Category Archives: collages 2d

Baker’s Creek

http://rainbowology.net/sid/bookernew12.html

f-j-n-r-v-z-d-h-l-p-t-x-b-f

http://www.youtube.com/playlist?list=PL52154B34A59CA62E

http://en.wikipedia.org/wiki/Seathwaite_Fell

tylediagram01

moonsun

Sun Yellow swallowed by Moon Blue… sexual copulation. Two children of opposite sex Green/Red. They are streams on either side, running away from parents. Sun is Dry, Moon: Wet. Sun and Moon alone isolated from World. Children connect.

Seathwaite Fell is a northern ridge of Great End in the Scafells. It projects out from beneath the great northern cliff of its parent, occupying a tongue of land between two tributaries of the River Derwent. These are Styhead Gill to the west and Grains Gill to the east, the streams meeting at Stockley Bridge below the nose of the fell. Sty Head Gill falls from the walkers’ pass at Sty Head, the main pedestrian route from Borrowdale to Wasdale. Near the head of the pass is Styhead Tarn. This in turn is fed by the outflow of Sprinkling Tarn, a beautiful indented pool lying between Seathwaite Fell and Great End. Sprinkling Tarn lies very close to the course of Grains Gill, ensuring that Seathwaite Fell is almost surrounded by water.

If Seathwaite Fell would have been surrounded by water, it would have been cut off and isolated. Grains and Styhead are the 2 children, connecting it to normal physics of our World.

Seathwaite is listed as having 3552mm of rainfall annually; this figure makes it the wettest place with rainfall statistics in England.

moonsun02

latona02testt
Singing Hermans

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Gila Interpretations/Associations 04

(continued from Gila Interpretations/Associations 03)

gila08test20

“So we’re still on collage 08, Hucka D. Ringo, or Ingor, is with, um, Zapple and they’ve found Marge. She’s the 3rd of 3 heads. Zapple’s inclusion is interesting here.”

Hucka D.:

That’s actually Frank Zapple… Zappa. No, Zapple. Twin to Ingor here. Zapple is taking notes on what they’ve found. He knows his destiny is intertwined with that of The Kniks. He is Z at the end of a Dead End Street, living in a 2 room 2nd floor apartment. Zapple takes notes.

bb:

They’ve obviously found something that goes beyond Zapple, Hucka D. My main interaction with Zapple is over.

Hucka D.:

Not really. Apostrophe.

bb:

You…

Hucka D.:

*You* are looking for Marge, not Zapple, not Kniks. Not really. Marge is the way in. Marge is the way out.

bb:

And in the next Gila collage, the 9th and penultimate of the series, I actually go inside Marge and find the McCartney head.

gila09final

Hucka D.:

You find the link to Latona, the next series.

bb:

I forgot to mention that Ironmonger Lane in Marlborough is both a conduit and a block. The block is seen in collage 06 [“Patty Says No!”], which I strangely skipped over in this review. It shows the sunfish bypassing the entrance into this lane…

Hucka D.:

Dead End Lane. Dead End Street. Big Black Skome.

bb:

Yeah. The doors in the background are blue in the collage showing the blocked lane…

Hucka D.:

Quote unquote.

bb:

… and then red in the lane that subsequently opens.

Hucka D.:

It’s both closed and open at the same time. Red and blue together.

bb:

What does that mean?

Hucka D.:

Queen?

bb:

No, I said, what does that mean? (pause)

—–

bb:

And what of the words Apricot and Bone in the frozen Glory Ann Pond, Hucka D.? Is that still the name of The Kniks’ made up band? (pause)

—–

Here we have Marge opening up [“Selma Says Go!”], entered through *another* wider Marlborough Lane that isn’t named by the photographer, Brian Robert Marshall, a favorite. Hucka?*

gila10

Then in the first collage of Latona, McCartney, or I suppose this would be Marty (another variant) is explaining to Lisa the Vegetarian about, well about The Way. In the second Latona collage Lisa V. is seen inside the [main] monster of Gila’s “Monsters” collage, heading toward a now illuminated green triangle found in the same collage. I have to get inside Lisa V.’s head; find out what she saw and heard. How did she buy Wealthy Mtn.? Obviously it has something to do with what Marty told her now. She had… she had to buy it to keep it from spinning the wrong way. That was the part she couldn’t control.

