Illinois entrepreneur Sam Parr buys Collagesity’s Fal Mouth College. University projected to be renamed Sam Parr State College. More details soon!
“Mr. & Mrs. Sam Parr”
Category Archives: collages 2d
“If it were a question.”
“2130 02a”
“2130 02b”
—–
Filed under **VIRTUAL SL, collages 2d, Jeogeot, Noru
Gallery 2130(B?) in development.
Baker Bloch sits on the stairs, taking it in so far.
Elton heads in; no sign yet, which means it’s past. Collage dream.
Roger Pine Ridge The First greets visitors in the present. “2141”, I suppose.
But which 2130 is real and which is a dream? That is a question?
Filed under **VIRTUAL SL, collages 2d, Jeogeot, Noru
Posing
Story Room posed for a snapshot in front of their new Collagesity home at Fal Mouth College and all these other things showed up. Fancy that!
Spider and Cardboard Derek Jones look on at the spectacle. They see it too(!).
Filed under **VIRTUAL SL, collages 2d, Jeogeot, Noru
Found again.
Of all people, it was Starbuccaneer Barista that found Spider. Ridiculously clever, she had lured him out of a Whitehead Crossing related collage in the Fal Mouth Moon with a bowl of dog food.
“Uhmmmm, yes: eat it up my precious Spider dog,” the resurrected Star said slyly. For she knew that a position of power would soon be in store for her because of this. She must speak to Baker Blinker asap; tell her of what she saw in the corridor. Share notes.
—–
“So that’s where I come from,” said Queen Alma I from the future, peering in again. “A merger of Starbuccaneer Barista and Baker Blinker.”
“And Carrcassonnee,” Hucka Doobie added. “She was strong at the time, having just absorbed the 11th. Tasted like chicken again to her.” He smiled slyly slightly.
“But little Spider would go back into the collages to be lost again. And again. And yet again and again.”
“And again!” Hucka Doobie added again. “You see, he was mistakenly rewarded for entering the collages. Dog food, sticks, squeeze dolls. All these lured him out but also kept him going back, knowing the endpoint.”
“How did it end?” the Queen asked. “Is he still in the collages even now?”
“Yes,” came Hucka Doobie’s answer. “He eventually became All Collages.”
Cardboard Derek Jones suddenly slid his way into the room through the seams of the closed door. “My Majesty. And… um, sire. The dog has reappeared again!”
“What synchronicity!” Hucka Doobie exclaimed.
“Too much so I would say,” says a more cautious Queen Alma I, reading out of a red book that had appeared in her hands. “I’m checked the script now. Spider has learned how to traverse time.”
“Then we’re all in big, big trouble,” returned a suddenly worried Hucka. “Big big trouble.”
Cardboard Derek Jones slides quickly toward them, holding forth a picture, which turns out to be an animation as the Queen and Hucka jointly stare in disbelieve. In it, Baker Bloch and Master Shake also jointly stare in disbelieve as a giant dog turns into a horse before their very eyes.
“That’s it,” Hucka Doobie says in finality, seeing Spider being fed/rewarded from “within”. “We’ve got to speak to Story Room about the 11th.”
Filed under **VIRTUAL SL, collages 2d, Jeogeot, Noru, Story Room
Spider gets lost (again!)
“Your Majesty, the dog Spider has disappeared into the “Art 10×10″. I’m afraid he’s lost for now.”
Queen Blinker:
Just as I planned, he he. Seriously, show me the involved collages. How many were there? What was the initial work? We need to post people on all floors of the Power Tower, Fal Mouth Moon, and Toxic Art for signs of the poor pooch. But he did volunteer, after all.
Cardboard Derek Jones:
Yes ma’am. I have taken pictures of the progression. He first attempted to make contact with the wise old fox, who turned her back on him. Then he tried the dingo in the next picture down… the previous picture, I mean, in the Art 10×10 progression. Sorry, ma’am.
Queen:
That’s all right. This was in the Newton series?
CDJ (checking notes):
Yale, ma’am.
