… can do that.”
bb:
12 hours later, but same topic or topics.
Hucka D.:
Your neck will heal — sprain. Don’t worry about it. But stay away from the home computer a bit. Work downstairs.
bb:
Thanks. Maybe another carrcass.
Hucka D.:
Yes. And hiking. You still need to hike. Walk up mountains… walk through the woods and not on the paths.
bb:
Falmouth Stage 1 is finished. Let me look…
Hucka D.:
I’ll look with you.
—–
bb:
I like the way the Man/Woman is patting the central red haired lady of Falmouth 01 on the shoulders. It’s a sweet collage instead of a scary one, when I had the Max Ernst material added in (since removed). Edna and I both tend strongly toward sweet things.
Hucka D.:
Pat on the back, but maybe also like, tag, you’re it. Or they’re the same. On the other side, this Man/Woman likes rules, but if you’ve read one rule haven’t you read all the rules? Obviously related to R110. Why is her hand left on the top of the building above Mouse and Shark? Is it the same as The Hand of the series? Maybe. And what of the Shark… he’s the Prez according to his sign. Is he the same as President R. Booger Hayes? Seems to be to me, and to you.
bb:
Yes.
Hucka D.:
I’m talking about Falmouth 03 now, yes. So this follows up on the hint you had when we spoke to Hayes earlier through this blog, when you realized he reminded you of the bad guy in SID’s 1st Oz: Dr. Worley of the asylum[ who tried to fry poor, confused Dorothy’s little brains]. In SID, Worley is directly compared to a shark. (Hucka D. sings here:) “Was that fin on the back part of the deal — shaarrk.”
bb:
Nice voice. Almost like a recording.
Hucka D.:
Ethel taught me that. So Hayes comes out of the suit of Hayes as a sunfish — Lucifer — Venus. Venus and Mercury together. You see?
bb:
Yeah, I think so. A bit.
Hucka D.:
So…
bb:
So the shark reference in “Death on 2 Legs” from SID probably points to Ozmo’s Shark.
Hucka D.:
Yes. To continue: Shark and Mouse talk of corndogs. Shark doesn’t like corndogs. Remember that Hayes loves corndogs.
bb:
Doesn’t make sense.
Hucka D.:
Then the corndog is up on the roof, perhaps out of Mouse’s reach. It’s encircles by twelve red triangular thingies. This is the 3rd iteration. There is no true 4th iteration. This is also the 3rd collage of Falmouth. Debate will occur, however, about this instead being “merely” Lis 10, an extended production. But we here must treat it as Falmouth, the 4th [Lis being the 3rd series of Gilatona-Lis]. Each collage of Falmouth is self contained while at the same time lending its meaning to the whole. 4 collages total. Falmouth. So the 12 red triangles are like the 12 numbers on a clock, or 12 hours of the day, times 2. Clock is just above the triangle to reinforce this, or causes the inference in the first place. Still okay with the typing?
bb:
Yeah. So far.
Hucka D.:
As you pointed out, there’s a hand on the roof, along with the corndog. It juts from the outer part of the talk bubble. This is Shark speaking, then. Shark in Ozmo describes the found Hand as a record to Mouse, and that he should spin it. It’s Shark’s record. We know from Carrcass-1 that this record is Powerman. Spinning a hand is like a clock hand spinning around the hours, if they’re going fast enough.
bb:
The hand is like a clock hand, yeah.
Hucka D.:
It’s on 4, but that might not mean anything. The corndog is almost like the hour hand of a clock, while the hand itself is the minute hand perhaps. Or even the second hand. There was a second Hand in Ozmo?
bb:
Not sure, Hucka D. There was a second Eye.
Hucka D.:
So this whole episode is connected to what’s happening in Latona 03 04, which we’ve already examined. Mouse plays for the Sound of Music children there — is this before or after the current scene where he’s interacting with Shark?
bb:
Could be either — another Wilson-Wheeler conundrum. Shark, I mean Mouse perhaps plays Shark’s record to the children after the meeting. Or before. The courtyard that Shark and Mouse are speaking in here is just behind — on the other side of the street — the guitar wielding Mouse in Latona 04. Or Latona 03, however you’re counting it. The Sound of Music children reappear in Falmounth (02), reinforcing that this is part of the same overall time event. But in Falmouth 02, the children are distracted by a rock seeming almost to cross the road to the north. This is the Rockley crop circle rock, found in The Barge. And to further this, there’s a lot of Barge imagery in Falmouth 01, circling back clockwise. There’s a croppie beer logo stuck to the front of the Red Lion pub this time, and then a UFO and also a white horse (Alton Barnes’) from a Barge promotion poster on another of their buildings. The Barge has truly invaded or taken over the perhaps rival Red Lion pub. This is because the actions of the red woman, as we’ll call her.
Hucka D.:
The Red Lion herself. No eyes, but at the front counter of The Barge. That’s the link — she’s in the parking lot of the Red Lion pub in Latona 03 04, and still is from another angle in Falmouth 01. All that is part of one overall time event as you said.
bb:
This is the Red Lion that the man/woman is patting on the shoulder, to get back to our origin point for this particular post.
Hucka D.:
But you’ve given the Red Lion eyes, I see. To see. This is the same as the resurrected being in Lis 09, the collage coming before this in the overall series. It’s the same eyes.
bb:
Well, her *left* eye is the same as the right eye of the resurrected guy in Lis 09, yes. And this is Chrissie of the Jelly Fox crew, the chatty one.
