Category Archives: Carrcass Artists
Green Oz Mouse…
… discovering the Greenup (Yellow Down) hole.
Filed under 12 Lb Mound, Green Oz Creek, Herman Park
Variety of Stuff
—–
Started to work on carrcasses again after almost a 3 month layoff. I call the newest one “Number Nine” (subject to change), apparently a close companion to “8 Ball” basically completed in June before we left for England. As usual, I can’t give out many details on these, unfortunately. I *can* talk about it using more abstracted images.
—–
MORE TEXT SOON.
—–
Strange I was the first to mention Burnet on the Synchronicity Phenomena board, not Don, who later actually lived there.
http://tech.groups.yahoo.com/group/SynchronicityPhenomena/message/14266
This was the 4th (Don, from Oct. 2004)…
http://tech.groups.yahoo.com/group/SynchronicityPhenomena/message/19549
I just read this post last night, and then today saw an actual coon in the woods, and in the very spot I thought that Mossman as a surrogate Daniel Boone might have spent his last days. No lie. See this post for further information on Gene Fade and his Missouri [link soon].
Filed under Byng, Carrcass Artists, Herman Park
Post-Rubi 03
“So… a wormhole, Hucka D.”
Hucka D.:
UFO is Uffcott. Maybe UFON. It’s fun!
bb:
Virtual VWX Town is set up in Uffcott.
Hucka D.:
Marriage. Black Lodge and White Lodge. Ray… Away the Ray.
bb:
It’s amazing that this crop circle basically ending the 2012 season is still the closest [“legitimate” one] formed to Uffcott down through the years…
Image Simon Brown Copyright 2012
… save for this one, also found in the 1st collage of the Gilatona-Lis series set up in the Power Tower Gowlery of Rubi’s VWX Town, most recently.
The Hackpen Hill crop circle pictured above also appears in Gilatona-Lis, starting in Gila 04. I identify it with a 3rd eye cube of some sort, indigo in symbol.
Currently I’m reading through all the Gilatona-Lis posts on this blog, focusing on the interpretations.
Hucka D.:
Go ahead…
bb:
I’m wondering if this Hackpen Hill cube, with its small, hollow interior cubes inverted in respect to the small, hollow exterior cubes, is the same as Mr. Boyce’s cube from The High Octave Story at the end of part 2 of 3, or the middle part? It is indigo at the 7th perspective — sort of explaining my indigo reference above or continuing it.
Hucka D.:
Something…
bb:
Is this [again] a CORNDOG (?)
216 x 216
Filed under 12 Lb Mound, Crop Circles, Wiltshire
Post-Rubi 02
“Thank you again for showing up on the Frank and Herman Einstein! Blog, Marty.”
Marty:
You’re welcome.
bb:
Hold on, *sir*. (Marty smiles)
—–
bb:
We’re back. Got my heat under my desk.
Marty:
Nice.
bb:
So we’re at the door to Carrcass-8, Marty. Very nice. And your song “The Lovely Linda” is sort of the door knob I suppose.
Marty:
Right.
bb:
So I’m opening this metaphorical door. Where are we?
Marty:
In the future.
bb:
Cool. I mean more what is this Carrcass-8, then? What is there at the door to greet me?
Marty:
Me. (smiles again)
bb:
Where’s Plant?
Plant (showing up):
I can show up if you wish. All the variants are available, if the shoe fits.
bb:
Are you at the door with Marty? Greeting me?
Plant:
If you wish.
bb:
Are we in Sunklands still?
Marty:
Not really. New.
bb:
I’ve started watching the Beatles Anthology. Pretty nifty, as I also remember.
Marty:
Heart and soul[ into it].
—-
“We’re back with Marty and maybe Plant. Plant, what you been up to in the years now since Carrcass-3?”
Plant:
Planting. Logical enough[, right]?
bb:
Is Ray around back there? Knik I mean?
Marty:
We’re all here. At the table.
bb:
I was just going to ask that. Thanks. Where’s the table, then?
Plant:
Mars.
Marty (countering):
Venus. (both laugh)
bb:
Let’s say we’re back in Siliconicus.
