Variant Name: Jin Yiin Yn Yuin Yyin
https://en.wikipedia.org/wiki/Yankton_College#Closure
Yankton College closed in December 1984, and its campus became the site of Federal Prison Camp, Yankton,[4] which opened four years later.[5]
“Did you *ever* get those prison schematics I wanted, Norris?”
“N-not yet!” He tries to run (with scissors).
CLUNK.
Filed under **VIRTUAL SL, 0018, 0105, Benangatron+, Corsica, Gaeta V, Oceania, Splinterwood, Twin Peaks, Twin Peaks Laboratory
“We have brought you here to the Hills of Bill to make contact. Love… war… contact.”
“Wheeler,” I state. “What is it you want from me?”
“To set up The Table again. My Table, yes, but also your Table. In 7 Stones if you wish, yes. That seems to be your wish. No?”
“Collagesity is dead, Wheeler.”
“My Collagesity, yes.”
“But we still have The Table. We still have 7 Stones, the replacement.”
“You know what we need to do: Billfork. Lennon plus Pink Floyd plus Firesign Theatre all in one. A great 3-n-1. But it needs *work*. Yours. But also mine. I will help from the other side end.
—–
“You’re probably wondering what happened to Professor Suckaluck but you’ll have to wait for another night.”
Filed under **VIRTUAL SL, 0014, 0612, Carrcass+08, Hills of Bill, Maebaleia/Satori
“I’d like to hire you for a job Detective Strevor. I’m looking for my brother. Billy.”
What a peculiar thing, thinks Philip Strevor before answering. *I’m* looking for a Billy.
“I’ll take the case.”
—–
“Got a job today, Marion. Looking for *Billy*.”
Marion Harding stared at the tv screen a bit. Then: “*Our* Billy?”
“Dunno.” Philip Strevor shifted his weight on the couch. “Go ahead and hit unpause. Just wanted to tell you that before we got into the whole atomic bomb thing.”
“Have to think about that one.”
“Yep. Sure will. Find out soon enough, I suppose. If I can find him.”
“Her,” Marion Harding corrected. He picked up the remote.
“Yup.”
The explosion continued.
Filed under **VIRTUAL SL, 0010, 0405, New Mexico, Twin Peaks, Wallytown/Fishers Island
In a pot haze, Marion Harding waits patiently for the show to begin. He loves Elvis impersonators. Hucka Doobie tries to join him but finds she can’t.
—–
“Time to pull her out of that sluggish place,” Baker Bloch speaks about Gaston to Baker Blinker from their usual perch at the Perch restaurant. “Function’s basically used up anyway.”
“There’s the couch, still,” counters the female Baker. “Jeffrie Phillips — white star.”
“I can’t even find it tonight it’s so laggy. And I dare not log in Wheeler to help. My computer will crash, I’m sure of it.”
“Sugar house,” Baker Blinker then says. “Sugar’s House.”
“Alright I’ll give it another shot.”
“Give one to Marion as well.”
—–
“She does strike a good pose there,” Baker Bloch says, looking on remotely. “She seems… confident.”
“Put her with Marion. See what happens. Minimize windows as needed.”
—–
“It’s no use, Baker Blinker. Hucka Doobie just appears gray, like she’s in David Bowie’s shiny spacesuit from ‘The Man Who Fell To Earth.'”
“Precisely.”
—–
“Oops. There she is.”
“Have him walk. Have them talk. Plop Marion down in the plastic seat in front of Hucka Doobie. See what goes down.
—–
She’s wondering how much money is in that attache case, Baker Bloch. $50,000 lindens? Enough to get her out of this hazy, laggy place? Could be.”
“But how to strike up a conversation?
—–
“Too late: looks like the show’s starting.
“And that’s *not* Elvis.”
—–
Filed under **VIRTUAL SL, 0008, 0507, Gaston+, Twin Peaks
—–
“Well, okay we’re still waiting for Hucka Doobie to show up. Let’s just read some of Baker Bloch’s — Baker *B*’s writing at the time.” Wheeler Wilson starts reading from the screen. “‘Continue to view Pumpkin Twisters at least once a day, usually twice a day.’ — this was before you adopted the compound word title, hmm –.”
