Daily Archives: December 17, 2024

00450301

Trading her jumping jacks in for jack squats, Fern sensed (and felt and heard) a great disturbance in the force.

“Lichen!” she screamed, intuitively knowing what had caused the castle to suddenly shake as in a quake, her exercising over but her exorcising just begun.

But first there was a problem of revealing herself in a proper way to Fink, who was now grieving over the resulting possession of his beloved Princess Pinky Gumm after the attack, the invading spirit having found the correct body to inhabit. Right now, Fern was just a figment of his imagination stuck in the basement or dungeon, guarded by banana soldiers to the front back side and side. Princess hadn’t said anything; she wasn’t sure it was real herself yet; didn’t want to alarm others until she knew for sure. This story must remain PG’s and not reveal any unrestricted, naked truths. And now she’s paid the price. Lichen needed to contact Fern from the Great Beyond and she’s doing anything in her powers to make this so! Even if it means displacing the soul of another. With Fink (and Jack) in the middle.

“Princess,” calls Fink at the bedside. “Come back to us, PG.” He looked down again at her blue-not-pink face, those slime green pupils set in pitch black corneas, the clammy skin. And she didn’t smell the same either. Not all candy-like but — dare he even think it? — sort of like death. Or at least rotted trees.

“Must talk — to — *Ferrrrnn,*” the spirit hissed within the body.

“Fern?” says puzzled Fink, figuratively if not literally scratching his head at the princess’ utterance, a recurring gesture. “Who’s Fern?”

“Well… I’m guessing it may be you or an alternate version of you since Fink is close to Fern,” Jack chips in from the other side of the bed. “That’s what my dog instincts tell me. I don’t know, hmph. Prob’ly should just stick to licking my butt and other more regular dog stuff. Call it a wild hunch, then.” And he proceeds to get on the floor and lick his behind while he’s thinking about it.

“*Jack*,” reprimanded Fink at the action. “What did we talk about, huh? Not in front of the princess! Especially not *now*.” He looked down and got even more depressed and desperate.

No more words in the script for poor, possessed Pinky Gumm. Now was Fern’s chance.

“Fink,” tried Fern again in a vision over the large, sprawled out body of Susan. “It’s me. Your other half. Remember. Re-mem-ber.”

(to be continued)

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00450216 (end (430 (words)))

“This would have probably been Fall 2015, or maybe even back to Spring 2015. But probably Fall 2015. Or even Winter 2015, or at least before the death of Bowie in Jan. 2016. This started several things. It, in a way, started the photo-novels themselves. Bowie *came* to Our Second Life and its Collagesity for a visit on his way to other destinations. This happened right after his death. He flirted with Baker Blinker, even propositioned her to go with him to the stars and leave Collagesity. This would have, of course, null and voided her relationship with Karoz Blogger (occurring just afterwards), so crucial not only to photo-novel 01 but all the photo-novels to come. They may *not* have come, you see.”

“I see.”

“Your double played a part in this. You synchronize further over the death of Bowie and the release of his last album, ‘Black Star’. Playing it right after Bowie’s death, you were amazed at its depth, how good the music was. You’d only known Bowie through his singles before this. Thus the can was opened to explore his oeuvre in a much more thorough way, which you did over the next several years. And your double went right along with you in a way, reliving his own appreciation of the Thin White Duke. After ‘Black Star’, you then moved to ‘The Next Day’, his previous album. As you told your double, there’s not a weak song on the album, which he agreed with. You also gave him a copy of ‘Black Star’ which he didn’t have. More synchronization. You were kind of moving as one. Or at least so you thought.”

“I thought?”

“Even at the start, you were not as synchronized as you thought at the time. You were a damaged soul by then. Your double represented a light in relative darkness, someone you connected to. You, in a way, in a strong way maybe, needed him more than he needed you. He had enough friends. Maybe he had *too* many friends, too many connections. You didn’t have enough, he had too many. And he had ambitions in the library, desired to be a major player there, which finally worked out for him by the time of your retirement in 3/1/22. The date is significant. It represents a place you separate from the double, are born *away* from him and back into your own sphere. You are on your own after that, just in terms of male friends. You thought you could continue that friendship beyond the library. But a wall was built at 3/1. (Photo-novel) 31 — remember that.”

“I will.”

(to be continued)

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00450215 (beginning)

“So let’s start with the doppelganger, the green one.”

“Fern.”

“Welll.”

—–

“We first have to get to rhythm and pitch. Opposites. Remove pitch and you still have rhythm. Remove rhythm and you still have pitch. Keyboards (which I play) are pitch. Drums (which he plays) are rhythm.”

“Okay. Good start.”

“These are the musical differences, stark right up front. But then dig just a little deeper and you have similarities within these differences. The Kinks represented the first bonding point, before Bowie.”

“Right.”

“And we liked the same albums by The Kinks. Unlike the guy who worked for Norwegian.”

“Yes, he liked ‘Arthur’ and ‘Muswell Hillbillies.’ You liked ‘Village Green Preservation Society’ and ‘Lola Vs. Powerman’. These albums all line up 4 in a row from ’68 to ’71 (their ‘golden years’, along with ‘Face to Face’ from ’67), subtract the ’70 soundtrack ‘Percy,’ which was considered a more minor work.”

“Right. And my doppelganger also liked ‘Village’ and ‘Lola’. And he expressed difficulty getting into ‘Arthur’ without my prompting. *I* had difficulty getting into ‘Arthur.’ And as I recall we both really dug ‘Village.’ Hard to say they made a better album, although I perhaps like some of the individual songs more on ‘Lola’ than any on ‘Village.’ ‘Village’ is, in a way, a perfect rock album. Better than ‘Sgt. Pepper’s’ I would venture.”

“Yes, so that was kind of an original link. Now you must ask: why? Why the mutual attraction to The Kinks and even the same albums, unlike that dude who worked for Norwegian?”

“The guy who worked for Norwegian represented a contrast. To instead show the similarities between my doppelganger and myself, and how it could be different. We *speak* very easily.”

“Yes, so we have a foothold. Now move to Bowie (and others).”

(to be continued)

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