(continued from Lis Interpretations/Associations 05)
So Hucka D, we really must finish up interpretations/associations of the Lis collage series. The series has been completed for maybe almost 2 weeks now. We’ve covered Lis 08 fairly well, which is about a creator and the bringing to life of his creations, at least in a partial way. Lis 08 has the 4 figures who seek the jelly fox in Noel Fielding’s Luxury Comedy in the foreground, and then Noel himself in the background with his eyes and his mouth. We know that the characters are actually finger puppets from the episode.
But we must move to Lis 09, which is the last collage of the series and what everything was seemingly leading up to. The setting is All Saints Church of Alton Priors once more, as it is in Lis 07, a definite companion piece. We switch away to Avebury for Lis 08 briefly, but are back in The Altons for 09. But because 08 is set in Avebury, now we have all 4 series of Gilatona-lis set in that village, Hucka D.
Hucka D.:
A center, as stated. In Lis 09, something arises from the tomb. Not Mr. Button, although he certainly did rise in his own way as well. It’s Chrissie from the Jelly Fox crew once more, who we see front-on in Lis 05, and then with his back to us in Lis 09. He’s the red one, yes. In Lis 09, we recognize him by his eye, only one eye true, but distinct because of the red outline still present. Yes, this is Chrissie. Little Chrissie I think he’s called.
https://bakerbloch.wordpress.com/2013/03/06/just/
Then we have 2 more identifiable Jelly Fox characters in this collage, or the smoothly green Spoon Snake to the lower left, and then the yellow, angular McCoy center right. McCoys is obviously an alchemical sun figure here — he overlaps a picture of the sun on the brass plaque within the church dedicated to Mr. Button. Shiny like a shiny button it is. Shine on. We must assume that Button symbolically is telepathic and shines, like the term used in The Shining movie.
bb:
Yes.
Hucka D.:
This gift probably goes along with him risen from the grave here. But yet there’s another seeming grave in the picture, but it’s really a trap door — one of the two that still exists in the church. Both contain sarsen stones. One of these stones has a prominent eye, which this article — if you will provide me a link — states could have been a peephole into a barrow burial chamber. Others claim that the church itself might have be erected in a now long gone ancient circle of stones, a miniature Avebury even. There is scant information about all this, however. We mainly have to turn to this collage for answers. Does it give us any? Well… McCoy still drinks from the multicolored drink, as he did in Lis 06. However, we know this is also a *shake*, specifically Master Shake, providing a cool white exterior as well, and also a single straw. McCoy then drinks from this single straw — all the others have gone away or at least do not drink from this drink any longer — the ones present in Lis 06. True, the green Spoon Shake still has a straw in the lower left part of the picture, and appears to be drinking. But his straw is not attached to the central shake drink — only McCoy’s straw truly is, and only he drinks of its wisdom.
bb:
The shake/drink is TILE.
Hucka D.:
Yes it is. The 4 colors of TILE, encompassed or circled round by a cool white cup now. We see the cup as if invisible, with the drink inside but still protected all ’round. This is like the Visible I. of Falmouth Creek, then.
bb:
Hmmm.
Hucka D.:
The motif of the straw is mysteriously echoed in the design on the [left] gate of Heaven where McCoy is found, but if you look closely, only in the back part. The rest of the design closer to our view in the perspective, resolves to circles within two lines. So the straw is suppose to be there, and is indeed as much a part of the plaque as anything else now. This would also be true of the moon outline image also carried over from Lis 05, like McCoy’s straw and McCoy himself (herself?). This outline moon, with dimensions unaltered, fit exactly on top of the moon on the plaque at this point. They are a perfect fit, mirroring the perfect fit of smaller picture into larger, overall picture of Lis 07, see?
bb:
Yes.