“I guess so,” Baker Bloch replies from across The Table. “My user, you mean.”
“‘Very addictive,'” she continues quoting, “‘but this is the pattern for all my synchs. After a week or three, I’ll get tired of this constant viewing and move on to another project. But right now I’m still dominated by PT’. Um… ‘Keep thinking about how I can continue to further the field, new movies to try, new albums, new techniques and tricks of tiling a synch, theorizing about the process of tiling itself and expansion into other hypothetical synchy arts.’ So that’s the beginning, Baker… guys. Should I just spot-read more ‘Pumpkintwisters’ related stuff in ‘Apple’, Baker?”
“Sure.”
“Let’s see, then just down the page: ‘The only synch where 2 movies, not 1, is used, is Pumpkin Twisters, definitely a unique quality for it. This actually also occurs in Kansas City Life, a direct predecessor of sorts for PT, but I consider this earlier synch to be a more minor work than all others listed here.'” She looks over at Baker Bloch. “Do you want to explain ‘Kansas City Life’ to the group, then?”
“Not really… go on…”
“Okay.” Wheeler Wilson scrolls down. “Lot’s of stuff about *other* synchs here…” She continues to scroll. “All right: ‘I’ve talked quite a bit about the structure of my finds so far, but one could go much further in this. I’ve only talked about it in terms of tiles and tiling. It would be interesting, for example, to study the perceived *centers* of synchs. For Pumpkin Twisters, to give an example, the obvious center is the selection from the secondary movie 200 Motels, overlapped with 2 tracks from the Kinks’ Preservation Act 2, and this is also the place where the synch is most obviously [quote unquote] “synchy”, or, in other words, there is an obvious match or synchronization going on here. The center of Billfork is the ark scenes and the aforementioned — in the last post — heavy *video* editing in this center…'” Here Wheeler Wilson stops and turns away from the media feed. “Ahh, I think we’ve read enough of your old writing, Baker Bloch. Time for the new. Are you ready Tin S. Man?” She takes her customary seat at The Table.
“Ready, Wheeler Wilson,” the gentle giant replies. He has become his much larger self since returning to Collagesity from Gaeta V. Glad he was about leaving that bland land. But Wheeler insisted mistress Tronesisia had to remain behind. Soon enough they would reunite, he knew. Very soon.
“We’ll give Hucka Doobie about 5 minutes more, then.”
Filed under **VIRTUAL SL, 0007, 0604, Carrcass+08, Comfrey, Gaeta V, Heterocera, Rubi
Actor Tom Casey visits The Twin Peaks Laboratory — which also happens to be located on the Gaeta V continent — for inspiration and education. After all, his character of Casey One Hole within the ongoing “Collagesity Winter 2017-2018” graphic novel is largely based upon the Bad Coop figure of the show played marvelously by Kyle McLachlan. The same Real Life actor plays two other Coops… but that’s a long story to go into. I highly recommend for anyone who loves progressive television/film to watch the original 2 season run of “Twin Peaks” from the early 90s, and then the just released “season 3” coming 25 years later (“Twin Peaks: The Return”). Taken as a whole, the 18 episodes of the new season form a kind of giant or hyper movie, but, as the wife and I have learned, you really need to read the attached 2 books written by TP co-creator Mark Frost to make sense of it all (“The Secret History of Twin Peaks” and “Twin Peaks: The Final Dossier”). However, if you choose this “total experience” path, be sure to do the following: read “The Secret History” first, then watch “The Return”, then read “The Final Dossier” (which I just finished about a month ago). This on top of experiencing the first two seasons and attached “Fire Walk with Me” film. I’ll let interested parties look up details online having laid out this general milieu.
I am personally inclined to regard “Twin Peaks: The Return” as director/writer David Lynch’s singular masterpiece, the culmination of a long career starting, in the broader public eye, with the breakthrough movie “Eraserhead” from 1977. But his last two films proper, “Mulholland Drive” and “INLAND EMPIRE”, are also very very good as well. Lynch, again to me, seems to just get better with age and experience.
More snapshots from Tom Casey’s visit:
Another Venus marble.
David Lynch’s character Gordon Cole and David Bowie’s Phillip Jeffries.
Another Coop from “The Return” (Dougie Jone).
