Monthly Archives: February 2013

February 7, 2013 · 2:15 pm

Cards, In The

“West Virginia is where The Kniks conglomerate Power. Why is this?”

bb:

It is to protect the Cardboard City that is connected to their Village Green concept.

Hucka D.:

Correct. Davies has a stake in this as well now. Zappla[ and Ingor] come to examine the results. There is Dead End Steert on one side of the Cardboard City timewise, and then Big Black Skome on the other side. This is Cardinal.

bb:

Trying to process that… The two Kniks heads in “Marge Refound”, the 8th collage of the Gila series, stand for the first and last third of Baker’s Creek, marked off by identical 3.11 mile segments according to the Cardinal, er, Process.

Hucka D. (correcting?):

Decree.

bb:

The middle head has been replaced by a beech grove, probably Marge. The heads to its side are then Selma and Florence. Sorry, Selma and Patty. Marge is the 3.31 length between the two, identical 3.11. Together they are the 3 Sisters.

Hucka D.:

We’re talking about Carrcass-1, which we still can’t provide the real name for, darnit. Still haven’t got permission. Lots of paperwork involved.

bb:

Good luck with that, Hucka D. (smiles)

Hucka D.:

You could help.

bb:

How?

Hucka D.:

Provide an archival copy of Carrcass-1 for the Council to examine.

bb:

Don’t really know what the Council is.

Hucka D.:

Cardinal. (pause)

bb:

I’ll work on that archival copy then, Hucka D.

Hucka D.:

Please. Then we move beyond calling them carcasses.

bb:

So Zapple is taking notes on Carrcass-1, because his work will reappear in the following carrcass, or Carrcass-2.

Hucka D.:

Yes.

bb:

Carrcass-1 seems inexplicable to them.

Hucka D.:

Well, Ingor especially. He didn’t know about this before. He’s just become a variant here… newborn.

bb:

Let’s see. So Lola is the man-woman of the Cardboard City. That’s pretty obvious. Ruustre knows the story about the man-woman, according to bartender Rhoda, now deceased (this is also in Carrcass0-1). And the man-woman is connected to Hays County, Texas with not one but two Roosters within, a Rooster Springs and then the hq of Rooster Teeth of Red vs. Blue fame, or the former hq (in Buda). Lone Man and Lone Woman are in the center of the county, while the Roosters are more on the eastern edge. I probably have a picture of this county in the Baker Blinker Blog, Hucka D.

—–

bb:

Just as a sidenote, it’s really cool because Carrcass-1 which actually created in the first year of the blog, and you can follow my thoughts, in essence, all the way up to its actual creation and then beyond — the immediate effects.

—–

bb:

First off, Ozmo is Baker, both in the forms of Baker Bloch and Baker Blinker, the lone man and lone woman, perhaps. Fused they become The Bakers.

—–

bb:

I believe this is where the prelude stuff really starts kicking into gear: with the discovery of Mouse Island and The Darts.

http://bakerblinker.wordpress.com/2008/11/04/chatting-d/

—–

bb:

It’s the mention of Booger Hayes in the Cardboard City that is a key. B. Hayes, like President Rutherford B. Hayes, who owned Mouse Island. Hays County, of course, again.

Hucka D.:

He is the first president who wasn’t a president. We have left — sorry *entered* variant territory for the United States as a whole. United Snakes?

bb:

Carrcass-1 is the first carrcass beyond the influence of The Bill, who’ve not be used in one since Carcass-0 immediately preceeding this. We just mentioned Master Shake of Carrcass-0.

Hucka D.:

Master Snake?

—–

bb:

Spider plays or knows B. Hayes (to play is to know a tune). The naming of such is not liked by the Spider of the Cardboard City.

Hucka D.:

No. The variant world must remain hidden. The music becomes Latona… atonal I mean.

bb:

It’s music that can kill. Corndogs at least.

Hucka D.:

The…

bb:

The playing of B. Hayes is concordant, as long as the actual name of the piece or composer is not spoken.

Hucka D.:

There’s no answers to who this B. Hayes is coming from the Cardboard City alone. This is genius. But to speak the name of this genius is to deny full genius.

—–

bb:

Maybe we should talk of R110. (pause) Interesting that I thought Ozma was sync proof early on in this discussion.

