Category Archives: Carrcass Artists

Ideas

Sharieland’s Sunklands and its Gaping Mouth Rock, etc. is now directly attached to The Shining. How could this be? Palmistry, The Devil tarot card, and the picture at the end of The Shining are all linked through Jack’s band aid, which becomes my band aid. It heals a poisoning, like lead poisoning, like poison ivy poisoning, but a wound of the heart (or head?) [line]. The pencil warned me (jabbing) what was just around the corner (co-worker split). I was so happy, having created my Sharieland photos. Then: shock.

danny gaping mouth 1

Result was getting a student (wonderful!), and co-worker moving to a different location, in essence. Also probably me retaining my office. So what’s to complain about?? Only the great unknown.

heart02
Healing.

Alignments are being made in this game of Omega Point considerations. Alpha (Oz) is seen to be corrupted by Omega (Shining). The whole thing must be lifted up and purified.

Snapshot1409_013
The Omega Wall.

We continue…

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Filed under Herman Park, Qbrick, Stanley, Sharieland, Shining, The

strange? 02

(continued from strange? 01)

In “strange? 01”, we examined a good number of film effects in Shot 61 of “The Shining”, some of which clearly seem to be beyond the norm. Here is a composite picture of the anomalies I created at the time.

shining09

In studying the shot further, I saw additional lighting effects, but I think we may have hit the major ones in “strange? 01”. I believe the light shooting out of the psychiatrist’s head as the background tiger’s eyes realign with the top of her coat is obviously the first major effect of the shot, about 6 seconds in. The 2 spots around the dr.’s head near the end of the shot, appearing right at its last spoken word (“strange”) would be the final major effect. These form the frame to understand all else within.

Still don’t believe I’m on to something here, and these are mere film discolorations? Shots 61, 63 and 65 all have the same camera angle, and involve the psychiatrist asking Danny various questions about the vision of blood pouring out the Overlook Hotel’s elevators he experienced while brushing his teeth that day. Shots 62 and 64 switch to the same closeup of Danny, as he fields her various questions. In shot 65, which is continuous with 61-64 before it, the psychiatrist asks Danny what happened just before he started brushing his teeth. In shot 66, Danny replies that he was talking to Tony. Here’s what we see when we return to the psychiatrist, in a close up in shot 67. The blackboard in the background has moved, and now covers both tiger’s eyes!

shining1315a

In shots 63 and 65 the tiger appears as it does in the first photo of this post from shot 61, with the blackboard askew and only covering part of the tiger’s right eye. So it’s obvious that Danny’s spirit accomplice Tony and this poster tiger are suppose to be equated with each other here, with the link being well-known cereal character Tony the Tiger. The psychiatrist then asks who Tony is, and Danny’s mother Wendy rather nervously explains that it is Danny’s imaginary friend. We only see the blackboard cover both tiger’s eyes during the several closeups of the psychiatrist during this sequence, and at the end of the movie chapter taking place within this room, when we return to the same camera angle as shot 61, the blackboard likewise returns to a state of askewness.

Why did Kubrick set all this up? In looking at the whole scene in Danny’s room further, Wendy’s eyes also don’t appear right at times, like one has been “artificially” enlarged, almost a popeye effect.

shining1213a

I’m reminded here — and perhaps you the reader are as well when reading this observation of mine — that Shelly Duval played Olive Oyl in the movie Popeye, which was being conceived at the same time as the filming of The Shining.



S W E E T H A V E N

S I D E W I N D E R

Hmmm…

(continue to strange? 03)

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strange? 01

http://idyllopuspress.com/idyllopus/film/shining_interview.htm

… the scene goes black. (12:07)

After a moment, we hear a voice.

SHOT 61

(12:10: scene begins)

shining04e
(12:10: brown spot at top of screen above dr.; 2 tiger eyes effect above coat, then lost)

THE DOCTOR: That’s good, now

shining00f
(12:16: light shoots up from dr.’s head as she switches eyes right as 2 tiger eyes illusion reappears above her coat)

shining00c
(12:16: then black spot above dr.’s  head)

THE DOCTOR: … the other one. (The doctor switches to examining Danny’s left eye.) Good boy.