Plant:
Let’s not and pretend we are anyway. (nudges Marty) Right Marty? (Marty doesn’t seem as amused this time. Maybe he is and maybe he isn’t.)
—–
bb:
I’m also starting to get heavily into researching crop circles guys. [no response]
—–
Hucka D.:
I found you a [virtual] home, baker b.!
bb:
Howdy Hucka. The others in the background once more?
Hucka D.:
Yes. But to the big news. It’s yellow. It’s a beam of light. It’s Uffcott. Remember Uffcott? Well, it just became available.
bb:
Hmmm. Can you explain, Hucka D.?
Hucka D.:
Uffcott is where all things equalize.
bb:
Let me look up the village…
http://www.cropcircleconnector.com/2012/uffcott/articles.html
There’s the wedding proposal circle. Obviously add that to the hoaxed circle list.
—–
“Okay, according to primelocation.com, there’s no property around Uffcott presently, Hucka D. (pause) It appears in 2 entries in the Domesday Book.”
http://domesdaymap.co.uk/place/SU1277/uffcott/
“Not much into artistic photography, or photography for its own sake, Hucka D.”
Hucka D.:
Have you found it yet? Keep looking.
bb:
Okay. Shut my yammering and all. (pause)
bb:
Interesting.
—-
“How ’bout this, Hucka?”
Hucka D.:
Yes! The Diamond.
Filed under Beetles, The, Crop Circles, Lead Zeppelin, Wiltshire
Post-Rubi 01
Focus now will be on England (!!!). Studying crop circles. Will read Edna’s England travelogue asap. Will read my own analysis of Wheeler-Jasper collages from same web site, and maybe Baker Bloch in England material also. I have access to a super cool crop circle database now that allows one to view the circles down through the years on a single satellite map.
I’m also on the outer fringes of another carrcass, to even add a bit more to all the excitement going on in my life right now. I think that was the clincher in giving up the Rubi land… how am I going to mix *that* in with everything else. The initial song involved is “The Lovely Linda” by Mac, his first track from the solo years beyond The Beatles.
http://en.wikipedia.org/wiki/Love_%26_Monsters
Elton and Ursula form LINDA—”London Investigation ‘N’ Detective Agency”—with three others, Bridget, Bliss, and Mr. Skinner, and meet in a library basement to discuss their experiences, but soon their activities become more social in nature. Elton and Ursula become closer through these meetings.
One day, a man by the name of Victor Kennedy comes in and interrupts one of the group’s meetings, and points out that LINDA has lost its cause.
—–
bb:
Marty, we talked to you quite a bit in 2009, I believe, when Carrcass-3 was slowly percolating after the summer creation of Carrcass-2. I assume you know what I mean.
Marty:
As a variant — yes, I know what you mean. We were in Sunklands[ at the time].
bb:
Still miss it Marty… Pietmond and all.
Marty:
Pietmond, yes.
bb:
I’m starting a new carrcass, Marty, and you’re tile #1. “The Lovely Linda”. Can you tell us about, say, the relation with Lemon’s Plastic Ono Band for Billfork, which also uses his track 1 from the post-Beetles career?
Marty:
I can tell you some. I can say that I agree with the tiling process as much as Lemon. Back to basics, that was my mantra[ at the time of McCartney I]. We, the variant band, appeared in WES west of Sunklands (pause). Lennon was shot. (long pause)
bb:
That was a long time ago, now. (pause) Are you familiar with Billfork?
Marty:
Yes.
bb:
I mean the carrcass now.
Marty:
Yes I know. Billfork.
bb:
Do you like Billfork?
Marty:
Yes, very much.
bb:
Did you agree that The Bill had to be called in?
Marty:
Just translating — yes, I agreed.
bb:
But not at the time.
Marty:
No. I didn’t understand how it would all unfold.
bb:
Billfork was something new, beyond SID[‘s 1st Oz]. Then the carrcass beyond that was something new again. Then the carrcass beyond even that was something new once more. The Foreign One. It was big big, so big I couldn’t control it. And the Beatles [Beetles] were right there again. 5 songs, the use of Magical Mystery Tour[ video], and The Rutles [Beatles parody band movie]. Lead Zeppelin and The Beetles acted together, like in the later Carrcass-3. Plant and Marty again.