(continued in Latona Interpretations/Associations 01)

—–

* Actually the lane is named in the captions to the linked photo: Figgins Lane.

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Filed under Beetles, The, Carrcass Artists, collages 2d, Kniks, The, Wiltshire, Zapple

Gila Interpretations/Associations 03

(continued from Gila Interpretations/Associations 02)

gila06f

bb:

So let’s move to collage 05 of the Gila series, Hucka D.: “Monsters”. I think this is, aesthetically, perhaps the best of the bunch. It’s a reaction to collage 04, “Marge Eclipsed”, in that you have a return of the grimy, the dirty, the cast-off. Monsters, in essence. And the images are almost all taken from the area between villages called Highway and Cherhill in Wiltshire to the west of Marlborough Downs, a stretch of several miles. There is a notable rise in elevation from this area back to Marlborough Downs and its central Rockley — Rockley can be said to even “look down” on this lower area. There’s a connection with 2010’s Baker Bloch in England exhibit again, Hucka D., in that a GoogleEarth overhead image of Cherhill’s Crescent House is depicted. That would be the crescent in the sky, a horned moon.

Hucka D.:

We have returned to an earlier state for Baker Bloch’s trip here, before he went to Rockley to stay with the King and Queen. And Baker Blinker and me, Hucka Doobie, as well. We have traveled back in time to recover lost energy. It’s a good collage.

bb:

In the center are two people stealing one of the smaller stones from Avebury, which is the only piece of the collage not from the Cherhill area — oh, and the crop circle images seen within the door of the building. Those are from Rockley.

Hucka D.:

Munching monsters. They are crescents as well. This is about destruction. Destruction of a perfection, just as you have destroyed your perfect, virtual New Pietmond very recently. This foresees that.

bb:

The perfect New Pietmond in Rockley, that is, next to Marlborough. But it couldn’t *really* be formed there.

Hucka D.:

It could and it will. You had to prepare, however, with this collage series. And the next — Latona isn’t it? You couldn’t stop with Gila. This is the central Gila collage, this “Monsters”. Yet if you would have stopped with Gila, you would have just had this dichomy of High Rockley and Low Highway/Cherhill. High and Low Wiltshire. But the correct place is Rockley, true. You had to find a passageway within, a passage to the center which is both dark and light. Well, it’s light when it is opened up. We better move on.

bb:

To me, a standalone triangle, with point down, is a sinister figure, Hucka D. Here we have a green triangle to the extreme right, then a crescent more in the middle, and then to the left of the crescent [Crescent House] is a triangle *formed* out of crescents within the door you mentioned. 1-2-3.

Hucka D.:

Those are being born. The door is the womb. Monsters are born. The crescent is the father and the triangle the mother. Or visa versa. This is the warped King and Queen of Wiltshire.

bb:

Maybe this pair is the ones who do the hoaxed crop circles, Hucka D. The quote unquote babies are the same as parts of a crop circle, after all.

Hucka D.:

This is birth. Uncle Amalgamated Mess looks on, invited to the birth. He speaks to his brother, Crescent, in hushed tones.

bb:

I wonder if this could have something to do with the Biggie Fish of Second Life’s Blue Feather Sea, Hucka D.? The monster at the bottom looks like a fish, a whale perhaps.

Hucka D.:

The Crescent and the Uncle don’t really see eye to eye.

bb:

So here we are at collage 06, unless you want to talk more about “Monsters”.

Hucka D.:

No, not now. Put your picture up.

gila07final01

bb:

This one’s called “Temple Dors”, and to me it begins to resolve the problems we find in “Monsters”, or the dichotomy between the perfect Rockley and its New Pietmond and the imperfect, in comparison, Cherhill/Highway.

