“Hucka D., I found a new creek today. Or realized its importance after knowing about it before but passing it up. This is *Falmouth*.”
Hucka D.:
Yes it is. And we better get back to the Falmouth collages because of your neck. Good you read that last post over again before starting up here.
bb:
We were on Falmouth 02 — the Rockley rock in the background, on the edge of the Avebury circular ridge on its northern side…
Hucka D.:
Direction of the Kniks’ house from the center of the village…
bb:
Yes. So the rock perhaps doesn’t spin, but it’s still a rock, like rock music… like Shark’s record of a rock song or rock album. This is the hand Mouse finds in his freezer (but which he doesn’t have to get on his mousie tippie toes to see, hehe), and then says it’s a record and he should “spin it.” But internally it is symbolically spinning because we have 3 circles around a central triangle on this rock, as we’ve seen before in Gila 05 and also Latona 05. In Latona 05 it seems to have pinned down a hand itself.
Hucka D.:
Yes.
bb:
And then in Falmouth 02 we have more arms, because in Latona 05 we are dealing with actual arms and not just hands…
Hucka D.:
Yes, 2 arms in each.
bb:
Bart in Falmouth 02 holds his sister’s arm, apparently, after she attempts to hug and love him[ in Falmouth 04].
Hucka D.:
There is no real before and after here. We’re talking about Avebury after all, the center. The Center. It is before and after and the all all at once. It is in all 4 collage series of yours.
bb:
Okay, no before and after. I understand that. I think. At least in principle.
Hucka D.:
It all goes in a big circle here[ meaning Falmouth is 4 collages that go in a circle, with no end].
bb:
2 arms, then, in Falmouth 02. Bart has one, and then the other belongs to Hayes riding not in a car but on top of a car. He’s on top of his[ malevolent] game?
Hucka D.:
He has Patty’s arm. Or Selma’s — can’t remember. He smokes her cigarette with her arm. This is a Marlborough cigarette. He is then A. Marlborough Mann. Like you will be for a brief period this summer. No backing out now!
bb:
Guess not Hucka D. I’ll be okay.
Hucka D.:
You’ll be okay.
bb:
It’s the same arm, however. Bart is kind of Hayes here. President R. Booger Hayes we’re talking about here. The same as in Falmouth 04. He forms an animation between the two.
Hucka D.:
Very close but not quite[ meaning he moves to the left a tiny bit when Falmouth 04 is overlapped with Falmouth 02].
bb:
Yes, interesting. I’ll have to think about that small movement.
Hucka D.:
So what doese it all add up to? You have a circle of meditators on the roof of the Red Lion Inn and Pub… circle is emphasized by the Forest Home circle with Saucer on the edge… there’s a saucer on the roof with the circle of meditators. This must be the Forest Home circle, then. As Glickman states, it’s a perfect circle [meditators] that forms in the center of the Silbury Hill Koch crop circle. This is also where the blue lined triangle from Falmouth 02 comes from. This is 02. This is the 02nd iteration of the Koch fractal crop circle visiting Silbury Hill in 1998. It’s mirrored in the blue sky peering through the hole of the Rockley rock, but the 3 triangles have turned into circles surrounding this one, open triangle. Same idea, however. At least to me. The Baker Bloch stares at one of the 2nd iteration triangle himself on his wall, meditating on his own. He is meditating but not part of the circle of 22 tiny human beings on the Red Lion roof. But they’re pretty close to him still. Then…
bb:
Then…
Hucka D.:
Then… we have 3rd iteration triangles, red lined this time, on top of the roof *opposite* the Red Lion in the Falmouth series. On the building or home across the road. You should rent it[ if you can].
bb:
Not sure I want to live *right* in Avebury, Hucka D.
Hucka D.:
Fair enough. The 12 3rd tier iterations become like the 12 hours of a clock, with a minute hand and perhaps also an hour hand. It’s probably suppose to be pointing to or indicating 2:22, like in the 12 Oz Mouse show and also the clock just above the roof, attach to the speaking bubble of Shark. Shark is telling Mouse all of this, then. He’s trying to tell him about The Clock.
bb:
In the background[ to the left] there’s that red shirted guy looking like he’s stealing one of the Avebury rocks again. He’s in Gila 05 as well, along with the Rockley crop circle that reappears in Falmouth 02. And, in looking at it, the monster at the bottom of 05, one of the Gila “monsters” of this collage’s title, Hucka D…
Hucka D.:
Yes.
bb:
… looks a lot like the shark in Falmouth 02. Another sea monster. One eye showing in each. In Gila 05, the monster appears to have his mouth blocked off by something. Like he can’t talk. Or can’t eat.
Hucka D.:
He is not ready yet to talk about The Clock. That will have to wait until Falmouth, which he knows is coming up but still is a long way off. So he manifests in preliminary form, giving you important clues that you are only now seeing or remembering. Because you are remembering backwards.
bb:
So the shared image of the red clad man walking through the 2 Avebury stones must be a key. It is remembering itself. It is talking and remembering.
Hucka D.:
Yes.
bb:
(pause) Oh, the children… the Sound of Music children — their postures mirror those of the Avebury stones to their right (!) They are these stones.
Hucka D.:
It seems to be so. The right child is the right rock and the left child is the left rock. And they watch a rock.
bb:
Whatever the red clad man is doing between these rocks — and here[ and also there, or Gila 05] he appears to be stealing another Averbury rock — that’s what the Rockley rock signifies in Falmouth 02. The rock he’s stealing appears to be about the same shape as one of the circles on the Rockley rock, Hucka D. It might be the central circle (!).
Hucka D.:
(!)
bb:
I also remembered that in “Father Fred” the clock Syd Barrett sings about becomes a rock in the synch. This is a direct link. I’ll put the lyrics at the end of this post.* I also think this is important because the rock-clock synch involves Smipson’s video… “Lemon of Troy” to be specific. This appears to reinforce that the clock here is a rock. I should watch “Father F.” tomorrow.
Hucka D.:
There is a direct link. That’s part of the big Table.
—–
* I’m screaming, I met you this way
you’re nice to me like ice
in the clock they sent through a washing machine
come around, make it soon, so alone
please, please, Baby Lemonade
Read more at http://www.songmeanings.net/songs/view/3458764513820560141/#BBr5u5AVzOB8G0Rr.99
Sunklands 