Category Archives: Whitehead Crossing

Whitehead Xing Late Winter 2017 02

TEXT SOON.

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Banor Fall 2016 > Whitehead Xing Late Winter 2017 01

TEXT SOON.

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Filed under Banor, Frank Park, Whitehead Crossing

Notes

Obviously lots of fictional writing going on in the blog recently — well, almost the past 7 months solid basically. I anticipate this changing next month, when a return to woodsy type posts will occur. This winter I’ve also been able to create at least the virtual part of the blog archives, found under the Virtual heading here:

https://bakerbloch.com/virtual/

This involved quite a lot of work. Its *9 years* worth of posts now. The plan is to add to this archive each month.

The fiction I’ve been working on starting in Dec and esp Jan is a separate work from Collagesity fiction that came before. Basically it seems to be manifesting as a *3rd* work to complement “Collagesity 2015-2016 Winter” (Dec-Mar) and “Collagesity 2016 Later” (Aug-Nov). So a kind of trilogy. Also, esp. since it is being created at essentially the same time frame during the calendar year, this 3rd work seems to act as a type of twin to “Collagesity 2015-2016 Winter”. The latter began in mid-Dec and ended in early March. The title of the new work logically becomes “Collagesity 2016-2017 Winter.”

I could go much further into an analysis of the structures. “Collagesity 2016-2017 Winter” appears to be evolving into 6 or 7 separate parts. I’m in the middle of creating part 5 right now. It’s a strange process, because I can’t seem to anticipate where I’m heading — can’t plan the whole thing out. As “C1516W” ended up on the moon, and its successor “C16L” terminated in a visit to Mars, so the new work could wind down with some kind of et visit (Muff-Bermingham?). Anyway just to drop a note on that. You can follow the progression of the parts here:

https://bakerbloch.com/virtual/collagesity-2016-2017-winter/

The Dec posts (Parts 001 and 002) act as an introduction to “C1617W”, or, in another way, a direct bridge between “C16L” and “C1617W”. Each subsequent part of “C1617W” is composed of around 16 to 18 or 19 blog posts, starting with “Book Muncher?” from the beginning of Jan.

The weather’s been so warm this winter that I’ve been able to get outdoors and hike quite a lot. Frank Park’s Whitehead Crossing has been the most popular destination by far. I already have a queue of photos to share on this blog. WH Xing mythology will most likely develop more this spring, esp after Daylight Savings Time kicks in March 12th. I anticipate creating a Reality archives to complement the Virtual archives very soon. Whitehead Crossing and other Frank and Herman Park destination will feature large within.

And I haven’t forgotten about the Bigfoot location either.

Thanks for reading!

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Filed under *Second Life, Bigfoot, Frank Park, Herman Park, Uncategorized, Whitehead Crossing

Creativity Review

SEE SUNKLANDS HEADERS:

About:

The Sunklands site plugs along! I am very fortunate to have such a creative center. I plan to retain it into the foreseeable future. No problems here.

Blog:

This will always go hand in hand with the Sunklands web site now. I’ve been blogg’n for 8 1/2 years. I love it. One of the problems for someone looking in is the multitude of subject matter. There’s woodsy reality, there’s viritual living, there’s fiction… lots of stuff. But add it all together and you get artsy me.

Collages:

Bread and butter stuff, again. I’ll keep collaging till the day I die most likely. The idea of series will keep evolving. I’ll most likely always accompany collage creation with attempts at interpretation. The last coupling of collage and analysis is through the Boos series from last fall, which I consider perhaps my most unified and fulfilling effort in this direction to date. A new series has yet to form beyond it, but I’ve been busy with other art.

The base series of my modern or mature collages remains the 20 part Greenup set from 2004. Seems like a really long time ago now. Before that I more sporatically worked with the old time method (to me) of cutting images out of magazines and pasting them together. But I probably won’t work in that way again. Digital collage is more my style. I’m not worried about the selling aspect, and create them only for the purpose of pushing the boundaries of the genre itself in a certain direction. They are “educational” in my eyes, although I’m not against selling *specific* examples in the future (just not whole series, perhaps).