Hucka D.:

Just Cherhill will do. It all revolves around the Crescent House. In Baker Bloch in England we couldn’t stay there because the owner returned from London. Luckily you found the King just outside West Woods, leading us to Hackpen Hill and Rockley behind it. And in this collage here, we have a similar return to Rockley, for this is a rental house there. We see the association with New Pietmond through the rock stackings in front of the house — actually there. Then you augment or reinforce this stacking through additional, more linear stackings found in Marlborough pictures. This actually comes from 2 pictures of the same Marlborough totem, a front or light side and a back or dark side. This is obviously the pillars Boaz and Jachin. But the thing is, all the pictures I’ve spoken about so far, the Rockley house and the 2 of the Marlborough stacking, are overlapped using the same upper right corner. It just so happened if you aligned the 3 corners and removed the Marlborough rock totem from its original pictures and placed it with the temple house, it acts as the 2 pillars. This is more Accident, then. And then the word “Accident” appears on the porch of the house through the reappearance of Ingor and the altered “Introducing Lemon” album cover already seen in collage 02.

bb:

This has a lot to do with the Sgt. Pepper album cover, Hucka D., and the obvious association The Beatles or someone directly involved with them wanted to make between this cover and the Temple of Solomon. There’s an extremely interesting series of posts about it here, Hucka D., that I need to re-read.

Hucka D.:

You can do that in a moment. So Baker Bloch is in the middle of his Temple of TILE labyrinth looking toward the house — another temple, then. New Pietmond fuses with Rockley for real this time. The answers to the labyrinth, and to TILE as a whole, are through the temple doors. Temple Dors.

bb:

And that’s the next picture, then, called “Marge Refound” for now at least. Ringo — Ingor — and his twin are using the house as a teleporation devize, apparently.

Hucka D.:

Device.

bb:

They’ve gone to Glory Ann Pond, which I used because I just liked the image of. But then I found a[n apparent] connection between it and the Knight’s Templar people who use to own the land at Rockley, Hucka D. I describe it at the bottom of this page created about a week ago:

https://bakerbloch.wordpress.com/2013/01/27/if-this/

gila08test20

Hucka D.:

What is being seen here? This is The Kniks again, or 2 of the 4 heads of the members. 3 heads appear in [the front of] collage 02, and here we also have a triangle of 2 heads and a third which probably should be the 3rd head again but isn’t. Instead we know this is the beech grove known as Marge, who also has a big head like The Kniks, or she has very tall hair at least [smile].

bb:

The way into Marge is the key.

(continued in Gila Interpretations/Associations 04)

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New Something

latona01
New Something

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New Pietmond — What Remains (etc.)

As of this writing New Pietmond is no more — for now. I abandoned all Second Life land and returned to a (free) basic membership. Hated to give up the land, but I could tell I wasn’t going to do much with it in February, especially since I’ve now completed (apparently) the Gila series, which I’ll continue to analyze today, hopefully. I tried an experiment on a super cheap parcel in Sansara Snow Land before giving up premium, with interesting result. I’ve kept a record of my brief sojourn there in the first photo below.

Snapshot5500_014

Here’s a last shot of New Pietmond. Already in this picture I’d deleted half the town, however.

Snapshot5500_018

What I *still* have in Second Life, among some trifles here and there, is this Rubi gallery called “Wiltshire Virtual”, that contains the Gila series along with the Baker Bloch in England exhibit. Seems like a perfect location for it.

Snapshot5500_020

Snapshot5500_022

Snapshot5500_025

Snapshot5500_026

There’s a good chance I’ll rent land next to the snow land seen in the first photo. Interesting neighborhood — cool, virtual site. If so, I’ll be at about 20 dollars a month instead of close to 50. At the very most I would have kept New Pietmond around for another month so it was soon to go anyway. Just decided to pull the plug now and put it out of its misery. But I’m not finished with Second Life, and New Pietmond or the equivalent may return later, perhaps this summer. We’ll just see.

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Filed under **VIRTUAL SL, collages 2d, Heterocera, Rubi, Sansara

Gila Interpretations/Associations 02

(continued from Gila Interpretations/Associations 01)

gila03f

Hucka D.:

Paul does not appear where he should be.

bb:

But it’s Herbert, again.