—–

bb:

Interesting about the discussion of the 4th Angle… which might not be 4th Angel as perhaps some people thought. 4th Angle is the desert. Osmos. Ozmo searches the desert for new adventures, but he just doubles back into the Cardboard City in Carrcass-1. Folded back into itself, as in a 4th dimension. He cannot descend back into the Aquamarine Rebel Strike Force. West Virignia gives strong clues how to really kick start Carrcass-1, Hucka D. It starts with a man named Don in the desert, who is the same as Ozmo. He stepped outside. Don Aman. Amanaplanpanama. That was probably your line.

—–

bb:

When the 4th corner is reached, Ozmo ends, even though it was never suppose to end. It just does.

Hucka D. (correcting once more):

It’s never ended.

—–

bb:

Ozmo will be in the next collage, Hucka D. Ozmo has already been in a collage: Jasper 04. It’s connected to Gills Pier in Michigan, where Ozmo will return. 2052 is the date given.

More Alien Information

http://centreportal.blogspot.com/2008/10/oz-born_17.html

Quote (my emphases):

Image: An aerial view of the 1st Igniting The Fire Gathering at Manito Ahbee in the Whiteshell provincial pARK. The Circle and dot is the sacred fire that was lit as part of the gathering. As Cree Elder Don Cardinal explained to me – it was the 8th Fire of Life. The 7th Fire was the human fire and it was almost extinguished. So this gathering and sacred fire ceremony was designed to use the 8th Fire ceremony to re-ignite the inner fire of Humanity. This is the gathering that Juan and is wife Sandra came to Canada to attend.

This appears to be the first so-called synchromystic related post of the Centralportal blog. I stumbled across it while doing a google image search for “circle with dot in middle” to be used in combination with the maps below, which I’ll get to in a moment. Here’s the image:

Also here’s a slightly later blog post, mentioning a circle with *cardinal* points.

http://centreportal.blogspot.com/2008/12/tie-creek.html

But to my map pictures created today. In the first, I attempt to illuminate the fact that Saucer and Fake Herbert are equidistant from Forest Home, or a distance of 2.8 miles. Fake Herbert is discussed in this earlier post a bit: when you look up Herbert AL in the GNIS database you are directed here instead of the actual location of Herbert in this state, which lies about 28 miles south in neighboring Conecuh County.

As I scanned this 2.8 mile circle in continuing around Forest Home from Saucer and Fake Herbert, I eventually unveiled two, different roads named Cardinal — Cardinal Road both. I should add this is a sparsely populated area with few marked roads. For the upper or northern (or western) Cardinal Road, the beginning point seems to be highlighted by the circle. For the lower or southern (or eastern) the end of the road is instead apparently emphasized by the same. I thought this beyond chance.

On the maps below, each Cardinal Road is represented by a (cardinal) red right angle, with the hypotenuse of both roughly giving the length of the road. While nothing (yet) came of the actual measurements of the roads, my thoughts turned to other Cardinal references in UmapS, and, shortly, Baker’s Creek, Mississippi with a Port Gibson just beside its mouth.

Here’s some further research into this. The latitudes of both the Cardinal Road Beg(inning) and Cardinal Road End points on the Forest Home 2.8 mile circle both happen to cross the approx. 10 mile long Baker’s Creek in this neighboring state. Where the Cardinal Road Beg latitude line crosses the creek is 3.11 miles below its mouth (beside Port Gibson). Where the Cardinal Road End latitude line crosses the creek is 3.11 miles above the source of same, this source point being determined beforehand. The distance between the two places where the latitudes lines in question intersect Baker’s Creek are 3.31 miles apart, seeming to divide the creek into 3 symbolically equal parts, then. Is this the meaning of the “333” cloud in Gila’s collage 02, especially given that each line is a little over 3 miles long, and 1/3 equals 0.333…? Notice also that the “Cardinal Road End” point on Baker’s Creek is situated almost on a county line. Basically speaking the first 3rd of Baker’s Creek is in Jefferson County, MS and the upper 2/3rds in Claiborne County.*

Further thoughts:

The 2.8 mile Forest Home, AL Circle emphasizing Cardinal “beginnings and endings” is meant to be the same as the Manito Ahbee circle pictured at the first of this post, where the 8th Fire of Life is now burning thanks to a 2006 celebration led by Cree elder Don Cardinal.

I’ll get to the whole Port Gibson-Cardinal association later on. I promise.

