe. He peers out at the landscape through an open door… he is pineal. The pineapple’s shape is mirrored in the shape of Marge Smipson’s head of the Smipsons DVD in front of it. It is the front and back of the pineapple. The 4d cube atop Patty’s head is another representation of the 3rd eye or pineal gland.
http://www.cropcircleconnector.com/2012/hackpenhill3/hackpenhill2012c.html
It is squaring the circle.
bb:
It’s a 6x6x6 cube with all the edge units hollowed out. I believe the edge units would number 56. The internal cubes number 4x4x4 + 4x4x6. The core of the cube is 64 packed un-hollowed out cubes, surrounded by 96 more un-hollowed out cubes touching the surface. This would make a total of 216 single unit cubes within the overall cube, or 6x6x6. That works!
Hucka D.:
We better head toward Latona 02. What does Lisa V. head toward in the head of the Gila 06 monster? She heads toward the triangle, single point down. This is also the 3rd eye illuminated, but perhaps not in a totally positive way. It is like an eclipse of the sun. To reinforce, we have carried over the two horned crescent moon from Gila 06 as well, above Lisa the V. here. The “BIG” in the Knik’s head below this also acts as reinforcement.
(continued in Latona Interpretations/Associations 02)
Filed under collages 2d
http://en.wikipedia.org/wiki/Rhombus
“You have to establish The Diamond first, for it is truly priceless. Then you can position all around[ it].” Words uttered to Lisa V. by Marty of the copse.
bb:
So Lisa V. comes to Amereca and plants The Diamond.
Hucka D.:
The Diamond saves you from the aliens. Carrcass-8.
bb:
Think I understand. It is the protective energy of Frank and Herman Parks. But if it is priceless why is it in Frank Park when Herman Park is suppose to be priceless?
Hucka D.:
The two parks had to be equalized. This was the way[ to do that].
bb:
Interesting. Hafta think about that, Hucka D. So The Diamond is also Arkansas.
Hucka D.:
Yes (!).
In collage #3 from the new series, the night sky is illuminated through the stars on the Brazil flag, with Vega substituting for the star representing the capital of Brazil in Brazilia (probably need to study that city, come to think of it). Billville is revealed… Northfork does not exists by itself any more (nor does Billville). The subsequent collage after no. 3, or “Billfork Announcement” (no. 4), shows that this union did indeed take place… in the center of the (purple) night like a conception by a loving couple. This is an announcement, thus like the birth of a baby. The night is rescinded, and the ark in the picture is illuminated, seemingly by the weak light of a new, dawning day. The ark is the thing created, the center of the center, and in another way represents Arkansas or Synchpatch, USA in that state. The ark is in the center of the Billfork synch, as I’ve discussed it on the Paradox Forum, and then the elements to the right in collage #4 also highlight this center, or the boat seen during the Lucy in the Sky with Diamonds song floating on the central lake, and also the stack of diamond rings below it also referring to this central Lennon song (the “diamonds”) from his Beatles days. So the announcement is for Billfork, but also the center of the synch (art, L.S.D.) is highlighted to show its edge over the otherwise parallel SID’s 1st Oz… this would be the hint of platinum at its more manipulated center, which is also parallel to the Elmertown underground opposite to Billville in the Boom Dot Bust album… Elmertown, in the Billfork synch, represents video editing in ways, especially seen in track 16 of the album in the synch (the core Elmertown scenes, overlapped with 4 separate scenes of Irwin trying to convince the angels of the movie that he is also an angel.. the lost angel they seek… the “glueing of these 4 separate scenes together is parallel to the Martha Glue-it track (16) spanning all 4 scenes from the movie. This would also be like the collaging of the 3 separate towns of Leaksville, Spray and Draper in NC to make Eden , or L+S+D.)
Filed under Arkansas, Frank Park, Herman Park, MAPS
When people ask me about the spacial relationships between Frank and Herman Park locations I mention in this and the Baker Blinker Blog, I usually tell them to f— off.