Hucka D.:

Good you found that out. We’ll talk about that later more. So from Uffcott and only Uffcott as far as populated villages go, we have the 3 sisters as equidistant. This is your saucer, your UFO.

bb:

Back to the collage “King Tull”, then: above the sister to the left — this would be Selma — is the Power Tower of New Pietmond, just deleted from that location tonight Hucka D. I’m attempting to downsize in Second Life again.

Hucka D.:

Good.

bb:

Then atop the middle sister — Patty — we have the very top of New Pietmond’s Tower of A. Mann, also now deleted.

Hucka D.:

Great.

bb:

And then above the final and perhaps most important sister to the right — Marge — reappears the central ring of collage 02 [ Ring_O], but this time apparently held in the mouth by King Karb — that’s actually Brak — and also with the diamond fully illuminated now. The proposal game is on, Hucka D. — Karb is proposing to, well, someone, hopefully his Queen.

Hucka D.:

He’s proposing to you. He’s proposing to Uffcott which is you. Uffcott is where the crop circle proposal was found.

bb:

Then the “strange” farming contraption to the right of “King Tull” is also the same as the king — we know this because it covers Marge in another photo from the region. I liked it for that and also the fact that it looks like it has eyes. King Karb’s eyes are very distinct — should be sinister and unattractive but they’re not.

Hucka D.:

The farm equipment is owned by the man who let the people into his field to create the wedding proposal crop circle people. The Satan Team I believe they’re called.

bb:

King Karb kind of turns this around and makes it humorous. And I think he’s inviting his Queen to live with him *behind * the sisters — this is an important thing — where Rockley is. We know from the Baker Bloch in England exhibit that Rockley is the place where this King and Queen then live, and where Baker Bloch and Baker Blinker and *you* perhaps still reside.

Hucka D.:

I am there.

bb:

In collage 04, called “Marge Eclipsed”, we move behind the 3 Sisters now to Rockley itself, which has become strangely confused with New Pietmond. Virtually speaking, I’ve thought of re-creating New Pietmond in Rockley using GoogleEarth modelling… even downloaded GoogleSketchup to my computer.


https://bakerbloch.wordpress.com/2013/01/22/heightdepth/

heightdepth06

Hucka D.:

Wouldn’t work… can’t go inside like the real New Pietmond.

bb:

Correct. So this one has Marge herself from The Smipsons, har, and with her face eclipsed, as it were, by a passing sunfish, blue like the color of her hair. Marge here is the same as the beech grove of trees pictured in collage 03, King Tull. It’s like the top of her beehive hair forms the beech grove in my mind. We are *behind* the grove here, instead of in front as with the collage just before this one. We are looking from the Rockley direction instead of the Uffcott direction. Marge is front and center now, uniting the heights and depths of Second Life’s New Pietmond. Her head joins the various skyscrapers of New Pietmond, and actually overlaps one — Kidd Tower.

Hucka D.:

More on that later, but go ahead…

bb:

And at her feet is the bottom of the sinkhole that New Pietmond lies within — layed within — and the Temple of TILE covering the misty bottom.

Hucka D.:

Mystic.

bb:

Marge is both, and as such is the Kidd Tower, which extends from this bottom to the top in its 12 story climb. So there’s a direct association going on: Marge equals the Kidd Tower.

Hucka D.:

And also the X Gallery. Yes, Marge is New Pietmond through this tower. And to correct, you *still* have New Pietmond, don’t you? It’s just shrunk.

bb:

Right. Forgot to mention that. So the Temple of TILE is still there and the Kidd Tower is still there.

Hucka D.:

Keep both for now. Rent the snow covered plot from Lama Estates. That’s what you should do.

bb:

Thanks. I’ll think about it.

Hucka D.:

The Kidd Tower contains additional riddles and answers. You have that double set up on property owned by Kidd Industies in Jeogeot. Remember?

bb:

Yes. What are your ideas about that?