Marty:
Yes. Zeppelin Tube, I remember. How I remember.
bb:
Do you think Lead Zeppelin is a better variant band than your own?
Marty:
No. Plainly speaking.
bb:
Why not?
Marty:
They lack a sense of humor about themselves — took themselves too seriously.
bb:
But let’s look at The Bill. *All* they do is make fun of themselves and others. One could say there’s no seriousness or *gravity* about any of all that.
Marty:
Yes.
bb:
Lemon liked them, though.
Marty:
Yes. He said: Bring in The Bill. Sure, bring ’em in, baker b.
bb:
“Bring me The Bill”, and all.
Marty:
Yes.
bb:
The influence of The Bill in the carrcasses essentially ends in Carrcass-0, which is often grouped with Carrcass+0 as the ur-carrcass or beginning carrcass, not Carrcass-1 as some believe.
Marty (repeating):
Some.
bb:
They are bookends for this central period of the carrcasses, which contain the largest and most complex of the lot still.
Marty:
Lot.
bb:
Billfork and Carrcass-0 I mean. We have an opening and a closing for that period. Both use Lemon as a primary artist, unique in that respect. Billfork uses Lemon 01. Carrcass-0 uses Lemon 02 04 05. 03 is skipped over. Do you know what I’m talking about?
Marty:
bb:
This is the shared one of the first 5, and then the last two were also shared, 06 and 07 I suppose.
Marty:
Yes.
bb:
Do you think the shared albums are weaker?
Marty:
Most definitely. Don’t you?
bb:
Well, what I’ve heard I think you are probably correct.
Marty:
I mean… well, I won’t go down that road. I think the original idea was the best for the two of them: release 2 solo albums, one with his music and the other with hers. You didn’t have me sharing alternate songs on Band on the Run with Linda.
bb:
Hmmm, I can understand. Lennon started co-writing with Ono, when originally he had *you*. Probably a step down.
Marty (repeating again):
Probably a step down, yep.
Filed under Beetles, The, Carrcass Artists, Who Doctor
Lynn County, Grassland, etc.
My emphases.
The community was founded in 1888 and grew up around a ranch owned by Enos Seeds and his brother, Thomas.[2]
Grassland seems to be assoc. with the number 61 (same population for 3 decades):*
From the 1940s through the 1970s the population was recorded as 200. It had dropped to sixty-one by 1980. In 1974 Grassland still had two cotton gins, a store, and a station. The population was still sixty-one in 1990. The population remained the same in 2000.
It’s also Lynn County’s oldest community according to that same Texas Online Almanac article.
http://en.wikipedia.org/wiki/Frank_Herbert#Biography
Herbert began researching Dune in 1959 and was able to devote himself wholeheartedly to his writing career because his wife returned to work full-time as an advertising writer for department stores, becoming the breadwinner during the 1960s. He later told Willis E. McNeilly that the novel originated when he was supposed to do a magazine article on sand dunes in the Oregon Dunes near Florence, Oregon. He became too involved and ended up with far more raw material than needed for an article. The article was never written, but instead planted the seed that led to Dune.
http://www.duneinfo.com/giedi_prime/books/frank-herbert.aspx
Eye
ISBN: 0-743-43479-XEye features the startlingly original collaboration “The Road to Dune,” a walking tour of Arakeen narrated by Frank Herbert and illustrated by acclaimed British artist Jim Burns. Also included is an introduction by Herbert describing his personal feelings about the filming of David Lynch’s movie version of Dune; Herbert’s own favorite short story, “Seed Stock”; and tales from throughout his career, some never before collected.
http://oreilly.com/tim/herbert/ch09.html
As suggested in the discussion of Children of Dune, Herbert seems to subscribe to a kind of evolutionary ethic, which uses survival as a touchstone for evaluating species behavior. This ethic is also the subject of one of his most effective short stories, “Seed Stock” (1970).