We hear a horn honk outside.

shining08
(12:17: black dot on curtain between Snoopy and Goofy noses (see below))

shining04g
(12:18: black spot between dr. and Wendy as she finishes examining 2nd eye)

shining04b
(12:21: darker black dot on upper edge of screen, above dr.)

shining04h
(12:23: ring effect above dr. as Wendy looks down)

shining04d
(12:23: larger ring effect on Peanuts curtain drape as dr. closes case; Snoopy’s nose highlighted)

shining00d
(12:24: light to Wendy’s right as she closes eyes; dr. makes eye contact w/ Danny)

The doctor sits down next to Danny.

shining03
(12:27: brighter light directly above Danny’s and dr.’s aligned hands)

THE DOCTOR: Now, Danny, when you were brushing your teeth, do you remember if you smelled anything funny or saw any bright flashing lights or anything at all strange?

shining00e
(12:38: 2 black specks on left side of dr.’s head as she says word “strange”)

—–

Hucka D.:

Best guess. The doctor becomes the bear at the end of that question. The askew bugs (which are Joe and Zoe!) in relation to the doctor’s hair twin the askew ears on the bear[ pillow Danny is laying on]. The hair colors (doctor and bear) are very similar; almost identical.

bb:

Wendy is similarly a twin of Goofy to the right… same colors, again (red and blue). Wendy *is* goofy. Goofy appears to be attached to a string like a puppet. She *is* a puppet.

Hucka D.:

We take turns. Tiger next to Goofy is partially hidden by a small blackboard, one eye exposed and the other covered. Tiger equals Danny’s spirit bug [sic?] Tony, like Tony the Tiger. Need proof? Tony the Tiger is seen later on a box of cereal in the stor[age] room.

bb:

Study… sorry.

Hucka D.:

Study blackboards. Dartboard, blackboards.

shining04a
(12:40: light to left of Wendy as she moves head)

(12:40: scene ends)

shining09
(all the above effects in combined shot)

$(KGrHqN,!oMFG3m!1D51BR2Iynmio!~~60_57
Peanuts curtain drapes

—–

MORE bears from Collative Learning

(continued in Strange? 02)

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Corbett on Kubrick

A video that touches on a number of subjects recently brought up on this blog concerning CUBE BRICK.

Probably related:

Omega Point.

Snapshot1409_013

220px-ΑΩwindow

One more thing:

Corbett probably equals Colbert. I’ll let you the reader or readers figure that one out.

https://bakerbloch.wordpress.com/2013/12/20/twins/

https://bakerbloch.wordpress.com/2013/12/21/hand-holders-part-11/

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Why Blue Jay?

Hucka D.:

Way?

ca-189_eb_twin_peaks_02
Beginnings.

http://en.wikipedia.org/wiki/North_Bend,_Ohio

John Scott Harrison is the only man in U.S. history to be the son of a president and the father of a president. He was born in North Bend and is buried in his father’s vault in North Bend.

http://en.wikipedia.org/wiki/North_Bend,_Washington

North Bend is a city in King county, Washington, United States. The town was made famous by David Lynch’s television series Twin Peaks (also filmed in nearby Snoqualmie.)

Lynch-Frost_Productions
Endings.

Bracket J.:

I get it. It’s from 1Pink. Pennsylvania is 1Pink.

Hucka D.:

Yes. That’s something I wanted to talk to you about when you weren’t home the other day. I couldn’t have *seen* you but I could have spoken to you still. I wanted to explain about 1Pink. Hatch… Seal.

Bracket J.:

What?

Hucka D.:

Never mind, Long Way. You’re here now. And that’s what counts.

Bracket J.:

Are you on your rainbow causing hallucinogens again, Hucka D. The Bee?

Hucka D.:

You bet!

Bracket J.:

Well… let me have it (!)

Hucka D.:

Are you lost? That’s not what I mean.