—–

* The first and third heads in front of the house of Gila’s collage 02 are also identical, like the 3.11 common length between the 1st and 3rd parts of Baker’s Creek, as also defined by the Claiborne-Jefferson County line. The middle head is instead turned the opposite way, indicating it is a bit different, though still squarely in the middle. Have we now entered the inner sanctum of Apricot Bone? Does the solar related crop circle to the left of this collage represent the Forest Home circle with its own symbolic inner fire thanks to recent efforts of Don Cardinal?

http://thelamplight.ca/schematicgod/ancient.htm

Is Baker’s Creek like Tie Creek, a needed feminine balance to the Forest Home solar circle in neighboring Alabama? Could very well be. Obvious resonance with Ti*l*e Creek as well.

http://thelamplight.ca/schematicgod/orbs.htm

4 Comments

Filed under Alabama, Bill Mountain, Frank Park, MAPS, Mississippi

February 6, 2013 · 8:57 am

Gila Interpretations/Associations 04

(continued from Gila Interpretations/Associations 03)

“So we’re still on collage 08, Hucka D. Ringo, or Ingor, is with, um, Zapple and they’ve found Marge. She’s the 3rd of 3 heads. Zapple’s inclusion is interesting here.”

Hucka D.:

That’s actually Frank Zapple… Zappa. No, Zapple. Twin to Ingor here. Zapple is taking notes on what they’ve found. He knows his destiny is intertwined with that of The Kniks. He is Z at the end of a Dead End Street, living in a 2 room 2nd floor apartment. Zapple takes notes.

bb:

They’ve obviously found something that goes beyond Zapple, Hucka D. My main interaction with Zapple is over.

Hucka D.:

Not really. Apostrophe.

bb:

You…

Hucka D.:

*You* are looking for Marge, not Zapple, not Kniks. Not really. Marge is the way in. Marge is the way out.

bb:

And in the next Gila collage, the 9th and penultimate of the series, I actually go inside Marge and find the McCartney head.

Hucka D.:

You find the link to Latona, the next series.

bb:

I forgot to mention that Ironmonger Lane in Marlborough is both a conduit and a block. The block is seen in collage 06 [“Patty Says No!”], which I strangely skipped over in this review. It shows the sunfish bypassing the entrance into this lane…

Hucka D.:

Dead End Lane. Dead End Street. Big Black Skome.

bb:

Yeah. The doors in the background are blue in the collage showing the blocked lane…

Hucka D.:

Quote unquote.

bb:

… and then red in the lane that subsequently opens.

Hucka D.:

It’s both closed and open at the same time. Red and blue together.

bb:

What does that mean?

Hucka D.:

Queen?

bb:

No, I said, what does that mean? (pause)

—–

bb:

And what of the words Apricot and Bone in the frozen Glory Ann Pond, Hucka D.? Is that still the name of The Kniks’ made up band? (pause)

—–

Here we have Marge opening up [“Selma Says Go!”], entered through *another* wider Marlborough Lane that isn’t named by the photographer, Brian Robert Marshall, a favorite. Hucka?*

Then in the first collage of Latona, McCartney, or I suppose this would be Marty (another variant) is explaining to Lisa the Vegetarian about, well about The Way. In the second Latona collage Lisa V. is seen inside the [main] monster of Gila’s “Monsters” collage, heading toward a now illuminated green triangle ~~found in the same collage~~. I have to get inside Lisa V.’s head; find out what she saw and heard. How did she buy Wealthy Mtn.? Obviously it has something to do with what Marty told her now. She had… she had to buy it to keep it from spinning the wrong way. That was the part she couldn’t control.

(continued in Latona Interpretations/Associations 01)

—–

* Actually the lane is named in the captions to the linked photo: Figgins Lane.

3 Comments

Filed under Beetles, The, Carrcass Artists, collages 2d, Kniks, The, Wiltshire, Zapple

February 5, 2013 · 1:05 pm

Gila Interpretations/Associations 03

(continued from Gila Interpretations/Associations 02)

bb:

So let’s move to collage 05 of the Gila series, Hucka D.: “Monsters”. I think this is, aesthetically, perhaps the best of the bunch. It’s a reaction to collage 04, “Marge Eclipsed”, in that you have a return of the grimy, the dirty, the cast-off. Monsters, in essence. And the images are almost all taken from the area between villages called Highway and Cherhill in Wiltshire to the west of Marlborough Downs, a stretch of several miles. There is a notable rise in elevation from this area back to Marlborough Downs and its central Rockley — Rockley can be said to even “look down” on this lower area. There’s a connection with 2010’s Baker Bloch in England exhibit again, Hucka D., in that a GoogleEarth overhead image of Cherhill’s Crescent House is depicted. That would be the crescent in the sky, a horned moon.