Queen:
Show me the progression you speak of. Reverse progression, I suppose.
CDJ:
Yale ma’am. I mean, yes ma’am.
—–
—–
CDJ:
And by that last collage, he had disappeared into relatively total abstraction. We believe the dingo, being not as wise as the fox, let’s say, led him into danger. He disappeared inside the water.
Queen:
Interesting. What is that body of water? We might have to go to the Real World and retrieve him there. Is that the River Key?
CDJ (checking notes again):
Give me just a minute ma’am. (pause) I do not have notes of the location.
Queen:
Then we must contact baker b. in the real world and ask him. He’s the one who made the collage, after all.
CDJ:
Yes ma’am. (then, reconsidering): What ma’am?
—–
Filed under **VIRTUAL SL, collages 2d, Jeogeot, Noru
Collagesity & Stonethwaite: Sister Sities
Stonethwaite’s “Stonethwaite End and Restaurant” from the “Falmouth 26” collage and Collagesity’s Town Diner probably make the most direct link between the sister towns. Falls are associated with each. Dorothy’s fall appears to be the same or very closely related to Diner Falls dropping past Head of Perch/The Olive. The falls on the distant hill (Estatoah Falls, Georgia) in the related collage could also compare to Collagesity’s Tired Falls…
… as could this cascade from “Falmouth 27”, the next in the 61 work Falmouth collage series from earlier this year and the second to depict a Stonethwaite setting. The falls of the collage are culled from Greenup Gill just up the valley from the Lake District village.
The interior of the “Stonewaite End and Restaurant” appears to also mirror that of the Collagesity Diner. This connection will act as a type of direct portal between the two later on, or what I call a “looking glass” situation.
There’s a “two-dimensional” blue bike in both Falmouth’s Stonethwaite — near the center of town, and also Collagesity — next to the diner. The blue member of the rock band Story Room appears before the former; there’s a strutting blue robot near the latter.
The next connection is, on the surface, vaguer and more diffuse. Shelly Duval is wearing a toy fireman’s helmet with a star logo in “Falmouth 30” (see: here). Ringo Starr appears next to her with a giant, glinty star at his midsection, an image taken from Glinda the Good Witch’s wand in the classic 1939 Wizard of Oz film.
In what seems to be a corresponding Collagesity shot, one of the two ladders of the Confluence Place is seen, relating to fireman’s ladders. Also in one of Veyot’s more amusing blog notes, building from my own story, she states that firemen were called in to rescue a golden retriever puppy from the roof of Gallery BOB next to the Confluence Place (middle of below photo). I would add that they might have had to use the ladders of the Confluence Place if theirs, say, weren’t long enough or were misplaced, etc. Or perhaps the Confluence Place ladders did double duty as the sole ladders of the town’s fire brigade. Interesting concept.
What does it all mean? Still figuring that out. But I know a further link between Collage Stonethwaite and Collagesity has been made through Aqua Teen’s Master Shake now, building directly on the twin diner portal mentioned above.
Filed under **VIRTUAL SL, collages 2d, Jeogeot, Noru, United Kingdom, Wiltshire
Collagesity Mysteries 01
About a week and a 1/2 ago, an avatar named Tseten Thokmey bought my Hector land for a sum I deemed just barely adequate for the transaction. I loved that land! Still do. I could live around the Rubi forest once again. But look at what Tseten has done: he’s essentially extended the forest into his farm! A bucolic existence he has carved out. More power to him, and I’ll probably have some things to say about Tseten later on. Just yesterday or the day before, land came up for sale bordering the lower part of his farm. Was I tempted to, once more, buy next to the Great Rubi Forest? Yes, a bit. But I realize that I’m committed to Noru, and the hard fought battle is now over with. Time to heal the wounds and not open them up again. Tseten would have made a fantastic neighbor, and, yes, we could have extended his farm and the forest as a whole even further…
… but, then again, I have a fantastic new neighbor in Noru now! My previous neighbor in Philudoria, Veyot, during the original incarnation of VWX Town there last summer, has decided to commit to a piece of the excitement happening in Collagesity, purchasing a 512 parcel just behind the Power Tower Gallery. Her purchase basically extends the town in a westerly direction, making Collagesity almost run the entire 256 meter east-west extent of Noru. Not quite but fairly close. I’m continually surprised how synchronicities like this work, and I view the neighbor quandry, quickly resolved mind you, as a kind of residue energy of the whole Noru-Rubi “battle”. Instead of Baker Bloch becoming the neighbor of Tseten in Rubi, Veyot becomes Baker Bloch’s neighbor in Noru. Another red-blue exchange, then.