—–

bb:

This is the only thing that comes to mind, guys.

Bracket J.:

Oh Canada (!)

http://www.endofmedia.com/?p=169

6a00e54fcf73858834017ee3e62ff7970d-800wi

http://windling.typepad.com/blog/2012/10/asking-questions.html

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Filed under California, Lunch, David, MAPS, Missouri, Ohio, Pennsylvania, Twin Peaks, West Virginia

Dart Taboo

dartohio02

bb:

I shouldn’t have written a reply tonight. I was a little drunk. I need to dry out for a night. Don’t want it to get the way it was. So to the map.

Hucka D.:

I’ll let you handle this one. Goodnight. Sorry.

—–

Dart:

Refers to the dartboard game of The Shining and the (one of the?) 3 red darts Danny throws at it in the Game Room scene during the Closing Day part of the movie.

http://idyllopuspress.com/idyllopus/film/remembrance_and_repetition_in_kubricks_the_shining.htm

sh_dart1

3 Shining darts and 3 U.S. darts (Alabama, Missouri, and this one in Ohio) — coincidence? The dartboard has already been assoc. here with Room 237 through reverse number 732.

Is Dart, Ohio the dart Danny leaves on the board or is it one of the 2 he pulls from the board just before seeing the Grady Twins for the first time? Notice that 2 darts he’s thrown point up, and the third, at the bottom, points down (to Hell?)

Shay:

I believe this refers to the “sha” ambient sounds in the movie remarked upon by several Shining researchers and called that specifically by Juli Kearns of Idyllopus Press. There is no “Sha” place name in U.S., and Shay’s about as close as you’d get, I’d suppose.

Additional note: There are also 3 Shays, like there are 3 Darts in US. 1 of 2 other Shays near Hellman in OK (see Fifteen below).

Fay, Shley:

Back up Shay as rhyming neighbors. Fay also goes into interesting directions of its own. (LINK) Fay is a witness.

Fifteen:

I believe this refers to the tarot card The Devil, the 15th Major Arcana card of the deck. Remember that Jack obviously poses as The Devil in the photo at the end of the movie. Fifteen represents the end of The Shining as well, then, the entrapment of Jack within the hotel forever and ever and ever (as the Grady Twins predicted).

Snapshot1409_013

Very importantly here: Jack is also the Dark Man.

In the Tarot of Marseilles, the devil is portrayed with facial features in unusual places, such as a mouth on his stomach, eyes on his knees…

Steel Run, Moss Run, Cow Run:

I do not presently know their relevance here, if any. Perhaps interesting run of Runs, however (sorry).

Heslop:

Ditto. Seems like an anagram of something. But it’s actually a British surname. Heslop might go in several directions as well.

http://en.wikipedia.org/wiki/J_Malan_Heslop

http://freepages.history.rootsweb.ancestry.com/~jmohney/r_j__heslop.htm

R.J._Heslop

—–

Obviously not as interesting on the surface as the MASH-Pennsylvania material reviewed previously on this blog in December. But let’s look a little closer. Let’s assume Shay represents the “sha” ambient sound of The Shining. Here’s what master researcher Juli Kearns has to say about it. Before getting to that, I’d put forth the idea that the “sha” sounds dictate almost another plot within the movie. Personally I’ve never heard of anything quite like it. When I found Dart, Ohio and Shay nearby, I immediately made the connection to The Shining noise. But to the quote:

http://idyllopuspress.com/idyllopus/film/shining_interview.htm

Jack has glanced in the direction of a model of the hotel’s maze as he crossed the circle upon which Dick will later fall when he is murdered by Jack, who will have been hiding in the lobby behind a pillar. The waiter and his silver service just disappearing from sight, perhaps behind a pillar, seems to be a foreshadowing of this. He would not be so completely hidden by the pillar, with his tray, had this not been staged.