Hucka D.:

We have returned to an earlier state for Baker Bloch’s trip here, before he went to Rockley to stay with the King and Queen. And Baker Blinker and me, Hucka Doobie, as well. We have traveled back in time to recover lost energy. It’s a good collage.

bb:

In the center are two people stealing one of the smaller stones from Avebury, which is the only piece of the collage not from the Cherhill area — oh, and the crop circle images seen within the door of the building. Those are from Rockley.

Hucka D.:

Munching monsters. They are crescents as well. This is about destruction. Destruction of a perfection, just as you have destroyed your perfect, virtual New Pietmond very recently. This foresees that.

bb:

The perfect New Pietmond in Rockley, that is, next to Marlborough. But it couldn’t *really* be formed there.

Hucka D.:

It could and it will. You had to prepare, however, with this collage series. And the next — Latona isn’t it? You couldn’t stop with Gila. This is the central Gila collage, this “Monsters”. Yet if you would have stopped with Gila, you would have just had this dichomy of High Rockley and Low Highway/Cherhill. High and Low Wiltshire. But the correct place is Rockley, true. You had to find a passageway within, a passage to the center which is both dark and light. Well, it’s light when it is opened up. We better move on.

bb:

To me, a standalone triangle, with point down, is a sinister figure, Hucka D. Here we have a green triangle to the extreme right, then a crescent more in the middle, and then to the left of the crescent [Crescent House] is a triangle *formed* out of crescents within the door you mentioned. 1-2-3.

Hucka D.:

Those are being born. The door is the womb. Monsters are born. The crescent is the father and the triangle the mother. Or visa versa. This is the warped King and Queen of Wiltshire.

bb:

Maybe this pair is the ones who do the hoaxed crop circles, Hucka D. The quote unquote babies are the same as parts of a crop circle, after all.

Hucka D.:

This is birth. Uncle Amalgamated Mess looks on, invited to the birth. He speaks to his brother, Crescent, in hushed tones.

bb:

I wonder if this could have something to do with the Biggie Fish of Second Life’s Blue Feather Sea, Hucka D.? The monster at the bottom looks like a fish, a whale perhaps.

Hucka D.:

The Crescent and the Uncle don’t really see eye to eye.

bb:

So here we are at collage 06, unless you want to talk more about “Monsters”.

Hucka D.:

No, not now. Put your picture up.

bb:

This one’s called “Temple Dors”, and to me it begins to resolve the problems we find in “Monsters”, or the dichotomy between the perfect Rockley and its New Pietmond and the imperfect, in comparison, Cherhill/Highway.

Hucka D.:

Just Cherhill will do. It all revolves around the Crescent House. In Baker Bloch in England we couldn’t stay there because the owner returned from London. Luckily you found the King just outside West Woods, leading us to Hackpen Hill and Rockley behind it. And in this collage here, we have a similar return to Rockley, for this is a rental house there. We see the association with New Pietmond through the rock stackings in front of the house — actually there. Then you augment or reinforce this stacking through additional, more linear stackings found in Marlborough pictures. This actually comes from 2 pictures of the same Marlborough totem, a front or light side and a back or dark side. This is obviously the pillars Boaz and Jachin. But the thing is, all the pictures I’ve spoken about so far, the Rockley house and the 2 of the Marlborough stacking, are overlapped using the same upper right corner. It just so happened if you aligned the 3 corners and removed the Marlborough rock totem from its original pictures and placed it with the temple house, it acts as the 2 pillars. This is more Accident, then. And then the word “Accident” appears on the porch of the house through the reappearance of Ingor and the altered “Introducing Lemon” album cover already seen in collage 02.

bb:

This has a lot to do with the Sgt. Pepper album cover, Hucka D., and the obvious association The Beatles or someone directly involved with them wanted to make between this cover and the Temple of Solomon. There’s an extremely interesting series of posts about it here, Hucka D., that I need to re-read.

Hucka D.:

You can do that in a moment. So Baker Bloch is in the middle of his Temple of TILE labyrinth looking toward the house — another temple, then. New Pietmond fuses with Rockley for real this time. The answers to the labyrinth, and to TILE as a whole, are through the temple doors. Temple Dors.

bb:

And that’s the next picture, then, called “Marge Refound” for now at least. Ringo — Ingor — and his twin are using the house as a teleporation devize, apparently.