“Howdy David!”
The Bob who lives within.
Bad Coop, aka Mr. C aka Doppleganger Dale. “*There’s* my inspiration,” Tom Casey exclaims upon seeing him.
Casey stares at a “Return” shooting location shared with “Mulholland Drive”.
The original Coop: FBI agent Dale Cooper. “My archenemy.”
“Take that: WOP!”
“I think it’s a pretty good museum. How about you guys?”
“Guys?”
“Piece of that famous cherry pie, Shelley. And one of those damn fine cups of coffee.”
Filed under **VIRTUAL SL, 0007, 0314, Gaeta V, Twin Peaks, Twin Peaks Laboratory
Heidi Hunt Ives read to him from their user’s Big Book of Synchronicity Interviews:
So how about “Foreign One” or “4orrin1”, then? To me, it naturally follows that “4orrin1” must be defined as something beyond a silver or gold tiling, and I chose the highly valuable metal platinum to name the process. “Head Trip”, although simpler, actually acts as the first true platinum synch that I concocted. It’s very simple, really: “HT” is two basically complete golden tilings woven together — tiles switched on and off between the two — to create something beyond each. In other words, it’s the tiling of 2 equivalent full movies mashed together in a back and forth manner. Back to your question then, Karl, “4orrin1” is kind of 4 gold tilings synched together, yes. But – – this is also very important — platinum tilings can contain not only a multitude of equivalent gold tilings within but also *silver* tilings. And to this, at the center of both “Head Trip” and “4orrin1” — and also “Billfork” — is one particular album apiece by the esteemed comedy group Firesign Theatre, dubbed the Beatles of Comedy at one point. Basically Pink Floyd handed off to Firesign Theatre in “Billfork”, which contains music and equivalent albums from both.
She closed the book and laid it back down on the Great Table. “This is why The Bill are so important to Piera because The Bill are Firesign Theatre, Man. Tin S. Man.”
“But we can’t talk about ‘4orrin1,'” he replied. “Nor ‘Head Trip’. Our user has tried that… and failed (SEE: ‘Paradox II: The Chancelling’).”
“We can limit ourselves to ‘Pumpkintwisters’, though. Tossing out the weak ‘Kansas City Life’, (it’s) the first synch combining 2 movie into 1, the first example of platinum in that way. The great 2-n-1. And that’s why we have brought you to Capitol City and put you up at a cheap but clean rental in the northeast part of the burg I found the other day by accident. Because inside you is lead Kinks Ray Davies, their main man by a, er, long shot. But he doesn’t have a big head about it, hehe. You know and freely admit that now.
“Yes. Interesting collage by the way.”
Gila 01
“The problem becomes: Who plays Zappa? If we extended our discussions to ‘Head Trip’ — which we won’t — *I* could play lead Monkees singer Davy Jones, since that’s *my* name.” He of course is featured in ‘Head’, the pop group’s trippy dippy hippy movie from the late 60s.”
“You as David Bowie, you mean. David Bowie’s given name was David Jones, which he changed because of the presence during his rise to fame of the already very famous Monkees singer.”
“Right. He did. *I* did.”
Boos 07
“And ‘Trip’?”
Heidi paused. “Zappa’s realm too, and a bigger one… but we cannot move into that dialog any deeper. We talk about ‘Pumpkintwisters’ and that is that. You fit in strongly there as the centre, Tin S. Man. Also ‘4orrin1’, but that’s even further away from the light, beyond ‘Head Trip’ even…”
“More complexity. Complexity stacked atop complexity.”
“It is the ultimate synch in ways, that and the parallel ‘1 Pink’, but it remains in pieces inside an shallow grave not of one peace. The whole must be collaged together still to (properly) fill the hole.” She paused, scratched her nose. “Yes, we will return to the Blue Feather for ‘Pumpkintwister’ discussion. I will work on the Zappa issue.” Heidi pulls out a pocket calendar. “How’s Friday the 26th for you? Sorry again about the location change. I didn’t realize that the intercontinental interwebs cables hadn’t been stretched between Corsica and Gaeta V yet. We remain in the Dark Ages here.”