Synchs:

The progression of synchs started in 1997 with the first steps toward the idea of a Rainbow Complex beyond just the “mere” Dark Side of the Rainbow, a gateway synch for certain. To me, it was the birth of rainbowology, which I haven’t really written about all that much yet. Oh, there’s been some pretend interviews with the likes of Booker T. and Pierre Schaeffer (actually alts), but I’ve chosen to keep certain key elements hidden until I figure out what to do with the concept as a whole.

But that’s just the start. Synchs continue to this day, though creation has slowed recently to about once a year. I may even be at a longer pause currently. I’ll have to talk to Hucka D. about this soon.

baker b. separated from alt Pierre Schaeffer in 2004 with the creation of the former’s Greenup series. At roughly the same time came the latter’s Billfork, Head Trip, and 4orrin1. 4orrin1 especially blew the lid off what I formerly thought an audiovisual synch could be. It remains blown.

Hybrids:

Latest in this category is the blandly named (on purpose) “Collagesity Winter 2015-2016” fiction — it’s actually what you could call a graphic novel set in Second Life (and its “moon” and also the *moon* of *that* moon). A next project could involve interpreting this fairly large work, like I do with my collage series. It falls in line with other fiction I’ve developed in spots down through time, the first successful one being perhaps “The High Octave Story” from way back in 1986 or so (rewritten in the early 90s, if I recall). Then along the same lines we have “Jordan’s Rule” from c2001, and then also the larger “Paradox II: The Chancelling” that came along late 2005/early 2006. I need to finish that off… technically it could probably be called a hybrid work as well.

Looking at other hybrids on this page, “Map Synching Feeling” is an interesting experiment with map oddities; “6 Weeks of Shining” combines collage work, map research, and elements of audiovisual synching, tied together through Stanley Kubrick’s film “The Shining”; “Baker Bloch in England” represents a fusion of collage, fiction and virtual reality a bit in the style of “Collagesity Winter 2015-2016” (except set in “reality”/ i.e., England); 2009’s “Where are We on That?” is a good introduction to my original set of virtual characters, most of whom are still around (Baker Bloch, Baker Blinker, Hucka Doobie, etc.). Hybrids will keep being produced.

Virtual:

I continue to hold onto Collagesity, and certainly work on keeping it up paid off more recently with its use in “Collagesity Winter 2015-2016” mentioned before. But has it fulfilled its usefulness? One thing it’s certainly not is a proper archives for the collages (and synchs). The Sunklands site, established last summer, instead has become this… but I would like to keep a virtual town going along with the site, if possible. Second Life’s Collagesity remains a comparatively inexpensive satisfaction, I suppose, in this direction, but my guess is that in the future a virtual town will not cost as much, relatively speaking, and can be rolled into web site payments.

Reality:

Another recent success story with the unfolding of the many Bigfoot dimensions. Polarity between Bigfoot Proper and Chesterton is involved, the two identified artsy centerpieces of the complex. Each has now been the site of a fulfilled marble race and connected toy/junk happening. Whitehead Crossing represents the other important woodsy center still, and lies on protected ground (Frank Park) in contrast to Bigfoot, which could go away with the snap of a finger. But toy/junk happenings may not ever really come to Whitehead Crossing, unlike what I thought before — up until maybe even this past winter. Bigfoot has taken over in this direction. Bigfoot may be temporary, but my attachment to Blue Mountain in general also is temporary now, as we plan to move to Middletown in 6-8 years. We have land there, we can set up a modular home with little maintenance for our old age, and Middletown is such a neat city with many creative plugins. I can’t imagine leaving Blue Mtn. for anywhere else in the U.S. of A., although *England* remains a possible final destination. But that’s a long story.

Back to toy/junk happenings. These will certainly continue beyond Blue Mtn. and into our Middletown existence. I’m just refining the process now; winging it as they say. And Bigfoot itself may continue into the future. I have the option to camp there even when living in Middletown, since we’ll be retired. And Whitehead Crossing, too, probably has long term value, if in a more abstract way and connected to local Frank and Herman Parks as a whole. But I don’t think I want to camp in Frank and Herman Parks. Too many aliens.

