Tag Archives: Toothpick/Filbert^*~~~~~

male

“Where’s the rabbit?”

“He’ll be up shortly,” Toothpick answers Supper Man. Both are getting married in 1-3 weeks. They have to decide what is first and who is marrying who. The latter should be easy.

“Dinner Girl wanted us to meet again, have tea. She thinks we can help each other. She doesn’t want a double marriage. She thinks we should go first. I say we should go second, see how it goes for you guys.”

“And Dinner Girl isn’t (also) your sister?” asked Toothpick, following up from earlier speculation.

“No.”

“You sure?”

“Listen, we’re not the same person.” He leans forward, but dares not touch any part of Toothpick’s body for fear of passing through. Invisible. Nonexistence, even. He’s worked too hard on his abs to fritter all this away. And now that his favorite restaurant has closed up shop it should be even easier to keep the lbs away.

Toothpick/Filbert looks left as a distraction. “The rabbit over there is indicating our old friend Certain Death, Supper Man. No running away from all that. But then there’s the 561 steps now leading from End back to Beginning and the 561 again. Through 24687531 we can be saved.”

“Bahh.” Supper Man even spits toward Toothpick a bit here while exclaiming his exasperation over the supposedly sacred (heart) number. The spittle indeed passes through Toothpick’s skin, muscle and bone, some reaching the back of the chair behind him.

“Why do you disbelieve the power of the even in a row and then the odd in a backwards row?” Toothpick then considered the 9th is involved. He’d seen it once or twice before. The counter to the Zero, perhaps the Zero Hero. “We are getting married in the Temple of TILE after all with the sacred book now open at the front for everyone to see. We have the story of the CITY. The CITY is TILE.”

Supper Man scratched his head. “You and *me* are getting married in the Temple of TILE?”

Back to square one.

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North again

“Well? How did you like it?”

Toothpick turned on the bar stool. “Who are you?”

She rubbed her big red horns seductively. “An Aries, why?”

Toothpick adjusted. “*What* are you?”

“They call me Wanda,” she said in a bass voice for a woman. “Big Wanda. Because of the, ahem, horns but maybe not. 1/2 –.” She stopped here, saving some grace. “I’m what you became absorbed in,” she goes again. “Just a moment ago. Just over there.” She points to the nearby black couch. “Like the one in the Bigfoot Bar, except that one’s gone now. There are others.”

Toothpick thinks back to Bigfoot. Yes, he remembers now. This was his sister in another guise. She has horns. They’re still testing couches and realities both. Yes he had been absorbed. It was nice. Too nice. He thought back to the pleasantries. A belt was involved. The Great Belt of Marwood or thereabouts, purchased in oppositely directioned and colored Black Ice down south at its Black Diamond market square, or at least as a demo. Near where they were born, actually, in the Deep South (of the Black Ice sim). The original one broke; all he has now is the one with the attached squares that say demo and follow him wherever he moves with it. Like the Gone Fishing square from before, prior to the horned one taking over. He takes another gander.

“Are you Satan?” He thinks back to well known Aries and settles on the idea of batting champ Peet Rose, red as a. Why Peet Rose? Why not Jonny Bench or some other bench player, like Leeroy “Steamboat” Kelly who filled in for the Browns when Cleveland Jim Brown became a star on Hollywood Boulevard?

—–

In a related scene, Big Wanda’s sometimes, gun toting partner Little Oakley Annie, a Leo, was visiting her own grave but having trouble remembering the name of her own star. She only recalls (with a shudder) the wide, yawning abyss just beyond, the Great Black Swamp devoid of such. Her star was the first out. Polar came to mind but that wasn’t quite it. Pole star?

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you got it: maps again

“A message to all my fans out there. Some like their Pink hot.”

—–

“This will never work, Elberta,” Toothpick states at another low point. “You’re so beautiful and I’m so… ugly. Never mind the whole brother-sister…”

“I’m going to stop you there, potential husband of mind. No, better, I’m going to *absorb* you. I want to see what happens.”

Toothpick/Filbert was at a low point, as stated. He had nothing to lose. “Take me.”

—-

“He must never find you, Ross C. He’ll destroy our little square world if he does and make everyone in it miserable.”

“Happy (*zip*) unhappy,” she sputtered.

There’s only one way out. *Become* the world, see. See me in him and him in me.”

Robot from the future Ross C. saw the truth in it.

—–

Hotgirl was freed from Misery Cabin but was unable to speak about her experience there for a while.

Old reality was flickering on and off.

She eventually made her way back to GASTON.