Just a step beyond the circle, Jack’s glance moves up to the stairs on the right, briefly meeting that of a hotel employee who is coming down the steps. This is the stairway Jack will, in the “4 pm” section, use on his approach to the lobby in the scene where he murders Dick. As his glance meets the woman’s, he crosses the spot where Dick will be standing when Jack leaps out from behind the nearby pillar and kills him.

jack kill halloran

At the same time we are taking in an elevator beyond, before which stands a man who carries a wrapped pole of sort, perhaps a fishing pole as he carries a hat which is typically used for fishing. We can tell he’s a new arrival as the red-coated valet behind him is porting his bags.

Two other things happen as Dick crosses this fatal spot. An elder man in light clothing has entered the area before the elevators from the hall beyond. This same man will later be seen examining the maze.

(3:27 crossing into 3:28) The second thing that happens is a subtle audio cue. We hear a brief, staccato voicing of “sha” which, at this point, we take as being part of the natural ambient noise of the lodge. I will write more about this voicing later. It’s enough now to note that it has meaning, expanding in some way on the action which will later occur on this spot, action which is already being anticipated.

So the first “sha” of the movie sounds right as Jack crosses the spot where he’ll later kill Halloran (Scatman Cruthers). Kearns states this happens at 3:27 in the movie, and associates it with an anagram of 237, like the dartboard’s 732. It’s at 3:26 by my player, but maybe she has a point there as well. Now let’s move to the *last* appearance of “sha” in the movie, a little over 48 minutes later. Shawnfella, creator of the Shone Report video on the subject, claims there are 16 instances of the sound in the movie. Clearly, however, there’s more than that, and Kearns adds a couple of her own. But these 2 “sha” researchers agree on what appears to be the last one. Let’s check out Juli’s take on this:

http://idyllopuspress.com/idyllopus/film/shining_saturday.htm

First, I want to note a similarity between Wendy removing a red line twice from the switchboard (2 tests) and Danny removing the 2 red tipped darts earlier in the film. Just a note.

sh_sat3-620x464

And another note before I get to the final “sha” stuff….

Coincidentally, as Wendy crosses over the circle where Dick is to die, an oval flaw appears in the film stock on the wall to the left, white enclosing a tan field. I saw this because I paused the film to get a shot that showed the television was on but we’re unable to see what is playing, and for the brief period of time it is shown whatever is on the screen appears static and isn’t moving.

To me, this could be the seed point for another whole “sha” style mystery about the film, since it occurs when Wendy crosses the very same place (death spot of Halloran) as Jack does during “The Interview” when the first “sha” occurs. Doesn’t seem coincidence (once more).

This scene is the last, to my knowledge, in which we hear the “sha” sound. As the conversation in which we hear it has to do with the lines being down–Wendy asking if there’s any chance of repair and the “sha” being heard before the ranger answers–my assumption is going to be that the “sha” sound somehow has to do with this and the lodge’s status of CRM-114, as it were, of estrangement, of being cut off, just as was the jet carrying the bomb cut off from the outside world in Dr. Strangelove, and Alex was separated out for the Ludovico treatment then cut off and shunned. The “sha” sounds may stop as a state of some degree of irreversibility has been reached. The Torrances, previous to now, perhaps had the possibility of leaving the lodge without a catastrophic incident occurring, whereas that is no longer the situation.

After finding out the lines are down when she can’t reach anyone at the switchboard, Wendy moves to the ham radio in Ullman’s Office and calls the forest service. The last sha occurs right after Wendy (KDK12) asks if there’s any chance of the phone lines being repaired, and before the young ranger (KDK1) replies that he doesn’t think so, and often the lines stay like that until Spring. Not a hopeful situation for Wendy.

Some notes, then. The first apparently “sha” of the movie, besides sounding right at the Halloran death spot, also occurs in the middle of a phone ring. The last “sha” here is placed in the middle of a conversation about downed phone lines. Must be a relationship, and the clincher for this is that a phone has *just disappeared* in the movie beside this young ranger in his office, and replaced by a blue notebook. The white sheet on the bulletin board in front of him, at the same time, is replaced by a pink sheet. These are *not* continuity errors but rearranged on purpose by master manipulator Kubrick. What’s he up to here???

shine

Danny originally shines in the movie during the dart game when he first sees The Twins.