Hucka D.:
Wise decisions. But this time you’re showing a map. Why? Is it because you’ve found *the center*? Have you found the heart of the heart of Frank and Herman Parks, baker b.?
bb:
Not sure about that, Hucka D. But I think I’ve found Diamond. The legendary Diamond. Priceless indeed. We know from long ago that Frank Park has a set price, a very high price but a figure can be named, given enough time. Herman Park is in contrast priceless. Now I’ve found the priceless Diamond, but inside Frank Park. It should have been in Epsi but instead there I find a piece of ordinary glass with the word “Epsi” on it — “P” removed.
Hucka D.:
That’s then also Pepsin, baker b.
bb:
I get that. With an extra letter instead of a letter removed.
Hucka D.:
Dirty Dozen.
bb:
So instead of Coke, Virginia next to Ordinary and Glass, it should have been Pepsin. But the words were switched, and Pepsin moved to Missouri and positioned near Diamond, close enough for me to make the association. But The Diamond is that special special rock in Methril, Hucka D. Obvious now that I’ve revisted the place and taken blog pictures. Next might be a marble race event.
Hucka D.:
I think you have to. Interact with the energies of the hill in that way.
bb:
And I think there may even be some kind of Bee’s Line up there, Hucka D. Can you tell me more as of now? Since I probably won’t be able to get up there for about 2 weeks at least.
Hucka D.:
Methril will throw open doors. Make you forget about the aliens on Bill Mountain. That’s the main purpose, or a main purpose. The Diamond was held in reserve. You knew about it but you didn’t really *know* about it.
Welcome Back!
http://en.wikipedia.org/wiki/Mithril#Abundance
In Tolkien’s Middle-earth, mithril is extremely rare by the end of the Third Age, as it was now found only in Khazad-dûm. Once the Balrog destroyed the kingdom of the Dwarves at Khazad-dûm, the only source of new mithril ore was cut off. Before Moria was abandoned by the Dwarves, while it was still being actively mined, mithril was worth ten times its weight in gold.[2] After the Dwarves abandoned Moria and production of new mithril stopped entirely, it became priceless.
Filed under Allen Knob, Bill Mountain, collages 2d, Concreek, Frank Park, Gnirps, Norris Brook, Spoon Fork, Thrill, Wiltshire
3 hills of Thrill:
Ilthril
Methril*
Mysethril
The supposed portal into the heart of the middle ridge known as Methril. Compare to a similar two tree “portal” at Billfork, at the old Pluto core of that civic unit.
One of the two column trees of the portal, in this case, contains a peculiar, truncated second tree projecting from its base. Perhaps it has been lopped off in this shape, and perhaps not. At any rate, it looks a bit too much like a pine cone at the top or perhaps even a pineapple to be an accident for me.
Looking from the basic position of the portal into Methril’s heart. In the background there’s an unusually varied array of colored objects for such a winter’s scene.
Closeup of the objects in the above photo. On either side you have the two most sacred rocks in all of Methril, or Parry (left, greyish-white) and Gary (right, dark green). Between them from this angle are three different colored mossy rocks, and the rotted trunk of a small tree.
3/5/13 Correction: Parry has been renamed The Diamond. Plain and simple. It appears to be a most sacred rock, and apparently balanced and grounded, as it were, by the larger, moss covered rock formerly called Gary (rename not complete at the time of this writing). The Diamond now appears in 2 collages of the new Lis series, and “Gary” appears in one of the two with it. The Diamond in Lis 00 to begin the series, (“Welcome Back”), accompanies the Confederacy of Diamonds welcoming me back to Wiltshire and collages based thereon after I thought I’d exited that process at the end of Gilatona. It may even be a (7th?) member of this confederacy. In order to defeat the aberrant collage system arising at the same time, I had to return. And also to make me understand that I simply *have* to go to Wiltshire and England this summer. I can’t wimp out, as much as my negative self wishes to and stay home with the kitties and do my standard and safe local hiking instead. No I must head to the equivalent of Mars, nay, outside the Solar System for me. For this is beyond the comfort zone of Sol (that probably doesn’t make sense; work on it later).