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Filed under *Second Life, Bigfoot, Blue Mountain, collage, Frank Park, Herman Park, Heterocera, Middletown, Rubi, United Kingdom, Whitehead Crossing

Notes

I went down to Whitehead Crossing this past Monday but the bugs kept me from taking any photos. They didn’t yank the camera out of my hands but they were still buzzing around my face, threatening to get into my eyes if I didn’t stop waving my hands in front of ’em. As Chester says, it’s kind of hell up here in the summer. No bugs in Second Life. No afternoon thunderstorms to wet things up until the next one rolls around the following day. But I still think Bigfoot may be accessible during the summer — *has* been accessible (so far). That’s a big advantage. And I revisited Con Creek as well on Sunday and enjoyed a rather pleasant tromp to Green Stream and the Korean Channel, just like old days. Visited Damsel Island…

What of Collagesity? In Second Life (or My Second Lyfe), I’ve been hanging out over at Yd Island on the Nautilus continent a bit. I won’t go into detail except to say that it’s kind of piqued my interest about the island mythology again.

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And Nautilus in general. Mystenopolis: what’s that all about?

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Is this where Bogota will be born?

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https://bakerbloch.com/2015/06/09/mysterious-mysten-just-to-get-that-title-out-of-the-way/

https://bakerbloch.com/2015/06/09/mm-02/

https://bakerbloch.com/2015/06/10/faun-house/

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06/17/16: Faune still there!

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Filed under *Second Life, Concreek, Frank Park, Nautilus/Philo, Uncategorized, Whitehead Crossing

Blue Mtn.>Middletown (Again)

Development is occurring on the Middletown mythos again. This is the place we’ll most likely be spending our retirement time starting in 7-10 years. Probably more like 7, actually. I had several nice Middletown hikes both this past Saturday (morning) and then again on Monday.

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1st set of shots come from locations along a railroad about 1 1/2 miles south of Future Home. I do not yet have a mythological name for this area, but it’s probably coming. Along the rr I found a more heavily graffitied wall, naturally picturesque.

This kind of sums up the life of a graffiti artist, don’t you think?

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Thick green strokes for this unintelligible scrawl.

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Hobo graffiti ghost? Teaching smaller ghosts about the ethereal art of spray painting?

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I see a number of “B-TEAM’ and “MOMS” on the wall.

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Another, lower wall along the rr. The creek running through here may be named Hemp, but not totally 100 percent sure of that yet.

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Interesting underpass beneath Superhighway 30 which parallels the rr along this stretch.

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Stairs just beyond. This is an official trail along the Greenway. I should back up here and say that Greenway, Superhighway 30 and the Nowhere River conjunct at this place. LINK

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Underpass pipe with scrawl that’s suppose to be intelligible but still appears cryptic. Not graffiti, obviously, but sharing certain features.

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—–

We now switch to a location considerably closer to Future Home, or what I’m calling First Stream or perhaps Prime Stream (Pream?). Actually there are two streams in the area that combine to form one stream at Upper Mossman Road. So maybe one is First and the other is Prime. So my thinking is that the closest to Future Home is First, and then the twin stream, more protected and hidden in the woods, is Prime.

The Greenway is also very close to First/Prime. A path connects latter to former, running by these more interesting and larger rocks.

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Mysterious bridges span Prime and First at many places. I’ll certainly create a map asap.

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There’s junk in the area. A considerable amount.

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Head o’ Prime.

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Another Prime bridge. Guarded by thorny bushes. Obviously not been used in a while.

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Bricks in Prime.

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Circle of green along Prime. Violet, green, orange actually. More on First/Prime soon!

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Filed under Frank Park, Middletown, Whitehead Crossing

Whitehead X-ing Studies 03

Diamond Beach:
https://bakerbloch.com/2013/06/10/diamond-beach-arkansas-beach-etc/

Pooh searches for Master Bee at 4 Sticks, crossing Big Log to enter. 4 Sticks misses him. Gift of honey stuck on knob of Big Log. This is legend. 4 Sticks knows this is Crossroads and 49 x 61 = 2989. 2989 is the Master Number. 2989 is the Master’s Number.

Where does Pooh come from to visit 4 Sticks? He has planned and planned and planned for this trip.

Pooh sometimes said he was a swan and not a bear.