—–

“What we *need* to do,” old companion Domino told Hotgirl Hitgirl Hitgerl Hitgurl Hitgal while they watched piled up house band Firesign Theatre play for the 4th time tonight at the Rhino, “is to similarly change *Misery*… to *Mystery*. That’s what [delete name] indicates.”

“Shuts your trap.” But the seed had been planted.

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-shine

“We’ll give it another shot, baker.”

“Yes. We understand that we didn’t get to the point in Uncle Meatwad that Spongeberg the Destroyer did in photo-novel 1 where he became convinced of the alien influence.” She recites this sentence robotically, pronouncing each syllable crisply. Rehearsed. They were trying to encourage me, not discourage like last night when they sat on the couch beside me and we watched the syncs together, the 2nd half of Pretty Bunnies and then the 1st part of Uncle Meatwad, well, almost the whole 1st part (of 3). Not quite to the “Egypt” cue that convinced Spongeberg going on 5 years ago now. A long time! Yes, they were trying to help, of course; understood the small misstep as guiding spirits. They know it’s hard enough for me without any support outside my trusted circle of the wife and one or maybe two other friends. The brother wouldn’t understand for sure. And that’s *my* problem to still deal with, that whole family issue. I must make peace.

“You have to understand,” Toothpick/Filbert began again, “that *we* created (a lot of the source audio). We are not the most objective judges.” He looked at Elberta; Elberta, his now blonde bombshell of a sister-fiance, looked at him. Camping came to mind this time in their still synchronized brains, another test. “And Lynch — I know what’s on your mind — will come around too. Right Pencil?”

They all looked over, but the entity properly known as Eraserhead Man in this here blog, hand behind head, wouldn’t commit to a thumbs up or thumbs down. He remained unconvinced like them. It was his creations involved after all. Same issue.

“But the maps…” I argued. All nodded here from their respective positions around him, indicating that maps were a different thing and separate from the audiovisual synchronicities. But they weren’t. Unified Field Theory. The Diamond. Heck, The Diamond is clearly coded into Billfork for X’s sake.

The hole couldn’t be made up. The hole between the synchs and binding them together existed. Hellmouth!

“I will still fight for the importance of the Piera, the run of synchs (I explained further) between Billfork and Uncle Meatwad. The period of 2004 through 2007.”

I realized a major influence was missing. Wasn’t me. This was pre-Carrcassonnee. Maybe, maybe…

“Let’s look at the rest of Uncle Meatwad.” All agreed to this as well.

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zeppelin tube

The stage is set for Toothpick and Elberta’s “Beech vacation”, a test run. Mr. Z and Mrs. M won’t like it but the wedding has been slightly postponed. Trouble is, Toothpick (and Elberta) aren’t even sure now, when checking, that Munday is actually a day: seems to be a mash-up of real days Sunday and Monday, borrowing letters from each. If so, that would mean there are actually 7 Happy Days already instead of 6, which throws everything off, and also explains, it seems, why olive colored alien Carrcassonnee can’t become fully alive at the Temple of TILE. Because the non-olive eye is the 7th (prim), Tin and Gold both. Self. POLK. “I need my voice!” she says inside. 6 + 1.

—–

“Budweiser casserole’s ready, dear.” Toothpick didn’t budge. He wasn’t even sure which was which. He was both on the couch and announcing that dinner is served. He had on coveralls but he also didn’t. This wasn’t working. 7 had been reduced to 6 and the 1 was missing. And that 1 was him. Zeroed out. Time for Newtonia Cashcow, aka Tracy Austin, to step in, 88s accompanying her as usual.

I, as the Man About Time, decide to meet her at Axis’ coffee shop in the heart of the city as we’d done before but find it closed. Newtonia then invites him, me, over to her apt. for coffee. He watches tv while she changes upstairs into something more comfortable — “less period,” she puts it — but I know this doesn’t involve romantic advances because we’re related. Brother and sister as well?

Hmm. He’s (I’ve) seen this video before. But where? Fuzziness consumes again. I decide to get rid of the I. He’s been asleep for an indefinite time when she arrives back downstairs, offers him some hot Sumatra. “Rats!” she exclaims. Forgot the sugar. She goes upstairs again. She’s trying to be funny. It’s working! After putting lumps in my java she calls me Willard and asks how my gang is doing and if we’re still working on all those map things. I jump back in the picture and say, “yes,” because she just alluded to them. She asks about the mouth of hell and the cave between two synchs and the hole in the cave and why it leads to the center of the Earth where gravity becomes comedy. We talk about a lot of things and I know what she says because we sort of speak a common language. I realize, at the heart of things, she’s just as much in on this communication as Toothpick/Filbert. I needed to talk to the female half for a while, for a post or two or close enough. Grahams. I ask about the Grahams and she produces two, one cracker each. She puts on some Crosby, Adler, Fraud and Young. Spoken book, each taking turns explaining their theories of psychoanalysis with the first and last also involving music. “That is one river of words,” she says when they finished, wiping off the extra sugar from her lap in preparation for the next act. “Like the Mississippi and Amazon. 12 tiles each.” She moves atop her chair and starts to scratch herself like a Monkee for all to observe. I decided to put an end to it for tonight. More soon.

