Monthly Archives: April 2020

section 02 03

Linda Halsey finds a mirror in the Garden of the Goddess across the street from the bar, about equidistant from both her new and old Urqhart abodes. “Oh I look *hideous*,” she exclaims, not having seen her reflection in several weeks — since the move from old to new. “No *wonder* Marty doesn’t want to live with me any more. *I* don’t want to live with me.”

“Rhiannon!” she calls into the sky, hoping the Great White Witch would come down and save her from this condition. Like she did once before. “Rhiannon. I need you more than ever!”

A golden figure descended from the sky. Rhiannon.

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section 02 02

Marty never got that dye, at least this night. Linda had moved into the treehouse next to the bar to save money — couldn’t afford even the one bedroom house across the road now due to sinking her money into all those Corona-V’s. The lush.  Plus it was a shorter walk to the bar and a shorter stagger back home, she explained to hubbie Marty the next morning. I should also add that she used the bar’s bathroom for her business. “Maybe we should just move in together (again),” she suggested during her morning martini, temporarily forgetting about the deficiencies of Marty’s own bathroom.  “Where’s *Marty’s* martini?” she started asking irritatingly after a couple of deep draws, which didn’t set the stage well.

Marty didn’t want this. He had the freedom now to do what he wanted, see who he wanted to see. He was still married true, but…

—–

Barry X. Vampire paused here in his writing. So Marty is still married to Linda, he thought, but they’re kind of estranged, even though they live in the same sim. And Marty is pining for former bar employee Cathy Love Peace Hippie Child, the one who stepped in the doo out back and is also unable to give Marty his old doo (hair) back. He tapped the No. 2 Kendal pencil lightly against the two manuscript pages he had typed tonight. And where was he? we must ask (to continue setting the stage). In the Centre of It All? But that’s where we’ve seen Olive of “Olive Green Pink” fame. Is Barry’s book *that* book? Oh… something is happening in the present in Urqhart as Marty and Linda begin stirring about. She’s in place for the Big Reveal — better head back.

—–

“Just over there,” she explains further while pointing through the slats of the upper deck’s fence.

“A ball park?” exclaimed Marty in disbelieve. “Out in the middle of *nowhere*?” So this is the big change he was warned about. By Barry (Barry?).

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section 02 01

So I’ve killed Arthur Kill, ruminates Marty at his home in Urqhart while watching the full moon revolve atop Urqhart Hill. No extra “u” you’ll notice this time. But someone will have to fill his timeline over in Kraken Storybrook, hmm, he ponders further. I better get over there and set the stage.

But first, someone else has to “die”, hehe. Dye their hair that is.

—–

If only I had a bathroom with a mirror, hrmph.

Better get down to the local bar; see what changes I’ve wrought with the death of my former top assassin. Maybe even (murdered) Cathy Love Peace Hippie Child has returned? That would be kind of cool.

—–

No Cathy, just Linda, the old ball and chain. Oh well, at least she can dye my hair for me.

“Your place or mine?” she slurred, half talking into her 4th Corona-V tall stout of the night.

“Yours.”

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section’s end

“Golly,” the Loch Ness Monster said when surfacing and checking the name on the train station. “It *does* have an extra ‘u’, hmph. I’ve been wrong all this time!”

And observing Arthur Kill up on the hill lost his life because of it, *pop*!

“There,” said lego Winfield 5 to husband-wife and fellow lego Winnie, smoking gun in hand. “That should do it.” Both watched the body continue to tumble down down down toward the Urq*u*hart Castle.

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red chair 02

“Linda, I’ve decided we’re going with Legos for the next album.” Marty turns in his chair. “Come on in boys.”

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fixing

The wrong Baker Bloch has moved on. Peter then manifests the hole in the plot physically in Sanderton. “A *rose* would help,” he says while energizing the situation, as he can.  And so he becomes one. Peter Rose — Peet Rose. An Old Red Star. Back to the past we go. He moves within.

Sorry, he’s having a little trouble.

—–

He – moves — *within.*

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red chair

Baker Bloch eats alone in Sanderton. He knows he’s at the end of his rope. All he has left is improvisation.

The lag meter is low today. He can invite someone else in to dine with him. Who will it be tonight? So many to choose from.

But he decides on Axis, since he knows he should enter the current story sometime but hasn’t yet. Might as well get it over with. They switch places for a particular reason, one with the other.

“How’s Venus?” he begins about Wheeler with her new name, her new doo.

“She’s all right tonight,” spoke Axis levelly. “Mars too.”

“You, then.”

“Um. Yeah.”

“And you are Peter as well, Axis.” He indicates Axis’ outfit with a nod of his head while still eating his cherry pie that’s he’s moved across the table with him. “The Tron thing and all. Seems you are *stuck*.”