Hucka D.:

Well, just looking at collage 04, this “Marge Eclipsed”, I’d say that the eclipsed part represents things that New Pietmond can’t contain. It can’t contain a secret center. It can’t contain Marlborough’s Ironmonger Lane to be specific. That’s where Marlborough, and New Pietmond is Marlborough’s neighbor and essential double in this collage, goes beyond New Pietmond and its pretend placement in Rockley through this collage. You don’t have a real center — *Marge* doesn’t have a real center here. For Marge is Marlborough herself.

bb:

Hmmm. (pause) What of the crop circle to the top right?

Hucka D.:

The crop circle was found below Hackpen Hill later in the 2012 season, and is a legimate or non-hoaxed circle, unlike the wedding ring proposal circle in nearby Uffcott. And indeed as you discovered, the same farmer owns both of the fields these 2 circles appeared in — hoaxed and non-hoaxed. This represents that contrast. You should study more about that particular crop circle, baker b.

bb:

I will.

Hucka D.:

The sunfish… do you want to handle this one? Anyway, the sunfish represents more crop circles, more legitimate crop circles I should add, and eclipsing Marge’s head in this way represents the circles’ eclipse of… well, they’re important I’ll just say. (pause)

bb:

Red Collie speculates that Quetzalcoatl created these and other crop circles, Hucka D.

Hucka D.:

Why wouldn’t he believe this? The evidence is irrefutable in theory (!)

bb:

Yes, what I’ve read I have to agree. Many crop circles, legitimate ones again, are obviously about astronomical events, and the number of sunfish related circles of 2012 are about the Sun-Venus transit in late June, and the subsequent reappearance and travels of Venus. Venus *is* the sunfish.

Hucka D.:

Sunfish.

(continued in Gila Interpretations/Associations 03)

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Gila Interpretations/Associations 01

The Gila collage series appears to be over. It’s obviously related to the series of the Art 10×10, even in name. Gila is one of the most interesting village names left in northern Jasper County Illinois after those taken by the Art 10×10 (Rose Hill, Yale, Newton, Wheeler, and Jasper itself).

Similarities/differences: Gila, like basically all the tiers of the Art 10×10, consists of a base of 10 collages, but in this case augmented by a 00 collage and an 11th collage, as far as I can determine. Let’s look at each one, and I assume Hucka D. will help me with an interpretation, since he likes doing such things. So let’s just bring him in now.

Hucka D.:

The first is called [“The Kniks”], and came first — January 7th was the finish date as I’m seeing.

https://bakerbloch.wordpress.com/2013/01/07/the-kniks/

This is and isn’t the first collage of the series, so you are right to call it 00 or label it as such. The collage plays on the fact that Ray Davies’ head off the sleeve of the hit single Dead End Street/Big Black Smoke conjuncts with or sort of “captures” the word “Big” of the second [ b-side] song. Then this is copied and allowed to substitute for the heads of the 3 other band members of The Kinks — except now they’re called The Kniks, and the songs are Dead End Steert and Big Black Skome. Clever. Meaning? Probably that Ray Davies was obviously the main creative genius of the group and wrote almost all the songs. He probably thought of it has his band, although he tried not to. He had a big head, then? Well, I didn’t create the overlap of “Big” and his head, and you didn’t either. You’re just playing on something already there. So that’s kind of the trigger for the whole Gila series.

bb:

Thank you Hucka D. Very informative. This is also the birthplace of The Kniks, perhaps, where they split off from The Kinks.

Hucka D.:

That is correct. This is done through the overlap of not one but both involved songs with the Cardboard City. The Kniks, by attaining variable status here, finally break free of a Zapple coupling. But “Dead End Street” might be their best overall song, their “Strawberry Fields.”

bb:

Except for “Waterloo Sunset”.

Hucka D.:

Maybe. Guess the latter ends better.

bb:

And this is Carrcass-1 or Carrcass-One, kind of like Carcassonne. (pause) We also have “Powerman” included here, and the Gila series is presently housed in the Power Tower of New Pietmond, Hucka D. The Power Tower is like the tallest building of the Cardboard City, where the person shaped like a Square lived. He was the most powerful entity of the town, and controlled the connection with virtual reality.

