Falmouth Interpretations/Associations 05

(continued from Falmouth Interpretations/Associations 04)

“Don’t you think the triangle Baker Bloch is staring at or has just looked away from below represents the Summer Triangle?”

bb:

Could be Hucka D. The Bee.

Hucka D.:

In Falmouth 02 which you’ve just inserted above, Baker Bloch is also on one end of a [larger] triangle himself. Again this is the central region of the Koch Star [or Silbury Star] crop circle from 1997. But this is also one of the 2nd iteration triangle of the 4 part process Glick describes therein…

bb:

That’s Glickman. Michael Glickman.

Hucka D. (continuing):

Then…

bb:

Hold on, Hucka D. I just want to point out that Glickman, in that article, also states the diameter of the circle of meditators would be 0.222 of the circle containing the entire star. I’m remembering that the clock in Falmouth 03 has a time of 2:22.

Hucka D.:

Good to point out. So continuing —

bb:

The clock on the roof in Falmouth 03 and the circle of meditators on the roof in Falmouth 01 are the same.

Hucka D.:

Right. Now I’ve lost my train of thought. But thank you… good to point out once more.

bb:

Sorry.

Hucka D.:

The circle containing the overall star crop circle would be the same as a circle around the large triangle, or iteration 01. The diameters relate in the ratio 2:9. The Rockley rock engraving in Falmouth 02 is also related to the Koch star. More triangles — the 3 triangles of the 2nd iteration from that article. The Sound of Music children look on, as they looked on before (in Latona 03 04) when The Mouse was playing guitar, perhaps a song written for him by Shark, even. They are discussing the song, perhaps, in Falmouth 03. Is it about corndogs?

bb:

Not sure Hucka D.

Hucka D.:

Then the Big Cabin with its Big Chimney across the road from this rock — still in Falmouth 02 here — is branded with the Rockley white horse, since lost as it were. We know the location, though. It too is the same as the rock it seems. Perhaps they are companion rocks, even, like the 2 Avebury stones of Falmouth 03, on its left side. And then you’ve already pointed out the shape of the right child in Falmouth 03 mirrors the taller of these 2 Avebury rocks. So the other child, covered now by the smoking President Hayes, is the squatter, fatter rock. See?

bb:

Seems to be so, Hucka D.

Hucka D.:

If the chicken or Baker Bloch with chicken or *chichen* legs is crossing the road in Falmouth 04 to get to England from President R. Booger Hayes’ US of A, then the return trip back to Amereca is signified in the reversal of the rock crossing the road in Falmouth 02. The Rockley rock, travelling backwards now, becomes the Big Cabin, still with a Rockley horse on it to signify the association, but a US of A image still — this is suppose to be Hayes’ cabin on Mouse Island with its large chimney, which is attached to Masonic Mysteries now. You start the cycle over — you head back to the US of A and the grind dominated by the 2:22 clock with Shark present and you The Mouse again. It starts all over. But *now* you know you can escape once more. You see the other side. So you can deal with it better. And Shark understands as well. This is the main lesson of the Falmouth series, finally. And it all aligns with Deneb and Cygnus as Thom pointed out. Collins reinforces and reinvigorates. Bart with his arm — where you wear a watch after all — is telling Baker Bloch that its time to go home, back to his US of A and the daily grind. Now you must deal with the mysterious of the Big Chimney. Can you see?

bb:

Think so. Kind of.

Hucka D.:

The hand projects from the chimney( in Falmouth 03). Also in Falmouth 03 we have 2 picture elements coming from Frank/Herman Parks, specifically Methril on Thrill. More specifically The Diamond rock and then a moss formation that looks like a mouse eating some cheese (lichen). He’s liken it.

bb:

Clever.

Hucka D.:

So obviously the moss mouse is eating the cheese and is the same as The Mouse talking to Shark and attempting to interact with the corndog on the roof behind them. Has The Mouse taken The Bait?

bb:

Unsure Hucka D.

Hucka D.:

The brick wall( around the house) certainly seems to be a trap for Mouse, caught by Shark.

bb:

It’s the 8-5 grind again, Hucka D., dominated by a clock. The Clock. We’re stuck in 2:22 unable to reach 2:23 and freedom.

Hucka D.:

There is a separation of Prez and Mouse here. Shark is attempting to tell Mouse that not that he doesn’t like corndogs but he doesn’t like *county seats*, or at least 2 county seats in the same county. You know what this means.

bb:

I might Hucka D. 2 locations. The Shark doesn’t like two centers for the same department.

Hucka D.:

She/he’s going to have another go at it with New Guy. In Ozmo, New Guy shows up in episode 2 I believe. You can check that now if you wish.

bb( after checking):

He shows up at the end of episode 2, “Signals”.

Hucka D.:

A great episode. They’re all great. A fine product produced by your US of A, along with the Smipsons. And that’s about it. Zapple, Smipsons, Ozmo, Fire at the Theatre’s Side, couple grunge bands, Hooked On Phonics, and that’s about it. Oh… Igor Stravinsky.

bb:

I think he’s Russian, Hucka D. Although he lived for a long time in Los Angeles I believe. Schoenberg, his arch-enemy, resided there as well.

Hucka D.:

The Viennese Triangle, I remember. 12 atonals all. Latona — atonal. Do you think the 12 tones Schoenberg had to treat so equally to avoid key signatures has to do with the 12 hours of a clock and the 12 triangles on Shark’s roof? For this is Shark’s home in Falmouth 03.

bb:

Again: might be.

Hucka D.:

I think it is a black hole — this loss of tonality. You do not have a key signature. You have this blog, your creativity, yet you have a grind it out job. Edna is feeling it too — more than you. You must escape. You must re-center. New Guy.

bb:

Thank you.