Hucka D.:

Device.

bb:

They’ve gone to Glory Ann Pond, which I used because I just liked the image of. But then I found a[n apparent] connection between it and the Knight’s Templar people who use to own the land at Rockley, Hucka D. I describe it at the bottom of this page created about a week ago:

https://bakerbloch.wordpress.com/2013/01/27/if-this/

Hucka D.:

What is being seen here? This is The Kniks again, or 2 of the 4 heads of the members. 3 heads appear in [the front of] collage 02, and here we also have a triangle of 2 heads and a third which probably should be the 3rd head again but isn’t. Instead we know this is the beech grove known as Marge, who also has a big head like The Kniks, or she has very tall hair at least [smile].

bb:

The way into Marge is the key.

(continued in Gila Interpretations/Associations 04)

2 Comments

Filed under collages 2d

February 5, 2013 · 11:23 am

Here’s what’s happening:

The rather peculiar shape of the Gila series with its 00 and 11 “extra” collages has at least partially resolved itself, with Gila 11 instead becoming Latona 00. Yes, it looks like, as with the case of the Wheeler and Jasper series before it (and the matching Yale and Newton series several years before that), the Gila series is going to be twinned with another series called Latona, which is yet another upper Jasper County, Illinois town name. I’ve already created the rough drafts of Latona 01 and Latona 02. I’m creating collages at more of a rapid pace than ever! I see the Latona series, like the Gila series before it, lasting about 10 collages, or Latona 01 through Latona 10. Also like Gila, all will be based in Wiltshire, and not the Lake District as was the case with the earlier Art 10×10. Eventually, even, I see all this creative thrust turning into some kind of animation state.

bb:

Hucka D., I know we’ll probably talk later today about the Gila series again, but I just wanted to see if you had anything to add here.

Hucka D.:

Just keep on keeping on!

bb:

Thanks. (pause) Together they will be “Gilatona” and not hyphenated this time like Yale-Newton or Wheeler-Jasper.

Latona 02 tests

TEXT SOON.

Dew Pond Singers (TEST).

New Something

New Something

1 Comment

Filed under collages 2d

February 3, 2013 · 11:37 am

New Pietmond — What Remains (etc.)

As of this writing New Pietmond is no more — for now. I abandoned all Second Life land and returned to a (free) basic membership. Hated to give up the land, but I could tell I wasn’t going to do much with it in February, especially since I’ve now completed (apparently) the Gila series, which I’ll continue to analyze today, hopefully. I tried an experiment on a super cheap parcel in Sansara Snow Land before giving up premium, with interesting result. I’ve kept a record of my brief sojourn there in the first photo below.

Here’s a last shot of New Pietmond. Already in this picture I’d deleted half the town, however.

What I *still* have in Second Life, among some trifles here and there, is this Rubi gallery called “Wiltshire Virtual”, that contains the Gila series along with the Baker Bloch in England exhibit. Seems like a perfect location for it.

There’s a good chance I’ll rent land next to the snow land seen in the first photo. Interesting neighborhood — cool, virtual site. If so, I’ll be at about 20 dollars a month instead of close to 50. At the very most I would have kept New Pietmond around for another month so it was soon to go anyway. Just decided to pull the plug now and put it out of its misery. But I’m not finished with Second Life, and New Pietmond or the equivalent may return later, perhaps this summer. We’ll just see.

2 Comments

Filed under **VIRTUAL SL, collages 2d, Heterocera, Rubi^, Sansara

February 3, 2013 · 10:22 am

Gila Interpretations/Associations 02

(continued from Gila Interpretations/Associations 01)

Hucka D.:

Paul does not appear where he should be.

bb:

But it’s Herbert, again.

Hucka D.:

Good you found that out. We’ll talk about that later more. So from Uffcott and only Uffcott as far as populated villages go, we have the 3 sisters as equidistant. This is your saucer, your UFO.

bb:

Back to the collage “King Tull”, then: above the sister to the left — this would be Selma — is the Power Tower of New Pietmond, just deleted from that location tonight Hucka D. I’m attempting to downsize in Second Life again.

Hucka D.:

Good.

bb:

Then atop the middle sister — Patty — we have the very top of New Pietmond’s Tower of A. Mann, also now deleted.