So to return to my comfort zone… below we have pictured a line of small rocks that may mean something in the larger scheme of developing Methril mythologies. But maybe not as well… worth a picture, I thought, at any rate.
“Gary”, featured in Lis 03 (“Gargoyles Cometh”). The rock seems to come to the rescue of his partner The Diamond, which has been sat upon (captured? de-energized or made redundant?) by the foremost gargoyle of the collage. “Gary” seems to be swinging on a tree branch from the left to attack the advancing gargoyles, and keep the scene of the twinned collage “Meating Meet Shake” (right half of overall diptych) a safe harbor free of monsters.
The Diamond, projecting fifth dimensionally from the Methril forest floor. This is the photo of the rock used in Lis 00…
… and this is the photo used for both it and “Gary” in Lis 03, along with a couple of accompanying tree limbs or branches. Methril is already remotely wielding its powerful magic in England. The seemingly defeated gargoyles in this case are most likely my fears of travel and leaving the comfort of my safety zone here in the Appalachian Mountains. These fears must be embraced and conquered, a Lis 06 theme most likely (bearing in mind especially that one of the advancing gargoyles in Lis 03 bears a strong resemblance to Bart Smipson, as pointed out by Brian Robert Marshall).
The Diamond viewed from the north — can’t see the trademark diamond shaped quartz face from this direction.
The only manmade object I could find in Methril, or an old pot with the bottom rotted away. This would be west of the “Gary”/Diamond central complex, or near the overall west end of Methril proper.
Looking east over top of this pot back toward the core of Methril.
Mouse & Cheese
—–
* compare to Tolkein’s mithril
Filed under Frank Park, Thrill
… we’re definitely out and about now, Hucka D. How do you like Epsi?”
Hucka D.:
One way in and one way out. Like the town sign says.
bb:
It’s a little cramped. But no more than Lion’s Roar. Not really.
Hucka D.:
You will go back in the morning, I’ve heard.
bb:
You’ve heard correctly.
Hucka D.:
There’s two things to look for…
bb:
Land and water?
Hucka D.:
The black rocks, the white rocks. Black and white. (pause) Red.
bb:
Thanks. Anything else tonight?
Hucka D.:
Epsi qualifies as a safe enough spot, not technically on Bill Mountain but quite close. You can walk across The Way to many other destinations. You are not obliged to visit Bill Mountain when you head to Epsi. You can skip that part. But you can also visit Little Wiltshire and bypass Rust Spot. And I’d keep bypassing it if I were you. And *definitely* don’t use the dumpy junk there for your Epsi builds. Even import material if you have to. Go there tomorrow and map out the place. It has interests.
bb:
Black rocks and white rocks, eh?
Hucka D.:
Yes. (pause) Red.
bb:
Thank you.
Coke is ordinary glass…
… while Pepsi is a diamond.
http://en.wikipedia.org/wiki/Dispepsi
The album was an attack on the highly competitive soft drink companies Coca-Cola and Pepsi, who are believed to flood the airwaves with advertisements. The title is a variation of dyspepsia, which is synonymous with indigestion. The word “Dispepsi” deliberately does not appear anywhere on the album artwork, but a telephone number was set up to provide the proper title. It is scrambled into anagrams including “Pedissip” and “Ideppiss”, as the band originally believed they would be sued for trademark infringement if the actual title was shown. Once Pepsi lawyers indicated that they had no intention of suing Negativland, they began referring to it by its actual title.[2]
Also compare with Glass Island (on other end of bay from Gloucester and attached county) here: http://bakerblinker.wordpress.com/2012/06/08/concreek-parallel-research/
It seems like Epsi acts as an alternate path to Con Creek (also revisited today, or at least The Island part). It is a rebranding of The Island perhaps.
http://en.wikipedia.org/wiki/Millennium_Star
Filed under Bill Mountain, Frank Park, MAPS, Missouri, Virginia
Today I found Epsi, a new location for woodsy art happenings, most likely. A small area, and closed in except for a single entrance/exit, but still quite exciting. And quite near Bill Mountain, while still separated a bit. Seems to fit the bill for a new Lion’s Roar, a new Billfork. Of sorts.