Hucka D.:

Power Tower being the tallest building of New Pietmond as well.

Hucka D.:

Yes. It’s on collages of the Gila series itself.

bb:

Maybe we should move on to collage 01 of the series, then. We have Ray Davies’ head present. We have 4 again, just like in 00, and all with the word “Big” on them. This is obviously The Kniks of the original collage, then. Not really The Kinks.

Hucka D.:

No. It’s like The Beetles. They have passed into variant territory, probably connected with the Sunklands Initiative.

bb:

Let me put up a link. The original collage is found in this post, but I’ll just copy the image over here. This one’s called “Making it BIG” for now.

aveburydragonfly13

Hucka D.:

The Kniks have sprung into action in the series. The heads of 3 of the members, which are all 1 member now [Ray], cover some Google Earth text at the bottom of the collage. The 3 heads are joined. A 4th Ray Davies/Kniks substitutes for a chimney on the central house of the picture, found in Google Earth in Avebury, UK. It was a notable snapshot for you because of the seeming presence of 2 upright dragonflies hovering above the house. That’s not what they are but that’s okay — we wanted you to choose this photo for the collage. You will return to this house. The house contains scenes, in its windows, of other oddities in GoogleEarth you had recently found, including an elogated headed alien, also of Avebury, and a Rockley mystery fireball.

bb:

Still haven’t seen anything like that elsewhere in Second Life — did I just say *Second Life*? — GoogleEarth I mean, of course.

Hucka D.:

Rockley will come up again soon. The house contains these images. In front of the house, along the road, are the 3 heads of The Kniks mentioned before. This is in essense their house, where they play and rehearse and live. They are from Avebury.

bb:

Hmm.

Hucka D.:

The 4th head is the key, the one that acts like a chimney. From it smoke emerges, and the numbers 333 are seen within [note: this is white smoke, not black]. A headless entity seems to claim the middle of the three 3’s for a substitute head. We know now this is associated with the 3 sisters of Hackpen Hill: Marge, Patty and Selma, 3 basically identical and circular beech groves just to the north of the famous white horse on the hill. To the left is a crop circle image coming from the fields just below the sisters — at Uffcott.

bb:

Let me see if I can dig up some more information quickly on that circle, Hucka D.

Hucka D.:

Go ahead sir.

—–

bb:

It apparently dates from 1995, Hucka D. I found it on this site, where it is described as a solar image. And that’s how it’s probably used in the collage — as a substitute for the sun itself. The golden color goes along with this too.

Hucka D.:

Uffcott will come up again in a minute. Do you have anything to add about this particular collage?

bb:

I remember adding the hand above “Chimney Ray’s” head after the second collage was perhaps completed, or near completion. It’s the hand above Paul McCartney’s head from the Sgt. Pepper album cover. I didn’t know until recently that Davies didn’t care too much for The Beatles back in the day, but I guess that’s just rivalry, like he had with his own brother within his own band. So his head, here, takes the place of McCartney’s head. Davies/Kniks heads will return in the collage series in 08 as a resolution to all this, seemingly.

Hucka D.:

We should move on, then. We can talk about elements of 01 through higher collages. So 02 is called “Ring_o” according to that post.

gila02b

bb:

Oh Hucka. We forgot to talk about “Apricot Bone” in that last collage. Apricot Bone is perhaps the name of a band as well, maybe like Sergeant Pepper was for The Beatles. As The Beetles created Sgt. Pepper, so The Kniks created Apricot Bone.