Hucka D.:
The right one is a swan. That’s a black hole, baker b. Cygnus X-1. Good investigating work, baker b. Of course we planted it there at the east portal of the old railway tunnel for you to find.
bb:
The Red Lion woman knows about the black hole that engulfs the Dr. Who figure of Latona 03. She watched it form on the top of the Red Lion pub, traveling along its roof. The perfecting circle. It…
Hucka D.:
Hold on, baker b. Someone just came in the door. An alien.
bb:
Where? There?
Hucka D.:
There is here.
bb:
Do you have to talk to it? Do we need to pause?
Hucka D.:
Yes.
—–
So I’ll just talk to myself while Hucka is busy with his guest. The resurrected being in the Alton Priors church — where would he go? I think he would head to The Barge for a drink. Get a croppie. That’s what Falmouth 01 indicates. The man/woman touches the Red Lion woman to indicate that he or she remembers all lives, male and female. She is androgyny. Saucer on the roof — Saucer, Alabama forms or indicates the circumference of the Forest Home circle with Forest Home as the central dot. The croppie perhaps calms her nerves. The red hair parts around what seems to be a mouth. She wishes to talk.
—–
Hucka D.:
I’m back. That was the Red Lion woman paying me a visit — listening in again. She said you can go back to Rust Spot now, but don’t use the material there for a toy happening. But you’ve found other toys to play with in the meantime.
bb:
Some, Hucka D. Bottles. Can’t decide where to talk them to Methril or Epsi, or some other place.
Hucka D.:
Back to Falmouth — sorry for the interruption. She said she’d come back soon.
bb:
Was she nice?
Hucka D.:
Seemed to be. Said she wasn’t alone, and that she had to get back to the Forest Home.
bb:
In Falmouth 01, the Red Lion woman reinforces her association with the Red Lion by standing in front of the logo. Her head obscures the red lion on the side of the building.
Hucka D.:
The Red Lion is central. Avebury is central[ to Gilatona-Lis]. How are we doing?
bb:
Pretty good. The hand in the sky this time helps to knit two part of the picture together. Blue skies. But it also acts as a double for the man/woman’s hand patting the Red Lion woman. This is probably the most important collage yet in Gilatona-Lis, Hucka D.
Hucka D.:
Yes. Then on the opposite side[ Falmouth 03] we have the woman’s hand again, coming out of the chimney and associating this house with the Avebury house just up the road, seen in Gila 02.
bb:
Seems like a long time ago when I created that picture, Hucka D. But only 2 months ago.
Hucka D.:
This house is that house. That’s the house of The Kniks, after they became a variant band. It’s Ray Davies’ band after all. They tried to form Apricot Bone but all they got was Village Green P.S. Apricot Bone instead became something else.
bb:
The spinning record itself which is the same as The Hand is that single Dead End Steert/Big Black Skome, Hucka D. That’s how they became a true, variant band.
Hucka D.:
It will take a lot of talking to Ray to convince him that the variant band is a good idea. But once he swings around he will be a best ally. You and he are much alike.
bb:
Will Ingor Ratts talk with him?
Hucka D.:
Yes. How’s it going?
bb:
Still fairly good.
Hucka D.:
Then Falmouth 02. What’s happening here?
bb:
The children from the Sound of Music are now fascinated with something else in Avebury besides the guitar playing Mouse from Ozmo, the namesake mouse. This is a rock depicting a Rockley crop circle, again found in The Barge.
Hucka D.:
Red Lion woman placed it there. But I see now it has a hole in it. A triangular hole. Is this the blackhole?
bb:
Not sure, Hucka D. Could be the same blue lined triangle that Baker Bloch is seeming to mediate upon in the foreground. It’s pinned or glued or sumtin on the brick wall in front of him.
Hucka D.:
He’s mesmerized by the triangle. It is his reality. But then the rock comes — huge. Making huge noises. Crosses the road. Baker Bloch looks up and realizes the world is going on around him. Bart Smipson is staring at him with an arm of his sister. President Hayes is smoking Marlborough cigarettes on top of a car to his right, with another cartoon arm. This is the arm of the aunt, or perhaps the sister’s all grown up. The Sound of Music children also watch the rock, Baker Bloch notices, probably for a while. It perhaps is spinning, just like Shark’s record should be spinning. Rock music — spinning. Perhaps this is the album or record, baker b., that Shark speaks about in his speaking bubble. And then Baker Bloch realizes he’s sitting at a corner of another, larger triangle formed by separated red sticks or poles. He sits on the edge of a road, perhaps in danger of being run over, especially if he topples backwards in his grogginess. Why does the chichen cross the road?
bb:
Then the Rockley cabin with the Big Chimney is to the right of Falmouth 02. With a Rockley white horse, now extinct, near the bottom of the chimney. Almost like it can gallop off the chimney and into the surrounding fields.
Hucka D.:
It can. We better end soon. Bart is the same as Lisa, or a generative form of Lisa. Their love keeps them bonded. But Bart has stolen Lisa’s whole arm. This is like your US of A chopping of The Mighty Boosch for stateside consumption. Fielding said it was like chopping off your child’s arm [the way “we” edited it down]. They want to make a fossil of Bob Fossil. He’s too effeminate. So this is what your President Hayes’ US of A did to another fine British import. Like The Beetles before them. Like the Kniks. Yet they gave us The Smipsons.
bb:
Thank you Hucka D.
Sunklands 