Below is what I found on the ground immediately after relieving myself in one of the water flows there — a piece of glass from a Pepsi bottle with the beginning “P” prominently missing. I took it for a clear sign; my “p” had just gone missing too at that point, you see. The aliens were contacting me again, most likely: “This is the place. We will allow an art happening (of sorts) to occur here.” I got the distinct impression that “they” were laughing about it even, like they were tricking me into setting up something in this rather unusual space. Or better, found it hard to believe I could use such a space that they would have no employment for, really. Hafta ask Hucka D. about all this tonight, or tomorrow. I plan to go back in the morning.
Interesting rock found in the dry creek bed near the “epsi” glass fragment. Appears to be a squid-like alien with two triangular eyes waving at me with a grotesque hand. Interesting that the left triangle “eye” here points up and the right down. Two ears can also be distinguished, and perhaps a mouth. “Howdy!” it seems to say.
Although Epsi is in a remote place, there’s evidence of former rhododendron cutting, like a path was made through here. But by whom? Like I said, there’s only one possible entrance/exit practically speaking, as the more open area is otherwise completely surrounded by tightly packed rhododendron. In fact, that might be the town motto: “Epsi: One way in, one way out.” Not a very good motto, however. Might attract those seeking a dead-end life.
Then in a neighboring valley was found another water pipe of mysterious origins, and it seems to be exactly the same type found at Bill Mountain’s Twin Falls one creek valley south of here (about a quarter of a mile away as the crow flies). I simply can’t figure out what these are. My brain turns around the possibility of a vast alien complex existing under Bill Mountain and perhaps neighboring mountains. Perhaps more clues will soon be received at Epsi on the nature of this overall mystery area. Did I mention the eyes in the woods staring back at me yesterday when visiting Bullrocks?
“P” Creek emerges back into the road bordering the Epsi region on the west side. This is the same road that can carry one to Rust Spot and Little Wiltshire… if one dares.
Filed under Bill Mountain, Frank Park
Today revisited Bill Mountain for the first time in about 6 weeks, I suppose. And this represents my first excursion into the local woods since then as well, now that the snow and ice have finally gone away, at least for a bit. In just checking the weather, looks like snow will return by the coming weekend. Oh well. But spring is on its way.
I didn’t take any pictures today, and felt I was nibbling around the edges of some central mystery in a literal, physical way as well as a symbolic way. There is a central valley that seems impenetrable, maybe a very good thing. Is this the Forest Home or Mountain Home? I returned to Bullrocks and stared down into the woods, only to see a pair of eyes staring back at me, almond shaped and black like tree trunk holes (which they probably were). It was not really unsettling now, but different looking than when I first saw the effect and described it in this earlier post. I also revisited Little Wiltshire today, but no new highlights there. I didn’t go down toward Rust Spot from the road, not necessarily because I was scared (I was a tiny bit) but because it started to rain a little as soon as I reached L. Wiltshire. And I didn’t realize that darkness was catching up so quickly with me until I started ascending the mountain again, so it’s good I left anyway. Tomorrow I might return to Bill Mountain, but I also received the impression that I can’t ignore other parts of Frank and Herman Parks this spring, and should let this blog and attached hikes progress in a natural way, and that if there *are* aliens there (I have little doubt that they exist in these here woods), that’s the best way to get to know them and set the boundaries between our two camps. Certainly they must be very experienced about dealing with humans and hiding techniques. Camouflage.
Gilatona [collage series] seems over, and the focus shifted back to these parks. Great deal of information received, and I should create a more in-depth analysis of the Latona half of the twin set next week. Can’t wait.
I also need to upload my pictures from the second part of last year to my flickr account. Review the woods pictures again — another fun project. Should be another marvelous year of hiking.