“‘Tis Alright,” Tin S Man replies. “I’ve had enough of Capitol City and its bland and boorish manners anyway. Tronesisia… aww rats!!” He recoils from Heidi, unable to backtrack the slip.
“Tronesisia?? Did you say Tronesisia?? What’s Tronesisia got to do with this?” She gasps.
“You’re not *together* with Tronesisia are you? Du warst nicht mit ihr auf eine familiäre Art zusammen?”
Tin S. Man hung his head low. “Ja.”
Filed under **VIRTUAL SL, 0007, 0312, Capitol City-, Carrcass+08, Gaeta V
“I think we may be able to finish this off tonight, Baker Bloch. Good work!”
“Thanks.”
“How are your hands?”
“Fine. Neck’s getting a little sore, but it’s okay.”
“We are at ‘see title 02,’ comparable to ‘see title 01a’ in that we have an image in the collage uttering the actual title: ‘I’m Old Gregg!’. The image is that of Twin Peaks Agent Dale Cooper, h0wever, and not Noel Fielding’s Old Gregg character from ‘Mighty Boosh’ again.”
“Right. It’s Dale Cooper. But the twinned women to the right and left kind of reminded me of Old Gregg.”
“Put a picture of Old Gregg up for all to ogle.”
“And the red curtains are from the Black Lodge again,” Baker Bloch furthers. “The whole collage, I suppose, could be set in the lodge. 3 parts.”
“A kind of triptych. And more difficult to compose that the others (in this exhibit). You actually had Old Gregg’s head superimposed on one of those similarly colored women at one point.”
“Right. Lots of going back and forth with images and positions for this one, Hucka Doobie. ”
Hucka Doobie studies further. “So Genesis album figures reappear, just like we had in ‘Pageturner’ to begin (the exhibit). They’re — let’s see — split into 3 pairs according to panels this time. We have more explanation of what’s going on, perhaps.”
Baker Bloch looks as well.
“Well, Baker Bloch, we have framing, tall legged red people on either side to begin, man to the right and woman on the left. They are ‘presenters.'”
“Alright.”
“What is presented or displayed? 3 panels yes. A triptych, red and blue-green being the dominant colors, a clash of Boosh’s Old Gregg and the Black Lodge’s Red Room from Twin Peaks. A clash of comedy and tragedy perhaps. Genesis reappears (as stated). The inspector of ‘Detective Drunk’ comes back in the centre, inspecting the unusually small head of Duke from the Genesis album of the same title. This would be before ‘Invisible Touch’? Please check, Baker Bloch.”
“Okay.”
“And then… so the inspector has found something to actually inspect in this one, Baker Bloch. A real mystery with a real truth within. Patty Duke? Patty is another famous twin cousin through her ‘Patty Duke Show’ from the 60’s. Another thing to check there, Baker Bloch.”
“Mounting up!” he playfully complains.
“The central figure Dale Cooper has one hand over his eyes, as if blinded, and another holding a dart that points to, well, sometimes the viewer of this collage I suppose. Like here LINK.
Gregg Oden or Greg Ogden.
“Or here,” Baker Bloch adds. “Although in checking it’s not quite as obvious in this one.”
“Thank you for inserting those pictures. Do you have the further links I requested?”
“Okay, the ‘Patty Duke Show’ is here, and I can’t remember the other thing you requested.”
“Neither can I. Moving on, then. We have the two hands of ‘Twisted’ reappearing in the present collage. They seem to present the duplicate women to the right and left of the central Dale. Front of hand to right; back of hand to left. This is past and present, like Windom, Kansas (in the present) replaced Laura, Kansas (in the past). This is most likely the action of Bowie in some guise. How powerful is Bowie? He’s possessed poor little Wheeler and sent her to jail (for example). And he wanted Baker Blinker for same. Laura of Twin Peaks is similarly possessed, like with demons. Bowie fought a demon both in Omikron City and, as Little Tonshi Ashokan and perhaps others, in Olde Lapara Towne. That demon’s name there was and still is Astarte, disguised as the name of a Second Life sim (and moth butterfly). You are still running from Astarte. That’s most commonly called Astaroth in Omikron speak, both beginning with ‘a star’. This is Bowie,” Hucka Doobie reinforces.