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fireproof

He was laid down in a trench and then covered head to foote with mourning flowers but not the expensive Amazonia kind that would quickly burn up the family’s meager savings. Toothpick stood back after throwing down his own bluebell blooms, picked fresh from a Meat City field behind Francis’ club just this morning, maw beside him in her Sunday finest which was actually just her everyday rags, and her hopefully soon-to-be new roommate Mr. Z beside her, complete with his continental mask laden backpack which he took most everywhere for fear of theft in this here backwoods suburb. Elberta was absent since she wasn’t suppose to see the groom the week before the wedding; Toothpick borrowed her hat to give his now sister/soon wife a type of presence.

They took one last look at blossom bedecked Uncle Luther, killed by a flu-like disease just 2 days before yesterday’s tomorrow, a stark naked Luther not wearing any overalls for the 1st time since way back in ’76 when he inherited them from his recently deceased Cousin Ferdinand, dead from a fire in the old mansion that ended the rule of the 100. Poverty: the rule of the day ever since. Some named it the Curse of the Coveralls, another word for overalls back in the day and what Uncle L. called his own, but Toothpick might have just made that up after the fact, in his head; he had an imaginative brain, almost invisible to others, or he tends to hide it behind a perpetually straw embellished mouth that he also feels distracts from his damaged teeth as he whisks it about rapidly, creating a kind of blurring effect in that area.

It was time to leave the teeny tiny cemetery next to a corner of Marwood’s scaled down Eiffel Tower and let gravedigger Big Hand Eddie do his work. Goodbye Uncle Luther. But hellooo coveralls!

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Filed under **VIRTUAL, 0022, 0315, Marwood, Meat City, NWES Island

Head’s Helm(et)

“Boy I’m stuff, phew! Thanks for the pork chops flapjacks, Berry.”

Berry, MAT (Man About Time) thinks. That’s how he sees me currently. I can play along. “No problem [delete name].”

“What did you call me?” Toothpick truly couldn’t hear his own name being thrown back at him. It was part of the hypnosis of the role currently. He was fully Toothpick now, brother of beautiful, strong and handsome Elberta but soon to be more. The Temple of TILE wedding bells beckoned again after a brief lapse of trepidation. They’re so in sync! Of course they should get married. It was the way of the Deep South, their heritage. The Deep South of the Black Ice sim. He wonders how Boos and Bogota are getting along way down there. He needs to revisit the old homeland — hinterland. Invisible to most but straw enhanced Toothpick could see.

“I called you [delete name].”

Toothpick cocked one of his ears in MAT’s direction. “Say again?”

“Never mind that, um, Toothpick.” He really had a mild voice. Again, for someone so important. He knew a lot, being able to leap about time like he does. A man about it. But he often was a little confused; unfocused. Part and parcel of the gift.

“I am your neighbor,” MAT tested further.

“No. You live *here*” protested Toothpick, knowing that Berry moved to his Kidd Tower penthouse apartment in The City to start attending services over in the Temple of TILE and to, well, serve *him* instead of visa versa, with Master becoming, um, Slave. Sort of. Which makes Toothpick think of choppers. He points to the space where his two front teeth should be. “Lost ’em. In the war.”

MAT knows it was football and that Toothpick has a ways to go to remember who he actually is. Maybe the Monkey helmet would help.

—–

He gives it to him the next time they eat. “What do you think this is, [delete name]?”

“What?”

“Toothpick.”

“Oh. A, er, helmet?” He takes it out of the box; inspects; places it over his head, even.

“Yes but what kind of ‘Head’ protection?” So mild.

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no bloody babies

“Say it.”

“I know who you are. I know who is behind Billfork. It’s the oranges…”

“Say it.”

—–

“Alright what do you want me to do tonight, baker?”

“I’m not sure. We need to get you married up with your sister Elberta before the end of this here Collagesity photo-novel, number 22 in a series of 20.”

“Oranges, then?”

—–

“Oranges, then?”

“You’re insistent. On oranges.”