And her parcel is very nature oriented as well. 🙂 A nice East End park for certain. And I’ll have more to say about Veyot later on as well, as things continue to develop in the new town. What up with all those things going on in the Confluence Place??
Baker also recently visited the village he created in Yeot this past spring. Presently, he has no way to further alter the strange, little burg, but he’s just come up with a name: Gong. Or Gongsity. More recently he went there to copy Edward’s Building/Gallery to place in Collagesity.
Gongsity.
Gongsity, with namesake Gong’s waters made transparent.
—–
So, returning to Collagesity, there are many mysteries yet to be solved or even revealed, like the fact that the red and blue robots on either side of the Coolie Building (since moved) lie directly north and south of each other, and on Hi Way and Lo Way respectively. I didn’t plan this alignment; I didn’t plan a lot of Collagesity’s alignments that just *happened*.
I just received a text message that Carrcassonnee has suggested we call her home the Cardinal Place instead of the Confluence Place. I’ll add it to the original town meeting’s docket, which should be happening pretty soon.
“Red/Blue”:
Along with Carrcasssonnee, we’ve already talked to ballerina Dona in this blog, apparent twin to the very similarly colored flower directly behind her as seen in the camera angle below. And we’ve actually already talked to this “flower” in the blog, as a blog spirit I mean (think: Hucka D., primary blog spirit). I wonder if Dona and/or Flower know Carrcassonnee? I would imagine so.
Looking up Tired Falls toward the heart of the village. The buildings around this falls are among its oldest, originally forming a smaller settlement called Tired Falls itself. This according to several of our blog spirits, including Hucka D., Carrcassonnee, and maybe Dona/Flower. I’ll certainly have more to say about this original settlement soon.
I’ve noticed a resemblance between Collagesity and the fairly similarly sized Lake District village of Stonethwaite, England, the latter being the subject of a good chunk of my most recent and also largest collage series called Falmouth, housed in the Fal Mouth Moon gallery in town. And, yes, I’ll have more to say about that soon as well.
Check this out: my collage reinvented Stonethwaite and Noru’s Collagesity both have blue bikes (!) Are they the *same* bike? Could be. Perhaps the super band Story Room will have some things to say about that. The blue man next to the bike is one of its 3 members that I know of, although a fourth is rumored. But I can hear Hucka D.’s talk echoing in my head, as he says, “there’s always a rumored 4th [about groups of 3].” He’s probably right.
In the largest Falmouth collage, Story Room’s red member balances out the blue one on its opposite side. But since the collage goes ’round in a big circle, the red and blue beings are also actually next to each other. Why is blue upright and red sideways? Why does “Red’s” ruby red feet impossibly project through the corner of a Stonethwaite building? More blue-red mysteries for certain!
Filed under **VIRTUAL SL, collages 2d, Jeogeot, Lake District, Noru, Story Room, United Kingdom
“Peanut’s Big Adventure”
Part 01:
Part 02:
Part 03: Coming soon.
—–
“Peanut seems to have found a body covered in a red sheet, Hucka D. The same body that appears floating off the edge of the Little Whitehead rocks of Maine in an earlier collage. We’re up to Falmouth 61, which I would have deemed impossible as short as a couple of weeks ago. Is **this** it?