And what lake is that between Shine and The Twins? It’s Teal, but who could tell from this map. May be *Pearl*?

dabob

Nearby is Ta(r)boo Bay…

Parents sleeping with their children is taboo to the max.

tp-arb-bob2

Jack5

Facey

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Filed under MAPS, Ohio, Qbrick, Stanley, Shining, The, Washington

Twinned cypresses, green and brown

twinnedcypresses

2 Comments

December 17, 2013 · 9:30 am

Additional x 3

The cat topped City Hall now becomes a recognized, direct symbol of Shiny Hare, which is the same as Carrcass-10 I suppose.

The cat has shiny hare, as I’m now changing it — right now.

Snapshot6000_001

The cat is also Catman, sacrificed at the end of the film. The City Hall honors Catman like this article honors The Shining’s Scatman.

If City Hall is this Carrcass-10, the VWX Tower perpendicular to it and 3 times as long is the joint Carrcass 8 and Carrcass 9. Carrcass 10 can be fitted in the middle of the two, as City hall lines up with the middle of VWX Tower in an overhead view below… and also the side view above as it turned out…

rubi131204

I know Hucka D. would agree with this interpretation, since he’s called the VWX Tower an audiovisual tiling, and challenged me to guess what that means.

VWX Tower is towering, just like joined or twinned Carrcass-8 and Carrcass-9. It is a towering tiling, the best at least since 2007. 2013 was a good year for carrcasses, just as 1996 was for crop circles. Tilings are much like crop circles — I’ve long noticed that.

Since 2008, going back again, the most recent carrcass or carrcass to come rules the blog and influences its ideas in a hidden but super-strong way. A nice example is the Sunklands writing of Fall 2009 on the Baker Blinker Blog, culminating with the production of Carrcass-3 using the work of the very same Plant and Marty that were prominent guest spirits on the blog during this period. After Carrcass-3 had been created, these spirits were no longer as essential. Spirits related to *Carrcass-4* then took over, which takes us to Fall 2010 Pietmond. Another interesting example is the very beginning of the Baker Blinker Blog, where we have the otherwise inexplicable intrusion of creatures called Ancients, like Baker Block’s Mr. Low, like Shakenstein that similarly tormented and cursed poor Baker Blinker. Many blog posts could be devoted to this subject alone. The whole run of A-Z posts from Fall 2009 are a lot about Carrcass-1, the first such work formed during the existence of my blogs.

Why does this influence have to remain basically hidden if it is so prevalent, the reader or readers might be asking at this time? A good question indeed. Hucka D. usually helps me out here (pause) but I don’t think he’s still around.

Hucka D.:

Hi. Sorry I had to step out but I had to buy more playdough for my models. Have you seen them? Red, then green, then blue and yellow. Or green, red… aw, they’re pretty anyway.

bb:

Are you talking about the VWX Town towers?

Hucka D.:

No. (pause) But good you figured out what they were, what they stand for. And now you’re in the woods, which is a seed of a new carrcass, beyond even Carrcass 8, 9, 10. This is a mashup. And the new, accompanying collage series will be Farrar — don’t you think?

bb:

Possibility, Hucka D. (!)

Hucka D.:

And that’s why The Shining material is so prevalent in the blog now. Your blog now. It is the Omega to the Alpha which is Oz. You have reached the end of tiling as you’ve come to know it. Other people tile now, as you know. Simpler tiles, because you are the master of tiling. You know that.

bb:

Yeah, I suppose.

Hucka D.:

The new master structures of VWX Town simply mirror this mastering. Yet you don’t have a big head about it.

Snapshot1501_005

Good to recognize, however. Now you must start to protect[ what you’ve done].

bb:

Yes.

—–

Hucka D.:

You must head out into the *real* woods and leave the play[dough] woods behind. Else you become a Jack Frozen Head, see.

bb:

Kind of.

