“Well, the apartment’s ours again, Wendy. We have a new start here at Bigfoot.”
“Wonderful.” She was truly happy about the situation. She was truly Wendy in the moment, mediocre actress Alice Frame a far away dream for both of them. It was just like with Breeze before. Sandy should have known by the names — Wendy; Breeze. Together: Breezy, the archetype thereof.
“But I do insist you change into the other dress as soon as possible. The Twins are still out there… somewhere. The Cub Run consignment store is a thing to be reckoned with.”
“I know.” She smooths her present dress’ puffed out nature, not ready to show Sandy too much too soon. She knew how he was. But she was ready to take the gamble that she could change him. She’s betting that he’s ready to settle down with one woman and one woman only. For more than a week’s stretch. The search for All Orange: over. She knew she was the one. The right dress will come soon enough. Then he can see what he wants to.
“Let’s run away, Wendy,” Sandy then tries. “Forget about The Twins. We’ll hide out in one of the suburb cities away from town, maybe this Meat City I’ve been studying up on. There’s a place there you can dance. My new friend Francis can probably get you a job. Then I can run the slot machines next door or something. Maybe work at a newspaper office like I did before in Tinseltown–”
“Stop,” she demanded. Both knew the impossibility of it all. They were stuck in Town, formerly the City before the council told everyone otherwise. Their new landlord MAT is fighting it — wrote a strong guest editorial in the well respected Meat City Post, a true up and coming rival to the NWES City Gazette which I guess will have to be changed to the NWES Town Gazette now, perhaps weakening its position as top dog further. Collagesity be damned, Sandy thinks. But MAT makes some persuasive arguments.
(to be continued)