Hucka D.:

That could be correct. Apricot is a UmapS name, from the Washington state. Relates to the site where you have information about Sunfish Pond in New Jersey, and how it’s linked to Block Island, Rhode Island through rock stackings. Sunfish comes up again soon as well in Gila. (pause) But to collage 02, which will answer some of these questions. We have Paul’s head now positioned below the same hand as above Ray’s head in 01, and this is from Sgt. Pepper again. Union of Hand and Head, just like we have in Arkansas on the Arkansas Line of The Way. This is the *correct* interaction of the Hand with a Head. Ray’s is a substitute. He cannot be Paul, nor does he need to. He is a great songwriter in his own right. He just didn’t have a Lennon to help him. In variant terms, Paul is Marty, and Lennon is Lemon. I say this because there’s a Lemon in collage 02 as well.

bb:

From the union of Sgt. Pepper and The Kniks comes “Introducing Lemon”, which is actually an album by a Chicago math-rock group called Cheer Accident. Pretty good album, and I need to give it a spin again. I use the album cover in this collage, like I did with The Kniks single sleeve in collage 00. The head of the album is fiddled with again — I put Ringo’s head on top of the one on the Cheer Accident album. Otherwise the album cover is unaltered. The insertion of Ringo’s head is logical here because he is the trumpeter of the Sgt. Pepper military band, just like the person on the Cheer Accident album is a trumpeter in a military band. Their uniforms are very similar. So the marriage of Sgt. Pepper Ringo with this cover is a natural, if we add in the mistique of the name “Lemon” from the album. Lemon is actually Lennon, or a variation thereof. Lennon stands beside Ringo on the Sgt. Pepper album, holding a tuba french horn instead of a trumpet. The image is that of Ringo, but it is also Lennon, then, through Lemon. Lennon and McCartney, also pictured here, form the greatest songwriting duo of all time, most likely.

Hucka D.:

You said the album cover was unaltered except for the addition of Ringo’s head — and Ringo becomes Ingor in the variant name playing game — but there’s another change and that’s the overlap of “Apricot Bone” again on the name of the band across the top of the Introducing Lemon cover. But part of their name remains in the overlap: in the center, we still see “Accid”. This refers to LSD acid, like as perhaps sung about on songs like Lucy in the Sky with Diamonds from the Pepper album. This refers to that. But also this is actually part of the word “Accident”, like some say all this collaging business you do is. It’s all accident and there’s no meaning. Well, I’m here to say there is meaning. We are talking about it here. There is no Accident. (pause)

bb:

I want to get to that central ring figure of collage 02 as well tonight. This is cut from the middle of the Uffcott crop circle pictured in collage 01. It represents a ring itself, and is like another Uffcott crop circle coming from the end of just this past crop circle season, Hucka D., an obvious forgery or hoax. I talk about this crop circle at the bottom of this post:

https://bakerbloch.wordpress.com/2013/01/22/it-2/

The name of the woman being proposed to through this hoaxed circle, Laura, also piqued my interest. In David Lynch’s Fire Walk With Me, Agent Cooper, speaking to Laura in a dream from the Black Lodge, urges her not to take a particular ring, associated with a wedding ring before this although not connected with any particular, normal wedding in the movie or attached Twin Peaks series. No…

Hucka D.:

The hoaxed crop circle is the power of the Black Lodge manifesting itself in the Uffcott fields. The ring is also a Hope Diamond, and is thus cursed. There is even a glinty spark at the northwest corner of your ring in collage 02 to remind us that this is a diamond ring. The glint is the same as the Rockley mystery fireball pictured in one of the house windows of collage 01. In collage 03 this same glint on the same ring will become All Illuminated. Should we move on?

bb:

Eh, why not. (pause) But you want to talk how *you’re* the man waving in collage 02?

Hucka D.:

No. But it *is* me. I’m golden; he’s golden. But let’s go to 03.

gila03f

bb:

So this one’s called “King Tull” apparently, Hucka D.

Hucka D.:

Here we have pictured the 3 sisters for real, although it’s hard to see them in the final collage unless you know what you’re looking at. Insert one of those other pictures of the sisters as a contrast…

wiltshire07

Okay, so that’s the 3 sisters from the western edge of Uffcott, where they can be seen straight on, as it were. They appear equal from there — equally spaced. This makes the Uffcott location special for you. It will be the place of Saucer Contact.

bb:

Don’t know what that really means but let’s keep going…

Hucka D.:

Frank Herbert’s Paul has a Saucer. Paul is not where he seems to be.