Hucka D.:
No. Check more Whitehead Crossing photos. Why does it always end up at 12 Oz Mouse? Well… the carrcasses.
bb:
Thanks, Hucka D. Mouse looks on with his corndog. Does he know the story of the body? This takes place at the entrance to Mammoth Cave, which is the same as the entrance to the old bee hive — *your* old bee hive, Hucka D. So you should know all about this.
Hucka D.:
Yes, I do. But I can’t say much except what’s before you.
bb:
Meaning what’s in the collage.
Hucka D.:
Yes.
—–
bb:
So is *this* a carrcass?
Hucka D.:
Yes.
bb:
Is it a carrcass that has already been completed?
Hucka D.:
It’s already done.
bb:
Then Carrcass-1, Carrcass-6.
Hucka D.:
Both of those. And more.
—–
bb:
So in part 2, he’s in the very center of the collage length-wise, crossing from winter or early spring into summer, kind of like Dorothy entering color laden Oz from sepia toned Kansas.
Hucka D.:
Exactly like that (!)
bb:
Is he high?
Hucka D.:
What a question[ to be asking], given that this is Peanut we’re talking about.
bb:
Of course.
Hucka D.:
Rhoda… you go.
bb:
Rhoda appears to be peering through a telescope-like branch at the ground. Getting small?
Hucka D.:
Yes. And seeing Jupiter and its moons. Branch — telescope, yes.
bb:
So it’s Issac Newton’s telescope. Sorry — Galileo’s. The one he used to first peer at the Jupiter disk and the 4 primary moons.
Hucka D.:
Yes.
bb:
He switches from black and white to color, like The Beatles did between Revolver and Sgt. Pepper. About the time of the double single Strawberry Fields/Penny Lane.
Hucka D.:
Right.
bb:
An “X” appears on the ground. 2 crossed corndogs, one sepia toned and one yellow or in color, since — that’s the corndog’s natural color.
Hucka D.:
Correct. Okay.
bb:
Peanut is situated between two pots which are actually the same pot, reinforcing a drug reference or pointing it out in the first place.
Hucka D.:
You better be careful of that transition. Sepia to color. Follow Peanut.
bb:
Peanut hides behind that small tree, which is both b&w and color at once.
Hucka D.:
Best to stay hidden.
bb:
And Skillet, Mouse’s closest friend, below him. Checking out, perhaps, the crossed dogs. Whitehead Crossing?
Hucka D.:
Yes. Future.
bb:
Getting high, like the balloon man is going higher and floating away from the cave mouth.
Hucka D.:
“Everybody’s Scared” is about the same cave[ perhaps]. The cave of R. Booger Hayes.
bb:
Getting back to part 1 here, Mouse is yellow and green, a contrast to the red and blue body lying within the cave. Peanut is positioned between the 2. Peanut… you go? I’ll go. Peanut has been in a lot of Falmouth collages now, but has never appeared up until now with his more natural police hat. Wearing it makes him a policeman, like wearing a fireman’s hat makes him a fireman. But in both sections of “Peanut’s Big Adventure” so far, he’s the policeman. Contrast this to, let’s see… (checking) Well, it doesn’t have a name but it’s where Peanut as fireman meets the cardboard Peanut in the middle of the Stonethwaite street. At the same time, his [Texaco] star is reinforced by Ringo Starr, and also Shelly Duvall wears the same fireman’s hat beside Ringo. It’s filled with darts. That is, Peanut is drugged at the time, and the same with Shelly, perhaps. Let me pull up the collage…
Peanut then reappears in “Coverup” in cardboard cube form, sans any type of cap or helmet. He’s just Peanut there, not fireman or policeman, then.
Hucka D.:
But he’s also not Peanut. He’s [just as much] the Big E or Big Schaw beside him, conversing with it, perhaps, like he conversed with real (fireman version) Peanut in Stonethwaite, now far below on this mountain but still viewable [beneath second “E” of this collage].
—–
“Why would Kubrick attempt to cover what they’re saying up?”
(to be continued?)
Filed under collages 2d, Frank Park, Whitehead Crossing