Hucka D.:

Do you want the Rubi Woods to absorb you? Your back is getting healed. A 237 healing. Pull away from the dart board. Stop looking into the mirror. See the twins *out there*. Turn around. Face music. Enjoy!

tumblr_lyqswtUWtg1qi4nyc

dartboard01

http://idyllopuspress.com/idyllopus/film/shining_tuesday.htm

Danny tries the knob twice. The door is locked. Taking his hand down, he looks up at the number 237. This number is on the left hand side of the door, whereas all the other double doors in these halls have the room number on the right hand door.

The Shining – Danny looking up at the door before he sees the girls

sh_tubeforegirls-620x463
Fig. 22 – Danny looks up at the number.

190 MS The two girls. (42:44) A vision of the two girls glances through his mind.

The Shining – Danny sees the girls in the hall as he looks up at 237

sh_tu7-620x463
Fig. 23 – Danny sees the two girls.

It is when Danny looks at the number 237 that the girls glance through his mind, just as they had appeared when he was in the game room and playing darts, facing the 732 (237 in reverse) on the dart board.

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Additional Additional Wendy-Danny Tree Stuff

Jack looks down on The Overlook’s model of its maze just like Second Lyfe avatars can look down on the labyrinthine Rubi Forest either directly (flying) or using distant vision.

sh3

Snapshot1519_013

But then the maze model inexplicably enlarges as we see down through Jack’s eyes in the movie, mirroring itself in all viewable directions. This reminds me that the Rubi Woods was supposedly part of the much larger Sylver Forest in Ancient or Pre-Linden times.

Twinsidesofhedgemaze

Snapshot1555_010
Wendy-Danny from overhead!

Jack is becoming absorbed into the past of the Overlook Hotel. Remember The Maze is also a mirror of The Hotel. The past for us, the reader and caretaker of this blog, is the Sylver Forest. Will we become similarly absorbed, as Jack did at the end of The Shining? The Maze took him away forever and ever and ever. He became just a frozen head in the then *present*…

5344907315_da264088d6_o

… but, at the same “time”, a member of “all the best people” in 1921.

2775943-1
“You’ve always been the caretaker.”

Gila 09 represents the two halves of “Dark Man” ending Shiny Hare. “Hucka D., can we speak about that now?”

Hucka D.:

A little. The picture on the easel is part 1 of 2, the picture on the wall of the gallery is part 2 of 2, yes. Jack of The Shining is at the end. Same as the frozen Marty [ McCartney] head, yes. Yes. (pause)

bb:

Thanks for showing up in my blog this morning, Hucka D. We are trying to resurrect the past. Is this a good thing?

Hucka D.:

Yes. (pause) In this case, in your case. A positive 237, a healing 237.

gila09final

bb:

We track down the road in the easel picture, which then continues in the wall picture. This is just like the long tracking shot ending The Shining, ending with Jack at the photograph. The wall picture I mean. The easel represents Catman entering The Hotel, and then being cut or sacrificed. The ax cut by Jack, essentially cutting Catman in two, is also like the edit cut of “Dark Man”.

jack kill halloran

Catman is physically a “Dark Man”, but also the Dark Man becomes Jack psychologically because he kills. He *replaces* the physical Dark Man by being a psychological double. Dark is not necessarily bad, although society likes to deem it such. But [psychological] evil dark is obviously kind of bad. Was I speaking your words, Hucka? (pause) Hucka?

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Filed under **VIRTUAL SL, Heterocera, Qbrick, Stanley, Rubi, Shining, The

Additional Wendy-Danny Tree Stuff

More twins from the collage before Gila 09 discussed in the Wendy-Danny Trees post just below, in this case Frank Zappa and Ringo Starr from the movie 200 Motels.*

Like the Grady Twins and Wendy-Danny from The Maze, they appear to be holding hands, or perhaps sharing one hand between them (Ringo’s left, Frank’s right). In the collage, they jointly start at a miniature version of the Marge beech grove positioned atop two opposing heads that are pressed together by two giant fingers. These fingers, along with a more realistic presentation of Marge, reappear in the following Gila collage already under discussion: “Head Inside”.