Hucka D.:
So this moon is definitely suppose to be there, along with the straw — along with McCoy. Now so McCoy must be drinking from something with his straw, so the drink must be there as well, and it has to be a combination of the white Master Shake along with the drink from Lis 05.
bb:
Here’s the original photo I used as the basis for this collage, Hucka D. It comes from this site…
http://roy25booth.blogspot.com/2010/09/shining-button.html
The first thing I altered about the base photo is adding the moon outline you mentioned, found in Lis 05 but also Lis 07. Now when I put that moon image onto the plaque in Lis 07, I knew the images were very similar, but I didn’t know that the size would be the same as the moon in this photo. So I definitely had my door into the collage [Lis 09]. And then McCoy’s face added to the sun’s or juxtaposed on top of it, was the quick and logical next step, since McCoy and this outline moon had already been combined in Lis 06.
Hucka D.:
Yes. My turn now?
bb:
Yes.
Hucka D.:
Then you had to figure what other of the Jelly Fox crew would fit into the collage. There was a green stain on the left side that reminded you of the green Spoon Snake and also its shape. So there was another addition. This stain is probably an oxidation reaction of the plaque’s brass surface. Perhaps where someone touched or brushed it with a finger. But you were just moving through the collage process at this point, spotting natural associations. So then you knew Little Chrissie, the talkative red entity of the group, had to be the same as the central figure of the plaque, this mysterious and shiny Mr. Button.
bb:
Yes.
Hucka D.:
So you tried both eyes in the back of his head at first, but then settled on just one, and directly overlapping the one eye we see of Mr Button’s from this angle in the plaque.
bb:
Yes.
Hucka D.:
So you had 3 of the 4 TILE characters of Lis 05 — the taller blue being, the one that just hums those 2 notes over and over when prompted…
bb:
Yes.
Hucka D.:
… he had to fit into the gap between the others, which is in the general area where the trap door was ultimately slotted in. Now like I said, this trap door is also found in the church — one of two, actually — but obviously it’s not in the plaque itself. But it looks natural there, no?
bb:
No. I mean, yes.
Hucka D.:
You knew the blue being had to fit in there, but didn’t know how just yet. So you focused on getting the straw to McCoy’s mouth again, and then inserting the drink over top of the top of the key [key head] in the plaque. Then when you seemingly got this right, you returned to the blue figure, and decided only to add his *eye* and inside that trap door. This is the same as the eye in the sarsen stone underneath one of the two trap doors. The blue being’s eye — does he have a name in the cartoon? — anyway, his eye becomes the same as the sarsen stone eye, see?
bb:
Yeah. I see.
Hucka D.:
Is this the other eye of the being who is arising from the tomb front and center? Then the last element added to the collage is the swallow figure, which is also an element of a significant crop circle that formed in one of the fields around Alton Priors and thus very close to this church. And this particular crop circle swallowed, as it were, a couple who were investigating the phenomenon one night. They met a UFO head to head in the fields. The UFO meant them no harm, but it had a job to do nonetheless. The couple and the UFO had made a prior agreement to engage each other. The woman has had added benefits afterwards. But in the short run they were scared. They had made close encounters contact. They were swallowed up into not victory — short run again — but fear. Like one of their eyes had been removed and they couldn’t gain a 3d perspective of the situation any longer. They ran. So that’s the meaning of the swallow in the collage.
bb:
Yes. Here’s the related article. Very interesting, and came up in a google search for this church, I believe.
Hucka D.:
And that’s about all there is to this collage. A very clean one, like Lis 07. We have moved beyond your Brian Marshall R. into something even deeper that he shied away from. Not shined away from. But this is a very clean, very shiny collage. The central figure then moves directly into Falmouth 01. We can move into an interpretation of that collage as well now, a fuller interpretation. For Falmouth 01 is the most important collage of Gilatona-Lis as a whole. We are dealing directly with the resurrected being and what he altered in the Avebury and surrounding landscape as a shiner.
(continued in Falmouth Interpretations/Associations 01)
Sunklands 