Category Archives: 03

switch to blonde

He wandered around the streets of Apple’s Orchard in a thought haze after the engagement with his sister was back on, eventually settling into this cold seat in Dr. Rabbid Baumbeer’s still undeveloped Red Rose (consignment store?) staring at a hot spot picture and understanding that reality had changed, and that something had somehow been saved. But what? He looks at the locos superimposed against each other in both the backing and fronting photos before him to become one. Locomotives, that is. Train cars. Something had begun, something he didn’t understand. And apparently no one around him did either, Peter, Cat, Phil 02, David, no one. Didn’t matter if I said their names here. No one was listening.

Maybe it’s just Our Second Lyfe that is off-putting. I can understand that.

Doesn’t really matter to me that much because I enjoy hiding anyway. πŸ™‚

(to be continued)

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Filed under **VIRTUAL SL, 0022, 0304, Apple's Orchard, NWES Island

1/2 and 1/2

“I refuse to die this time Jerome T. Newton. I’m going beyond the end of Newton — you — into Oblong.”

“It’s that girl that’s helping you,” Newton declared between clenched teeth. “From the *fu-ture*.”

“Maybe.”

Chef-detective Keat Petty Owens had already moved on from his stalking ghost to a different gallery. He was staring at the beginning of the second 1/2 of the 10×10. 51. “It’s All Here.”

He even gave his petrified hands back to Newton as a parting gift. Goodbye demo(n) alien. Forever. Maybe.

To Montana. And beyond…

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Filed under **VIRTUAL SL, 0022, 0303, Art 10x10, collages 2d, Heterocera, Oblong, Rubi, Yale-Newton

eyes

“Where’d you get that *hair*, brother of mine.”

Toothpick pats the top of his now thickly padded skull. “Neptune hair. It’s all the rage in the central parts of The City. Just a demo for now — trying it out. You like?” He moves his piece of straw around in his mouth in rhythm with Elberta’s. Both notice. Both turn a little red (?).

“Ahem, yes I suppose.” She couldn’t say much since she was testing out a demo as well. Silence for the moment, then: “Do you think he’ll still show up tonight?”

“Who?”

“You know. Spongebub. The reason we’re here. We need to tell him that his wife is still alive and well in Urqhart or thereabouts, selling rental units for the Illuminati. That’s the organization she was working for all along. It was the drink–”

“Sponge*bob*?” Toothpick was backing up, unable to understand the line of thought pointing to the single eyed ones,Β The Residents and Firesign Theatre (or Theater) both.

“*Bub*,” reinforced the sister. “We’ll call him bub in this lower, more paradoxical dimension.” She reconsidered the word. What was the adjective form of parody? She didn’t know. She remained quiet, waiting for him to talk again.

“You mean the little yellow fellow, the square one?”

“Yes. Sponge*bub*,” she pronounced again.

“You mean like the little yellow, square fellow on the floor beside me right now?”

“Um. What?”

“He’s right here. Beside me. He’s been here for a while. I thought you knew.”

Elberta stands up, peers over the edge of The Table and sees the top of Spongebub’s square head with its big goofy peepers ogling (?) back. “Oh. Okay.” She keeps staring, looking for signs of life. “Why isn’t he *doing* anything — saying anything?”

“Go ahead, little fellow,” encouraged Toothpick by his side.

“Bahahahaha!” suddenly came the activated sound upon this request. “She has a square just like *me*!” He reads above her head in his high pitched and oh so nasal voice. “Gone… mo… ing.” Spongebub puts a yellow finger to his now down-turned line of a mouth, a thinking gesture complete with bulging eyes rolled upward. “Err.” He stares forward again. “What’s a mo-ing?”

They correct him as one, synchronized once more.

Back to the canal for the both of ’em.

—–

Buster gave Duncan what he thought might be good news. “They decided to get married after all, the brother and the sister. Disturbing I know. But par for the course in the Deep–”

Duncan hung up. He was already mentally prepared to move to the Sunklands to stay with Elberta and Toothpick. It was as if a cushy rug had been rudely jerked out from under his feet, leaving him to fall to a rock hard floor he understood all too well. It was his cell.

(to be continued)

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Filed under **VIRTUAL SL, 0022, 0302, Heterocera, Iris, VHC City

Phils

Two realities were superimposing themselves on top of each other, inadvertently (perhaps) creating chaos and confusion. He simply didn’t know; he simply couldn’t understand. In the moment.

I’ve created the bare bones of a consignment store on my Rubi property not seen since the very beginning of this here photo-novel, number 22 in a series of 20. The first thing I decide on to fill out the 4 square emptiness is a Volvo station wagon, which definitely does *not* have two handles on its back door nosiree.

Let’s just prop it up outside for now against the building’s unfinished, plywood exterior.

Then I add another image inside that has become meaningful to me today: the collage characters I call Source (Male) and Lake (Female) — perhaps another version of Adam and Eve and the whole Apples story — *hiding* something. Like we are seeing through a wall into another dimension.


red dress

And since the Tacoma consignment store the impossible station wagon is driving by on N Proctor Ave in that first picture above is named Megs and Mo, I suppose Cassandra City’s Moes Bar is related somehow. The transparent Source and Lake image comes from M & M as well — very important there. More soon.