Is Master Bee Hucka Doobie? Did Pooh go to the wrong location (4 Sticks instead of Greenhead, where the Bees actually lived)?

2989:
https://bakerbloch.com/2013/06/07/so-forth-big-log/

2989detail

“It’s that “2989” detail where Pooh’s red umbrella attempts to cover the Fal Mouth Moon Gallery but can’t. This predicts the creation of the Red Umbrella gallery and its 3 inclusive series by a number of months. Pooh’s umbrella can’t cover Fal Mouth Moon because the two are separate things. And now in Minoa’s Collagesity the two sit side by side with each other.”

“When you walk in the gallery, this same image appears on the opposite wall smack in the middle of the tetraptych running along that whole side.”

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Hucka D.:

I suppose we have no choice but to bring Pooh physically into Whitehead Crossing. Collagesity I mean there, of course. My bad. I’m getting as bad as Carrcassonnee[ on the word mistakes]!

bb:

Yes, he’s already been to The Crossing and left a pot of honey outside the city gates, or the inner city sometimes referred to as 4 Sticks. He thought the Master Bee was there. He thought *you* were there. You and your bottles.

Hucka D.:

Don’t start with me again. You were just as responsible!

bb:

Back to the detail — so the Clarksdale crossing sign is directly above Pooh and his umbrella in the overall collage (“2989”). Pooh’s honey cart gets stuck on High Knob [= Knobby?]on Big Log, right in front of the the place where we know the Fal Mouth Moon structure was located in Whitehead X-ing. This would be on top of the Cliffs of Dundee, Hucka D.

Hucka D.:

Precisely there. Highlighted by several other [Whitehead Crossing related] collages.

bb:

So here’s the one with the honey stuck on Big Log…

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[In the second, ]Winnie’s already left the scene, given up on 4 Sticks receiving the gift. But now 4 Sticks is there, which is the same as Zoso I suppose, or the town’s spirit deity.

Hucka D.:

Winnie is Winnfield. Are you going to meet up with Karoz Blogger tonight? Have you found the old interview? You can’t do the new one until you look what happened with that one. Karoz is important as a gap filler. He was *there* in Whitehead Crossing — just like Spongeberg is presently. I’m not sure the two knocked into each other, but you need to know that. Karoz was there to negotiate the founding of the Falmouth collage college in Castle Dundee, and the creation of a virtual town surrounding it. The students had to have a place to live. The faculty and staff as well. So a village had to be built, if it were to succeed. But this was not 4 Sticks, but across Whitehead Stream from it. The village knew it would be the central source of The Crossing. It *was* The Crossing, the energy. But white magic instead of black. That ol’ white magic. Who is Dundee and his wife? You know from your “High Octave Story” that he cherished paintings, and collected everything from the year 1812 he could. “The Cliffs of Dundee” hung on the far wall across from his office. The triangle.

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“The Cliffs of Dundee”, oil painting by Waverly Knapp, c1812.

Now this is a better representation of the cliffs as [Mr. & Mrs.] Dundee saw them. Your collage “Promised Land Revisited” uses many of the same elements, but the perspective is reversed, with the cliffs on the right side of the stream instead of the left. Put that up as well…

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… and this is from the Falmouth collage series, 6 years after “Promised Land”, the actual collage behind the supposed painting “Cliffs of Dundee”. But it *was* a painting… to the Dundees. How did they accomplish this? This is what you must find out next. How did they go into the landscape of The Crossing. They used the power of 2989 to enter. The vortex[ again]. The stone on top of the Cliffs of Dundee in the second collage above has a cross on it. 49×61. 2989. It’s an imported rock, however, actually coming from neighboring Norris Creek. It’s only there in the collage and not in reality. This is an important collage — *these* are important collages. Because both are. But one is also a painting. How is that?

bb:

I don’t know, Hucka D.

Hucka D.:

Find out. Talk to Karoz tonight but dig up that old interview in the meantime. We’ll speak later. Have a super nice day!

bb:

Thanks! You too.

Bubbles' Unequal Marriage06
Hucka D. later indicated that “Bubbles’ Unequal Marriage” also hung in Castle Dundee.

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Filed under *Second Life, Frank Park, Heterocera, Rubi, Whitehead Crossing