Category Archives: collages 2d

TILE in P.T. Anderson’s “The Master”

Image 1. Appearing just before lead character Freddie is introduced to future mentor Lancaster Dodd. Approx. 22 minutes in.

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Image 2. Appearing just before Lancaster Dodd introduces a new level to his teachings based on “Book 2”. This is part of the announcement stage. Approx. 1 hour and 40 minutes in.

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Image 3. Just after Image 2. Dodd looks through window at stage.

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Sam Parr collage 06/07

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Images

Image from page 85 of "A concise guide to the town and university of Cambridge in an introduction and four walks" (1906)

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SPSC Thoughts

Updates on collages. My latest thoughts on the latest batch of collages I’ve been producing in the last week are that they are a more minor collection, a satellite complement to Falmouth at best, and, virtually angling, “merely” a way to decorate the main building of Sam Parr State College (administration bldg./library/gallery). No really in-depth look at the collages is needed, minus the interpretation of the most complex one perhaps, samparr01 — “2130!” I might call it. Here’s that one in case you don’t know what I’m talking about, loyal reader or readers.

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Here’s 2 possibilities for the base of more Sam Parr collages:

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… esp. this one, perhaps…

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To remind again, this “2130 Gallery” (slightly later changed to “2130? Gallery” and then just “? Gallery” to end), was essentially replaced in its function by the Sam Parr building, which gained a title just as this structure was derezzed from the college. And also to remind, the former 2130 Gallery structure is a duplicate of one in Collagesity proper, housing the Kollage Kid exhibit starting in early July sometime. Stairs Gallery is the name in that case. Should the Stairs Gallery simply be moved to the college?

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Looking back through recent blog posts, I was reminded that this particular post, dated August 4th, mentions racial tension in combination with actor Redd Fox 5 days *before* the Ferguson shooting. Redd Foxx in his most famous role as Fred Sanford of “Sanford and Son”, originally hails from St. Louis. Redfox, Kentucky on the portrayed map lies on a Blackey topographic map, and also several miles west of the old Whitesburg Municipal Airport. The bigoted, cantankerous Sanford character regularly calls Caucasian people “honkys” or “whiteys”, always getting a laugh from the audience as a result.

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“The enrollment of Sam Parr State Park College is currently 6 or 7, depending on whether the original African American student decides to join us this year. And I, of course, am part Moss myself. But don’t call me Mossy, please.”

“We won’t Karoz,” Story Room promises in unison, once more. They always speak in total or near total synchronicity. Strange.

“Start calling him President Blogger in front of the students,” Patty Pepper Mint urges.

“We’re not Caucasian either,” Story Room speaks. “Actually,” suggests the yeller feller Chuck separate from the rest this time, “we don’t really know what color of skin we have underneath these outfits.” “Outfits?” exclaim the other 2. They are in unison still; Chuck is out-of-sync.

Line-Up for Yesterday

X is the first
Of two x’s in Foxx
Who was right behind Ruth
With his powerful soxx.
— Ogden Nash, Sport magazine (January 1949)[8]

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Sam Parr 04-05

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“Perched”

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“Perched Too”

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Thoughts

The wife and I spent part of the weekend in Ashville, the only other place in Ame. perhaps that we would retire in except for Blue Mountain. Blue Mountain, by the way, and I’ll only say this in a few places in this blog, is actually the Bluefield VA/WV area. To remind, we live here…

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… but are looking to move here…

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Well, if we move to Ashville, then what about the Frank and Herman Park mythology, I ask myself (and I hear the reader or readers asking me, in turn)? Isn’t this blog suppose to be all about that, and, by extension, Blue Mountain? That’s the big question. I have about 7-10 years to figure it all out; we’re “stuck” in Blue Mountain because of our jobs until then. What’s the attraction to Ashville? Well, it’s a considerably larger town, with more entertainment options. At least 4 Starbucks at last count. Lots and lots of restaurants, and, maybe most importantly, a still growing art scene, thanks in part to the oh so nifty River Arts District. As regular readers of my blog know, I’ve started a Sunklands site where I just display my collages without commercial attachments. Sitting behind them are the carrcasses, which I *know* I’ll never make any money off of but still must produce on a semi-regular basis — or, more correctly, when the time comes to make them. I *have* to make them. So I don’t think that’s going to stop, and also I must figure out the best ways to preserve my carrcasses for the future. Collages — since they’re born digital — not so worried about in that respect. And I think now that collages have the upper hand over carrcasses. Hard to explain, but a subtle shift has occurred lately with the recent creation of so many collages in the Gilatona-Lis and Falmouth series. And that is reflected in the Sunklands site’s creation. Cobbling it together is making me realize that the carrcasses, while still being produced, must remain hidden and perhaps separate from the “ordinary” (2d/flat) collages, more attached to Second Life. And that’s another thing: I believe I’ll always have a regular or semi-regular presence in a virtual world. How long it will continue to be Second life is a question I can’t answer right now. But someday it will shift to another world, and I have a feeling a much cheaper option will develop, a more parallel set-up between web and virtual world. Right now I’m pretty happy with the continued development of Collagesity and the possibility of more collages being added onto the large Falmouth series, extending its depth and breadth even further. And here’s a relatively new idea: I might lump *all* digital collages produced so far into an overarching “Embarras” (pronouced AM-braw) concept, named for the river that flows through Jasper County, Illinois and past almost all the namesake towns of the various series created so far, beginning with 2004’s Greenup.

But I might name it Ambraw, an archaic, phonetic spelling of the river.

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the dynamic duo
King Jethro & Queen Jethrine.

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Quadrobeavia

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“Mr. & Mrs. Sam Parr”

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“Parr, Sam, Mrs. & Mr.”

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BREAKING NEWS

Illinois entrepreneur Sam Parr buys Collagesity’s Fal Mouth College. University projected to be renamed Sam Parr State College. More details soon!

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“Mr. & Mrs. Sam Parr”

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“If it were a question.”

“2130 02a”

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“2130 02b”

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—–

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Gallery 2130(B?) in development.

Baker Bloch sits on the stairs, taking it in so far.

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Elton heads in; no sign yet, which means it’s past. Collage dream.

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Roger Pine Ridge The First greets visitors in the present. “2141”, I suppose.

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But which 2130 is real and which is a dream? That is a question?

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Posing

Story Room posed for a snapshot in front of their new Collagesity home at Fal Mouth College and all these other things showed up. Fancy that!

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Spider and Cardboard Derek Jones look on at the spectacle. They see it too(!).

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