Drinking from the fount of pure synchronicity. W(e) IS renewed.
http://kdk12.tumblr.com/post/4879566957/the-shining-forwards-and-backwards
Category Archives: Carrcass Artists
Green Oz Mouse…
… discovering the Greenup (Yellow Down) hole.
Filed under 12 Lb Mound, Green Oz Creek, Herman Park
Variety of Stuff
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Started to work on carrcasses again after almost a 3 month layoff. I call the newest one “Number Nine” (subject to change), apparently a close companion to “8 Ball” basically completed in June before we left for England. As usual, I can’t give out many details on these, unfortunately. I *can* talk about it using more abstracted images.
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MORE TEXT SOON.
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Strange I was the first to mention Burnet on the Synchronicity Phenomena board, not Don, who later actually lived there.
http://tech.groups.yahoo.com/group/SynchronicityPhenomena/message/14266
This was the 4th (Don, from Oct. 2004)…
http://tech.groups.yahoo.com/group/SynchronicityPhenomena/message/19549
I just read this post last night, and then today saw an actual coon in the woods, and in the very spot I thought that Mossman as a surrogate Daniel Boone might have spent his last days. No lie. See this post for further information on Gene Fade and his Missouri [link soon].
Filed under Byng, Carrcass Artists, Herman Park
Post-Rubi 03
“So… a wormhole, Hucka D.”
Hucka D.:
UFO is Uffcott. Maybe UFON. It’s fun!
bb:
Virtual VWX Town is set up in Uffcott.
Hucka D.:
Marriage. Black Lodge and White Lodge. Ray… Away the Ray.
bb:
It’s amazing that this crop circle basically ending the 2012 season is still the closest [“legitimate” one] formed to Uffcott down through the years…
Image Simon Brown Copyright 2012
… save for this one, also found in the 1st collage of the Gilatona-Lis series set up in the Power Tower Gowlery of Rubi’s VWX Town, most recently.
The Hackpen Hill crop circle pictured above also appears in Gilatona-Lis, starting in Gila 04. I identify it with a 3rd eye cube of some sort, indigo in symbol.
Currently I’m reading through all the Gilatona-Lis posts on this blog, focusing on the interpretations.
Hucka D.:
Go ahead…
bb:
I’m wondering if this Hackpen Hill cube, with its small, hollow interior cubes inverted in respect to the small, hollow exterior cubes, is the same as Mr. Boyce’s cube from The High Octave Story at the end of part 2 of 3, or the middle part? It is indigo at the 7th perspective — sort of explaining my indigo reference above or continuing it.
Hucka D.:
Something…
bb:
Is this [again] a CORNDOG (?)
216 x 216
Filed under 12 Lb Mound, Crop Circles, Wiltshire
Post-Rubi 02
“Thank you again for showing up on the Frank and Herman Einstein! Blog, Marty.”
Marty:
You’re welcome.
bb:
Hold on, *sir*. (Marty smiles)
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bb:
We’re back. Got my heat under my desk.
Marty:
Nice.
bb:
So we’re at the door to Carrcass-8, Marty. Very nice. And your song “The Lovely Linda” is sort of the door knob I suppose.
Marty:
Right.
bb:
So I’m opening this metaphorical door. Where are we?
Marty:
In the future.
bb:
Cool. I mean more what is this Carrcass-8, then? What is there at the door to greet me?
Marty:
Me. (smiles again)
bb:
Where’s Plant?
Plant (showing up):
I can show up if you wish. All the variants are available, if the shoe fits.
bb:
Are you at the door with Marty? Greeting me?
Plant:
If you wish.
bb:
Are we in Sunklands still?
Marty:
Not really. New.
bb:
I’ve started watching the Beatles Anthology. Pretty nifty, as I also remember.
Marty:
Heart and soul[ into it].
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“We’re back with Marty and maybe Plant. Plant, what you been up to in the years now since Carrcass-3?”
Plant:
Planting. Logical enough[, right]?
bb:
Is Ray around back there? Knik I mean?
Marty:
We’re all here. At the table.
bb:
I was just going to ask that. Thanks. Where’s the table, then?
Plant:
Mars.
Marty (countering):
Venus. (both laugh)
bb:
Let’s say we’re back in Siliconicus.
Plant:
Let’s not and pretend we are anyway. (nudges Marty) Right Marty? (Marty doesn’t seem as amused this time. Maybe he is and maybe he isn’t.)
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bb:
I’m also starting to get heavily into researching crop circles guys. [no response]
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Hucka D.:
I found you a [virtual] home, baker b.!
bb:
Howdy Hucka. The others in the background once more?
Hucka D.:
Yes. But to the big news. It’s yellow. It’s a beam of light. It’s Uffcott. Remember Uffcott? Well, it just became available.
bb:
Hmmm. Can you explain, Hucka D.?