β€œPhil had the richest, most complicated sense of humor of the four of us,” said his Firesign Theatre partner David Ossman. β€œHe loved what he called β€˜the stupid’ and he could twist it into surreal pieces of head-beating comedy. His High School Lunch Menus, the Irish guy who taught how to paint like the insane, the Funny Names Club of America. He had the whole range. Bergman and Austin were really the Lennon and McCartney of the group.”

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Filed under **VIRTUAL SL, 0022, 0301, Google Street View, Heterocera, Rubi, Washington

new Diagonal 02

200 200: another threshold.

180 180.

But Hucka must *really* get over to Harrison’s before the night is done. Daylight in a little over an hour. Magic opening closed!

144 144. Maybe I better call Baker over here instead.

145 145 and 144 144 respectively.

“I was just going to tell you that The Boy was not at Stranger Creek. That’s all.”

“Good enough. Let’s see what else we’ve got on this Diagonal. Maybe it is all planned.” Both laugh.

203 203: “Let me help you out here old timer.”

“You’re axed.”

204 204: Mo guest. Missouri? Mizzou?


Mount Lemmon, Arizona

203 203: “We’re just missing the mark now, Hucka Doobie. Can you hear me?”

239 239, 240 240:

240 240, 242 242: Uh oh. Something’s going on. β€œHow can you be in 2 places at once?” I exclaimed, flipping back and forth between Baker Bloch’s and Hucka Doobie’s viewers.

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Filed under **VIRTUAL SL, 0021, 0317, Arizona, Teepot+

new Diagonal

Hmm. A triple number: 173 173 173. Carpe Diem, huh? Seize the day. Seize the night!

Better head over to Harrison’s place.

166 166 (173): “Rome Italy: Montage 5” by Kyoko Furse-Barzane (L$350). Hucka Doobie naturally thinks back to the “When in Rome” collage and her role in that. Trapped! (Gastonite!) But what does “Rome” mean now? Carpe Diem: a Latin term.

I suppose Rome would have to mean Teepot itself, and the ability of the Greater Baker family to fit in. Starting with Bake’s Bakery: it all centers around that now. Do as the Teepoters do.

161 161 173: Sake server.


Silver Sake server

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Filed under **VIRTUAL SL, 0021, 0316, Teepot+

trying to love

NWES City:

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Filed under **VIRTUAL SL, 0021, 0315, Black Ice, Neptune, NWES Island

Gastonite

Now eyepatched Jim the Bastard Pirate, still working from his magic typewriter, looks around the 2nd floor of his new Bogota Gallery in NWES City and sees it is good.

Soon he would reach the 3rd and enter a new level of understanding about what happened to Hucka Doobie when she was pushed into that collage to the left by thought-to-be friend Tammy Whatammy back in photo-novel 7. Instead: fusion.


“When in Rome” (2018)

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Filed under **VIRTUAL SL, 0021, 0314, Black Ice, Bogota, collages 2d, Gaston+, NWES Island, Silverton

sweet sixteen

“I remember that day like it was yesterday,” spoke Jiff the former staff psychologist at Gaston Police Station. “Gastion, they sometimes called it when they were all drunk and slury down in the basement beside the torturing devices. Best to be intoxicated down there. Too many ghosts and memories. But it was the only place they could get away from chief Golden Josephine Jim and expect to get away with it. Chef Golden Jim Josephine often joined them. Cook at the upgraded Joint Joint, now a hip place for those who think with their hips instead of their head. Which was seemingly everyone around here. The Dark Peak dominated once more — Dark Days again.”

Jim the Bastard Pirate, formerly Randolph the Bastard Pirate, was typing away as Jiff’s cartoon-ish, Ickle voice yammered on. The words almost came too swift. He needed something better than a manual instrument for his craft, his trade. Because, he determined early on, this one will *sell*. I’ll hide all the things I’ve plundered from others, like that graphite gray map on the, let’s see, wall behind me. There. He turns.

Half of it remains screened for now.

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Filed under **VIRTUAL SL, 0021, 0313, Gaston+, The Waste+

pirate

138 dead. Chain reaction. The words reverberated in his head like a broken record or something. A repetitive sea shanty — that’s better. He remembers to paint again. Dreamy dreams can wait. He tries to set them aside but more return en masse. Chain reaction. 138 dead, 138 dead, 138 dead. Perhaps it is time to write; maybe the *other* voices will drown out *these* voices. He moves from the canvas to the typewriter to begin a long overdue project. He inserts a blank sheet. Like life itself, waiting to be written upon, he thinks. Fresh start. He presses caps lock and centers the page 2/3rd up with 3 backspaces. He types a G, then an A, then an S. He stares at what he’s typed so far. T, then, O. He pauses again. N to finish. It has begun.

That should keep the bastard busy for a while.

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Filed under **VIRTUAL SL, 0021, 0312, Bogota, collages 2d, Gaston+, Silverton, The Waste+