“The aliens are concerned you’re nibbling around the edges of their compound. They asked me to tell you to stop if you could.”
bb:
Don’t go to Twin Falls tomorrow?
Hucka D.:
Um, not sure. Certainly don’t try to get into that central valley, their Forest Home away from Home.
bb:
I think it’s all a red herring, Hucka D. I don’t think anyone is in that valley.
Hucka D.:
Good thoughts to think. So you don’t have to nibble.
bb:
You know I’ll attempt to set up another Billfork, another Lion’s Roar this spring. If not at Bill Mountain, then where?
Hucka D.:
How about Lion’s Roar again? You need to go in there early to beat the bugs. That’s a place I’d choose. Think of maps through that location. Think of Lisa the Vegetarian and what she learned from Marty.
http://en.wikipedia.org/wiki/Lisa_Simpson#Development
In The Tracey Ullman Show shorts, Lisa was something of a “female Bart”: equally mischievous but lacking unique traits.[20] As the series progressed, Lisa began to develop into a more intelligent and more emotional character.[45] She demonstrates her intellect in the 1990 episode “Krusty Gets Busted” (season one), by helping Bart reveal Sideshow Bob’s plot to frame Krusty the Clown for armed robbery.[46] Many episodes focusing on Lisa have an emotional nature, such as “Moaning Lisa” (season one, 1990). The idea for the episode was pitched by James L. Brooks, who wanted to do an emotional episode involving Lisa’s sadness, to complement the many “jokey episodes” in the first season.[47]
In the seventh-season episode “Lisa the Vegetarian” (1995), Lisa permanently becomes a vegetarian, distinguishing her as one of the first primetime television characters to make such a choice.[48] The episode was written by David S. Cohen (in his first solo writing credit) who jotted down the idea one day while eating lunch. Then-executive producer David Mirkin, who had recently become a vegetarian, quickly approved the idea. Several of Lisa’s experiences in the episode are based on Mirkin’s own experiences. The episode guest stars musician Paul McCartney, a committed vegetarian and animal rights activist. McCartney’s condition for appearing was that Lisa would remain a vegetarian for the rest of the series and would not revert back the next week (as is common on situation comedies). The trait stayed and is one of the few permanent character changes made in the show.[49][50][51] In the season 13 episode “She of Little Faith” (2001), Lisa underwent another permanent character change when she converted to Buddhism.[52]
Lisa plays the baritone saxophone, and some episodes use that as a plot device. According to Matt Groening, the baritone saxophone was chosen because he found the thought of an eight-year-old girl playing it amusing. He added, “But she doesn’t always play a baritone sax because the animators don’t know what it looks like, so it changes shape and color from show to show.”[53] One of the hallmarks of the show’s opening sequence is a brief solo Lisa plays on her saxophone after being thrown out of music class. The Simpsons composer Alf Clausen said that the session musicians who perform her solos do not try to play at the second grade level and instead “think of Lisa as a really good player.”[45]
Filed under Bill Mountain, Frank Park, Smipsons, The
“Zinger at the end[ of the Latona series], Hucka D. Selma Patty Smipson turns into Paul McCartney. Seems to summarize the whole wave of information.”
Hucka D.:
Thank you for returning to me this morning, baker b. These are the 3 sisters, once more, Selma, Patty and Marge. McCartney is Marge, as we know from Latona 00, when he appears inside her hair on the Smipsons DVD cover — both front and back. This is a continuation from Gila 09, where we find his head in the middle of the Marge beech copse on Hackpen Hill. He and Marge have merge[d]. And here we have just his head again, atop Patty’s body this time. His head takes the place of Patty’s head. Why?
bb:
I suppose because he is central.