(continued in Gila Interpretations/Associations 02)

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Filed under Carrcass-01, collages 2d, Lunch, David, Twin Peaks

Smipsons DVD

gila11test05

http://en.wikipedia.org/wiki/Lisa_the_Vegetarian

“Lisa the Vegetarian” is the fifth episode of The Simpsons’ seventh season. It originally aired on the Fox network in the United States on October 15, 1995. In the episode, Lisa decides to stop eating meat after bonding with a lamb at a petting zoo. Her schoolmates and family members ridicule her for her beliefs, but with the help of Apu, Paul McCartney, and Linda McCartney, she commits to vegetarianism.

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gila12test10

gila11
The Education of Lisa the Vegetarian

http://www.cropcircleconnector.com/anasazi/fringe2013b.html

1 Comment

January 29, 2013 · 9:46 am

New Animation

It appears that the brand spanking new Gila collage series may contain an animation in the middle of it after all. The old Gila 07 collage is transforming into a Gila 06 and a Gila 07, with the old Gila 01 instead being relegated to a pre-Gila test sort of collage. I think. Anyway here’s an early look at what seems to be turning out as Gila 06 and Gila 07… these are just tests still, mind you.

gila06 gila10

Edna and I had, just last night, watched a British Comedy episode featuring a red door (and the mysterious thing behind it). Right after this I discovered a new photo of Ironmonger Lane where the 2 cyan colored doors in the original Bryan Robert Marshall camera shot have instead been painting the opposite color of red. In the caption for his Ironmonger Lane photo taken in November 2007, Marshall states that the, “narrow alley is one of several that run at right-angles away from the main road, the A4 old coaching route. The turquoise door at the far end is the European Shiatsu School’s premises.” Apparently the next year, the European Shiatsu School sold out to The Old Barn Yoga Center, who subsequently painted the cyan doors red. It’s easy to tell these are the same doors because one of the photos included in the Yoga Center’s site is taken from essentially the same angle down Ironmonger Lane. These two photos are the basis for the projected animation in the middle of Gila.

—–

1/29/13 update: I believe these 2 collages are now finished, and make up the 6th (left) and 10th (right) work of the Gila series.

Hucka D.:

What to do? Go to Marlborough and be A. Mann or chicken out and not go. That’s the story of the 2 collages in a way.

bb:

But there’s something deeper. The cyan colored doors “magically” changing to the opposite color of red… seeing the Red Door episode of The IT Crowd the same night as finding this red door photo… The alley is blocked in Gila 06 by the black horse with rider. The white horse is no problem in the 10th, for it’s way up in the air, and also Patty/Selma has moved off to one side to allow passage to the now red doors. A paradox, Hucka D. A conundrum.

Hucka D.:

Even though…

bb:

Even though half of, let’s see, that would be [ blue clad] Selma, is seen in 10, it equates to seeing the whole of the more diminutive [red clad] Patty in 06. This is because of the shortened perspective for the added background photo with the red doors in comparison to the Marshall shot of the cyan doors — the same, exact doors again but coming later in time (post-2007).

The white horse in the sky of 10 is like Marlborough’s own white horse, diminutive itself in comparison to most Wiltshire white horses.

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Filed under collages 2d, Smipsons, The, Wiltshire

Ironmonger

http://www.geograph.org.uk/photo/608208

450px-Ironmonger_Lane,_Marlborough_-_geograph.org.uk_-_608208

TheOldBarn_2

therapyrooms2

therapyrooms3

contact

0043(pp_w856_h569)

images2

5151JGB4CPL

season-7-episode-4-lisa-the-vegetarian-paul-mccartney-and-his-wife-linda-made-appearances-as-themselves-when-lisa-ran-off-to-become-a-vegetarian

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2915Simpsons_Season_7_copy

http://ludix.com/moriarty/paul.html

pepperback coranglais

Downland_near_Rockley_-_geograph.org.uk_-_408862

https://bakerbloch.wordpress.com/2012/11/19/x-spot-gallery-wing-01b/

http://www.flickr.com/photos/21133841@N03/3338442616/

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Filed under Beetles, The, collages 2d, Smipsons, The, Wiltshire