It also seems important to mention here that a mirroring crop circle (another twin!) appeared beside this beech grove’s twin Patty (*another* twin!) shortly after Edna and I returned from England this past summer. Never had a crop circle formed nearly this close to Marge before, nor her sister groves Patty and Selma. Just to note that all of these groves appear near each other on the same ridge, and are all basically convey the same shape, size and appearance.

gila08test20

gila09final

Now the current state of “Head Inside,” newly reinstalled in Fal Mouth Moon. As you can see, the projecting dogwood branch doesn’t really do any aesthetic harm to the collage, and even adds to it in ways. Note that it appears to, by virtue of its 3-dimensionality, *block* Baker Bloch’s vision of McCartney’s head within Marge.

Snapshot1555_011

The truncated column in the back of the Table House discussed in the first post on this subject is found to exist at the very corner of VWX Town, Essence, or just within the part of the town that will be kept in January. A meter or two south or west and the column would lie within VWX Town, Indulgence, the part that is to be abandoned. Note also that the southernmost or “5th” column lies in VWX Town, Indulgence. 4 will remain; the 5th will not.

I also think this “missing” column represents the missing 199th tree of the Rubi Forest, the one that, when removed, makes its Lucas sequence resonance harder to identify. This was done on purpose — by The Woods itself?

Snapshot1559_001

Snapshot1559_002

—–

* See here for strange tie-in between this movie and Cube-Brick’s 2001: A Space Odyssey:

http://globalia.net/donlope/fz/videography/200_Motels.html

The 2001: A Space Odyssey Monolith
From: Patrick Neve

I just snagged this neat-o little piece of trivia from the internet movie database. Anyone know if it’s true? Where exactly does it appear?

200 Motels Trivia: Filmed in the same studio as 2001: A Space Odyssey (1968). The black monolith from that film is visible.

From: Clyde200

Yep… I’ve wondered about it too. Although it’s been quite awhile since I last viewed the movie … I can see Ringo (with the lamp) and Theo. B. in front of the object which is on the right of the screen.

From: OnlytheSky

Not to mention during Penis Dimension sequence Dick Barber-as-the-vacuum- cleaner shoots a wad at it.

From: Patrick Neve

Oh, that’s it. I also just spotted it in Don Preston’s laboratory as he pushes the vile foamy liquids onto the unsuspecting Martin Lickert.

From: TTrocc7007

In the complete (unfilmed: see True Story Of 200 Motels for details) version of the original shooting script for 200 Motels, we actually see the monolith quite a bit more. It looms throughout. At the very end of the film (as written), the extreme close-up of FZ’s eye is supposed pull back so that we see the monolith behind him. As the monolith comes into focus we see for the first time that it is in fact FZ’s Marshall amp and speaker cabinet stack! He reaches over, flicks the stand-by switch, and the credits roll.

From: Patrick Neve

Very interesting.. Does that in any way discredit the “trivia” that the monolith in the movie is the one from 2001? Sounds like it may have been kicking around the studio so he wrote it into the script. Yes?

From: TTrocc7007

It sorta sounds logical that way until you realize that the script had to completed well in advance of shooting. It is possible an early trip to Pinewood studios WELL in advance of the shoot date may have turned up the slab, but I expect it was written and concieved BEFORE the excursion to the UK for actual shooting.

From: Jason M Arvey

A long time ago, someone asked a trivia question about the cover of 200 Motels, essentially looking for the three elements on the cover that are references to other films. I effectively found The Shadow above the newt on the building on the left hand side of the cover/poster. At the time, I had noticed a fetus sucking its thumb just to the right of The Shadow, but didn’t know what to make of it; I knew it wasn’t from 200 Motels, but couldn’t place it. Well, I looked back on the poster today, and, shucky- darn, if that ain’t the Monolith from 2001 sitting right there behing the penis dimension march.

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December 15, 2013 · 6:35 pm