A colony has been landed on an alien planet. It is dying. There is no return. The colonists are trying to reproduce Earth; they cannot understand why their efforts do not work. There is a strange force that warps embryos and seedlings so they do not flourish. The experts choose the most normal-born of the plants and animals to nurture, with no success. They cannot see (because it is unthinkable) that it is the seemingly most stunted and sickly of the plants and animals that are adapting. Kroudar, the laborer, listens with his body; he feels the different rhythm of life on his new planet. He does not try to maintain the old ways. He nurtures the new
—–
*
http://wiki.answers.com/Q/What_is_the_significance_of_601_in_The_Andromeda_Strain
In 4orrin1, the 601 here is directly overlapped with the number 61 of Giant Rat of Sumatra (36:39).
Filed under Carrcass Artists, MAPS, Texas
Falmouth…
Falmouth Creek is Falmouth, Indiana extended from point to line. Left side of creek is Rush, and right side, with source at top and mouth at bottom, is Fayette, which doesn’t count. It’s mundane. On the right side also enters the magic spring just below Old Baker Settlement. This is the black hole, the X-Ray source, Cygnus X-1 but also a bit of X-3. Rush the band. Eyes. Eyes. The Visible I. [symbolic Falmouth *mouth*] is the white star, visible to the invisible, sucking and ripping black hole.
I also think of foul mouthed basses…
I must raise The Kniks out of the X-Ray source, back into the light. Back into Avebury Light. In the X-Ray spring which is the black hole, there is Gila 00, the null before the 01.
https://bakerbloch.wordpress.com/2013/01/07/the-kniks/
https://bakerbloch.wordpress.com/2013/01/17/fuzzer-house-01/
(into The Light).
Reconnected. Reharmonized. Peace with Zapple and *that* twinship, which continues after a brief period of independence in Carrcass-1. A lot hinges on Carrcass-1 Hucka D. Hucka D.? Not here.
Filed under Falmouth Creek, Frank Park, Kniks, The
Lis Interpretations/Associations 03
(continued from Lis Interpretations/Associations 02)
“I think it is a basic mistrust of all-things-town, Hucka D. The 4 characters of TILE arise from The Crammer, or between the two parts of The Crammer which are actually one part, because of the pull of The Country. The 4 gargoyles, kind of parallel monsters here, are The Town, and reach a dead end at the east portal of that old railway tunnel running underneath Devizes Castle, or what passes for a castle now.
Hucka D.:
Perhaps the gargoyles were attempting to restore the old castle, and add to its decor. Stone [attracts] stone, after all.
bb:
Never heard of that. But at any rate we can move to Lis 06, called “Hugs All ‘Round”, I believe. (checking) No, it’s “Rock’n Home”. We have the reappearance of Spongebob Squarepants in Gilatona-Lis, and this time with his best pal Patrick Star. Sbsp appears first in Latona 01, peering out of the opened front door of his pineapple home, speaking of homes. And I suppose here in the newer collage we have a nod to Patrick’s rock home now, which appears in front of him… But the rock is actually from The Barge in Honeystreet, very near Alton Priors which we will be speaking of in a moment. It’s from a picture of this rock I found online, which strangely and queerly depicts the same crop circle I’ve already used several times in Gilatona-Lis collages, originally in Gila 05 but also in Latona 05. This despite it not being a very famous crop circle, Hucka D.
Hucka D.:
*We* put the rock there. [The] Lis [collages] are very tight. You would see the rock, or the picture of the rock from The Barge, and immediately know you had to use it in a new collage. This then becomes Patrick Star’s rock house or home as well, since you made that association beforehand.
bb:
Here’s the post you’re talking about.. oh, it’s already there (!):
https://bakerbloch.wordpress.com/2013/03/03/more-wiltshire-shots/
And then here’s the Marshall photo I use as the base for Lis 07.
http://www.geograph.org.uk/photo/1744705
This is taken several miles east of Devizes, not too far into the country, then. The distinct hill in the distance is Woodborough Hill, which was the site of not one but several of those sunfish related crop circles from 2012. Including the one depicted in part at the bottom of Latona 00, returning to that collage once more.