“Right. Thanks. I suppose I gave Bowie so much power because he’s the star — or will be the star — of several and perhaps many future (audiovisual synchronicities). Beyond ‘Peewee Big’, and beyond ‘One Pink’ which he’s also in as Philllip Jeffries.”
“Heading to Philadelphia instead of Pittsburg, yes. East not west. But still witches all around. Oz.”
“We should end there, Hucka Doobie?”
Hucka Doobie looks again at ‘see title 02’. “Not quite. The (Baker Bloch hands Hucka Doobie a slip of paper) — thank you — *’We Can’t Dance’* figure feeds not a Lamb here, as in ‘Pageturner’, but seems to stroke the seaweed like hair of the unknown woman looming above him — it. Renaldo McDonnell applies hairspray to her hair in the same panel. It’s unusual hair in that it’s glowing. We can assume it’s the same as the seaweed type hair of Old Gregg, more unusual(ness).”
(note: later we both realize it is representation of Olde Gregg’s glowing manjina as well)
“Okay.”
“And then, as I’m looking, even the hand to the extreme left seems to be touching her hair, as if in admiration of its feel and look. But, let’s see, in the right panel, the Renaldo O’Donnell’s hairspray is heading the wrong way — away from the woman’s hair. The attached big hand is forwards instead of backwards (perhaps not admiring so much). Wilson Wheeler Wheeler Wilson again, I would venture. Forwards and backwards. Left and right.”
“What about the dart?” asks Baker Bloch, trying to move the analysis on.
“The dart is pointed at the viewer,” Hucka Doobie repeats. “The viewer could be the same as the woman. You found an Old Gregg avatar in Morrison, along with a Donnie Darko. They may even be lovers created for each other. Maybe tragic lovers. The dart may indicate that the woman is Old Gregg in truth. The other, then, could be Donnie Darko, who appears in the (audiovisual synch) *before* … well not quite before, but in another of your bigger synchs. This weighs in. Bowie knows. Investigate with your investigating feet.”
“Thank you, Hucka Doobie. Good job.”
“Yourself as well.”
Filed under **VIRTUAL SL, 0006, Bogota, Bogota Proper, Carrcass+02, collages 2d, Heterocera, Rubi
For Table Meeting No. 2, Baker Bloch arrived at the Blue Feather in his self named Spookmobile, almost running over Old Mabel and Hucka Doobie while humming down Old Cannon Road from his attic home in the western part of town. Baker apologized to the two while they were walking up behind him, nerves rattled.
“You know it’s only about 100 yards from your place to the Blue Feather,” says Hucka Doobie, still dusting herself off from diving behind Major Stone to avoid being hit. “You don’t really need to drive. What is that thing anyway? Where’d you get it?”
Baker Bloch realized Hucka Doobie wasn’t inworld all that much and hadn’t caught up with the news. So he caught her up.
“Fascinating,” says Hucka Doobie afterwards. Anson and Anton. Yet another one. *Must* be the work of Mid Hazel.”
“And we further speculate that Wheeler is trapped on New Island now, unable to escape. I’d take you there to see the broken bridge but the meeting’s starting up in a moment.”
“Without Wheeler?” Hucka Doobie scratches her bee head in confusion.
“I’m taking Wheeler’s place,” Baker declared. “Let’s head inside and get this thing started.”
“Cool, I suppose,” says Hucka Doobie, still a bit in the dark on things. Old Mabel remained silent, not liking where this was, er, heading.
—–
“As most of you know,” Baker began, “Wheeler’s wishes were to move forward instead of backwards. Toward ‘Pumpkintwisters’ and the future instead of ‘Billfork’ and its Northfork and Billville in the past. *But*… Wheeler isn’t here.”
Old Mabel suddenly perked up. Could it be? Could it be?
“So we’re going to talk about ‘Billfork’ tonight.”
Old Mabel actually jumped out of her chair a bit in joy. She had been preparing to discuss ‘Billfork’ for weeks now, listening to all the pertinent John Lennon solo efforts and reading up about the Ono debacle and so forth.
“Now I’m sorry Tin S. Man. I know this was your time to shine.”
“‘T’is okay, Baker Bloch. The Ray Davies inside of me can wait. I am sympathetic to the plight of Northfork and Billville both. Both flooded, both moved. A moving tale each.” He smiled.