Hucka D.:
This is a lot about your trip to England, to Wiltshire. Your hopes and fears. Patty and Selma are guardians of the gate. Selma, in Latona 08, offers enticing cigarette smoke to the Spaceman — you — to make him A. Marlborough Mann. You will then be in Marlborough. You are tethered to Harrison, who represents the US of A. Your home away from home. England is your true home. You are an exile, as Edna already knows and you will know but know more. Correction: you know but will know more[ when I go on my trip]. You are a Spaceman like Dr. Who, but one who does not like to travel. Dr. Who *loves* to travel. You do not. You need a strong rope to hold you back in the US of A. Harrison can give you that. Sorry once more: that would be Hayes. R. Booger Hayes. He reveals the blue sunfish, which means open passage[ to England and Marlborough]. The sunfish is a ship. (pause)
bb:
Thanks for that information, Hucka D. So Latona 08 is about me just *getting* to Marlborough in the first place. Setting aside the corndog and just doing it. Different kind of smoke, but the same. Enticing. Marlborough. A. Marlborough Mann. Think I’m channeling you again.
Hucka D.:
The space tether runs through the beautiful bluebells, hooking you to Hayes. You have completed your journey. But is the tether a rubber band instead?
bb:
Hope so! [ meaning I hope there is a return trip home!]
Hucka D.:
Let’s examine the middle dike — all these dikes are one dike, just spread out in space and time. This is Wansdyke, which Brian Robert Marshall points out, has its own website.
bb:
I think this is the dike Baker Bloch was looking for in Spring 2010, during his own journey to Wiltshire [ “Baker Bloch in England” exhibit]. Instead he appears to be lured away by the King and Queen to Rockley. Is this correct?
Hucka D.:
Not sure. Continuing with the current collage, then, we have the middle picture or section, where *fears* are dealt with. Spaceman falls into a black hole. Condition overwhelms. Is this you? Yes, it is you. The singing Hermans around you sing your doom. You will encounter fear in England. Just don’t let it overwhelm you. Expect it. Embrace it, even. For you are the Space Cowboy. Lisa the Vegetarian from Wealthy Mountain fame will help you, baker b. She is home but not home at the same time. In the middle panel she looks toward McCartney again, his head atop the Patty Smipson body as you mentioned. Or as I mentioned — can’t remember. Anyway, the head is looked toward. McCartney charges Lisa the V. to center the US of A in Arkansas, and kind of tells her how to do it. She creates Head Lake, Heart Lake, Hand Lake, and then Health Lake spinning the opposite direction. To control the spin she must buy all of neighboring Wealthy Mountain — actually Health Lake and Wealthy Mountain are part of one complex, along with Wysei [ which you haven’t found yet]. Then she expanded Hand Lake through the TILE Creek, which was showing off her genius for the first, real time.
bb:
Real genius for the first time, you mean.
Hucka D. (continuing):
That expansion is very important. You must study it this spring. For without that expansion, Herman Park does not exist. All would be in the aether still.
bb:
I will. I promise.
Hucka D.:
She is there in the present picture to comfort you, and tell you that there is a mission involved and she is part of it. Queen of it, actually. The 3 sisters are her mother and 2 aunts. She will and will not become the mother. She is and is not Marge.
bb:
Looking at that picture again, perhaps the orange sunfish — backwards from its ordinary colors — is suppose to represent my fears, when I myself am thinking backwards, or negatively. I also say negative things at those moments.
Hucka D.:
You are truly a mess (!)
bb:
Thanks (laughs). So the only hopeful image in that middle panel, really, is Lisa the V. And she looks to the third and last panel, Latona 10, for reassurance. This is McCartney-Patty. The Spaceman has a rope again. Perhaps he is even going home at this point, back to his US of A and his Frank and Hermans. He’s made it through. Patty-Paul see him off, saying goodbye. They are England herself. They are smoking[ hot]. So I do think the first panel is about getting to England, and then the 3rd panel is about leaving. The middle is where I could get into trouble. The stay itself.
Hucka D.:
Or you could experience greatest joy. Your choice.
bb:
I am cut off from the US of A, floating aimlessly.
Hucka D.:
No. You will have a purpose. You will be okay. Your choice.
bb:
Who are the singers?
Hucka D.:
They are the genius of Lisa the Vegetarian. They are the expansion of Hand Lake. They are TILE Creek. They will protect.
Filed under Wiltshire
Sunklands 