Hucka D.:
Uffcott is where all things equalize.
bb:
Let me look up the village…
http://www.cropcircleconnector.com/2012/uffcott/articles.html
There’s the wedding proposal circle. Obviously add that to the hoaxed circle list.
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“Okay, according to primelocation.com, there’s no property around Uffcott presently, Hucka D. (pause) It appears in 2 entries in the Domesday Book.”
http://domesdaymap.co.uk/place/SU1277/uffcott/
“Not much into artistic photography, or photography for its own sake, Hucka D.”
Hucka D.:
Have you found it yet? Keep looking.
bb:
Okay. Shut my yammering and all. (pause)
bb:
Interesting.
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“How ’bout this, Hucka?”
Hucka D.:
Yes! The Diamond.
Filed under Beetles, The, Crop Circles, Lead Zeppelin, Wiltshire
Post-Rubi 01
Focus now will be on England (!!!). Studying crop circles. Will read Edna’s England travelogue asap. Will read my own analysis of Wheeler-Jasper collages from same web site, and maybe Baker Bloch in England material also. I have access to a super cool crop circle database now that allows one to view the circles down through the years on a single satellite map.
I’m also on the outer fringes of another carrcass, to even add a bit more to all the excitement going on in my life right now. I think that was the clincher in giving up the Rubi land… how am I going to mix *that* in with everything else. The initial song involved is “The Lovely Linda” by Mac, his first track from the solo years beyond The Beatles.
http://en.wikipedia.org/wiki/Love_%26_Monsters
Elton and Ursula form LINDA—”London Investigation ‘N’ Detective Agency”—with three others, Bridget, Bliss, and Mr. Skinner, and meet in a library basement to discuss their experiences, but soon their activities become more social in nature. Elton and Ursula become closer through these meetings.
One day, a man by the name of Victor Kennedy comes in and interrupts one of the group’s meetings, and points out that LINDA has lost its cause.
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bb:
Marty, we talked to you quite a bit in 2009, I believe, when Carrcass-3 was slowly percolating after the summer creation of Carrcass-2. I assume you know what I mean.
Marty:
As a variant — yes, I know what you mean. We were in Sunklands[ at the time].
bb:
Still miss it Marty… Pietmond and all.
Marty:
Pietmond, yes.
bb:
I’m starting a new carrcass, Marty, and you’re tile #1. “The Lovely Linda”. Can you tell us about, say, the relation with Lemon’s Plastic Ono Band for Billfork, which also uses his track 1 from the post-Beetles career?
Marty:
I can tell you some. I can say that I agree with the tiling process as much as Lemon. Back to basics, that was my mantra[ at the time of McCartney I]. We, the variant band, appeared in WES west of Sunklands (pause). Lennon was shot. (long pause)
bb:
That was a long time ago, now. (pause) Are you familiar with Billfork?
Marty:
Yes.
bb:
I mean the carrcass now.
Marty:
Yes I know. Billfork.
bb:
Do you like Billfork?
Marty:
Yes, very much.
bb:
Did you agree that The Bill had to be called in?
Marty:
Just translating — yes, I agreed.
bb:
But not at the time.
Marty:
No. I didn’t understand how it would all unfold.
bb:
Billfork was something new, beyond SID[‘s 1st Oz]. Then the carrcass beyond that was something new again. Then the carrcass beyond even that was something new once more. The Foreign One. It was big big, so big I couldn’t control it. And the Beatles [Beetles] were right there again. 5 songs, the use of Magical Mystery Tour[ video], and The Rutles [Beatles parody band movie]. Lead Zeppelin and The Beetles acted together, like in the later Carrcass-3. Plant and Marty again.
Marty:
Yes. Zeppelin Tube, I remember. How I remember.
bb:
Do you think Lead Zeppelin is a better variant band than your own?
Marty:
No. Plainly speaking.
bb:
Why not?
Marty:
They lack a sense of humor about themselves — took themselves too seriously.
bb:
But let’s look at The Bill. *All* they do is make fun of themselves and others. One could say there’s no seriousness or *gravity* about any of all that.
Marty:
Yes.
bb:
Lemon liked them, though.
Marty:
Yes. He said: Bring in The Bill. Sure, bring ’em in, baker b.
bb:
“Bring me The Bill”, and all.
Marty:
Yes.
bb:
The influence of The Bill in the carrcasses essentially ends in Carrcass-0, which is often grouped with Carrcass+0 as the ur-carrcass or beginning carrcass, not Carrcass-1 as some believe.
Marty (repeating):
Some.
bb:
They are bookends for this central period of the carrcasses, which contain the largest and most complex of the lot still.
