“We’ll give it another shot, baker.”
“Yes. We understand that we didn’t get to the point in Uncle Meatwad that Spongeberg the Destroyer did in photo-novel 1 where he became convinced of the alien influence.” She recites this sentence robotically, pronouncing each syllable crisply. Rehearsed. They were trying to encourage me, not discourage like last night when they sat on the couch beside me and we watched the syncs together, the 2nd half of Pretty Bunnies and then the 1st part of Uncle Meatwad, well, almost the whole 1st part (of 3). Not quite to the “Egypt” cue that convinced Spongeberg going on 5 years ago now. A long time! Yes, they were trying to help, of course; understood the small misstep as guiding spirits. They know it’s hard enough for me without any support outside my trusted circle of the wife and one or maybe two other friends. The brother wouldn’t understand for sure. And that’s *my* problem to still deal with, that whole family issue. I must make peace.
“You have to understand,” Toothpick/Filbert began again, “that *we* created (a lot of the source audio). We are not the most objective judges.” He looked at Elberta; Elberta, his now blonde bombshell of a sister-fiance, looked at him. Camping came to mind this time in their still synchronized brains, another test. “And Lynch — I know what’s on your mind — will come around too. Right Pencil?”
They all looked over, but the entity properly known as Eraserhead Man in this here blog, hand behind head, wouldn’t commit to a thumbs up or thumbs down. He remained unconvinced like them. It was his creations involved after all. Same issue.
“But the maps…” I argued. All nodded here from their respective positions around him, indicating that maps were a different thing and separate from the audiovisual synchronicities. But they weren’t. Unified Field Theory. The Diamond. Heck, The Diamond is clearly coded into Billfork for X’s sake.
The hole couldn’t be made up. The hole between the synchs and binding them together existed. Hellmouth!
“I will still fight for the importance of the Piera, the run of synchs (I explained further) between Billfork and Uncle Meatwad. The period of 2004 through 2007.”
I realized a major influence was missing. Wasn’t me. This was pre-Carrcassonnee. Maybe, maybe…
“Let’s look at the rest of Uncle Meatwad.” All agreed to this as well.