“It’s what I tell everyone at this Table. Time to choose, darlings. You can pick two apples or one banana. If the latter, I’d go with the ripest one in case you don’t like it. Oranges aren’t needed since everyone has one — needless redundancy you see. And the choco chip cookies are *right* out unless you’re one of the Far Corner peoples. Don’t be that. Jacob or Jacobia — please select the item or items you wish to be.”
“I don’t think we have to worry about the Heart Line any longer, Sid. Since the heart of the Heart is no longer there.”
“Head is still in play, apparently.”
“I know. I was there (!) 23:23.”
“So my suggestion is go back to that spot, that exact melding of space and time. Obviously it will most likely be a different *time* of course, but the space remains locked.”
“Right-o. Can I take Martha?”
Buster thought this over. “How’s her hormones doing?” he decided to phrase it. No distracting from the job at hand!
“He’s here. We’ll have to jump.”
“You go first.”
“Okay he’s gone down the road guys! You can come out!”
He had a new girl now. And, not coincidentally, a new director. Percy was her name, although some people call her Pauline. Some people don’t call her anything, afraid to say the wrong thing and suffer the consequences. Other people know her as Dean, which is apparently a woman’s name as well — didn’t know that. Some say she looks exactly like Jill Valentine from the Evil Residents game, and she does. But they aren’t the same.
Some say she has umbrella eyes, but that was instead Shelley Struthers, also dead, also an evil resident, or at least others say. All Marion Star Harding knows is that he is in love again, a new Valentine in his life, although he still dreams — day and night — about his old “cowgirl” Heidi. He can’t decide between a woman who’s dead who he can keep alive in his mind, and this woman here lying on the beach before him who’s perhaps dead but still living. A conundrum.
“Marion,” she calls over, getting up from the towel. She dare not take her bodysuit off else the flesh could crumble. It’s all that’s holding her together now. “I’ve got to direct another shoot over in Cass City. I’ve got to get going. Be a dear and start packing my bags.”
More time with Heidi coming up soon, then. Is he happy about it? He’s not sure.
(to be continued)
A girl within. Looks like Jill Valentine but it’s not. And I’ve run into another girl named Valentine recently. Can’t remember where…
Oh, of course: *Faye* Valentine. With the gun. On the *other* Diagonal we’re currently examining.
Cowboy Bebop. Mimosa Lanes. Ur-parents. Still guiding (“We: here”). Hoooome cooking, Andy Griffith NC style.
Marion “Star” Harding, cowboy for life, ponders the death of his lover, his *director*, in that awful explosion over in Paper-Soap. Oh Heidi — or whatever your actual name was — I will miss you deeply. I will miss the *money* coming in, because I was one of your favorites. You cast me in every film you directed, and even though I didn’t get every part (too obvious!), I got a good heap of ’em. We were together tonight, albeit briefly.
All we have are memories.
It was a Red Land, mix in a bit of yellow (“Yelloo!”), a kinder, gentler Axis for the modern agogo world of yesterday’s tomorrow, mix in a little propeller (whirl, whirl whirl!). Okay, let’s ditch the propeller cap actually. Here he is.
Bit of midriff showing but we’re working on it: we’ve called him Windmill Man, as he stands at the bottom of another Diagonal that acts as the axis for the Chalet subcontinent of Bellisaria. Bellisseria. This is the path to FREEDOM, starting at Brady Stream. I check nightly for name changes to the surrounding base sims.
The Diagonal moves upwards beyond Bellisaria into the Maebaleia continent, almost as hard to spell. And this is where we must begin tonight, because new things are happening in Cassandra — just off this Diagonal or affected by its energy. Developments continue…
It was a poor, shivering girl indicating that lawnmower guy Jacob I. was still alive and awake and kicking like a little baby here. Somewhere. Thank you. I said: thank you. Watch out! (swerve at last second)