The first thing they saw was an angel heralding them in — or out. “Duncan is good,” said one to the other. “He knows what to see when it looks back at him.” The other didn’t respond, waiting for something better.
“Ahh yes, that’s much better today Mrs. Fox,” says airport assistant vice manager for human interactions Stephan Spaceboy, checking the weight board.
“Miss,” she says. “Actually: Ms.”
“As you wish, *Ms.* Fox. Now. What can I do you for?” Stephan taps his foot nervously against the floor under the desk. Return visits by avatars usually mean trouble. It means they are looking for something. Or somebody.
“Yes, I think I’m ready to talk about Pink again. I hear…”
“… she’s here, yes.” Stephan tries to act casual while looking away from her. He glances out the office window in what he knows is the direction of Pink’s lair, as he calls it. Who is she with now? He doesn’t want to know.
In her own office not 100 meters away to the south, Pink was asleep at her desk, dreaming she was young and, well, alive again. Tom Banks had brought her a vase of flowers, saying he was sorry he had to kill her but it was his role in life. Similarly dead Frankie “Beige” Brown sat across from her, giggling at the conjunction of Pink and Tulip outside on the plane and inserting, “Lips are like one pink,” between snickers. Going further back in time, Doogie Martin was staring at a snow filled tv he’d just mounted on the wall and mumbling something about Aspinwall. It was all being swept away in the (white) noise, all the sorrows put behind her. Then she wakes up.
One thing remains, but silent or at least very low.