Marty:
Lot.
bb:
Billfork and Carrcass-0 I mean. We have an opening and a closing for that period. Both use Lemon as a primary artist, unique in that respect. Billfork uses Lemon 01. Carrcass-0 uses Lemon 02 04 05. 03 is skipped over. Do you know what I’m talking about?
Marty:
bb:
This is the shared one of the first 5, and then the last two were also shared, 06 and 07 I suppose.
Marty:
Yes.
bb:
Do you think the shared albums are weaker?
Marty:
Most definitely. Don’t you?
bb:
Well, what I’ve heard I think you are probably correct.
Marty:
I mean… well, I won’t go down that road. I think the original idea was the best for the two of them: release 2 solo albums, one with his music and the other with hers. You didn’t have me sharing alternate songs on Band on the Run with Linda.
bb:
Hmmm, I can understand. Lennon started co-writing with Ono, when originally he had *you*. Probably a step down.
Marty (repeating again):
Probably a step down, yep.
Filed under Beetles, The, Carrcass Artists, Who Doctor
Lynn County, Grassland, etc.
My emphases.
The community was founded in 1888 and grew up around a ranch owned by Enos Seeds and his brother, Thomas.[2]
Grassland seems to be assoc. with the number 61 (same population for 3 decades):*
From the 1940s through the 1970s the population was recorded as 200. It had dropped to sixty-one by 1980. In 1974 Grassland still had two cotton gins, a store, and a station. The population was still sixty-one in 1990. The population remained the same in 2000.
It’s also Lynn County’s oldest community according to that same Texas Online Almanac article.
http://en.wikipedia.org/wiki/Frank_Herbert#Biography
Herbert began researching Dune in 1959 and was able to devote himself wholeheartedly to his writing career because his wife returned to work full-time as an advertising writer for department stores, becoming the breadwinner during the 1960s. He later told Willis E. McNeilly that the novel originated when he was supposed to do a magazine article on sand dunes in the Oregon Dunes near Florence, Oregon. He became too involved and ended up with far more raw material than needed for an article. The article was never written, but instead planted the seed that led to Dune.
http://www.duneinfo.com/giedi_prime/books/frank-herbert.aspx
Eye
ISBN: 0-743-43479-XEye features the startlingly original collaboration “The Road to Dune,” a walking tour of Arakeen narrated by Frank Herbert and illustrated by acclaimed British artist Jim Burns. Also included is an introduction by Herbert describing his personal feelings about the filming of David Lynch’s movie version of Dune; Herbert’s own favorite short story, “Seed Stock”; and tales from throughout his career, some never before collected.
http://oreilly.com/tim/herbert/ch09.html
As suggested in the discussion of Children of Dune, Herbert seems to subscribe to a kind of evolutionary ethic, which uses survival as a touchstone for evaluating species behavior. This ethic is also the subject of one of his most effective short stories, “Seed Stock” (1970).
A colony has been landed on an alien planet. It is dying. There is no return. The colonists are trying to reproduce Earth; they cannot understand why their efforts do not work. There is a strange force that warps embryos and seedlings so they do not flourish. The experts choose the most normal-born of the plants and animals to nurture, with no success. They cannot see (because it is unthinkable) that it is the seemingly most stunted and sickly of the plants and animals that are adapting. Kroudar, the laborer, listens with his body; he feels the different rhythm of life on his new planet. He does not try to maintain the old ways. He nurtures the new
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*
http://wiki.answers.com/Q/What_is_the_significance_of_601_in_The_Andromeda_Strain
In 4orrin1, the 601 here is directly overlapped with the number 61 of Giant Rat of Sumatra (36:39).
Filed under Carrcass Artists, MAPS, Texas
Falmouth…
Falmouth Creek is Falmouth, Indiana extended from point to line. Left side of creek is Rush, and right side, with source at top and mouth at bottom, is Fayette, which doesn’t count. It’s mundane. On the right side also enters the magic spring just below Old Baker Settlement. This is the black hole, the X-Ray source, Cygnus X-1 but also a bit of X-3. Rush the band. Eyes. Eyes. The Visible I. [symbolic Falmouth *mouth*] is the white star, visible to the invisible, sucking and ripping black hole.
I also think of foul mouthed basses…
I must raise The Kniks out of the X-Ray source, back into the light. Back into Avebury Light. In the X-Ray spring which is the black hole, there is Gila 00, the null before the 01.
https://bakerbloch.wordpress.com/2013/01/07/the-kniks/
https://bakerbloch.wordpress.com/2013/01/17/fuzzer-house-01/
(into The Light).
Reconnected. Reharmonized. Peace with Zapple and *that* twinship, which continues after a brief period of independence in Carrcass-1. A lot hinges on Carrcass-1 Hucka D. Hucka D.? Not here.
Filed under Falmouth Creek, Frank Park, Kniks, The
Sunklands 