“So…

… we continue with an analysis of Falmouth, making this a sort of Falmouth Interpretation/Analysis 03.”

Hucka D.:

But you haven’t finished your Lis interpretation/analysis. Maybe you should create that tomorrow.

bb:

Right I’ll do that. I feel quite a bit better now I’ve established another base on a local creek which I’m also calling Falmouth, after the collage series I maybe have just completed in rough draft form.

Hucka D.:

Is the base Falmouth or is the creek Falmouth, however?

bb:

Not sure just yet. But I have my bottles at this base, along with a metal circle. About 30 bottles altogether. Very exciting.

Hucka D.:

About the number of your Gilatona-Lis collages. Or is that Gilatona-Lis-Falmouth now?

bb:

Probably just Gilatona-Lis, with Falmouth a hidden series at the top.

Hucka D.:

The 4th, yeah. We had bets about whether you’d reach that level this time.

bb:

Did you win any money off of me, Hucka D.

Hucka D.:

No… lost. Hehe.

bb:

Thanks for believing in me!

Hucka D.:

We’ll, it’s always a gamble. We’ve provided you with so much time. That’s not coming to an end, but it’s not at the beginning, either. You better get to Falmouth 01 again. As I understand you’ve figured out that the Man/Woman in the picture is the same as the man/woman in the Lis series, which we first see in Lis 02 in female form, then Lis 03 in both female and male form, walking together, and then in male form in Lis 03 04 where he meets Meet Shake, er, Meat Shake. Sorry… forgot you can’t see how I spell that. Meating Meet Shake.

bb:

Yeah. But now that’s Cygnus X-1… that’s what we figured out.

Hucka D.:

Yes, that’s another bet I lost. That you would find that connection.

bb:

Hucka D., I think you bet on me all these times you mention. How could you not?

Hucka D.:

Again, the time thing. Back to Lis, we have in Lis 05 the reappearance of man/woman as a woman, lying on the grass. This time she cannot walk, like Christina in Andrew Wythe’s most famous painting of the same name. This is in contrast to her female form in Lis 01, who is standing next to a gravestone and can obviously walk as well. In Lis 06 Lis 07 Lis 08 Lis 09, we do not have the woman or man clearly, but in Falmouth 01, there she is again in Christina form, and with the Man/Woman of 12 Oz Mouse to reinforce the connection. And probably the central Red Lion woman character is this same person, which means she is probably the same as the resurrected man of Lis 09, the ending collage of that series and the one that technically would come immediately before Falmouth 01 in Gilatona-Lis. Is that correct?

bb:

You know it is.

Hucka D.:

Pause.

bb:

The woman wears purple in Lis 01, then the man who is the same wears blue in Lis 02 where he is seen together with the purple clad woman, and then the blue man is seen alone in Lis 03 04, where he is doubled with a blue uniformed Paul McCartney — Marty. Then in Lis 05, the woman wears pink. So in Falmouth 01, the Man/Woman who is the same wears both blue and purple together. Pink is kind of a light purple here. So Man/Woman in Falmouth 01 wears the same two colors as the man and woman of Lis 02, to make this simpler. I’ll provide links later, but I’m looking at the 2 collages in 2 separate windows right now for comparison. It’s apt. The blue is a little lighter on the Lis 02 man than in Falmouth 01, and the purple is a little darker on the Lis 02 woman than the Man/Woman in Falmouth 01. Equals out, it seems.

Hucka D.:

But…

bb:

But the woman in Lis 04 is obviously staring at a Cygnus X-1 situation again, with the yellow McCoy representing an ordinary sun and the moon a swallowing black hole in this case. The swan in the background reinforces this, and it’s on a geograph line between squares SU061 and SU161. The Crammer is divided between the two, as Brian R. Marshall points out in his related picture captions — the 2 base photos of his I use and combine in Lis 05.