“Yes,” agreed Baker. “So since we’re backing up from ‘3 Friends of Belleville’ instead of going forward, we can point out that *Belle*ville camed from *Bill*ville — and also visa versa since time really doesn’t exist. This is part of the overarching complexity of the Piera. Old Mabel, do you want to help me out and pull up some pertinent videos on the interwebs? Try ‘Northfork + Polish’.”
“Sure thing, Wilson.” Everyone stared at her. “I mean, Baker Bloch, tee hee. Slip of the tongue.” She went over to the suave chair she had sat in so many times now and did the appropriate search.
“So what is ‘Billfork’ you might be asking?” then said Baker Bloch. “Well, on the audio side it’s primarily ‘Boom Dot Bust’ by Firesign Theatre. On the video side it’s the movie ‘Northfork’ by the Polish twins, Michael and Mark. As Tin S. Man alluded to, both feature towns that have to be moved in order to be saved. The town of Northfork is being flooded by a new lake. Billville is threatened by tornadoes, and also, strangely and syncily, a flood at the end, where the mayor has to turn into a fish and ‘swim, swim, swim’ to stay alive. Tonight, to begin, we’re going to look at a number of clips from ‘Northfork’ which are available on the Youtubes. We’re just going to look at them as they appear in Old Mabel’s hit list here, and I’ll talk about the relationship with ‘Billfork’ afterwards — I don’t think we need to do them in order. So if you would just start at the top of your list, Old Mabel, and work down.”
“Yes *sir*”.
—–
2 1/2 hours later they had gone through innumerable Youtube videos featuring not only ‘Northfork’, but Firesign Theatre, Pink Floyd, and John Lennon and his Beetles. Even Old Mabel was getting a little tired. But they had learned a lot. They knew ‘Billfork’ contained some kind of code which Baker Bloch simply dubbed the Billfork Code during the meeting, having come up with that name several hours prior. Baker had passed out most of the 8 oranges Old Mabel dreamt about to participants at The Table this night, setting the remainder at empty seats while saying that each represented a whole track from ‘Boom Dot Bust’ used in ‘Billfork’. Old Mabel grasped hers tightly as Baker handed it to her, making sure she didn’t drop it this time (unlike in the dream). “Now I know we’re all tired,” Baker continued, “but we need to also talk about the 9th tonight. The 9th is ‘Doom Bot Dust’, the opposite of ‘Boom Dot Bust’. And that’s where we think the code comes from. A south by southwest direction.” Old Mabel nodded her head in agreement as she looked past Hucka Doobie in that direction.
Filed under **VIRTUAL SL, 0003, 0415, Carrcass+08, New Island
“So this is another one of your disguises Wheeler.”
“Yes. Baker Bloch,” she answered. “But call me Wilson (when I’m like this). Or Wheeler — whatever. So… you have information about Doreena.”
“She is called Doflia now,” states Keat Owens. “Reborn on January 15th of this year. She has Mad Max hair, (and) Apocalyptic Female top, shorts and boots.”
“She has turned into a monster,” Wheeler-as-Wilson speculates.
“Not really. Come to the map with me. “We can teleport through the pin.
—–
“Not there,” states Keat Owens. “Let’s check Yvonnee.”
—–
“Often right here, but it’s late in the night, almost dawn. To quote Billy Corgan: ‘They only come out at night.'”
“Close enough. Speaking of which,” says Wheeler. “I must begin preparing for the next Table meeting.”
“So you’re going with the forward Pumpkintwisters direction?” Wheeler nods. “Over the backwards Billfork direction?” Wheeler keeps nodding. Keat Owens reapplies one of his hands to his chin in a thoughtful manner. “There’s one more avatar we’re keeping an eye on, only known as Anton. I don’t have a direct landmark yet but he’s in Anson. Obviously another one named for their inhabiting sim. We’ll have to approximate (the landmark).”
—–
Not what they were expecting.
—–
Afterwards:
“Damn! Crashed again.”
Just after that:
Filed under **VIRTUAL SL, 0003, 0414, Carrcass+08, Carrcass-00, Heterocera, Nautilus, Nautilus City, Rubi
Sunklands 