“I am,” Axis replied plainly, continuing to stare. He hadn’t rezzed any food. He didn’t know how long he would be here. Needed to get back to Venus…

“I’ve been seeing Hucka Doobie myself.”

“Oh?” From Axis’ surprised look on his face, Baker Bloch knew what he was thinking.

“No, no, not *that* kind of seeing.”

“Oh.” The tone was flat now.

“No, we’ve been talking about the plot, the paper or papers it is written upon, and the holes therein.” He takes another bite, cleaning the fork as well, per usual. “Thought — well, thought you might have some thoughts on it tonight. I’m, er, (bite) kind of at the end of my rope.” He pondered the elephant again just around the corner, and the various parts.

“Follow your nose,” Axis said, then disappeared.

Baker Bloch took a couple more bites before uttering, “Well, that was a lot of help.”

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surround sound

“I’m worried Hucka Doobie,” spoke Baker Bloch to what was obviously his closest confidant these days, with Baker Blinker over the hill and far far away back in Chilbo with Karoz. He points to the newspaper with the missing piece.

“This plot is more full of holes than a Swiss Cheese Mountain in Ant Town.”

Hucka Doobie looks over at him with, love? She is more aware every day that he is the one. The chiseled face, the sloping debonair hat that originally came from a Rhinestone Cowboy. The leftover traits from his father Spaced Ghost, including the power bands and the, well, she’s heard rumors anyway.

“Listen to that music from the gramophone,” she said, trying to distract. “It’s called — ‘Melancholy’. Originally etched on a 4×4 magic square but in 1961 committed to a round piece of wax and released to the world. 365 singers for 365 days. And those *bells*…” She listens again, lost in a trance. Nap time, like when you meditate but can’t shut off your thoughts.

“It’s very nice, Hucka Doobie,” Baker spoke plainly in his announcer-like voice, just made for a tv or radio show. Just like his dad. “But we have *problems*.”

Hucka Doobie looked at him again. No love in his eyes for her. She knew the rumors to be false, perhaps started by Wheeler herself, the *bitch*. No, she must think peace and love and happiness thoughts. Like the Tibetans she’s been so engrossed in lately. That music — so soothing. She’s almost cutting the z’s again — but, *no*, she must stay alert. She stares at Baker Bloch once more. No reciprocation — yes, that’s what she was thinking about. Then the bells start…

15 minutes later, Baker Bloch was staring at her through the hole in the paper when she awoke. “*Now*?” he queried.

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hogwash

After that horrible scissors accident the local police are still investigating wiped out both his parents, SEAN “Green” Penn inherited the beach house and made it his own. For one thing, he painted it green to match the color of his perpetual outfit. He was a 28 year old black man with rheumatoid arthritis developing in his back and neck, but gave the appearance of a 15 year old white boy with developing acne to acquaintances and friends. The *green* was always a constant, though, framed by this house. The house makes the boy/man makes the house in a repeating, reciprocal action, like yin and yang but with no opposites involved except that pitting flesh against wood. Each night he slept, they — structure and body — exchanged energy, paint for clothes. One day he might wake up with the body of the house and the house that of a body but it would be far in the future, if so. These things don’t work that fast.

So his parents died, he inherited the house and made it his own. So what about the white/black part, the dichotomy he presented to first himself and then the world? It happened on August 8, 1988 in a town called 88. He woke up calling for his ma. “Mom, mom?”, and then he remembered the accident, the scissors, the *horror*. Never, *ever* run with scissors, but it was more than that. (Yes,) *mother* approached father with scissors held high.

“I will stab him,” she said aloud. “He has chosen to be the voice of evil and I will kill him. When I have killed him something will snap within myself and I will die also. It will be a release for all of us.”

But this wasn’t right either. That’s just a quote from that book everyone is talking about these days. “Winesap,” but with a twist of the bitter apple. It involved the game of rock paper scissors that every Our Second Lyfe avatar can play, large or small, old or young, black or white. Rock beats scissors because it can bang them into submission, but paper beats rock because it can cover up the past, which scissors can then expose through snipping. And so that’s what we’re doing. Making a hole, perhaps one for an Ant.

—–

SEAN’s Aunt Bee wakes up suddenly and with a headache, clipping still in hand. She recalls the past.

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observers

“The Man(n) is not coming tonight, Charlie. Still — I’ll keep an eye on SEAN’s Southside Bay residence for signs of change.

Change, thinks Charlie Banana behind her, just finished with one. She’s *white* now and she talks of signs.

—–

“He’s got a boat, Charlie. A row boat.”

“And he’s heading right toward us!”

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