Hucka D.:

The insertion of Christina into Lis 05 is prime. As you might recall, I was initially opposed to this addition or change, coming, as it were, after the Lis series had been properly finished and sealed up and you had moved into Falmouth, or were about to. Christina’s addition lends itself… opens the door I mean to the Max Ernst influsion in Falmouth which is the wrong path to take. This would be additions from the painting “The Robing of the Bride”. The symbols are too sexual in that case, and against the grain of your style. You’ve pushed all that off to the left, as it were. Left it behind. Left behind. So eventually the Ernst material, borrowed directly from a famous artist’s painting just as Christina was, is left behind in turn, as you replace it with Man/Woman from Ozmo. This is the correct addition, and slots between the Red Lion woman and Christina who is also the Man/Woman perfectly. The Man/Woman pats the Red Lion woman which is herself on the shoulder to reassure. She is the center piece now. All emerge from the top or are perched on the top of that glass that contained the Croppie beer…

bb:

Her left eye, sorry right eye is the same as the swan with the eye in Lis 05, another smaller revision to that collage after Lis was seemingly over. And this obviously relates to a black hole, through the proven black hole of Cygnus X-1.

Hucka D.:

Soon crop circles will be proven in the same fashion. Croppies will be proven correct.

bb:

Christina seems to have learned how to walk again through the progression of Ozmo’s Man/Woman to her right, and then the tall, standing Red Lion woman to her right in turn. The right eye is the Cygnus X-1 black hole. The left eye is the Cygnus X-1 normal star, like our sun except whiter and larger. But a so-called normal sun still. The eye was found in the trapdoor more at the front of the Alton Priors church. Taking your lines again, most likely.

Hucka D.:

The eye was found in the trapdoor more at the Alton Prior church’s front door. Is there an echo in here? Oh, it’s only you. You and me. So the man in Lis 09 finds the eye in the trapdoor, which in our reality manifests as the eye in the sarsen stone actually underneath the trap door. All that revolves around this. The man finds the eye and it becomes the black hole star of Cygnus X-1. He now has two eyes. He can walk about again. He goes down to The Barge just down the path, the road, and orders a Croppie. Ummmm, good. Satisfying. Relaxing. Then he poses for your picture. He knows he’ll be in the collage because of that all seeing black hole eye, you see.

bb:

Maybe.

Hucka D.:

True. He realizes that The Barge is the same as the Red Lion pub over in Avebury[ several miles to the north], and that *that* could have been another crop circle watering hole discussion place. Another type of Croppie could be served there. But it was not to be. So the Red Lion woman/man decides to take action, and turns the Red lion pub into The Barge to teach it not a harsh lesson but a kind lesson. A gentle lesson. Christina turns her back on the collage — resulting collage. But in Latona 03 04, which timewise comes just before or after this, take your pick, the similarly clad Sound of Music children turn toward Mouse who is playing guitar in almost that same spot.

bb:

The theory goes that the Red Lion woman is the same as the red haired or wigged woman to the right here, actually present in the Red Lion parking lot at the time the Streetview cameras moved by to take their pictures for Google Earth. She’s also in the background of Latona 03 04. There we compared her to Amy Pond of the Dr. Who series, recently deceased in that series.

Hucka D.:

Spoilers, darling.

bb:

She was there at the Red Lion pub but she was there in The Barge. That’s one of the primary inspirations for the Falmouth series in the 1st place, this seeming impossibility. Does this red haired person just roam from Wiltshire pub to Wiltshire pub testing out the beers?

Hucka D. (flatly):

No.

bb:

She is the spirt of cropdom or cerealogy.

Hucka D.:

Yes.

bb:

She seems to emerge like a spirt from the glass formerly containing the Croppie beer. Which seems to be the same as the white car in the foreground.

Hucka D.:

R. Booger Hayes then rides atop that car in Falmouth 02. He’s on top of the white car, and Red Lion woman is on top of the white car. Smoking.

bb:

Should we end?

Hucka D.:

We should end.