Hucka D.:
Cool. There’s Lisa the Vegetarian in the new one [Lis 06] as well. She appears to be hugging one of the gargoyles from the statue. As Marshall himself pointed out, this is Bart Simpson, 12th Century style. But the spirit of the gargoyle or monster is trapped in that gravestone transported from The Crammer location, or the location of [Lis 05]. You must hug and love the gargoyles within yourself, baker b., in order to be free of them. You move out into The Country to do this. The Town cannot give you what you need. You search elsewhere — country.
bb:
Like we’ve moved the progression of the Lis series from Devizes — town — out into the countryside, specifically the area around Alton Priors and The Barge itself and the famed Alton Barnes white horse, and so on. Most sacred spot. Here we also have at least one of the 4 TILE monsters or creatures from Lis 05 returning just below Patrick’s crop circle adorned rock. This would be the little yellow fellow again, called McCoy in The Jelly Fox episode of Noel Fielding’s Luxery Comedy show.
Hucka D.:
He’s the one with diabetes (smiles).
bb:
Yeah, but it’s no laughing matter. Perhaps not even a smiling matter. (Hucka D.’s smile is erased.)
Hucka D.:
But…
bb:
But he represents The Sun, the counterpart to The Moon. He’s within The Moon, just as in Latona 02 you have The Sun being swallowed, seemingly, by The Moon. And Fielding himself is swallowed into The Moon when he plays that particular character in The Mighty Boosh. There’s a scene in the first episode of his Luxery Comedy where he reappears in this rather famous role, only to state he’s not in this show. Quite funny.
Hucka D.:
Can I smile again, then?
bb:
Sure. (Hucka D.’s smile returns.)
—–
“In looking again at Latona 00, I feel that all three “stones” we’re talking about here, the one Lisa is sitting on in Latona 00 and then the two (grave stone and rock with crop circle) are one and the same. And all 3 stones are in fact The Diamond from Lis 00. It represents knowledge… Arkansas knowledge. I revisited The Diamond at Metril yesterday, Hucka D.”
Hucka D.:
Great. Singing frogs. Fantastic. They were chatting about how f—ing cold they were, and why did they have to be hatched so early? You’d be doing the same… in fact you were… in your head.
bb:
Returning to Lis 06, obviously the two rocks or stones are associated. According to the turns of The Moon in the foreground, representing its 4 phases seemingly, we have the downward turned moon associated with yellow and the rock from The Barge, and then the upward turned or “horned” moon associated with the grave stone carried over from Lis 05, the one with the Bart spirit within.
Hucka D.:
Bart The Gargoyle. Hugged by Lisa the Vegetarian. Did you know in the early days of The Simpsons, Lisa was seen more as a female Bart. Only later in the series did she acquire her own unique character. Lisa the Vegetarian [season 6 episode] is an important landmark in this progression to individuality. She exists separate from Bart, able to stand apart from him. But love him and his gargoylian ways still. The Simpson males have a degenerative gene that carries over from generation to generation. The female Simpsons are not so cursed.
bb:
Yeah, I read something about that[ not surprisingly]. So Lisa here is loving or hugging somewhere that she had come from, but now stands apart from. A brother to her instead of she herself. As the gravestone is from The Crammer, and is where The Moon originates from in Lis 05…
Hucka D.:
The rotating Moon, actually one Moon, has absorbed the colored energy of the 4 Crammer monsters and trapped it within a 4-part mandala that are called its phases. These are yellow — full moon — blue — new moon — green and red and the half moons, then. The progress of The Moon across the landscape of Lis 06, which would be atop Alton Priors, even, hidden just below the line of trees beneath Woodborough Hill…
bb:
Yes.
Hucka D.:
… Well, I lost my train of thought. Train?
bb:
Thank you for that interpretation. Anything else about Lis 06? We are out in the country, specifically Alton Priors and Alton Barnes and Honeystreet, which are all connected anyway, and away from Devizes. But still close to the latter. We are approaching *home*. We are approaching The End.
Hucka D.:
The grave stone has an eye. It is peering toward The Rock that is the same as itself. The rock does not progress beyond itself. Lisa the Vegetarian has. She has learned to love. She is heart.
(continue to Lis Interpretations/Associations 04)
Filed under collages 2d, Jello Fox
Sunklands 