Hucka D.:

Great.

bb:

And then above the final and perhaps most important sister to the right — Marge — reappears the central ring of collage 02 [ Ring_O], but this time apparently held in the mouth by King Karb — that’s actually Brak — and also with the diamond fully illuminated now. The proposal game is on, Hucka D. — Karb is proposing to, well, someone, hopefully his Queen.

Hucka D.:

He’s proposing to you. He’s proposing to Uffcott which is you. Uffcott is where the crop circle proposal was found.

bb:

Then the “strange” farming contraption to the right of “King Tull” is also the same as the king — we know this because it covers Marge in another photo from the region. I liked it for that and also the fact that it looks like it has eyes. King Karb’s eyes are very distinct — should be sinister and unattractive but they’re not.

Hucka D.:

The farm equipment is owned by the man who let the people into his field to create the wedding proposal crop circle people. The Satan Team I believe they’re called.

bb:

King Karb kind of turns this around and makes it humorous. And I think he’s inviting his Queen to live with him *behind * the sisters — this is an important thing — where Rockley is. We know from the Baker Bloch in England exhibit that Rockley is the place where this King and Queen then live, and where Baker Bloch and Baker Blinker and *you* perhaps still reside.

Hucka D.:

I am there.

bb:

In collage 04, called “Marge Eclipsed”, we move behind the 3 Sisters now to Rockley itself, which has become strangely confused with New Pietmond. Virtually speaking, I’ve thought of re-creating New Pietmond in Rockley using GoogleEarth modelling… even downloaded GoogleSketchup to my computer.

https://bakerbloch.wordpress.com/2013/01/22/heightdepth/

Hucka D.:

Wouldn’t work… can’t go inside like the real New Pietmond.

bb:

Correct. So this one has Marge herself from The Smipsons, har, and with her face eclipsed, as it were, by a passing sunfish, blue like the color of her hair. Marge here is the same as the beech grove of trees pictured in collage 03, King Tull. It’s like the top of her beehive hair forms the beech grove in my mind. We are *behind* the grove here, instead of in front as with the collage just before this one. We are looking from the Rockley direction instead of the Uffcott direction. Marge is front and center now, uniting the heights and depths of Second Life’s New Pietmond. Her head joins the various skyscrapers of New Pietmond, and actually overlaps one — Kidd Tower.

Hucka D.:

Pine Apple

But it’s *Herbert* that’s not where it should be. Like Frank Herbert, and representing Frank Park. The Saucer belongs to the Frank Park aliens. It is their Forest Home. (pause) Herbert should be miles and miles away in Conecuh County instead, nearer Paul. I don’t think Hucka D. is going to help me with this one. It must relate to Dune’s Pain Box just brought up in a post composed earlier today. Let’s see…

The first Herbert is in Conecuh County but not on the Forest Home topo map, which instead covers part of neighboring Butler County to the northeast. The distance between the Herbert indicated in GNIS in Butler County and the actual Herbert in Conecuh County is about [appears to be about 20] miles.

The wrongly located Herbert appears to be “on” Pineapple Highway, and pineapple came up in one of the more unfunny jokes of The IT Crowd episode we watched last night, which kind of stood out because the show is so funny overall. It concerned pizza with pineapple topping. Could “pineapple”, then, be another clue. I automatically think of SpongeBob SquarePants’ home under the sea, not a forest home but a sea home, and SBSP is sort of an alien, I suppose.

(Is that Master Shake in the background?)

Saucer is also on Pineapple Highway (in reality this time). Odd name for an Alabama highway… don’t think they grow pineapples there.

Hmm, turns out there is an actual town named Pine Apple that this highway leads to from Saucer. Cute… both a Cherry St. and a Banana St. in the handful of town streets.

That’s the only Pine Apple or Pineapple pop. place in the US.

http://en.wikipedia.org/wiki/Pine_Apple,_Alabama

So add this town perhaps to Apricot, Washington as fruit villages of blogg’n significance. Interesting perhaps that one of two noted residents of Pine Apple listed in the wikipedia article is Fred *Cone*, like a pine cone. I think of the many pine cones in Little Witshire, Frank Park here. Fred Cone was a former NFL running back for the Green Bay Packers and Dallas Cowboys. I also think of Herman Park here for obvious reasons I won’t divulge. I further think of *Cone*cuh County and the actual location of Herbert, Alabama.

Hmmm.