“Oranges, then?”

—–

“Did you like my trick with the oranges? Wasn’t that clever?”

“The Billfork Core. I’m saying that more for the reader.”

“You mean Veyo?”

“No. I have other readers.”

“Who? [delete one sentence]”

“Yeah I know. The country is *so* divided. And the debate last night… I have lost hope, Toothpick, er, Filbert.”

“I would rather you call me Toothpick. I put one in my mouth (he takes the straw out of his mouth and reinserts it), and then I become invisible. That’s the meaning of Berry at the beginning of this here photo-novel, 22 in a series of 20. Matt Berry, who did the same for ‘What’s Creeping Out The Car.'”

“I’m going to correct you on that, Toothpick. It’s…”

“Say it.”

“‘Whatever Happened to Baby Jane.'”

“Say it for real.”

“‘What They Do In the Shadows.'”

“Master Berry… Matt Berry. What else have I done, hmm? The Billfork Core, obviously. Then coded it into your precious maps.”

“Tough guy, eh?”

“Then, let’s see, Goss… he’s the religious fellow who was both an ally and axis. Different things at different times. He should have paid more attention to Billfork according to you.”

“According to *you*. Apparently.”

“Correct. Because I worked hard on that. Do you know how hard it is to create a proper audiovisual synchronicity? You only collage together the already finished pieces. It’s *tough*. Try doing that from the other side of the veil.”

—–

“And Matt Berry is a master in that show. If he had a living familiar, which he might.”

“Where is Mad Anthony? Is he in Winesap?” Toothpick reinserts himself.

—–

I have him fly over to the canal for obvious reasons. Set him down on the box of Budweisers. We’ll probably see that later in a different location now. I face him.

“Well you look just terrible. Is this how you see yourself?”

“Well I h’ain’t got two front teeth. Do I.”

“Knocked out in the war?” He stops talking to me. I realize war is like a football game. Monkees.

—–

“I’m curious, Toothpick. You handed the reigns over to The Residents at some point. You, heck, you probably created the eyeball guys, or the resonance.”

“Loco,” he answered simply.

“But then you came back strong in Uncle Meatwad.”

“As you have surmised, Zapppa helped.” Just then, Zapppa passes by in a canal boat but is unable to wave hello.

—–

“Bowie, too.”

“Bowie.” But Toothpick knew that was more in the future. Nick Danger, Dead Cat Island, Lynch. Jeffrie Phillips. Philadelphia.

Mahler.

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our thrilling story continues

“Oh you’re just a big chicken is all you are. Right Mr. Z?”

“Right Mrs. M.”

“Hey over there. Hey: look at me.”

Both stare at Toothpick almost surrounded by pecking hens.

“This *h’ain’t* an episode of ‘Happy Days'”, he spews over. “There h’ain’t no happy bluebird atop Blue Berry Hill finding his trill. Just ask Little Robert Plant Variant over in Nowtown. Or is it Zen City. *Anyway*…”

“Oh I don’t know what you go on about 1/2 the time, Toothpick. If only *Z* here would have been my real child instead of one from another mother, he he. How is your maw anyways, Mr. Z.?”

“She’s dead thank you.”

“That’s good. Good to be dead in this day and age. Toothpick over there wants to off himself again. If he wasn’t already dead. Right Toothpick?” his mother shouts over. How much more of this can he take. And his *best friend* from high school or thereabouts siding against him now. Must be all that worldly corruption seeping into his bones. He didn’t use to be this way when he was little, provincial Little Z. I remember him sleeping a lot — maybe that was why he wasn’t controversial back then.

“Wake up over there Toothpick and talk to us.” His maw was *so* tired of him dreaming away his life. She just wanted him to get married to Elberta and move the heck out of her trailer. Maybe Z could move in then. But she can’t go there quite yet. First get the young’n out then deal with a potential new lover.

(to be continued?)

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hiden

There was a giant book, just out of sight. 6 fingered people.

Toothpick wants to dig himself a hole and hide away from his sister problems forever.

But Baker Bloch won’t let him.

“Wake up in there! Time to help me out again, ha.”

Supper Man is determined to work off those extra pounds he’s put on lately before his marriage to Dinner Girl Saturday after next Saturday after next Saturday. Super!

I wanted to fit this in here too. Meat City, a suburb of NWES City. A paper named Post formerly owned by Grahams.

Strange do’in’s in this here NWES Island. Like New Island but different. Less sand for one thing. More green, if not more grass. But I think the two are related. Both Big Escapes, perhaps. 10’s. The search for perfection in a microcosm.

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